Chapter 11 Serious Reading

Novels are excluded from “serious reading,” so that the man who, bent¹ on self-improvement, has been deciding to devote ninety minutes three times a week to a complete study of the works of Charles Dickens will be well advised to alter his plans. The reason is not that novels are not serious — some of the great literature of the world is in the form of prose fiction — the reason is that bad novels ought not to be read, and that good novels never demand any appreciable² mental application on the part of the reader. It is only the bad parts of Meredith’s novels that are difficult. A good novel rushes you forward like a skiff down a stream, and you arrive at the end, perhaps breathless, but unexhausted. The best novels involve the least strain. Now in the cultivation³ of the mind one of the most important factors is precisely⁴ the feeling of strain, of difficulty, of a task which one part of you is anxious to achieve and another part of you is anxious to shirk; and that feeling cannot be got in facing a novel. You do not set your teeth in order to read “Anna Karenina.” Therefore, though you should read novels, you should not read them in those ninety minutes.

Imaginative poetry produces a far greater mental strain than novels. It produces probably the severest strain of any form of literature. It is the highest form of literature. It yields the highest form of pleasure, and teaches the highest form of wisdom. In a word, there is nothing to compare with it. I say this with sad consciousness of the fact that the majority of people do not read poetry.

I am persuaded that many excellent persons, if they were confronted with the alternatives of reading “Paradise Lost” and going round Trafalgar Square at noonday on their knees in sack-cloth, would choose the ordeal⁵ of public ridicule⁶. Still, I will never cease advising my friends and enemies to read poetry before anything.

If poetry is what is called “a sealed book” to you, begin by reading Hazlitt’s famous essay on the nature of “poetry in general.” It is the best thing of its kind in English, and no one who has read it can possibly be under the misapprehension that poetry is a mediaeval torture, or a mad elephant, or a gun that will go off by itself and kill at forty paces. Indeed, it is difficult to imagine the mental state of the man who, after reading Hazlitt’s essay, is not urgently desirous of reading some poetry before his next meal. If the essay so inspires you I would suggest that you make a commencement with purely⁷ narrative⁸ poetry.

There is an infinitely⁹ finer English novel, written by a woman, than anything by George Eliot or the Brontes, or even Jane Austen, which perhaps you have not read. Its title is “Aurora Leigh,” and its author E.B. Browning. It happens to be written in verse, and to contain a considerable amount of genuinely fine poetry. Decide to read that book through, even if you die for it. Forget that it is fine poetry. Read it simply for the story and the social ideas. And when you have done, ask yourself honestly whether you still dislike poetry. I have known more than one person to whom “Aurora Leigh” has been the means of proving that in assuming they hated poetry they were entirely¹⁰ mistaken.

Of course, if, after Hazlitt, and such an experiment made in the light of Hazlitt, you are finally assured that there is something in you which is antagonistic¹¹ to poetry, you must be content with history or philosophy. I shall regret it, yet not inconsolably. “The Decline and Fall” is not to be named in the same day with “Paradise Lost,” but it is a vastly pretty thing; and Herbert Spencer’s “First Principles” simply laughs at the claims of poetry and refuses to be accepted as aught but the most majestic¹² product of any human mind. I do not suggest that either of these works is suitable for a tyro¹³ in mental strains. But I see no reason why any man of average intelligence should not, after a year of continuous reading, be fit to assault the supreme¹⁴ masterpieces of history or philosophy. The great convenience of masterpieces is that they are so astonishingly lucid¹⁵.

I suggest no particular work as a start. The attempt would be futile¹⁶ in the space of my command. But I have two general suggestions of a certain importance. The first is to define the direction and scope of your efforts. Choose a limited period, or a limited subject, or a single author. Say to yourself: “I will know something about the French Revolution, or the rise of railways, or the works of John Keats.” And during a given period, to be settled beforehand, confine yourself to your choice. There is much pleasure to be derived¹⁷ from being a specialist.

The second suggestion is to think as well as to read. I know people who read and read, and for all the good it does them they might just as well cut bread-and-butter. They take to reading as better men take to drink. They fly through the shires of literature on a motor-car, their sole object being motion. They will tell you how many books they have read in a year.

Unless you give at least forty-five minutes to careful, fatiguing¹⁸ reflection (it is an awful bore at first) upon what you are reading, your ninety minutes of a night are chiefly wasted. This means that your pace will be slow.

Never mind.

Forget the goal; think only of the surrounding country; and after a period, perhaps when you least expect it, you will suddenly find yourself in a lovely town on a hill.

1 bent   

n.爱好，癖好；adj.弯的；决心的，一心的

参考例句：

• He was fully bent upon the project.他一心扑在这项计划上。
• We bent over backward to help them.我们尽了最大努力帮助他们。

2 appreciable   

adj.明显的，可见的，可估量的，可觉察的

参考例句：

• There is no appreciable distinction between the twins.在这对孪生子之间看不出有什么明显的差别。
• We bought an appreciable piece of property.我们买下的资产有增值的潜力。

3 cultivation   

n.耕作，培养，栽培（法），养成

参考例句：

• The cultivation in good taste is our main objective.培养高雅情趣是我们的主要目标。
• The land is not fertile enough to repay cultivation.这块土地不够肥沃，不值得耕种。

4 precisely   

adv.恰好，正好，精确地，细致地

参考例句：

• It's precisely that sort of slick sales-talk that I mistrust.我不相信的正是那种油腔滑调的推销宣传。
• The man adjusted very precisely.那个人调得很准。

5 ordeal   

n.苦难经历，（尤指对品格、耐力的）严峻考验

参考例句：

• She managed to keep her sanity throughout the ordeal.在那场磨难中她始终保持神志正常。
• Being lost in the wilderness for a week was an ordeal for me.在荒野里迷路一星期对我来说真是一场磨难。

6 ridicule   

v.讥讽，挖苦；n.嘲弄

参考例句：

• You mustn't ridicule unfortunate people.你不该嘲笑不幸的人。
• Silly mistakes and queer clothes often arouse ridicule.荒谬的错误和古怪的服装常会引起人们的讪笑。

7 purely   

adv.纯粹地，完全地

参考例句：

• I helped him purely and simply out of friendship.我帮他纯粹是出于友情。
• This disproves the theory that children are purely imitative.这证明认为儿童只会单纯地模仿的理论是站不住脚的。

8 narrative   

n.叙述，故事；adj.叙事的，故事体的

参考例句：

• He was a writer of great narrative power.他是一位颇有记述能力的作家。
• Neither author was very strong on narrative.两个作者都不是很善于讲故事。

9 infinitely   

adv.无限地，无穷地

参考例句：

• There is an infinitely bright future ahead of us.我们有无限光明的前途。
• The universe is infinitely large.宇宙是无限大的。

10 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

11 antagonistic   

adj.敌对的

参考例句：

• He is always antagonistic towards new ideas.他对新思想总是持反对态度。
• They merely stirred in a nervous and wholly antagonistic way.他们只是神经质地，带着完全敌对情绪地骚动了一下。

12 majestic   

adj.雄伟的，壮丽的，庄严的，威严的，崇高的

参考例句：

• In the distance rose the majestic Alps.远处耸立着雄伟的阿尔卑斯山。
• He looks majestic in uniform.他穿上军装显得很威风。

13 tyro   

n.初学者；生手

参考例句：

• She is a tyro in the art of writing poetry.她是一名诗歌创作艺术的初学者。
• I am a veritable tyro at the game.我玩这个是新手。

14 supreme   

adj.极度的，最重要的；至高的，最高的

参考例句：

• It was the supreme moment in his life.那是他一生中最重要的时刻。
• He handed up the indictment to the supreme court.他把起诉书送交最高法院。

15 lucid   

adj.明白易懂的，清晰的，头脑清楚的

参考例句：

• His explanation was lucid and to the point.他的解释扼要易懂。
• He wasn't very lucid,he didn't quite know where he was.他神志不是很清醒，不太知道自己在哪里。

16 futile   

adj.无效的，无用的，无希望的

参考例句：

• They were killed,to the last man,in a futile attack.因为进攻失败，他们全部被杀，无一幸免。
• Their efforts to revive him were futile.他们对他抢救无效。

17 derived   

vi.起源；由来；衍生；导出v.得到( derive的过去式和过去分词 )；（从…中）得到获得；源于；（从…中）提取

参考例句：

• Many English words are derived from Latin and Greek. 英语很多词源出于拉丁文和希腊文。 来自《简明英汉词典》
• He derived his enthusiasm for literature from his father. 他对文学的爱好是受他父亲的影响。 来自《简明英汉词典》

18 fatiguing   

a.使人劳累的

参考例句：

• He was fatiguing himself with his writing, no doubt. 想必他是拼命写作，写得精疲力尽了。
• Machines are much less fatiguing to your hands, arms, and back. 使用机器时，手、膊和后背不会感到太累。