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II
Calgary came to the end of the nice new road with the nice new houses oneither side of it, each with its eighth of an acre of garden; rock plants,chrysanthemums, roses, salvias, geraniums, each owner displaying his orher individual garden taste.
At the end of the road was a gate with sunny point in Gothic letters on it.
He opened the gate, passed through, and went along a short drive. Thehouse was there ahead of him, a well-built, characterless modern house,gabled and porched. It might have stood on any good-class suburban1 site,or a new development anywhere. It was unworthy, in Calgary’s opinion,of its view. For the view was magnificent. The river here curved sharplyround the point almost turning back on itself. Wooded hills rose opposite;up-stream to the left was a further bend of the river with meadows andorchards in the distance.
Calgary looked for a moment up and down the river. One should havebuilt a castle here, he thought, an impossible, ridiculous, fairy tale castle!
The sort of castle that might be made of gingerbread or of frosted sugar.
Instead there was good taste, restraint, moderation, plenty of money andabsolutely no imagination.
For that, naturally, one did not blame the Argyles. They had only boughtthe house, not built it. Still, they or one of them (Mrs. Argyle?) had chosenit….
He said to himself: “You can’t put it off any longer …” and pressed theelectric bell beside the door.
He stood there, waiting. After a decent interval2 he pressed the bellagain.
He heard no footsteps inside but, without warning, the door swung sud-denly open.
He moved back a step, startled. To his already overstimulated imagina-tion, it seemed as though Tragedy herself stood there barring his way. Itwas a young face; indeed it was in the poignancy4 of its youth that tragedyhad its very essence. The Tragic5 Mask, he thought, should always be amask of youth … Helpless, fore-ordained, with doom6 approaching … fromthe future….
Rallying himself, he thought, rationalizing: “Irish type.” The deep blue ofthe eyes, the dark shadow round them, the upspringing black hair, themournful beauty of the bones of the
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1
suburban
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adj.城郊的,在郊区的 | |
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2
interval
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n.间隔,间距;幕间休息,中场休息 | |
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3
aged
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adj.年老的,陈年的 | |
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4
poignancy
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n.辛酸事,尖锐 | |
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tragic
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adj.悲剧的,悲剧性的,悲惨的 | |
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6
doom
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n.厄运,劫数;v.注定,命定 | |
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skull
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n.头骨;颅骨 | |
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watchful
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adj.注意的,警惕的 | |
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grudgingly
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10
hover
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vi.翱翔,盘旋;徘徊;彷徨,犹豫 | |
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11
jack
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n.插座,千斤顶,男人;v.抬起,提醒,扛举;n.(Jake)杰克 | |
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12
fully
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adv.完全地,全部地,彻底地;充分地 | |
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13
middle-aged
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adj.中年的 | |
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14
recesses
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n.壁凹( recess的名词复数 );(工作或业务活动的)中止或暂停期间;学校的课间休息;某物内部的凹形空间v.把某物放在墙壁的凹处( recess的第三人称单数 );将(墙)做成凹形,在(墙)上做壁龛;休息,休会,休庭 | |
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15
accusation
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n.控告,指责,谴责 | |
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prudently
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adv. 谨慎地,慎重地 | |
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aloof
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adj.远离的;冷淡的,漠不关心的 | |
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unwillingly
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adv.不情愿地 | |
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vaguely
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adv.含糊地,暖昧地 | |
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disorder
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n.紊乱,混乱;骚动,骚乱;疾病,失调 | |
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21
momentary
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adj.片刻的,瞬息的;短暂的 | |
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transparent
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adj.明显的,无疑的;透明的 | |
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wraith
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n.幽灵;骨瘦如柴的人 | |
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24
spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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resonance
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n.洪亮;共鸣;共振 | |
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specify
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vt.指定,详细说明 | |
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zestfully
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adv.有辛辣味的; 有风趣的; 有风味的; 有滋味的 | |
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contented
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adj.满意的,安心的,知足的 | |
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mere
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adj.纯粹的;仅仅,只不过 | |
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agitation
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n.搅动;搅拌;鼓动,煽动 | |
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deserted
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adj.荒芜的,荒废的,无人的,被遗弃的 | |
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appalling
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adj.骇人听闻的,令人震惊的,可怕的 | |
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confidentially
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ad.秘密地,悄悄地 | |
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distressed
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痛苦的 | |
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distress
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n.苦恼,痛苦,不舒适;不幸;vt.使悲痛 | |
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invalid
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n.病人,伤残人;adj.有病的,伤残的;无效的 | |
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hesitation
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n.犹豫,踌躇 | |
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flicker
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vi./n.闪烁,摇曳,闪现 | |
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vitality
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n.活力,生命力,效力 | |
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reluctance
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n.厌恶,讨厌,勉强,不情愿 | |
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helping
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n.食物的一份&adj.帮助人的,辅助的 | |
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stump
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n.残株,烟蒂,讲演台;v.砍断,蹒跚而走 | |
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poker
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n.扑克;vt.烙制 | |
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fingerprints
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n.指纹( fingerprint的名词复数 )v.指纹( fingerprint的第三人称单数 ) | |
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solicitor
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n.初级律师,事务律师 | |
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innocence
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n.无罪;天真;无害 | |
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alibi
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n.某人当时不在犯罪现场的申辩或证明;借口 | |
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confirmation
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n.证实,确认,批准 | |
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unstable
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adj.不稳定的,易变的 | |
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scathing
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adj.(言词、文章)严厉的,尖刻的;不留情的adv.严厉地,尖刻地v.伤害,损害(尤指使之枯萎)( scathe的现在分词) | |
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51
pneumonia
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n.肺炎 | |
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perfectly
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adv.完美地,无可非议地,彻底地 | |
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dissent
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n./v.不同意,持异议 | |
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54
condemned
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adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词 | |
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dissented
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不同意,持异议( dissent的过去式和过去分词 ) | |
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