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A VISIT TO THE PRESIDENT
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A VISIT TO THE PRESIDENT
I had to go get what I wanted, and I wanted freedom. I needed not just freedom from mymarriage to Tommy, but freedom from Sony, as they were inextricably linked.
The executives at Sony used to call me “the Franchise1” (crazy, right?), so when I wasready to get off the label, they made it difficult for me. We went back and forth2 with thelawyers about what obligations I would be expected to fulfill3. We agreed to an unnamedstudio album (which would eventually become Rainbow).
They wanted a greatest- hits album too. I was resistant4 to this because it felt sopremature, as if they were trying to sew me up with the nineties.
No matter who I was talking to at the label, Tommy was still in control. There was noone above him at Sony Music—everything had to go through him. When I began to haveconversations about getting off the label, I was blocked at every turn. Tommy had avendetta against me, and he used his power to hold me hostage. When things still weren’tmoving along, I felt I had no more options, so I decided5 it was time to pay a visit to NorioOhga, the president and chairman of Sony Corporation. I had never done anything likethis. Tommy was the biggest boss I’d ever faced until then. Going above his head seemedlike a wild, dangerous idea and was certainly a last resort. But I had no choice: this wasmy freedom, my career, my life.
I knew I was the most successful artist in Japan that Sony had at the time, so I figured Icould at least get a sit-down. My executive assistant made the travel arrangements for thetwo of us—nobody else, not even my lawyer.
I called ahead and said, “I’m going to be in Japan. I’d like to come see Mr. Ohga.”
Meanwhile, the people at Sony were probably busy working on the next big globaltechnology or whatever. At the time, I wasn’t thinking that what they made from themusic business was small potatoes compared to everything else. All I was thinking wasthat there had to be someone above Tommy. There had to be some way out, and I waswilling to do anything. So, I decided to pack my bags, fly to the other side of the world,and talk face-to-face with the man who was really running things.
Mr. Ohga’s assistant was a woman who was very kind to me and helped methroughout the trip. We remained friendly for years after. Mr. Ohga
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1
franchise
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n.特许,特权,专营权,特许权 | |
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2
forth
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adv.向前;向外,往外 | |
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3
fulfill
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vt.履行,实现,完成;满足,使满意 | |
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4
resistant
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adj.(to)抵抗的,有抵抗力的 | |
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5
decided
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adj.决定了的,坚决的;明显的,明确的 | |
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6
spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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7
navigate
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v.航行,飞行;导航,领航 | |
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8
gender
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n.(生理上的)性,(名词、代词等的)性 | |
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9
advisers
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顾问,劝告者( adviser的名词复数 ); (指导大学新生学科问题等的)指导教授 | |
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10
marketing
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n.行销,在市场的买卖,买东西 | |
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11
oust
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vt.剥夺,取代,驱逐 | |
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mentor
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n.指导者,良师益友;v.指导 | |
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13
versed
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adj. 精通,熟练 | |
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parental
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adj.父母的;父的;母的 | |
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15
lawsuit
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n.诉讼,控诉 | |
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explicitly
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ad.明确地,显然地 | |
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acclaimed
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adj.受人欢迎的 | |
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recording
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n.录音,记录 | |
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animated
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adj.生气勃勃的,活跃的,愉快的 | |
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laden
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adj.装满了的;充满了的;负了重担的;苦恼的 | |
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prospect
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n.前景,前途;景色,视野 | |
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collaborating
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合作( collaborate的现在分词 ); 勾结叛国 | |
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narrative
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n.叙述,故事;adj.叙事的,故事体的 | |
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24
stereotype
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n.固定的形象,陈规,老套,旧框框 | |
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vocal
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adj.直言不讳的;嗓音的;n.[pl.]声乐节目 | |
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vocals
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(乐曲中的)歌唱部份,声乐部份( vocal的名词复数 ) | |
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complemented
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有补助物的,有余格的 | |
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testimony
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n.证词;见证,证明 | |
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compilation
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n.编译,编辑 | |
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distraction
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n.精神涣散,精神不集中,消遣,娱乐 | |
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secluded
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adj.与世隔绝的;隐退的;偏僻的v.使隔开,使隐退( seclude的过去式和过去分词) | |
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32
limestone
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n.石灰石 | |
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33
smoothly
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adv.平滑地,顺利地,流利地,流畅地 | |
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lyrics
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n.歌词 | |
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35
falter
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vi.(嗓音)颤抖,结巴地说;犹豫;蹒跚 | |
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odds
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n.让步,机率,可能性,比率;胜败优劣之别 | |
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brat
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n.孩子;顽童 | |
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utilize
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vt.使用,利用 | |
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sabotage
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n.怠工,破坏活动,破坏;v.从事破坏活动,妨害,破坏 | |
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toxic
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adj.有毒的,因中毒引起的 | |
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usher
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n.带位员,招待员;vt.引导,护送;vi.做招待,担任引座员 | |
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legendary
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adj.传奇(中)的,闻名遐迩的;n.传奇(文学) | |
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input
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n.输入(物);投入;vt.把(数据等)输入计算机 | |
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squad
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n.班,小队,小团体;vt.把…编成班或小组 | |
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virgin
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n.处女,未婚女子;adj.未经使用的;未经开发的 | |
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embark
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vi.乘船,着手,从事,上飞机 | |
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JUST LIKE HONEY
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