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Two
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Two
There was a moment’s silence as Poirot stared at her. Then he asked sharply: “Something wrong?
How?”
“I don’t know…That’s what I want you to find out. But I’ve felt—more and more—that I wasbeing—oh!—engineered…jockeyed along…Call me a fool if you like, but I can only say that ifthere was to be a real murder tomorrow instead of a fake one, I shouldn’t be surprised!”
Poirot stared at her and she looked back at him defiantly1.
“Very interesting,” said Poirot.
“I suppose you think I’m a complete fool,” said Mrs. Oliver defensively.
“I have never thought you a fool,” said Poirot.
“And I know what you always say—or look—about intuition.”
“One calls things by different names,” said Poirot. “I am quite ready to believe that you havenoticed something, or heard something, that has definitely aroused in you anxiety. I think it ispossible that you yourself may not even know just what it is that you have seen or noticed orheard. You are aware only of the result. If I may so put it, you do not know what it is that youknow. You may label that intuition if you like.”
“It makes one feel such a fool,” said Mrs. Oliver, ruefully, “not to be able to be definite.”
“We shall arrive,” said Poirot encouragingly. “You say that you have had the feeling of being—how did you put it—jockeyed along? Can you explain a little more clearly what you mean bythat?”
“Well, it’s rather difficult…You see, this is my murder, so to speak. I’ve thought it out andplanned it and it all fits in—dovetails. Well, if you know anything at all about writers, you’ll knowthat they can’t stand suggestions. People say ‘Splendid, but wouldn’t it be better if so and so did soand so?’ or ‘Wouldn’t it be a wonderful idea if the victim was A instead of B? Or the murdererturned out to be D instead of E?’ I mean, one wants to say: ‘All right then, write it yourself if youwant it that way!’”
Poirot nodded.
“And that is what has been happening?”
“Not quite…That sort of silly suggestion has been made, and then I’ve flared2 up, and they’vegiven in, but have just slipped in some quite minor3 trivial suggestion and because I’ve made astand over the other, I’ve accepted the triviality without noticing much.”
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1
defiantly
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adv.挑战地,大胆对抗地 | |
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2
Flared
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adj. 端部张开的, 爆发的, 加宽的, 漏斗式的 动词flare的过去式和过去分词 | |
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3
minor
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adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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4
preposterous
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adj.荒谬的,可笑的 | |
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5
alteration
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n.变更,改变;蚀变 | |
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6
alterations
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n.改动( alteration的名词复数 );更改;变化;改变 | |
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7
artistic
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adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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8
folly
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n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
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9
housekeeper
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n.管理家务的主妇,女管家 | |
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10
lodge
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v.临时住宿,寄宿,寄存,容纳;n.传达室,小旅馆 | |
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11
ass
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n.驴;傻瓜,蠢笨的人 | |
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12
straightforward
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adj.正直的,坦率的;易懂的,简单的 | |
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13
obstinate
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adj.顽固的,倔强的,不易屈服的,较难治愈的 | |
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14
obstinately
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ad.固执地,顽固地 | |
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15
awfully
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adv.可怕地,非常地,极端地 | |
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16
demur
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v.表示异议,反对 | |
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17
spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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18
kindly
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adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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19
intrigued
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adj.好奇的,被迷住了的v.搞阴谋诡计(intrigue的过去式);激起…的兴趣或好奇心;“intrigue”的过去式和过去分词 | |
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20
jutted
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v.(使)突出( jut的过去式和过去分词 );伸出;(从…)突出;高出 | |
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21
glibly
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adv.流利地,流畅地;满口 | |
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22
motive
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n.动机,目的;adv.发动的,运动的 | |
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23
perfectly
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adv.完美地,无可非议地,彻底地 | |
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24
subtleties
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细微( subtlety的名词复数 ); 精细; 巧妙; 细微的差别等 | |
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25
flop
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n.失败(者),扑通一声;vi.笨重地行动,沉重地落下 | |
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26
scribbled
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v.潦草的书写( scribble的过去式和过去分词 );乱画;草草地写;匆匆记下 | |
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27
ingenuity
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n.别出心裁;善于发明创造 | |
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28
relinquish
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v.放弃,撤回,让与,放手 | |
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29
zigzagging
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v.弯弯曲曲地走路,曲折地前进( zigzag的现在分词 );盘陀 | |
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30
surmounted
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战胜( surmount的过去式和过去分词 ); 克服(困难); 居于…之上; 在…顶上 | |
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31
standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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32
flannel
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n.法兰绒;法兰绒衣服 | |
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33
virulent
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adj.有毒的,有恶意的,充满敌意的 | |
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spun
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v.纺,杜撰,急转身 | |
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grassy
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adj.盖满草的;长满草的 | |
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tycoon
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n.有钱有势的企业家,大亨 | |
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37
gale
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n.大风,强风,一阵闹声(尤指笑声等) | |
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38
groan
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vi./n.呻吟,抱怨;(发出)呻吟般的声音 | |
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utterly
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adv.完全地,绝对地 | |
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naval
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adj.海军的,军舰的,船的 | |
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convoy
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vt.护送,护卫,护航;n.护送;护送队 | |
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42
stinking
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adj.臭的,烂醉的,讨厌的v.散发出恶臭( stink的现在分词 );发臭味;名声臭;糟透 | |
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43
pointed
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adj.尖的,直截了当的 | |
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44
clump
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n.树丛,草丛;vi.用沉重的脚步行走 | |
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45
shrubs
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灌木( shrub的名词复数 ) | |
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46
mansion
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n.大厦,大楼;宅第 | |
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47
devoid
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adj.全无的,缺乏的 | |
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