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ARRANGEMENTS SETTLED. - HARRIS'S METHOD OF DOING WORK. - HOW THE ELDERLY,FAMILY-MAN PUTS UP A PICTURE. - GEORGE MAKES A SENSIBLE, REMARK. -DELIGHTS OF EARLY MORNING BATHING. - PROVISIONS FOR GETTING UPSET.
SO, on the following evening, we again assembled, to discuss and arrangeour plans. Harris said:
"Now, the first thing to settle is what to take with us. Now, you get abit of paper and write down, J., and you get the grocery catalogue,George, and somebody give me a bit of pencil, and then I'll make out alist."That's Harris all over - so ready to take the burden of everythinghimself, and put it on the backs of other people.
He always reminds me of my poor Uncle Podger. You never saw such acommotion up and down a house, in all your life, as when my Uncle Podgerundertook to do a job. A picture would have come home from the frame-maker's, and be standing1 in the dining-room, waiting to be put up; andAunt Podger would ask what was to be done with it, and Uncle Podger wouldsay:
"Oh, you leave that to ME. Don't you, any of you, worry yourselves aboutthat. I'LL do all that."And then he would take off his coat, and begin. He would send the girlout for sixpen'orth of nails, and then one of the boys after her to tellher what size to get; and, from that, he would gradually work down, andstart the whole house.
"Now you go and get me my hammer, Will," he would shout; "and you bringme the rule, Tom; and I shall want the step-ladder, and I had better havea kitchen-chair, too; and, Jim! you run round to Mr. Goggles2, and tellhim, `Pa's kind regards, and hopes his leg's better; and will he lend himhis spirit-level?' And don't you go, Maria, because I shall wantsomebody to hold me the light; and when the girl comes back, she must goout again for a bit of picture-cord; and Tom! - where's Tom? - Tom, youcome here; I shall want you to hand me up the picture."And then he would lift up the picture, and drop it, and it would come outof the frame, and he would try to save the glass, and cut himself; andthen he would spring round the room, looking for his handkerchief. Hecould not find his handkerchief, because it was in the pocket of the coathe had taken off, and he did not know where he had put the coat, and allthe house had to leave off looking for his tools, and start looking forhis coat; while he would dance round and hinder them.
"Doesn't anybody in the whole house know where my coat is? I never cameacross such a set in all my life - upon my word I didn't. Six of you! -and you can't find a coat that I put down not five minutes ago! Well, ofall the - "Then he'd get up, and find that he had been sitting on it, and would callout:

1
standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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goggles
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n.护目镜 | |
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hop
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n.单脚跳,跳跃;vi.单脚跳,跳跃;着手做某事;vt.跳跃,跃过 | |
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grovel
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vi.卑躬屈膝,奴颜婢膝 | |
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grunt
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v.嘟哝;作呼噜声;n.呼噜声,嘟哝 | |
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gaping
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adj.口的;张口的;敞口的;多洞穴的v.目瞪口呆地凝视( gape的现在分词 );张开,张大 | |
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sneer
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v.轻蔑;嘲笑;n.嘲笑,讥讽的言语 | |
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fixed
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adj.固定的,不变的,准备好的;(计算机)固定的 | |
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precipitated
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v.(突如其来地)使发生( precipitate的过去式和过去分词 );促成;猛然摔下;使沉淀 | |
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10
flatten
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v.把...弄平,使倒伏;使(漆等)失去光泽 | |
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crooked
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adj.弯曲的;不诚实的,狡猾的,不正当的 | |
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lumber
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n.木材,木料;v.以破旧东西堆满;伐木;笨重移动 | |
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swell
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vi.膨胀,肿胀;增长,增强 | |
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pretence
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n.假装,作假;借口,口实;虚伪;虚饰 | |
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ostentation
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n.夸耀,卖弄 | |
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dread
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vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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cloy
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v.(吃甜食)生腻,吃腻 | |
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oars
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n.桨,橹( oar的名词复数 );划手v.划(行)( oar的第三人称单数 ) | |
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ripples
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逐渐扩散的感觉( ripple的名词复数 ) | |
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margin
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n.页边空白;差额;余地,余裕;边,边缘 | |
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homely
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adj.家常的,简朴的;不漂亮的 | |
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hoops
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n.箍( hoop的名词复数 );(篮球)篮圈;(旧时儿童玩的)大环子;(两端埋在地里的)小铁弓 | |
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cosy
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adj.温暖而舒适的,安逸的 | |
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stuffy
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adj.不透气的,闷热的 | |
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complexion
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n.肤色;情况,局面;气质,性格 | |
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dismally
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adv.阴暗地,沉闷地 | |
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specially
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adv.特定地;特殊地;明确地 | |
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huddle
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vi.挤作一团;蜷缩;vt.聚集;n.挤在一起的人 | |
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posture
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n.姿势,姿态,心态,态度;v.作出某种姿势 | |
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plunge
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v.跳入,(使)投入,(使)陷入;猛冲 | |
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limpid
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adj.清澈的,透明的 | |
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opposition
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n.反对,敌对 | |
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flannel
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n.法兰绒;法兰绒衣服 | |
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flannels
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法兰绒男裤; 法兰绒( flannel的名词复数 ) | |
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miserable
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adj.悲惨的,痛苦的;可怜的,糟糕的 | |
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