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And then out of the north woods a crime sensation of the first magnitude, with all of those intriguingly1 colorful,and yet morally and spiritually atrocious, elements--love, romance, wealth; poverty, death. And at oncepicturesque accounts of where and how Clyde had lived in Lycurgus, with whom he had been connected, how hehad managed to conceal2 his relations with one girl while obviously planning to elope with another--being wiredfor and published by that type of editor so quick to sense the national news value of crimes such as this. Andtelegrams of inquiry3 pouring in from New York, Chicago, Boston, Philadelphia, San Francisco and other largeAmerican cities east and west, either to Mason direct or the representatives of the Associated or United Press inthis area, asking for further and more complete details of the crime. Who was this beautiful wealthy girl withwhom it was said this Griffiths was in love? Where did she live? What were Clyde's exact relations with her? YetMason, over-awed by the wealth of the Finchleys and the Griffiths, loath4 to part with Sondra's name, simplyasserting for the present that she was the daughter of a very wealthy manufacturer in Lycurgus, whose name hedid not care to furnish--yet not hesitating to show the bundle of letters carefully tied with a ribbon by Clyde.
But Roberta's letters on the other hand being described in detail,--even excerpts5 of some of them--the morepoetic and gloomy being furnished the Press for use, for who was there to protect her. And on their publication awave of hatred6 for Clyde as well as a wave of pity for her--the poor, lonely, country girl who had had no one buthim--and he cruel, faithless,--a murderer even. Was not hanging too good for him? For en route to and from BearLake, as well as since, Mason had pored over these letters. And because of certain intensely moving passagesrelating to her home life, her gloomy distress7 as to her future, her evident loneliness and weariness of heart, hehad been greatly moved, and later had been able to convey this feeling to others--his wife and Heit and the localnewspapermen. So much so that the latter in particular were sending from Bridgeburg vivid, if somewhatdistorted, descriptions of Clyde, his silence, his

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intriguingly
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conceal
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v.隐藏,隐瞒,隐蔽 | |
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inquiry
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n.打听,询问,调查,查问 | |
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loath
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adj.不愿意的;勉强的 | |
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excerpts
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n.摘录,摘要( excerpt的名词复数 );节选(音乐,电影)片段 | |
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hatred
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n.憎恶,憎恨,仇恨 | |
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distress
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n.苦恼,痛苦,不舒适;不幸;vt.使悲痛 | |
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moodiness
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n.喜怒无常;喜怒无常,闷闷不乐;情绪 | |
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immediate
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adj.立即的;直接的,最接近的;紧靠的 | |
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exhausted
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adj.极其疲惫的,精疲力尽的 | |
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mere
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adj.纯粹的;仅仅,只不过 | |
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contented
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adj.满意的,安心的,知足的 | |
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graphic
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adj.生动的,形象的,绘画的,文字的,图表的 | |
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modesty
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n.谦逊,虚心,端庄,稳重,羞怯,朴素 | |
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lured
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吸引,引诱(lure的过去式与过去分词形式) | |
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depressed
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adj.沮丧的,抑郁的,不景气的,萧条的 | |
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gathering
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n.集会,聚会,聚集 | |
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bland
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adj.淡而无味的,温和的,无刺激性的 | |
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decided
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adj.决定了的,坚决的;明显的,明确的 | |
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proceeding
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n.行动,进行,(pl.)会议录,学报 | |
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beacon
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n.烽火,(警告用的)闪火灯,灯塔 | |
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astounding
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adj.使人震惊的vt.使震惊,使大吃一惊astound的现在分词) | |
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climax
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n.顶点;高潮;v.(使)达到顶点 | |
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drawn
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v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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sob
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n.空间轨道的轰炸机;呜咽,哭泣 | |
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intimacy
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n.熟悉,亲密,密切关系,亲昵的言行 | |
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sobs
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啜泣(声),呜咽(声)( sob的名词复数 ) | |
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confession
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n.自白,供认,承认 | |
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accusation
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n.控告,指责,谴责 | |
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tact
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n.机敏,圆滑,得体 | |
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astounded
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v.使震惊(astound的过去式和过去分词);愕然;愕;惊讶 | |
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lurk
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n.潜伏,潜行;v.潜藏,潜伏,埋伏 | |
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inspection
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n.检查,审查,检阅 | |
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whatsoever
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adv.(用于否定句中以加强语气)任何;pron.无论什么 | |
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hegira
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n.逃亡 | |
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secluded
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adj.与世隔绝的;隐退的;偏僻的v.使隔开,使隐退( seclude的过去式和过去分词) | |
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entirely
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ad.全部地,完整地;完全地,彻底地 | |
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contention
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n.争论,争辩,论战;论点,主张 | |
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sufficiently
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adv.足够地,充分地 | |
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defiled
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v.玷污( defile的过去式和过去分词 );污染;弄脏;纵列行进 | |
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interim
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adj.暂时的,临时的;n.间歇,过渡期间 | |
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authorization
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n.授权,委任状 | |
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guilt
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n.犯罪;内疚;过失,罪责 | |
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ushered
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v.引,领,陪同( usher的过去式和过去分词 ) | |
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geniality
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n.和蔼,诚恳;愉快 | |
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recessive
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adj.退行的,逆行的,后退的,隐性的 | |
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exculpatory
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adj.辩解的,辩明无罪的 | |
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placate
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v.抚慰,平息(愤怒) | |
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previously
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adv.以前,先前(地) | |
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halcyon
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n.平静的,愉快的 | |
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abrasions
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n.磨损( abrasion的名词复数 );擦伤处;摩擦;磨蚀(作用) | |
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bruises
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n.瘀伤,伤痕,擦伤( bruise的名词复数 ) | |
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fumbling
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n. 摸索,漏接 v. 摸索,摸弄,笨拙的处理 | |
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mighty
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adj.强有力的;巨大的 | |
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