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Fifteen
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Fifteen
D ermot Craddock looked down at the last name and address he had written down in his notebook. The telephonenumber had been rung twice for him but there had been no response. He tried it now once more. He shrugged1 hisshoulders, got up and decided3 to go and see for himself.
Margot Bence’s studio was in a cul-de-sac off the Tottenham Court Road. Beyond the name on a plate on the sideof a door, there was little to identify it, and certainly no form of advertising4. Craddock groped his way to the first floor.
There was a large notice here painted in black on a white board. “Margot Bence, Personality Photographer. Pleaseenter.”
Craddock entered. There was a small waiting room but nobody in charge of it. He stood there hesitating, thencleared his throat in a loud and theatrical5 manner. Since that drew no attention he raised his voice.
“Anybody here?”
He heard a flap of slippers6 behind a velvet7 curtain, the curtain was pushed aside and a young man with exuberanthair and a pink and white face, peered round it.
“Terribly sorry, my dear,” he said. “I didn’t hear you. I had an absolutely new idea and I was just trying it out.”
He pushed the velvet curtain farther aside and Craddock followed him into an inner room. This proved to beunexpectedly large. It was clearly the working studio. There were cameras, lights, arc-lights, piles of drapery, screenson wheels.
“Such a mess,” said the young man, who was almost as willowy as Hailey Preston. “But one finds it very hard towork, I think, unless one does get into a mess. Now what were you wanting to see us about?”
“I wanted to see Miss Margot Bence.”
“Ah, Margot. Now what a pity. If you’d been half an hour earlier you’d have found her here. She’s gone off toproduce some photographs of models for Fashion Dream. You should have rung up, you know, to make anappointment. Margot’s terribly busy these days.”
“I did ring up. There was no reply.”
“Of course,” said the young man. “We took the receiver off. I remember now. It disturbed us.” He smoothed downa kind of lilac smock that he was wearing. “Can I do anything for you? Make an appointment? I do a lot of Margot’sbusiness arrangements for her. You wanted to arrange for some photography somewhere? Private or business?”
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1
shrugged
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vt.耸肩(shrug的过去式与过去分词形式) | |
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2
hiss
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v.发出嘶嘶声;发嘘声表示不满 | |
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3
decided
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adj.决定了的,坚决的;明显的,明确的 | |
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4
advertising
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n.广告业;广告活动 a.广告的;广告业务的 | |
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5
theatrical
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adj.剧场的,演戏的;做戏似的,做作的 | |
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6
slippers
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n. 拖鞋 | |
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7
velvet
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n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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perfectly
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adv.完美地,无可非议地,彻底地 | |
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artistic
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adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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10
prudish
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adj.装淑女样子的,装规矩的,过分规矩的;adv.过分拘谨地 | |
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11
eyewitness
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n.目击者,见证人 | |
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12
mead
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n.蜂蜜酒 | |
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hemlock
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n.毒胡萝卜,铁杉 | |
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bleak
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adj.(天气)阴冷的;凄凉的;暗淡的 | |
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frivolous
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adj.轻薄的;轻率的 | |
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skilfully
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adv. (美skillfully)熟练地 | |
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enacted
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制定(法律),通过(法案)( enact的过去式和过去分词 ) | |
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diaphanous
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adj.(布)精致的,半透明的 | |
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standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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hoarse
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adj.嘶哑的,沙哑的 | |
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inspector
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n.检查员,监察员,视察员 | |
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wary
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adj.谨慎的,机警的,小心的 | |
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eyebrows
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眉毛( eyebrow的名词复数 ) | |
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24
butt
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n.笑柄;烟蒂;枪托;臀部;v.用头撞或顶 | |
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butted
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对接的 | |
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butting
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用头撞人(犯规动作) | |
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constable
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n.(英国)警察,警官 | |
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killer
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n.杀人者,杀人犯,杀手,屠杀者 | |
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publicity
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n.众所周知,闻名;宣传,广告 | |
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30
footpath
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n.小路,人行道 | |
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animated
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adj.生气勃勃的,活跃的,愉快的 | |
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doorway
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n.门口,(喻)入门;门路,途径 | |
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infinitely
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adv.无限地,无穷地 | |
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specialized
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adj.专门的,专业化的 | |
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personalities
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n. 诽谤,(对某人容貌、性格等所进行的)人身攻击; 人身攻击;人格, 个性, 名人( personality的名词复数 ) | |
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celebrities
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n.(尤指娱乐界的)名人( celebrity的名词复数 );名流;名声;名誉 | |
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draught
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n.拉,牵引,拖;一网(饮,吸,阵);顿服药量,通风;v.起草,设计 | |
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abruptly
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adv.突然地,出其不意地 | |
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propitious
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adj.吉利的;顺利的 | |
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doom
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n.厄运,劫数;v.注定,命定 | |
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glossy
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adj.平滑的;有光泽的 | |
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portrayed
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v.画像( portray的过去式和过去分词 );描述;描绘;描画 | |
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physically
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adj.物质上,体格上,身体上,按自然规律 | |
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straightforward
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adj.正直的,坦率的;易懂的,简单的 | |
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nosy
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adj.鼻子大的,好管闲事的,爱追问的;n.大鼻者 | |
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bastard
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n.坏蛋,混蛋;私生子 | |
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schooling
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n.教育;正规学校教育 | |
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inverted
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adj.反向的,倒转的v.使倒置,使反转( invert的过去式和过去分词 ) | |
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sentimental
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adj.多愁善感的,感伤的 | |
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stunt
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n.惊人表演,绝技,特技;vt.阻碍...发育,妨碍...生长 | |
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sordid
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adj.肮脏的,不干净的,卑鄙的,暗淡的 | |
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prettily
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adv.优美地;可爱地 | |
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rapture
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n.狂喜;全神贯注;着迷;v.使狂喜 | |
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sham
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n./adj.假冒(的),虚伪(的) | |
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calamitous
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adj.灾难的,悲惨的;多灾多难;惨重 | |
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vehemently
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adv. 热烈地 | |
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