Part 5 Chapter 12

Anna and Vronsky had long been exchanging glances, regretting their friend's flow of cleverness. At last Vronsky, without waiting for the artist, walked away to another small picture.

"Oh, how exquisite¹! What a lovely thing! A gem²! How exquisite!" they cried with one voice.

"What is it they're so pleased with?" thought Mihailov. He had positively³ forgotten that picture he had painted three years ago. He had forgotten all the agonies and the ecstasies⁴ he had lived through with that picture when for several months it had been the one thought haunting him day and night. He had forgotten, as he always forgot, the pictures he had finished. He did not even like to look at it, and had only brought it out because he was expecting an Englishman who wanted to buy it.

"Oh, that's only an old study," he said.

"How fine!" said Golenishtchev, he too, with unmistakable sincerity⁵, falling under the spell of the picture.

Two boys were angling in the shade of a willow-tree. The elder had just dropped in the hook, and was carefully pulling the float from behind a bush, entirely⁶ absorbed in what he was doing. The other, a little younger, was lying in the grass leaning on his elbows, with his tangled⁷, flaxen head in his hands, staring at the water with his dreamy blue eyes. What was he thinking of?

The enthusiasm over this picture stirred some of the old feeling for it in Mihailov, but he feared and disliked this waste of feeling for things past, and so, even though this praise was grateful to him, he tried to draw his visitors away to a third picture.

But Vronsky asked whether the picture was for sale. To Mihailov at that moment, excited by visitors, it was extremely distasteful to speak of money matters.

"It is put up there to be sold," he answered, scowling⁸ gloomily.

When the visitors had gone, Mihailov sat down opposite the picture of Pilate and Christ, and in his mind went over what had been said, and what, though not said, had been implied by those visitors. And, strange to say, what had had such weight with him, while they were there and while he mentally put himself at their point of view, suddenly lost all importance for him. He began to look at his picture with all his own full artist vision, and was soon in that mood of conviction of the perfectibility, and so of the significance, of his picture--a conviction essential to the most intense fervor⁹, excluding all other interests--in which alone he could work.

Christ's foreshortened leg was not right, though. He took his palette and began to work. As he corrected the leg he looked continually at the figure of John in the background, which his visitors had not even noticed, but which he knew was beyond perfection. When he had finished the leg he wanted to touch that figure, but he felt too much excited for it. He was equally unable to work when he was cold and when he was too much affected¹⁰ and saw everything too much. There was only one stage in the transition from coldness to inspiration, at which work was possible. Today he was too much agitated¹¹. He would have covered the picture, but he stopped, holding the cloth in his hand, and, smiling blissfully, gazed a long while at the figure of John. At last, as it were regretfully tearing himself away, he dropped the cloth, and, exhausted¹² but happy, went home.

Vronsky, Anna, and Golenishtchev, on their way home, were particularly lively and cheerful. They talked of Mihailov and his pictures. The word talent, by which they meant an inborn¹³, almost physical, aptitude¹⁴ apart from brain and heart, and in which they tried to find an expression for all the artist had gained from life, recurred¹⁵ particularly often in their talk, as though it were necessary for them to sum up what they had no conception of, though they wanted to talk of it. They said that there was no denying his talent, but that his talent could not develop for want of education--the common defect of our Russian artists. But the picture of the boys had imprinted¹⁶ itself on their memories, and they were continually coming back to it. "What an exquisite thing! How he has succeeded in it, and how simply! He doesn't even comprehend how good it is. Yes, I mustn't let it slip; I must buy it," said Vronsky.

1 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

2 gem   

n.宝石，珠宝；受爱戴的人 [同]jewel

参考例句：

• The gem is beyond my pocket.这颗宝石我可买不起。
• The little gem is worth two thousand dollars.这块小宝石价值两千美元。

3 positively   

adv.明确地，断然，坚决地；实在，确实

参考例句：

• She was positively glowing with happiness.她满脸幸福。
• The weather was positively poisonous.这天气着实讨厌。

4 ecstasies   

狂喜( ecstasy的名词复数 )； 出神； 入迷； 迷幻药

参考例句：

• In such ecstasies that he even controlled his tongue and was silent. 但他闭着嘴，一言不发。
• We were in ecstasies at the thought of going home. 一想到回家，我们高兴极了。

5 sincerity   

n.真诚，诚意；真实

参考例句：

• His sincerity added much more authority to the story.他的真诚更增加了故事的说服力。
• He tried hard to satisfy me of his sincerity.他竭力让我了解他的诚意。

6 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

7 tangled   

adj. 纠缠的，紊乱的 动词tangle的过去式和过去分词

参考例句：

• Your hair's so tangled that I can't comb it. 你的头发太乱了，我梳不动。
• A movement caught his eye in the tangled undergrowth. 乱灌木丛里的晃动引起了他的注意。

8 scowling   

怒视，生气地皱眉( scowl的现在分词 )

参考例句：

• There she was, grey-suited, sweet-faced, demure, but scowling. 她就在那里，穿着灰色的衣服，漂亮的脸上显得严肃而忧郁。 来自英汉文学 - 嘉莉妹妹
• Scowling, Chueh-hui bit his lips. 他马上把眉毛竖起来。 来自汉英文学 - 家（1-26） - 家（1-26）

9 fervor   

n.热诚；热心；炽热

参考例句：

• They were concerned only with their own religious fervor.他们只关心自己的宗教热诚。
• The speech aroused nationalist fervor.这个演讲喚起了民族主义热情。

10 affected   

adj.不自然的，假装的

参考例句：

• She showed an affected interest in our subject.她假装对我们的课题感到兴趣。
• His manners are affected.他的态度不自然。

11 agitated   

adj.被鼓动的，不安的

参考例句：

• His answers were all mixed up,so agitated was he.他是那样心神不定，回答全乱了。
• She was agitated because her train was an hour late.她乘坐的火车晚点一个小时，她十分焦虑。

12 exhausted   

adj.极其疲惫的，精疲力尽的

参考例句：

• It was a long haul home and we arrived exhausted.搬运回家的这段路程特别长，到家时我们已筋疲力尽。
• Jenny was exhausted by the hustle of city life.珍妮被城市生活的忙乱弄得筋疲力尽。

13 inborn   

adj.天生的，生来的，先天的

参考例句：

• He is a man with an inborn love of joke.他是一个生来就喜欢开玩笑的人。
• He had an inborn talent for languages.他有语言天分。

14 aptitude   

n.(学习方面的)才能，资质，天资

参考例句：

• That student has an aptitude for mathematics.那个学生有数学方面的天赋。
• As a child,he showed an aptitude for the piano.在孩提时代，他显露出对于钢琴的天赋。

15 recurred   

再发生，复发( recur的过去式和过去分词 )； 治愈

参考例句：

• Old memories constantly recurred to him. 往事经常浮现在他的脑海里。
• She always winced when he recurred to the subject of his poems. 每逢他一提到他的诗作的时候，她总是有点畏缩。

16 imprinted   

v.盖印（imprint的过去式与过去分词形式）

参考例句：

• The terrible scenes were indelibly imprinted on his mind. 那些恐怖场面深深地铭刻在他的心中。
• The scene was imprinted on my mind. 那个场面铭刻在我的心中。 来自《简明英汉词典》