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4. THE IMPORTANCE OF A LEG OF MUTTON
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The inspector1 drew a key from his pocket and unlocked the door of Granite2 Bungalow3. The day had been fine and dry, so our feet were not likely to leave any prints; nevertheless, we wiped them carefully on the mat before entering.
A woman came up out of the gloom and spoke4 to the Inspector, and he turned aside. Then he spoke over his shoulder.
"Have a good look round, Mr. Poirot, and see all there is to be seen. I'll be back in about ten minutes. By the way, here's Grant's boot. I brought it along with me for you to compare the impressions."
We went into the living-room, and the sound of the Inspector's footsteps died away outside. Ingles was attracted immediately by some Chinese curios on a table in the corner, and went over to examine them. He seemed to take no interest in Poirot's doings. I, on the other hand, watched him with breathless interest. The floor was covered with a dark-green linoleum5 which was ideal for showing up footprints. A door at the farther end led into the small kitchen. From there another door led into the scullery (where the back door was situated), and another into the bedroom which had been occupied by Robert Grant. Having explored the ground, Poirot commented upon it in a low running monologue6.
"Here is where the body lay; that big dark stain and the splashes all around mark the spot. Traces of carpet slippers7 and 'number nine' boots, you observe, but all very confused. Then two sets of tracks leading to and from the kitchen; whoever the murderer was, he came in that way. You have the boot, Hastings? Give it to me." He compared it carefully with the prints. "Yes, both made by the same man, Robert Grant. He came in that way, killed the old man, and went back to the kitchen. He had stepped in the blood; see the stains he left as he went out? Nothing to be seen in the kitchen—all the village has been walking about in it. He went into his own room—no, first he went back again to the scene of the crime—was that to get the little
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收听单词发音

1
inspector
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n.检查员,监察员,视察员 | |
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2
granite
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adj.花岗岩,花岗石 | |
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3
bungalow
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n.平房,周围有阳台的木造小平房 | |
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4
spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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5
linoleum
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n.油布,油毯 | |
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6
monologue
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n.长篇大论,(戏剧等中的)独白 | |
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7
slippers
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n. 拖鞋 | |
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8
jade
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n.玉石;碧玉;翡翠 | |
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9
smear
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v.涂抹;诽谤,玷污;n.污点;诽谤,污蔑 | |
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10
diabolical
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adj.恶魔似的,凶暴的 | |
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11
concealed
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a.隐藏的,隐蔽的 | |
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12
descended
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a.为...后裔的,出身于...的 | |
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13
drawn
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v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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14
implore
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vt.乞求,恳求,哀求 | |
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15
subsided
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v.(土地)下陷(因在地下采矿)( subside的过去式和过去分词 );减弱;下降至较低或正常水平;一下子坐在椅子等上 | |
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16
abashed
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adj.窘迫的,尴尬的v.使羞愧,使局促,使窘迫( abash的过去式和过去分词 ) | |
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17
poking
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n. 刺,戳,袋 vt. 拨开,刺,戳 vi. 戳,刺,捅,搜索,伸出,行动散慢 | |
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18
yelp
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vi.狗吠 | |
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19
standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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larder
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n.食物贮藏室,食品橱 | |
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brandishing
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v.挥舞( brandish的现在分词 );炫耀 | |
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22
withering
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使人畏缩的,使人害羞的,使人难堪的 | |
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23
illustrated
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adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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joint
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adj.联合的,共同的;n.关节,接合处;v.连接,贴合 | |
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slivers
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(切割或断裂下来的)薄长条,碎片( sliver的名词复数 ) | |
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agitation
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n.搅动;搅拌;鼓动,煽动 | |
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Fahrenheit
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n./adj.华氏温度;华氏温度计(的) | |
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pottery
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n.陶器,陶器场 | |
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inquiry
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n.打听,询问,调查,查问 | |
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connoisseur
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n.鉴赏家,行家,内行 | |
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bustling
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adj.喧闹的 | |
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32
caressed
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爱抚或抚摸…( caress的过去式和过去分词 ) | |
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utterly
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adv.完全地,绝对地 | |
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34
constable
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n.(英国)警察,警官 | |
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whined
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v.哀号( whine的过去式和过去分词 );哀诉,诉怨 | |
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screeched
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v.发出尖叫声( screech的过去式和过去分词 );发出粗而刺耳的声音;高叫 | |
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jaw
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n.颚,颌,说教,流言蜚语;v.喋喋不休,教训 | |
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hog
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n.猪;馋嘴贪吃的人;vt.把…占为己有,独占 | |
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mincing
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adj.矫饰的;v.切碎;切碎 | |
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repentant
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adj.对…感到悔恨的 | |
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doorway
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n.门口,(喻)入门;门路,途径 | |
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deliberately
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adv.审慎地;蓄意地;故意地 | |
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steadily
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adv.稳定地;不变地;持续地 | |
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44
exclamation
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n.感叹号,惊呼,惊叹词 | |
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dignified
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a.可敬的,高贵的 | |
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gallows
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n.绞刑架,绞台 | |
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