Perhaps no other elderly man existed in August 1914 so well qualified11 to feel imaginatively all that the outbreak of war meant as Henry James. For years he had been appreciating ever more and more finely what he calls “the rare, the sole, the exquisite12 England”: he had relished13 her discriminatingly as only the alien, bred to different sounds and sights and circumstances, could relish14 others so distinct and so delightful15 in their distinctness. Knowing so well what she had given him, he was the more tenderly and scrupulously16 grateful to her for the very reason that she seemed to him to bestow17 her gifts half in ignorance of their value. Thus when the news came that England was in danger he wandered in the August sunshine half overwhelmed with the vastness of what had happened, reckoning up his debt, conscious to the verge18 of agony of the extent to which he had committed his own happiness to her, and analysing incessantly19 and acutely just what it all meant to the world and to him. At first, as he owned, he had “an elderly dread20 of a waste of emotion . . . my house of the spirit amid everything around me had become more and more the inhabited, adjusted, familiar home”; but before long he found himselfbuilding additions and upper storeys, throwing out extensions and protrusions, indulging even, all recklessly, in gables and pinnacles21 and battlements — things that had presently transformed the unpretending place into I scarce know what to call it, a fortress22 of the faith, a palace of the soul, an extravagant23, bristling24, flag-flying structure which had quite as much to do with the air as with the earth.
In a succession of images not to be torn from their context he paints the state of his mind confronted by one aspect after another of what appeared to him in so many diverse lights of glory and of tragedy. His gesture as of one shrinking from the sight of the distress25, combined with an irresistible instinct of pity drawing him again and again to its presence, recalls to the present writer his reluctance26 to take a certain road in Rye because it led past the workhouse gates and forced to his notice the dismal27 line of tramps waiting for admittance. But in the case of the wounded and the fugitive29 his humanity forced him again and again to face the sight, and brought him the triumphant30 reward of finding that the beauty emerging from such conditions more than matched the squalor. “. . . their presence,” he wrote of the wounded soldier, “is a blest renewal31 of faith.”
A moralist perhaps might object that terms of beauty and ugliness are not the terms in which to speak of so vast a catastrophe32, nor should a writer exhibit so keen a curiosity as to the tremors33 and vibrations34 of his own spirit in face of the universal calamity35. Yet, of all books describing the sights of war and appealing for our pity, this largely personal account is the one that best shows the dimensions of the whole. It is not merely or even to any great extent that we have been stimulated36 intellectually by the genius of Henry James to analyse shades and subtleties37; but rather that for the first and only time, so far as we are aware, someone has reached an eminence38 sufficiently39 high above the scene to give it its grouping and standing40 in the universal. Read, for instance, the scene of the arrival of the Belgian refugees by night at Rye, which we will not curtail41 and thus rob of its completeness. It is precisely42 the same little scene of refugees hurrying by in silence, save for the cry of a woman carrying her child, which, in its thousand varieties, a thousand pens have depicted43 during the past four years. They have done their best, and left us acknowledging their effort, but feeling it to be a kind of siege or battering44 ram28 laid to the emotions, which have obstinately45 refused to yield their fruits. That it is altogether otherwise with the scene painted for us by Henry James might perhaps be credited to his training as a novelist. But when, in his stately way, diminishing his stature46 not one whit47 and majestically48 rolling the tide of his prose over the most rocky of obstacles, he asks us for the gift of a motor-car, we cannot help feeling that if all philanthropies had such advocates our pockets would never be anything but empty. It is not that our emotions have been harassed49 by the sufferings of the individual case. That he can do upon occasion with beautiful effect. But what he does in this little book of less than a hundred and twenty pages is, so it seems to us, to present the best statement yet made of the largest point of view. He makes us understand what civilization meant to him and should mean to us. For him it was a spirit that overflowed50 the material bounds of countries, but it is in France that he sees it most plainly personified:. . . what happens to France happens to all that part of ourselves which we are most proud, and most finely advised, to enlarge and cultivate and consecrate51. . . . She is sole and single in this, that she takes charge of those of the ‘interests’ of man which most dispose him to fraternize with himself, to pervade52 all his possibilities and to taste all his faculties53, and in consequence to find and to make the earth a friendlier, an easier, and especially a more various sojourn54.
If all our counsellors, we cannot help exclaiming, had spoken with that voice!
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1 justify | |
vt.证明…正当(或有理),为…辩护 | |
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2 rim | |
n.(圆物的)边,轮缘;边界 | |
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3 tepid | |
adj.微温的,温热的,不太热心的 | |
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4 distinguished | |
adj.卓越的,杰出的,著名的 | |
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5 wagon | |
n.四轮马车,手推车,面包车;无盖运货列车 | |
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6 sullen | |
adj.愠怒的,闷闷不乐的,(天气等)阴沉的 | |
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7 lash | |
v.系牢;鞭打;猛烈抨击;n.鞭打;眼睫毛 | |
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8 persuasions | |
n.劝说,说服(力)( persuasion的名词复数 );信仰 | |
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9 irresistible | |
adj.非常诱人的,无法拒绝的,无法抗拒的 | |
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10 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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11 qualified | |
adj.合格的,有资格的,胜任的,有限制的 | |
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12 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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13 relished | |
v.欣赏( relish的过去式和过去分词 );从…获得乐趣;渴望 | |
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14 relish | |
n.滋味,享受,爱好,调味品;vt.加调味料,享受,品味;vi.有滋味 | |
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15 delightful | |
adj.令人高兴的,使人快乐的 | |
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16 scrupulously | |
adv.一丝不苟地;小心翼翼地,多顾虑地 | |
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17 bestow | |
v.把…赠与,把…授予;花费 | |
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18 verge | |
n.边,边缘;v.接近,濒临 | |
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19 incessantly | |
ad.不停地 | |
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20 dread | |
vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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21 pinnacles | |
顶峰( pinnacle的名词复数 ); 顶点; 尖顶; 小尖塔 | |
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22 fortress | |
n.堡垒,防御工事 | |
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23 extravagant | |
adj.奢侈的;过分的;(言行等)放肆的 | |
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24 bristling | |
a.竖立的 | |
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25 distress | |
n.苦恼,痛苦,不舒适;不幸;vt.使悲痛 | |
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26 reluctance | |
n.厌恶,讨厌,勉强,不情愿 | |
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27 dismal | |
adj.阴沉的,凄凉的,令人忧郁的,差劲的 | |
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28 ram | |
(random access memory)随机存取存储器 | |
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29 fugitive | |
adj.逃亡的,易逝的;n.逃犯,逃亡者 | |
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30 triumphant | |
adj.胜利的,成功的;狂欢的,喜悦的 | |
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31 renewal | |
adj.(契约)延期,续订,更新,复活,重来 | |
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32 catastrophe | |
n.大灾难,大祸 | |
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33 tremors | |
震颤( tremor的名词复数 ); 战栗; 震颤声; 大地的轻微震动 | |
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34 vibrations | |
n.摆动( vibration的名词复数 );震动;感受;(偏离平衡位置的)一次性往复振动 | |
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35 calamity | |
n.灾害,祸患,不幸事件 | |
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36 stimulated | |
a.刺激的 | |
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37 subtleties | |
细微( subtlety的名词复数 ); 精细; 巧妙; 细微的差别等 | |
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38 eminence | |
n.卓越,显赫;高地,高处;名家 | |
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39 sufficiently | |
adv.足够地,充分地 | |
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40 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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41 curtail | |
vt.截短,缩短;削减 | |
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42 precisely | |
adv.恰好,正好,精确地,细致地 | |
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43 depicted | |
描绘,描画( depict的过去式和过去分词 ); 描述 | |
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44 battering | |
n.用坏,损坏v.连续猛击( batter的现在分词 ) | |
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45 obstinately | |
ad.固执地,顽固地 | |
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46 stature | |
n.(高度)水平,(高度)境界,身高,身材 | |
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47 whit | |
n.一点,丝毫 | |
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48 majestically | |
雄伟地; 庄重地; 威严地; 崇高地 | |
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49 harassed | |
adj. 疲倦的,厌烦的 动词harass的过去式和过去分词 | |
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50 overflowed | |
溢出的 | |
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51 consecrate | |
v.使圣化,奉…为神圣;尊崇;奉献 | |
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52 pervade | |
v.弥漫,遍及,充满,渗透,漫延 | |
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53 faculties | |
n.能力( faculty的名词复数 );全体教职员;技巧;院 | |
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54 sojourn | |
v./n.旅居,寄居;逗留 | |
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