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CHAPTER I
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 Slowly on Morningside Heights rises the Cathedral of St. John the Divine: standing1 on a high rock under the Northern sky above the long wash of the untroubled sea, above the wash of the troubled waves of men.
 
It has fit neighbors. Across the street to the north looms2 the many-towered gray-walled Hospital of St. Luke—cathedral of our ruins, of our sufferings and our dust, near the cathedral of our souls.
 
Across the block to the south is situated3 a shed-like two-story building with dormer-windows and a crumpled4 three-sided roof, the studios of the National Academy of Design; and under that low brittle5 skylight youth toils6 over the shapes and colors of the visible vanishing paradise of the earth in the shadow of the cathedral which promises an unseen, an eternal one.
 
At the rear of the cathedral, across the roadway, stands a low stone wall. Just over the wall the earth sinks like a precipice7 to a green valley bottom far below. Out here is a rugged8 slope of rock and verdure and forest growth which brings into the city an ancient presence, nature—nature, the Elysian Fields of the art school, the potter's field of the hospital, the harvest field of the church.
 
This strip of nature fronts the dawn and is called Morningside Park. Past the foot of it a thoroughfare stretches northward9 and southward, level and wide and smooth. Over this thoroughfare the two opposite-moving streams of the city's traffic and travel rush headlong. Beyond the thoroughfare an embankment of houses shoves its mass before the eyes, and beyond the embankment the city spreads out over flats where human beings are as thick as river reeds.
 
Thus within small compass humanity is here: the cathedral, the hospital, the art school, and a strip of nature, and a broad highway along which, with their hearth-fires flickering10 fitfully under their tents of stone, are encamped life's restless, light-hearted, heavy-hearted Gipsies.
 
It was Monday morning and it was nine o'clock. Over at the National Academy of Design, in an upper room, the members of one of the women's portrait classes were assembled, ready to begin work. Easels had been drawn12 into position; a clear light from the blue sky of the last of April fell through the opened roof upon new canvases fastened to the frames. And it poured down bountifully upon intelligent young faces. The scene was a beautiful one, and it was complete except in one particular: the teacher of the class was missing—the teacher and a model.
 
Minutes passed without his coming, and when at last he did enter the room, he advanced two or three steps and paused as though he meant presently to go out again. After his usual quiet good-morning with his sober smile, he gave his alert listeners the clue to an unusual situation:
 
"I told the class that to-day we should begin a fresh study. I had not myself decided13 what this should be. Several models were in reserve, any one of whom could have been used to advantage at this closing stage of the year's course. Then the unexpected happened: on Saturday a stranger, a woman, came to see me and asked to be engaged. It is this model that I have been waiting for down-stairs."
 
Their thoughts instantly passed to the model: his impressive manner, his respectful words, invested her with mystery, with fascination14. His countenance15 lighted up with wonderful interest as he went on:
 
"She is not a professional; she has never posed. In asking me to engage her she proffered16 barely the explanation which she seemed to feel due herself. I turn this explanation over to you because she wished, I think, that you also should not misunderstand her. It is the fee, then, that is needed, the model's wage; she has felt the common lash17 of the poor. Plainly here is some one who has stepped down from her place in life, who has descended18 far below her inclinations19, to raise a small sum of money. Why she does so is of course her own sacred and delicate affair. But the spirit in which she does this becomes our affair, because it becomes a matter of expression with her. This self-sacrifice, this ordeal20 which she voluntarily undergoes to gain her end, shows in her face; and if while she poses, you should be fortunate enough to see this look along with other fine things, great things, it will be your aim to transfer them all to your canvases—if you can."
 
He smiled at them with a kind of fostering challenge to their over-confident impulses and immature21 art. But he had not yet fully11 brought out what he had in mind about the mysterious stranger and he continued:
 
"We teachers of art schools in engaging models have to take from human material as we find it. The best we find is seldom or never what we would prefer. If I, for instance, could have my choice, my students would never be allowed to work from a model who repelled22 the student or left the student indifferent. No students of mine, if I could have my way, should ever paint from a model that failed to call forth23 the finest feelings. Otherwise, how can your best emotions have full play in your work; and unless your best emotions enter into your work, what will your work be worth? For if you have never before understood the truth, try to realize it now: that you will succeed in painting only through the best that is in you; just as only the best in you will ever carry you triumphantly24 to the end of any practical human road that is worth the travel; just as you will reach all life's best goals only through your best. And in painting remember that the best is never in the eye, for the eye can only perceive, the eye can only direct; and the best is never in the hand, for the hand can only measure, the hand can only move. In painting the best comes from emotion. A human being may lack eyes and be none the poorer in character; a human being may lack hands and be none the poorer in character; but whenever in life a person lacks any great emotion, that person is the poorer in everything. And so in painting you can fail after the eye has gained all necessary knowledge, you can fail after your hand has received all necessary training, either because nature has denied you the foundations of great feeling, or because, having these foundations, you have failed to make them the foundations of your work.
 
"But among a hundred models there might not be one to arouse such emotion. Actually in the world, among the thousands of people we know, how few stir in us our best, force us to our best! It is the rarest experience of our lifetimes that we meet a man or a woman who literally25 drives us to the realization26 of what we really are and can really do when we do our best. What we all most need in our careers is the one who can liberate27 within us that lifelong prisoner whose doom28 it is to remain a captive until another sets it free—our best. For we can never set our best free by our own hands; that must always be done by another."
 
They were listening to him with a startled recognition of their inmost selves. He went on to drive home his point about the stranger:
 
"I am going to introduce to you, then, a model who beyond all the others you have worked with will liberate in you your finer selves. It is a rare opportunity. Do not thank me. I did not find her. Life's storms have blown her violently against the walls of the art school; we must see to it at least that she be not further bruised29 while it becomes her shelter, her refuge. Who she is, what her life has been, where she comes from, how she happens to arrive here—these are privacies into which of course we do not intrude30. Immediately behind herself she drops a curtain of silence which shuts away every such sign of her past. But there are other signs of that past which she cannot hide and which it is our privilege, our duty, the province of our art, to read. They are written on her face, on her hands, on her bearing; they are written all over her—the bruises31 of life's rudenesses, the lingering shadows of dark days, the unwounded pride once and the wounded pride now, the unconquerable will, a soaring spirit whose wings were meant for the upper air but which are broken and beat the dust. All these are sublime32 things to paint in any human countenance; they are the footprints of destiny on our faces. The greatest masters of the brush that the world has ever known could not have asked for anything greater. When you behold33 her, perhaps some of you may think of certain brief but eternal words of Pascal: 'Man is a reed that bends but does not break.' Such is your model, then, a woman with a great countenance; the fighting face of a woman at peace. Now out upon the darkened battle-field of this woman's face shines one serene34 sun, and it is that sun that brings out upon it its marvelous human radiance, its supreme35 expression: the love of the mother. Your model is the beauty of motherhood, the sacredness of motherhood, the glory of motherhood: that is to be the portrait of her that you are to paint."
 
He stopped. Their faces glowed; their eyes disclosed depths in their natures never stirred before; from out those depths youthful, tender creative forces came forth, eager to serve, to obey. He added a few particulars:
 
"For a while after she is posed you will no doubt see many different expressions pass rapidly over her face. This will be a new and painful experience to which she will not be able to adapt herself at once. She will be uncomfortable, she will be awkward, she will be embarrassed, she will be without her full value. But I think from what I discovered while talking with her that she will soon grow oblivious36 to her surroundings. They will not overwhelm her; she will finally overwhelm them. She will soon forget you and me and the studio; the one ruling passion of her life will sweep back into consciousness; and then out upon her features will come again that marvelous look which has almost remodeled them to itself alone."
 
He added, "I will go for her. By this time she must be waiting down-stairs."
 
As he turned he glanced at the screens placed at that end of the room; behind these the models made their preparations to pose.
 
"I have arranged," he said significantly, "that she shall leave her things down-stairs."
 
It seemed long before they heard him on the way back. He came slowly, as though concerned not to hurry his model, as though to save her from the disrespect of urgency. Even the natural noise of his feet on the bare hallway was restrained. They listened for the sounds of her footsteps. In the tense silence of the studio a pin-drop might have been noticeable, a breath would have been audible; but they could not hear her footsteps. He might have been followed by a spirit. Those feet of hers must be very light feet, very quiet feet, the feet of the well-bred.
 
He entered and advanced a few paces and turned as though to make way for some one of far more importance than himself; and there walked forward and stopped at a delicate distance from them all a woman, bareheaded, ungloved, slender, straight, of middle height, and in life's middle years—Rachel Truesdale.
 
She did not look at him or at them; she did not look at anything. It was not her role to notice. She merely waited, perfectly38 composed, to be told what to do. Her thoughts and emotions did not enter into the scene at all; she was there solely39 as having been hired for work.
 
One privilege she had exercised unsparingly—not to offer herself for this employment as becomingly dressed for it. She submitted herself to be painted in austerest fidelity40 to nature, plainly dressed, her hair parted and brushed severely41 back. Women, sometimes great women, have in history, at the hour of their supreme tragedies, thus demeaned themselves—for the hospital, for baptism, for the guillotine, for the stake, for the cross.
 
But because she made herself poor in apparel, she became most rich in her humanity. There was nothing for the eye to rest upon but her bare self. And thus the contours of the head, the beauty of the hair, the line of it along the forehead and temples, the curvature of the brows, the chiseling42 of the proud nostrils43 and the high bridge of the nose, the molding of the mouth, the modeling of the throat, the shaping of the shoulders, the grace of the arms and the hands—all became conspicuous44, absorbing. The slightest elements of physique and of personality came into view powerful, unforgetable.
 
She stood, not noticing anything, waiting for instructions. With the courtesy which was the soul of him and the secret of his genius for inspiring others to do their utmost, the master of the class glanced at her and glanced at the members of the class, and tried to draw them together with a mere37 smile of sympathetic introduction. It was an attempt to break the ice. For them it did break the ice; all responded with a smile for her or with other play of the features that meant gracious recognition. With her the ice remained unbroken; she withheld45 all response to their courteous46 overtures47. Either she may not have trusted herself to respond; or waiting there merely as a model, she declined to establish any other understanding with them whatsoever48. So that he went further in the kindness of his intention and said:
 
"Madam, this is my class of eager, warm, generous young natures who are to have the opportunity of trying to paint you. They are mere beginners; their art is still unformed. But you may believe that they will put their best into what they are about to undertake; the loyalty49 of the hand, the respect of the eye, the tenderness of their memories, consecration50 to their art, their dreams and hopes of future success. Now if you will be good enough to sit here, I will pose you."
 
He stepped toward a circular revolving-platform placed at the focus of the massed easels: it was the model's rack of patience, the mount of humiliation51, the scaffold of exposure.
 
She had perhaps not understood that this would be required of her, this indignity52, that she must climb upon a block like an old-time slave at an auction53. For one instant her fighting look came back and her eyes, though they rested on vacancy54, blazed on vacancy and an ugly red rushed over her face which had been whiter than colorless. Then as though she had become disciplined through years of necessity to do the unworthy things that must be done, she stepped resolutely55 though unsteadily upon the platform. A long procession of men and women had climbed thither56 from many a motive57 on life's upward or downward road.
 
He had specially58 chosen a chair for a three-quarter portrait, stately, richly carved; about it hung an atmosphere of high-born things.
 
Now, the body has definite memories as the mind has definite memories, and scarcely had she seated herself before the recollections of former years revived in her and she yielded herself to the chair as though she had risen from it a moment before. He did not have to pose her; she had posed herself by {22}grace of bygone luxurious59 ways. A few changes in the arrangement of the hands he did make. There was required some separation of the fingers; excitement caused her to hold them too closely together. And he drew the entire hands into notice; he specially wished them to be appreciated in the portrait. They were wonderful hands: they looked eloquent60 with the histories of generations; their youthfulness seemed centuries old. Yet all over them, barely to be seen, were the marks of life's experience, the delicate but dread61 sculpture of adversity.
 
For a while it was as he had foreseen. She was aware only of the brutality62 of her position; and her face, by its confused expressions and quick changes of color, showed what painful thoughts surged. Afterward63 a change came gradually. As though she could endure the ordeal only by forgetting it and could forget it only by looking ahead into the happiness for which it was endured, slowly there began to shine out upon her face its ruling passion—the acceptance of life and the love of the mother glinting as from a cloud-hidden sun across the world's storm. When this expression had come out, it stayed there. She had forgotten her surroundings, she had forgotten herself. Poor indeed must have been the soul that would not have been touched by the spectacle of her, thrilled by her as by a great vision.
 
There was silence in the room of young workers. Before them, on the face of the unknown, was the only look that the whole world knows—the love and self-sacrifice of the mother; perhaps the only element of our better humanity that never once in the history of man kind has been misunderstood and ridiculed64 or envied and reviled65.
 
Some of them worked with faces brightened by thoughts of devoted66 mothers at home; the eyes of a few were shadowed by memories of mothers alienated67 or dead.
 
 

点击收听单词发音收听单词发音  

1 standing 2hCzgo     
n.持续,地位;adj.永久的,不动的,直立的,不流动的
参考例句:
  • After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
  • They're standing out against any change in the law.他们坚决反对对法律做任何修改。
2 looms 802b73dd60a3cebff17088fed01c2705     
n.织布机( loom的名词复数 )v.隐约出现,阴森地逼近( loom的第三人称单数 );隐约出现,阴森地逼近
参考例句:
  • All were busily engaged,men at their ploughs,women at their looms. 大家都很忙,男的耕田,女的织布。 来自《简明英汉词典》
  • The factory has twenty-five looms. 那家工厂有25台织布机。 来自《简明英汉词典》
3 situated JiYzBH     
adj.坐落在...的,处于某种境地的
参考例句:
  • The village is situated at the margin of a forest.村子位于森林的边缘。
  • She is awkwardly situated.她的处境困难。
4 crumpled crumpled     
adj. 弯扭的, 变皱的 动词crumple的过去式和过去分词形式
参考例句:
  • She crumpled the letter up into a ball and threw it on the fire. 她把那封信揉成一团扔进了火里。
  • She flattened out the crumpled letter on the desk. 她在写字台上把皱巴巴的信展平。
5 brittle IWizN     
adj.易碎的;脆弱的;冷淡的;(声音)尖利的
参考例句:
  • The pond was covered in a brittle layer of ice.池塘覆盖了一层易碎的冰。
  • She gave a brittle laugh.她冷淡地笑了笑。
6 toils b316b6135d914eee9a4423309c5057e6     
参考例句:
  • It did not declare him to be still in Mrs. Dorset's toils. 这并不表明他仍陷于多赛特夫人的情网。
  • The thief was caught in the toils of law. 这个贼陷入了法网。
7 precipice NuNyW     
n.悬崖,危急的处境
参考例句:
  • The hut hung half over the edge of the precipice.那间小屋有一半悬在峭壁边上。
  • A slight carelessness on this precipice could cost a man his life.在这悬崖上稍一疏忽就会使人丧生。
8 rugged yXVxX     
adj.高低不平的,粗糙的,粗壮的,强健的
参考例句:
  • Football players must be rugged.足球运动员必须健壮。
  • The Rocky Mountains have rugged mountains and roads.落基山脉有崇山峻岭和崎岖不平的道路。
9 northward YHexe     
adv.向北;n.北方的地区
参考例句:
  • He pointed his boat northward.他将船驶向北方。
  • I would have a chance to head northward quickly.我就很快有机会去北方了。
10 flickering wjLxa     
adj.闪烁的,摇曳的,一闪一闪的
参考例句:
  • The crisp autumn wind is flickering away. 清爽的秋风正在吹拂。
  • The lights keep flickering. 灯光忽明忽暗。
11 fully Gfuzd     
adv.完全地,全部地,彻底地;充分地
参考例句:
  • The doctor asked me to breathe in,then to breathe out fully.医生让我先吸气,然后全部呼出。
  • They soon became fully integrated into the local community.他们很快就完全融入了当地人的圈子。
12 drawn MuXzIi     
v.拖,拉,拔出;adj.憔悴的,紧张的
参考例句:
  • All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
  • Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。
13 decided lvqzZd     
adj.决定了的,坚决的;明显的,明确的
参考例句:
  • This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
  • There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。
14 fascination FlHxO     
n.令人着迷的事物,魅力,迷恋
参考例句:
  • He had a deep fascination with all forms of transport.他对所有的运输工具都很着迷。
  • His letters have been a source of fascination to a wide audience.广大观众一直迷恋于他的来信。
15 countenance iztxc     
n.脸色,面容;面部表情;vt.支持,赞同
参考例句:
  • At the sight of this photograph he changed his countenance.他一看见这张照片脸色就变了。
  • I made a fierce countenance as if I would eat him alive.我脸色恶狠狠地,仿佛要把他活生生地吞下去。
16 proffered 30a424e11e8c2d520c7372bd6415ad07     
v.提供,贡献,提出( proffer的过去式和过去分词 )
参考例句:
  • She proffered her cheek to kiss. 她伸过自己的面颊让人亲吻。 来自《简明英汉词典》
  • He rose and proffered a silver box full of cigarettes. 他站起身,伸手递过一个装满香烟的银盒子。 来自辞典例句
17 lash a2oxR     
v.系牢;鞭打;猛烈抨击;n.鞭打;眼睫毛
参考例句:
  • He received a lash of her hand on his cheek.他突然被她打了一记耳光。
  • With a lash of its tail the tiger leaped at her.老虎把尾巴一甩朝她扑过来。
18 descended guQzoy     
a.为...后裔的,出身于...的
参考例句:
  • A mood of melancholy descended on us. 一种悲伤的情绪袭上我们的心头。
  • The path descended the hill in a series of zigzags. 小路呈连续的之字形顺着山坡蜿蜒而下。
19 inclinations 3f0608fe3c993220a0f40364147caa7b     
倾向( inclination的名词复数 ); 倾斜; 爱好; 斜坡
参考例句:
  • She has artistic inclinations. 她有艺术爱好。
  • I've no inclinations towards life as a doctor. 我的志趣不是行医。
20 ordeal B4Pzs     
n.苦难经历,(尤指对品格、耐力的)严峻考验
参考例句:
  • She managed to keep her sanity throughout the ordeal.在那场磨难中她始终保持神志正常。
  • Being lost in the wilderness for a week was an ordeal for me.在荒野里迷路一星期对我来说真是一场磨难。
21 immature Saaxj     
adj.未成熟的,发育未全的,未充分发展的
参考例句:
  • Tony seemed very shallow and immature.托尼看起来好像很肤浅,不夠成熟。
  • The birds were in immature plumage.这些鸟儿羽翅未全。
22 repelled 1f6f5c5c87abe7bd26a5c5deddd88c92     
v.击退( repel的过去式和过去分词 );使厌恶;排斥;推开
参考例句:
  • They repelled the enemy. 他们击退了敌军。 来自《简明英汉词典》
  • The minister tremulously, but decidedly, repelled the old man's arm. 而丁梅斯代尔牧师却哆里哆嗦地断然推开了那老人的胳臂。 来自英汉文学 - 红字
23 forth Hzdz2     
adv.向前;向外,往外
参考例句:
  • The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
  • He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。
24 triumphantly 9fhzuv     
ad.得意洋洋地;得胜地;成功地
参考例句:
  • The lion was roaring triumphantly. 狮子正在发出胜利的吼叫。
  • Robert was looking at me triumphantly. 罗伯特正得意扬扬地看着我。
25 literally 28Wzv     
adv.照字面意义,逐字地;确实
参考例句:
  • He translated the passage literally.他逐字逐句地翻译这段文字。
  • Sometimes she would not sit down till she was literally faint.有时候,她不走到真正要昏厥了,决不肯坐下来。
26 realization nTwxS     
n.实现;认识到,深刻了解
参考例句:
  • We shall gladly lend every effort in our power toward its realization.我们将乐意为它的实现而竭尽全力。
  • He came to the realization that he would never make a good teacher.他逐渐认识到自己永远不会成为好老师。
27 liberate p9ozT     
v.解放,使获得自由,释出,放出;vt.解放,使获自由
参考例句:
  • They did their best to liberate slaves.他们尽最大能力去解放奴隶。
  • This will liberate him from economic worry.这将消除他经济上的忧虑。
28 doom gsexJ     
n.厄运,劫数;v.注定,命定
参考例句:
  • The report on our economic situation is full of doom and gloom.这份关于我们经济状况的报告充满了令人绝望和沮丧的调子。
  • The dictator met his doom after ten years of rule.独裁者统治了十年终于完蛋了。
29 bruised 5xKz2P     
[医]青肿的,瘀紫的
参考例句:
  • his bruised and bloodied nose 他沾满血的青肿的鼻子
  • She had slipped and badly bruised her face. 她滑了一跤,摔得鼻青脸肿。
30 intrude Lakzv     
vi.闯入;侵入;打扰,侵扰
参考例句:
  • I do not want to intrude if you are busy.如果你忙我就不打扰你了。
  • I don't want to intrude on your meeting.我不想打扰你们的会议。
31 bruises bruises     
n.瘀伤,伤痕,擦伤( bruise的名词复数 )
参考例句:
  • He was covered with bruises after falling off his bicycle. 他从自行车上摔了下来,摔得浑身伤痕。 来自《简明英汉词典》
  • The pear had bruises of dark spots. 这个梨子有碰伤的黑斑。 来自《简明英汉词典》
32 sublime xhVyW     
adj.崇高的,伟大的;极度的,不顾后果的
参考例句:
  • We should take some time to enjoy the sublime beauty of nature.我们应该花些时间去欣赏大自然的壮丽景象。
  • Olympic games play as an important arena to exhibit the sublime idea.奥运会,就是展示此崇高理念的重要舞台。
33 behold jQKy9     
v.看,注视,看到
参考例句:
  • The industry of these little ants is wonderful to behold.这些小蚂蚁辛勤劳动的样子看上去真令人惊叹。
  • The sunrise at the seaside was quite a sight to behold.海滨日出真是个奇景。
34 serene PD2zZ     
adj. 安详的,宁静的,平静的
参考例句:
  • He has entered the serene autumn of his life.他已进入了美好的中年时期。
  • He didn't speak much,he just smiled with that serene smile of his.他话不多,只是脸上露出他招牌式的淡定的微笑。
35 supreme PHqzc     
adj.极度的,最重要的;至高的,最高的
参考例句:
  • It was the supreme moment in his life.那是他一生中最重要的时刻。
  • He handed up the indictment to the supreme court.他把起诉书送交最高法院。
36 oblivious Y0Byc     
adj.易忘的,遗忘的,忘却的,健忘的
参考例句:
  • Mother has become quite oblivious after the illness.这次病后,妈妈变得特别健忘。
  • He was quite oblivious of the danger.他完全没有察觉到危险。
37 mere rC1xE     
adj.纯粹的;仅仅,只不过
参考例句:
  • That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
  • It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。
38 perfectly 8Mzxb     
adv.完美地,无可非议地,彻底地
参考例句:
  • The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
  • Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。
39 solely FwGwe     
adv.仅仅,唯一地
参考例句:
  • Success should not be measured solely by educational achievement.成功与否不应只用学业成绩来衡量。
  • The town depends almost solely on the tourist trade.这座城市几乎完全靠旅游业维持。
40 fidelity vk3xB     
n.忠诚,忠实;精确
参考例句:
  • There is nothing like a dog's fidelity.没有什么能比得上狗的忠诚。
  • His fidelity and industry brought him speedy promotion.他的尽职及勤奋使他很快地得到晋升。
41 severely SiCzmk     
adv.严格地;严厉地;非常恶劣地
参考例句:
  • He was severely criticized and removed from his post.他受到了严厉的批评并且被撤了职。
  • He is severely put down for his careless work.他因工作上的粗心大意而受到了严厉的批评。
42 chiseling 7e82c249b80ca36671d3ee17f227c551     
v.凿,雕,镌( chisel的现在分词 )
参考例句:
  • The sculptor was at work chiseling a statue. 雕塑家正在雕琢一尊雕像。 来自辞典例句
  • Tommy:Four of them are sawing, three are chiseling and one is reaming. 四个在锯,三个在磨,二个在凿,还有一个在铰。 来自互联网
43 nostrils 23a65b62ec4d8a35d85125cdb1b4410e     
鼻孔( nostril的名词复数 )
参考例句:
  • Her nostrils flared with anger. 她气得两个鼻孔都鼓了起来。
  • The horse dilated its nostrils. 马张大鼻孔。
44 conspicuous spszE     
adj.明眼的,惹人注目的;炫耀的,摆阔气的
参考例句:
  • It is conspicuous that smoking is harmful to health.很明显,抽烟对健康有害。
  • Its colouring makes it highly conspicuous.它的色彩使它非常惹人注目。
45 withheld f9d7381abd94e53d1fbd8a4e53915ec8     
withhold过去式及过去分词
参考例句:
  • I withheld payment until they had fulfilled the contract. 他们履行合同后,我才付款。 来自《简明英汉词典》
  • There was no school play because the principal withheld his consent. 由于校长没同意,学校里没有举行比赛。 来自《简明英汉词典》
46 courteous tooz2     
adj.彬彬有礼的,客气的
参考例句:
  • Although she often disagreed with me,she was always courteous.尽管她常常和我意见不一,但她总是很谦恭有礼。
  • He was a kind and courteous man.他为人友善,而且彬彬有礼。
47 overtures 0ed0d32776ccf6fae49696706f6020ad     
n.主动的表示,提议;(向某人做出的)友好表示、姿态或提议( overture的名词复数 );(歌剧、芭蕾舞、音乐剧等的)序曲,前奏曲
参考例句:
  • Their government is making overtures for peace. 他们的政府正在提出和平建议。 来自《简明英汉词典》
  • He had lately begun to make clumsy yet endearing overtures of friendship. 最近他开始主动表示友好,样子笨拙却又招人喜爱。 来自辞典例句
48 whatsoever Beqz8i     
adv.(用于否定句中以加强语气)任何;pron.无论什么
参考例句:
  • There's no reason whatsoever to turn down this suggestion.没有任何理由拒绝这个建议。
  • All things whatsoever ye would that men should do to you,do ye even so to them.你想别人对你怎样,你就怎样对人。
49 loyalty gA9xu     
n.忠诚,忠心
参考例句:
  • She told him the truth from a sense of loyalty.她告诉他真相是出于忠诚。
  • His loyalty to his friends was never in doubt.他对朋友的一片忠心从来没受到怀疑。
50 consecration consecration     
n.供献,奉献,献祭仪式
参考例句:
  • "What we did had a consecration of its own. “我们的所作所为其本身是一种神圣的贡献。 来自英汉文学 - 红字
  • If you do add Consecration or healing, your mana drop down lower. 如果你用了奉献或者治疗,你的蓝将会慢慢下降。 来自互联网
51 humiliation Jd3zW     
n.羞辱
参考例句:
  • He suffered the humiliation of being forced to ask for his cards.他蒙受了被迫要求辞职的羞辱。
  • He will wish to revenge his humiliation in last Season's Final.他会为在上个季度的决赛中所受的耻辱而报复的。
52 indignity 6bkzp     
n.侮辱,伤害尊严,轻蔑
参考例句:
  • For more than a year we have suffered the indignity.在一年多的时间里,我们丢尽了丑。
  • She was subjected to indignity and humiliation.她受到侮辱和羞辱。
53 auction 3uVzy     
n.拍卖;拍卖会;vt.拍卖
参考例句:
  • They've put the contents of their house up for auction.他们把房子里的东西全都拿去拍卖了。
  • They bought a new minibus with the proceeds from the auction.他们用拍卖得来的钱买了一辆新面包车。
54 vacancy EHpy7     
n.(旅馆的)空位,空房,(职务的)空缺
参考例句:
  • Her going on maternity leave will create a temporary vacancy.她休产假时将会有一个临时空缺。
  • The vacancy of her expression made me doubt if she was listening.她茫然的神情让我怀疑她是否在听。
55 resolutely WW2xh     
adj.坚决地,果断地
参考例句:
  • He resolutely adhered to what he had said at the meeting. 他坚持他在会上所说的话。
  • He grumbles at his lot instead of resolutely facing his difficulties. 他不是果敢地去面对困难,而是抱怨自己运气不佳。
56 thither cgRz1o     
adv.向那里;adj.在那边的,对岸的
参考例句:
  • He wandered hither and thither looking for a playmate.他逛来逛去找玩伴。
  • He tramped hither and thither.他到处流浪。
57 motive GFzxz     
n.动机,目的;adv.发动的,运动的
参考例句:
  • The police could not find a motive for the murder.警察不能找到谋杀的动机。
  • He had some motive in telling this fable.他讲这寓言故事是有用意的。
58 specially Hviwq     
adv.特定地;特殊地;明确地
参考例句:
  • They are specially packaged so that they stack easily.它们经过特别包装以便于堆放。
  • The machine was designed specially for demolishing old buildings.这种机器是专为拆毁旧楼房而设计的。
59 luxurious S2pyv     
adj.精美而昂贵的;豪华的
参考例句:
  • This is a luxurious car complete with air conditioning and telephone.这是一辆附有空调设备和电话的豪华轿车。
  • The rich man lives in luxurious surroundings.这位富人生活在奢侈的环境中。
60 eloquent ymLyN     
adj.雄辩的,口才流利的;明白显示出的
参考例句:
  • He was so eloquent that he cut down the finest orator.他能言善辩,胜过最好的演说家。
  • These ruins are an eloquent reminder of the horrors of war.这些废墟形象地提醒人们不要忘记战争的恐怖。
61 dread Ekpz8     
vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧
参考例句:
  • We all dread to think what will happen if the company closes.我们都不敢去想一旦公司关门我们该怎么办。
  • Her heart was relieved of its blankest dread.她极度恐惧的心理消除了。
62 brutality MSbyb     
n.野蛮的行为,残忍,野蛮
参考例句:
  • The brutality of the crime has appalled the public. 罪行之残暴使公众大为震惊。
  • a general who was infamous for his brutality 因残忍而恶名昭彰的将军
63 afterward fK6y3     
adv.后来;以后
参考例句:
  • Let's go to the theatre first and eat afterward. 让我们先去看戏,然后吃饭。
  • Afterward,the boy became a very famous artist.后来,这男孩成为一个很有名的艺术家。
64 ridiculed 81e89e8e17fcf40595c6663a61115a91     
v.嘲笑,嘲弄,奚落( ridicule的过去式和过去分词 )
参考例句:
  • Biosphere 2 was ultimately ridiculed as a research debade, as exfravagant pseudoscience. 生物圈2号最终被讥讽为科研上的大失败,代价是昂贵的伪科学。 来自《简明英汉词典》
  • She ridiculed his insatiable greed. 她嘲笑他的贪得无厌。 来自《简明英汉词典》
65 reviled b65337c26ca96545bc83e2c51be568cb     
v.辱骂,痛斥( revile的过去式和过去分词 )
参考例句:
  • The tramp reviled the man who drove him off. 流浪汉辱骂那位赶他走开的人。 来自《现代英汉综合大词典》
  • The old man reviled against corruption. 那老人痛斥了贪污舞弊。 来自《简明英汉词典》
66 devoted xu9zka     
adj.忠诚的,忠实的,热心的,献身于...的
参考例句:
  • He devoted his life to the educational cause of the motherland.他为祖国的教育事业贡献了一生。
  • We devoted a lengthy and full discussion to this topic.我们对这个题目进行了长时间的充分讨论。
67 alienated Ozyz55     
adj.感到孤独的,不合群的v.使疏远( alienate的过去式和过去分词 );使不友好;转让;让渡(财产等)
参考例句:
  • His comments have alienated a lot of young voters. 他的言论使许多年轻选民离他而去。
  • The Prime Minister's policy alienated many of her followers. 首相的政策使很多拥护她的人疏远了她。 来自《简明英汉词典》


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