It was quite the fashion in the village to be literary. We had a little knot of choice spirits who assembled frequently together, formed ourselves into a Literary, Scientific, and Philosophical2 Society, and fancied ourselves the most learned philos in existence. Every one had a great character assigned him, suggested by some casual habit or affectation. One heavy fellow drank an enormous quantity of tea; rolled in his armchair, talked sententiously, pronounced dogmatically, and was considered a second Dr. Johnson; another, who happened to be a curate, uttered coarse jokes, wrote doggerel3 rhymes, and was the Swift of our association. Thus we had also our Popes and Goldsmiths and Addisons, and a blue-stocking lady, whose drawing-room we frequented, who corresponded about nothing with all the world, and wrote letters with the stiffness and formality of a printed book, was cried up as another Mrs. Montagu. I was, by common consent, the juvenile4 prodigy5, the poetical6 youth, the great genius, the pride and hope of the village, through whom it was to become one day as celebrated8 as Stratford-on-Avon.
My father died and left me his blessing9 and his business. His blessing brought no money into my pocket; and as to his business it soon deserted10 me: for I was busy writing poetry, and could not attend to law; and my clients, though they had great respect for my talents, had no faith in a poetical attorney.
I lost my business therefore, spent my money, and finished my poem. It was the Pleasures of Melancholy11, and was cried up to the skies by the whole circle. The Pleasures of Imagination, the Pleasures of Hope, and the Pleasures of Memory, though each had placed its author in the first rank of poets, were blank prose in comparison. Our Mrs. Montagu would cry over it from beginning to end. It was pronounced by all the members of the Literary, Scientific, and Philosophical Society the greatest poem of the age, and all anticipated the noise it would make in the great world. There was not a doubt but the London booksellers would be mad after it, and the only fear of my friends was, that I would make a sacrifice by selling it too cheap.
Every time they talked the matter over they increased the price. They reckoned up the great sums given for the poems of certain popular writers, and determined13 that mine was worth more than all put together, and ought to be paid for accordingly. For my part, I was modest in my expectations, and determined that I would be satisfied with a thousand guineas. So I put my poem in my pocket and set off for London.
My journey was joyous14. My heart was light as my purse, and my head full of anticipations15 of fame and fortune. With what swelling16 pride did I cast my eyes upon old London from the heights of Highgate. I was like a general looking down upon a place he expects to conquer. The great metropolis17 lay stretched before me, buried under a home-made cloud of murky18 smoke, that wrapped it from the brightness of a sunny day, and formed for it a kind of artificial bad weather. At the outskirts19 of the city, away to the west, the smoke gradually decreased until all was clear and sunny, and the view stretched uninterrupted to the blue line of the Kentish Hills.
My eye turned fondly to where the mighty20 cupola of St. Paul’s swelled21 Dimly through this misty22 chaos23, and I pictured to myself the solemn realm of learning that lies about its base. How soon should the Pleasures of Melancholy throw this world of booksellers and printers into a bustle24 of business and delight! How soon should I hear my name repeated by printers’ devils throughout Pater Noster Row, and Angel Court, and Ave Maria Lane, until Amen corner should echo back the sound!
Arrived in town, I repaired at once to the most fashionable publisher. Every new author patronizes him of course. In fact, it had been determined in the village circle that he should be the fortunate man. I cannot tell you how vaingloriously I walked the streets; my head was in the clouds. I felt the airs of heaven playing about it, and fancied it already encircled by a halo of literary glory.
As I passed by the windows of bookshops, I anticipated the time when my work would be shining among the hotpressed wonders of the day; and my face, scratched on copper25, or cut in wood, figuring in fellowship with those of Scott and Byron and Moore.
When I applied26 at the publisher’s house there was something in the loftiness of my air, and the dinginess27 of my dress, that struck the clerks with reverence28. They doubtless took me for some person of consequence, probably a digger of Greek roots, or a penetrator of pyramids. A proud man in a dirty shirt is always an imposing29 character in the world of letters; one must feel intellectually secure before he can venture to dress shabbily; none but a great scholar or a great genius dares to be dirty; so I was ushered30 at once to the sanctum sanctorum of this high priest of Minerva.
The publishing of books is a very different affair now-a-days from what it was in the time of Bernard Lintot. I found the publisher a fashionably-dressed man, in an elegant drawing-room, furnished with sofas and portraits of celebrated authors, and cases of splendidly bound books. He was writing letters at an elegant table. This was transacting31 business in style. The place seemed suited to the magnificent publications that issued from it. I rejoiced at the choice I had made of a publisher, for I always liked to encourage men of taste and spirit.
I stepped up to the table with the lofty poetical port that I had Been accustomed to maintain in our village circle; though I threw in it something of a patronizing air, such as one feels when about to make a man’s fortune. The publisher paused with his pen in his hand, and seemed waiting in mute suspense32 to know what was to be announced by so singular an apparition33.
I put him at his ease in a moment, for I felt that I had but to come, see, and conquer. I made known my name, and the name of my poem; produced my precious roll of blotted34 manuscript, laid it on the table with an emphasis, and told him at once, to save time and come directly to the point, the price was one thousand guineas.
I had given him no time to speak, nor did he seem so inclined. He Continued looking at me for a moment with an air of whimsical perplexity; scanned me from head to foot; looked down at the manuscript, then up again at me, then pointed35 to a chair; and whistling softly to himself, went on writing his letter.
I sat for some time waiting his reply, supposing he was making up his mind; but he only paused occasionally to take a fresh dip of ink; to stroke his chin or the tip of his nose, and then resumed his writing. It was evident his mind was intently occupied upon some other subject; but I had no idea that any other subject should be attended to and my poem lie unnoticed on the table. I had supposed that every thing would make way for the Pleasures of Melancholy.
My gorge37 at length rose within me. I took up my manuscript; thrust it into my pocket, and walked out of the room: making some noise as I went, to let my departure be heard. The publisher, however, was too much busied in minor38 concerns to notice it. I was suffered to walk down-stairs without being called back. I sallied forth39 into the street, but no clerk was sent after me, nor did the publisher call after me from the drawing-room window. I have been told since, that he considered me either a madman or a fool. I leave you to judge how much he was in the wrong in his opinion.
When I turned the corner my crest40 fell. I cooled down in my pride and my expectations, and reduced my terms with the next bookseller to whom I applied. I had no better success: nor with a third: nor with a fourth. I then desired the booksellers to make an offer themselves; but the deuce an offer would they make. They told me poetry was a mere41 drug; everybody wrote poetry; the market was overstocked with it. And then, they said, the title of my poem was not taking: that pleasures of all kinds were worn threadbare; nothing but horrors did now-a-days, and even these were almost worn out. Tales of pirates, robbers, and bloody42 Turks might answer tolerably well; but then they must come from some established well-known name, or the public would not look at them.
At last I offered to leave my poem with a bookseller to read it and judge for himself. “Why, really, my dear Mr.—a—a—I forget your name,” said he, cutting an eye at my rusty43 coat and shabby gaiters, “really, sir, we are so pressed with business just now, and have so many manuscripts on hand to read, that we have not time to look at any new production, but if you can call again in a week or two, or say the middle of next month, we may be able to look over your writings and give you an answer. Don’t forget, the month after next—good morning, sir—happy to see you any time you are passing this way”—so saying he bowed me out in the civilest way imaginable. In short, sir, instead of an eager competition to secure my poem I could not even get it read! In the mean time I was harassed44 by letters from my friends, wanting to know when the work was to appear; who was to be my publisher; but above all things warning me not to let it go too cheap.
There was but one alternative left. I determined to publish the poem myself; and to have my triumph over the booksellers, when it should become the fashion of the day. I accordingly published the Pleasures of Melancholy and ruined myself. Excepting the copies sent to the reviews, and to my friends in the country, not one, I believe, ever left the bookseller’s warehouse45. The printer’s bill drained my purse, and the only notice that was taken of my work was contained in the advertisements paid for by myself.
I could have borne all this, and have attributed it as usual to the mismanagement of the publisher, or the want of taste in the public: and could have made the usual appeal to posterity46, but my village friends would not let me rest in quiet. They were picturing me to themselves feasting with the great, communing with the literary, and in the high course of fortune and renown47. Every little while, some one came to me with a letter of introduction from the village circle, recommending him to my attentions, and requesting that I would make him known in society; with a hint that an introduction to the house of a celebrated literary nobleman would be extremely agreeable.
I determined, therefore, to change my lodgings48, drop my correspondence, and disappear altogether from the view of my village admirers. Besides, I was anxious to make one more poetic7 attempt. I was by no means disheartened by the failure of my first. My poem was evidently too didactic. The public was wise enough. It no longer read for instruction. “They want horrors, do they?” said I, “I’faith, then they shall have enough of them.” So I looked out for some quiet retired49 place, where I might be out of reach of my friends, and have leisure to cook up some delectable50 dish of poetical “hell-broth.”
I had some difficulty in finding a place to my mind, when chance threw me in the way Of Canonbury Castle. It is an ancient brick tower, hard by “merry Islington;” the remains51 of a hunting-seat of Queen Elizabeth, where she took the pleasures of the country, when the neighborhood was all woodland. What gave it particular interest in my eyes, was the circumstance that it had been the residence of a poet. It was here Goldsmith resided when he wrote his Deserted Village. I was shown the very apartment. It was a relique of the original style of the castle, with pannelled wainscots and gothic windows. I was pleased with its air of antiquity53, and with its having been the residence of poor Goldy.
“Goldsmith was a pretty poet,” said I to myself, “a very pretty poet; though rather of the old school. He did not think and feel so strongly as is the fashion now-a-days; but had he lived in these times of hot hearts and hot heads, he would have written quite differently.”
In a few days I was quietly established in my new quarters; my books all arranged, my writing desk placed by a window looking out into the field; and I felt as snug54 as Robinson Crusoe, when he had finished his bower56. For several days I enjoyed all the novelty of change and the charms which grace a new lodgings before one has found out their defects. I rambled57 about the fields where I fancied Goldsmith had rambled. I explored merry Islington; ate my solitary58 dinner at the Black Bull, which according to tradition was a country seat of Sir Walter Raleigh, and would sit and sip59 my wine and muse60 on old times in a quaint61 old room, where many a council had been held.
All this did very well for a few days: I was stimulated62 by novelty; inspired by the associations awakened63 in my mind by these curious haunts, and began to think I felt the spirit of composition stirring within me; but Sunday came, and with it the whole city world, swarming64 about Canonbury Castle. I could not open my window but I was stunned65 with shouts and noises from the cricket ground. The late quiet road beneath my window was alive with the tread of feet and clack of tongues; and to complete my misery66, I found that my quiet retreat was absolutely a “show house!” the tower and its contents being shown to strangers at sixpence a head.
There was a perpetual tramping up-stairs of citizens and their families, to look about the country from the top of the tower, and to take a peep at the city through the telescope, to try if they could discern their own chimneys. And then, in the midst of a vein67 of thought, or a moment of inspiration, I was interrupted, and all my ideas put to flight, by my intolerable landlady68’s tapping at the door, and asking me, if I would “jist please to let a lady and gentleman come in to take a look at Mr. Goldsmith’s room.”
If you know anything what an author’s study is, and what an author is himself, you must know that there was no standing69 this. I put a positive interdict70 on my room’s being exhibited; but then it was shown when I was absent, and my papers put in confusion; and on returning home one day, I absolutely found a cursed tradesman and his daughters gaping71 over my manuscripts; and my landlady in a panic at my appearance. I tried to make out a little longer by taking the key in my pocket, but it would not do. I overheard mine hostess one day telling some of her customers on the stairs that the room was occupied by an author, who was always in a tantrum if interrupted; and I immediately perceived, by a slight noise at the door, that they were peeping at me through the key-hole. By the head of Apollo, but this was quite too much! with all my eagerness for fame, and my ambition of the stare of the million, I had no idea of being exhibited by retail72, at sixpence a head, and that through a key-hole. So I bade adieu to Canonbury Castle, merry Islington, and the haunts of poor Goldsmith, without having advanced a single line in my labors73.
My next quarters were at a small white-washed cottage, which stands not far from Hempstead, just on the brow of a hill, looking over Chalk farm, and Camden town, remarkable75 for the rival houses of Mother Red Cap and Mother Black Cap; and so across Cruckskull common to the distant city.
The cottage is in no wise remarkable in itself; but I regarded it with reverence, for it had been the asylum76 of a persecuted77 author. Hither poor Steele had retreated and lain perdue when persecuted by creditors78 and bailiffs; those immemorial plagues of authors and free-spirited gentlemen; and here he had written many numbers of the Spectator. It was from hence, too, that he had despatched those little notes to his lady, so full of affection and whimsicality; in which the fond husband, the careless gentleman, and the shifting spendthrift, were so oddly blended. I thought, as I first eyed the window, of his apartment, that I could sit within it and write volumes.
No such thing! It was haymaking season, and, as ill luck would have it, immediately opposite the cottage was a little alehouse with the sign of the load of hay. Whether it was there in Steele’s time or not I cannot say; but it set all attempt at conception or inspiration at defiance79. It was the resort of all the Irish haymakers who mow80 the broad fields in the neighborhood; and of drovers and teamsters who travel that road. Here would they gather in the endless summer twilight81, or by the light of the harvest moon, and sit round a table at the door; and tipple82, and laugh, and quarrel, and fight, and sing drowsy83 songs, and dawdle84 away the hours until the deep solemn notes of St. Paul’s clock would warn the varlets home.
In the day-time I was still less able to write. It was broad summer. The haymakers were at work in the fields, and the perfume of the new-mown hay brought with it the recollection of my native fields. So instead of remaining in my room to write, I went wandering about Primrose85 Hill and Hempstead Heights and Shepherd’s Field, and all those Arcadian scenes so celebrated by London bards86. I cannot tell you how many delicious hours I have passed lying on the cocks of new-mown hay, on the pleasant slopes of some of those hills, inhaling87 the fragrance88 of the fields, while the summer fly buzzed above me, or the grasshopper89 leaped into my bosom90, and how I have gazed with half-shut eye upon the smoky mass of London, and listened to the distant sound of its population, and pitied the poor sons of earth toiling91 in its bowels92, like Gnomes93 in “the dark gold mine.”
People may say what they please about Cockney pastorals; but after all, there is a vast deal of rural beauty about the western vicinity of London; and any one that has looked down upon the valley of Westend, with its soft bosom of green pasturage, lying open to the south, and dotted with cattle; the steeple of Hempstead rising among rich groves94 on the brow of the hill, and the learned height of Harrow in the distance; will confess that never has he seen a more absolutely rural landscape in the vicinity of a great metropolis.
Still, however, I found myself not a whit74 the better off for my frequent change of lodgings; and I began to discover that in literature, as in trade, the old proverb holds good, “a rolling stone gathers no moss95.”
The tranquil96 beauty of the country played the very vengeance97 with me. I could not mount my fancy into the termagant vein. I could not conceive, amidst the smiling landscape, a scene of blood and murder; and the smug citizens in breeches and gaiters, put all ideas of heroes and bandits out of my brain. I could think of nothing but dulcet98 subjects. “The pleasures of spring”—“the pleasures of solitude”—“the pleasures of tranquillity”—“the pleasures of sentiment”—nothing but pleasures; and I had the painful experience of “the pleasures of melancholy” too strongly in my recollection to be beguiled99 by them.
Chance at length befriended me. I had frequently in my ramblings loitered about Hempstead Hill; which is a kind of Parnassus of the metropolis. At such times I occasionally took my dinner at Jack100 Straw’s Castle. It is a country inn so named. The very spot where that notorious rebel and his followers101 held their council of war. It is a favorite resort of citizens when rurally inclined, as it commands fine fresh air and a good view of the city.
I sat one day in the public room of this inn, ruminating102 over a beefsteak and a pint103 of port, when my imagination kindled104 up with ancient and heroic images. I had long wanted a theme and a hero; both suddenly broke upon my mind; I determined to write a poem on the history of Jack Straw. I was so full of my subject that I was fearful of being anticipated. I wondered that none of the poets of the day, in their researches after ruffian heroes, had ever thought of Jack Straw. I went to work pell-mell, blotted several sheets of paper with choice floating thoughts, and battles, and descriptions, to be ready at a moment’s warning. In a few days’ time I sketched105 out the skeleton of my poem, and nothing was wanting but to give it flesh and blood. I used to take my manuscript and stroll about Caen Wood, and read aloud; and would dine at the castle, by way of keeping up the vein of thought.
I was taking a meal there, one day, at a rather late hour, in the public room. There was no other company but one man, who sat enjoying his pint of port at a window, and noticing the passers-by. He was dressed in a green shooting coat. His countenance106 was strongly marked. He had a hooked nose, a romantic eye, excepting that it had something of a squint107; and altogether, as I thought, a poetical style of head. I was quite taken with the man, for you must know I am a little of a physiognomist: I set him down at once for either a poet or a philosopher.
As I like to make new acquaintances, considering every man a volume of human nature, I soon fell into conversation with the stranger, who, I was pleased to find, was by no means difficult of access. After I had dined, I joined him at the window, and we became so sociable108 that I proposed a bottle of wine together; to which he most cheerfully assented109.
I was too full of my poem to keep long quiet on the subject, and began to talk about the origin of the tavern110, and the history of Jack Straw. I found my new acquaintance to be perfectly111 at home on the topic, and to jump exactly with my humor in every respect. I became elevated by the wine and the conversation. In the fullness of an author’s feelings, I told him of my projected poem, and repeated some passages; and he was in raptures112. He was evidently of a strong poetical turn.
“Sir,” said he, filling my glass at the same time, “our poets don’t look at home. I don’t see why we need go out of old England for robbers and rebels to write about. I like your Jack Straw, sir. He’s a home-made hero. I like him, sir. I like him exceedingly. He’s English to the back bone, damme. Give me honest old England, after all; them’s my sentiments, sir!”
“I honor your sentiments,” cried I zealously113. “They are exactly my own. An English ruffian for poetry is as good a ruffian for poetry as any in Italy or Germany, or the Archipelago; but it is hard to make our poets think so.”
“More shame for them!” replied the man in green. “What a plague would they have?” What have we to do with their Archipelagos of Italy and Germany? Haven’t we heaths and commons and high-ways on our own little island? Aye, and stout114 fellows to pad the hoof115 over them too? Come, sir, my service to you—I agree with you perfectly.”
“Poets in old times had right notions on this subject,” continued I; “witness the fine old ballads116 about Robin55 Hood52, Allen A’Dale, and other staunch blades of yore.”
“Right, sir, right,” interrupted he. “Robin Hood! He was the lad to cry stand! to a man, and never flinch117.”
“Ah, sir,” said I, “they had famous bands of robbers in the good old times. Those were glorious poetical days. The merry crew of Sherwood Forest, who led such a roving picturesque118 life, ‘under the greenwood tree.’ I have often wished to visit their haunts, and tread the scenes of the exploits of Friar Tuck, and Clym of the Clough, and Sir William of Coudeslie.”
“Nay, sir,” said the gentleman in green, “we have had several very pretty gangs since their day. Those gallant119 dogs that kept about the great heaths in the neighborhood of London; about Bagshot, and Hounslow, and Black Heath, for instance—come, sir, my service to you. You don’t drink.”
“I suppose,” said I, emptying my glass—“I suppose you have heard of the famous Turpin, who was born in this very village of Hempstead, and who used to lurk120 with his gang in Epping Forest, about a hundred years since.”
“Have I?” cried he—“to be sure I have! A hearty121 old blade that; sound as pitch. Old Turpentine!—as we used to call him. A famous fine fellow, sir.”
“Well, sir,” continued I, “I have visited Waltham Abbey, and Chinkford Church, merely from the stories I heard, when a boy, of his exploits there, and I have searched Epping Forest for the cavern122 where he used to conceal123 himself. You must know,” added I, “that I am a sort of amateur of highwaymen. They were dashing, daring fellows; the last apologies that we had for the knight124 errants of yore. Ah, sir! the country has been sinking gradually into tameness and commonplace. We are losing the old English spirit. The bold knights125 of the post have all dwindled126 down into lurking127 footpads and sneaking128 pick-pockets. There’s no such thing as a dashing gentlemanlike robbery committed now-a-days on the king’s highway. A man may roll from one end of England to the other in a drowsy coach or jingling129 post-chaise without any other adventure than that of being occasionally overturned, sleeping in damp sheets, or having an ill-cooked dinner.
“We hear no more of public coaches being stopped and robbed by a well-mounted gang of resolute130 fellows with pistols in their hands and crapes over their faces. What a pretty poetical incident was it for example in domestic life, for a family carriage, on its way to a country seat, to be attacked about dusk; the old gentleman eased of his purse and watch, the ladies of their necklaces and ear-rings, by a politely-spoken highwayman on a blood mare131, who afterwards leaped the hedge and galloped132 across the country, to the admiration133 of Miss Carolina the daughter, who would write a long and romantic account of The adventure to her friend Miss Juliana in town. Ah, sir! we meet with nothing of such incidents now-a-days.”
“That, sir,”—said my companion, taking advantage of a pause, when I stopped to recover breath and to take a glass of wine, which he had just poured out—“that, sir, craving134 your pardon, is not owing to any want of old English pluck. It is the effect of this cursed system of banking135. People do not travel with bags of gold as they did formerly136. They have post notes and drafts on bankers. To rob a coach is like catching137 a crow; where you have nothing but carrion138 flesh and feathers for your pains. But a coach in old times, sir, was as rich as a Spanish galleon139. It turned out the yellow boys bravely; and a private carriage was a cool hundred or two at least.”
I cannot express how much I was delighted with the sallies of my new acquaintance. He told me that he often frequented the castle, and would be glad to know more of me; and I promised myself many a pleasant afternoon with him, when I should read him my poem, as it proceeded, and benefit by his remarks; for it was evident he had the true poetical feeling.
“Come, sir!” said he, pushing the bottle, “Damme, I like you!—You’re a man after my own heart; I’m cursed slow in making new acquaintances in general. One must stand on the reserve, you know. But when I meet with a man of your kidney, damme my heart jumps at once to him. Them’s my sentiments, sir. Come, sir, here’s Jack Straw’s health! I presume one can drink it now-a-days without treason!”
“With all my heart,” said I gayly, “and Dick Turpin’s into the bargain!”
“Ah, sir,” said the man in green, “those are the kind of men for poetry. The Newgate kalendar, sir! the Newgate kalendar is your only reading! There’s the place to look for bold deeds and dashing fellows.”
We were so much pleased with each other that we sat until a late hour. I insisted on paying the bill, for both my purse and my heart were full; and I agreed that he should pay the score at our next meeting. As the coaches had all gone that run between Hempstead and London he had to return on foot, He was so delighted with the idea of my poem that he could talk of nothing else. He made me repeat such passages as I could remember, and though I did it in a very mangled140 manner, having a wretched memory, yet he was in raptures.
Every now and then he would break out with some scrap141 which he would Misquote most terribly, but would rub his hands and exclaim, “By Jupiter, that’s fine! that’s noble! Damme, sir, if I can conceive how you hit upon such ideas!”
I must confess I did not always relish142 his misquotations, which sometimes made absolute nonsense of the passages; but what author stands upon trifles when he is praised? Never had I spent a more delightful144 evening. I did not perceive how the time flew. I could not bear to separate, but continued walking on, arm in arm with him past my lodgings, through Camden town, and across Crackscull Common, talking the whole way about my poem.
When we were half-way across the common he interrupted me in the midst of a quotation143 by telling me that this had been a famous place for footpads, and was still occasionally infested145 by them; and that a man had recently been shot there in attempting to defend himself.
“The more fool he!” cried I. “A man is an idiot to risk life, or even limb, to save a paltry146 purse of money. It’s quite a different case from that of a duel147, where one’s honor is concerned. For my part,” added I, “I should never think of making resistance against one of those desperadoes.”
“Say you so?” cried my friend in green, turning suddenly upon me, and putting a pistol to my breast, “Why, then have at you, my lad!—come, disburse148! empty! unsack!”
In a word, I found that the muse had played me another of her tricks, and had betrayed me into the hands of a footpad. There was no time to parley149; he made me turn my pockets inside out; and hearing the sound of distant footsteps, he made one fell swoop150 upon purse, watch, and all, gave me a thwack over my unlucky pate12 that laid me sprawling151 on the ground; and scampered152 away with his booty.
I saw no more of my friend in green until a year or two afterwards; when I caught a sight of his poetical countenance among a crew of scapegraces, heavily ironed, who were on the way for transportation. He recognized me at once, tipped me an impudent153 wink154, and asked me how I came on with the history of Jack Straw’s castle.
The catastrophe155 at Crackscull Common put an end to my summer’s campaign. I was cured of my poetical enthusiasm for rebels, robbers, and highwaymen. I was put out of conceit156 of my subject, and what was worse, I was lightened of my purse, in which was almost every farthing I had in the world. So I abandoned Sir Richard Steele’s cottage in despair, and crept into less celebrated, though no less poetical and airy lodgings in a garret in town.
I see you are growing weary, so I will not detain you with any more of my luckless attempts to get astride of Pegasus. Still I could not consent to give up the trial and abandon those dreams of renown in which I had indulged. How should I ever be able to look the literary circle of my native village in the face, if I were so completely to falsify their predictions. For some time longer, therefore, I continued to write for fame, and of course was the most miserable157 dog in existence, besides being in continual risk of starvation.
I have many a time strolled sorrowfully along, with a sad heart and an empty stomach, about five o’clock, and looked wistfully down the areas in the west end of the town; and seen through the kitchen windows the fires gleaming, and the joints158 of meat turning on the spits and dripping with gravy159; and the cook maids beating up puddings, or trussing turkeys, and have felt for the moment that if I could but have the run of one of those kitchens, Apollo and the muses160 might have the hungry heights of Parnassus for me. Oh, sir! talk of meditations161 among the tombs—they are nothing so melancholy as the meditations of a poor devil without penny in pouch162, along a line of kitchen windows towards dinner-time.
At length, when almost reduced to famine and despair, the idea all at once entered my head, that perhaps I was not so clever a fellow as the village and myself had supposed. It was the salvation163 of me. The moment the idea popped into my brain, it brought conviction and comfort with it. I awoke as from a dream. I gave up immortal164 fame to those who could live on air; took to writing for mere bread, and have ever since led a very tolerable life of it. There is no man of letters so much at his ease, sir, as he that has no character to gain or lose. I had to train myself to it a little, however, and to clip my wings short at first, or they would have carried me up into poetry in spite of myself. So I determined to begin by the opposite extreme, and abandoning the higher regions of the craft, I came plump down to the lowest, and turned creeper.
“Creeper,” interrupted I, “and pray what is that?” Oh, sir! I see you are ignorant of the language of the craft; a creeper is one who furnishes the newspapers with paragraphs at so much a line, one that goes about in quest of misfortunes; attends the Bow-street office; the courts of justice and every other den36 of mischief165 and iniquity166. We are paid at the rate of a penny a line, and as we can sell the same paragraph to almost every paper, we sometimes pick up a very decent day’s work. Now and then the muse is unkind, or the day uncommonly167 quiet, and then we rather starve; and sometimes the unconscionable editors will clip our paragraphs when they are a little too rhetorical, and snip168 off twopence or threepence at a go. I have many a time had my pot of porter snipped169 off of my dinner in this way; and have had to dine with dry lips. However, I cannot complain. I rose gradually in the lower ranks of the craft, and am now, I think, in the most comfortable region of literature.
“And pray,” said I, “what may you be at present!” “At present,” said he, “I am a regular job writer, and turn my hand to anything. I work up the writings of others at so much a sheet; turn off translations; write second-rate articles to fill up reviews and magazines; compile travels and voyages, and furnish theatrical170 criticisms for the newspapers. All this authorship, you perceive, is anonymous171; it gives no reputation, except among the trade, where I am considered an author of all work, and am always sure of employ. That’s the only reputation I want. I sleep soundly, without dread172 of duns or critics, and leave immortal fame to those that choose to fret173 and fight about it. Take my word for it, the only happy author in this world is he who is below the care of reputation.”
The preceding anecdotes174 of Buckthorne’s early schoolmate, and a variety of peculiarities175 which I had remarked in himself, gave me a strong curiosity to know something of his own history. There was a dash of careless good humor about him that pleased me exceedingly, and at times a whimsical tinge176 of melancholy ran through his humor that gave it an additional relish. He had evidently been a little chilled and buffeted177 by fortune, without being soured thereby178, as some fruits become mellower179 and sweeter, from having been bruised180 or frost-bitten. He smiled when I expressed my desire. “I have no great story,” said he, “to relate. A mere tissue of errors and follies181. But, such as it is, you shall have one epoch182 of it, by which you may judge of the rest.” And so, without any farther prelude183, he gave me the following anecdotes of his early adventures.
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1
blues
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| n.抑郁，沮丧；布鲁斯音乐 | |
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2
philosophical
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| adj.哲学家的，哲学上的，达观的 | |
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3
doggerel
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| n.拙劣的诗，打油诗 | |
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4
juvenile
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| n.青少年，少年读物；adj.青少年的，幼稚的 | |
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5
prodigy
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| n.惊人的事物，奇迹，神童，天才，预兆 | |
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6
poetical
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| adj.似诗人的；诗一般的；韵文的；富有诗意的 | |
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poetic
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| adj.富有诗意的，有诗人气质的，善于抒情的 | |
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celebrated
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| adj.有名的，声誉卓著的 | |
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blessing
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| n.祈神赐福；祷告；祝福，祝愿 | |
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10
deserted
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| adj.荒芜的，荒废的，无人的，被遗弃的 | |
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melancholy
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| n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的 | |
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12
pate
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| n.头顶；光顶 | |
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determined
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| adj.坚定的；有决心的 | |
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14
joyous
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| adj.充满快乐的；令人高兴的 | |
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anticipations
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| 预期( anticipation的名词复数 )； 预测； （信托财产收益的）预支； 预期的事物 | |
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16
swelling
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| n.肿胀 | |
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metropolis
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| n.首府；大城市 | |
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18
murky
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| adj.黑暗的，朦胧的；adv.阴暗地，混浊地；n.阴暗；昏暗 | |
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19
outskirts
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| n.郊外，郊区 | |
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20
mighty
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| adj.强有力的；巨大的 | |
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21
swelled
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| 增强( swell的过去式和过去分词 )； 肿胀； （使）凸出； 充满（激情） | |
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22
misty
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| adj.雾蒙蒙的，有雾的 | |
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chaos
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| n.混乱，无秩序 | |
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24
bustle
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| v.喧扰地忙乱，匆忙，奔忙；n.忙碌；喧闹 | |
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25
copper
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| n.铜；铜币；铜器；adj.铜(制)的；(紫)铜色的 | |
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26
applied
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| adj.应用的；v.应用，适用 | |
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27
dinginess
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| n.暗淡，肮脏 | |
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28
reverence
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| n.敬畏，尊敬，尊严；Reverence:对某些基督教神职人员的尊称；v.尊敬，敬畏，崇敬 | |
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29
imposing
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| adj.使人难忘的，壮丽的，堂皇的，雄伟的 | |
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30
ushered
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| v.引，领，陪同( usher的过去式和过去分词 ) | |
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31
transacting
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| v.办理（业务等）( transact的现在分词 )；交易，谈判 | |
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32
suspense
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| n.（对可能发生的事）紧张感，担心，挂虑 | |
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apparition
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| n.幽灵，神奇的现象 | |
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34
blotted
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| 涂污( blot的过去式和过去分词 )； （用吸墨纸）吸干 | |
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pointed
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| adj.尖的，直截了当的 | |
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den
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| n.兽穴；秘密地方；安静的小房间，私室 | |
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37
gorge
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| n.咽喉，胃，暴食，山峡；v.塞饱，狼吞虎咽地吃 | |
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38
minor
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| adj.较小(少)的，较次要的；n.辅修学科；vi.辅修 | |
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39
forth
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| adv.向前；向外，往外 | |
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40
crest
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| n.顶点；饰章；羽冠；vt.达到顶点；vi.形成浪尖 | |
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41
mere
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| adj.纯粹的；仅仅，只不过 | |
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42
bloody
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| adj.非常的的；流血的；残忍的；adv.很；vt.血染 | |
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43
rusty
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| adj.生锈的；锈色的；荒废了的 | |
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44
harassed
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| adj. 疲倦的，厌烦的 动词harass的过去式和过去分词 | |
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45
warehouse
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| n.仓库；vt.存入仓库 | |
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46
posterity
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| n.后裔，子孙，后代 | |
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47
renown
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| n.声誉，名望 | |
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48
lodgings
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| n. 出租的房舍, 寄宿舍 | |
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49
retired
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| adj.隐退的，退休的，退役的 | |
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50
delectable
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| adj.使人愉快的；美味的 | |
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51
remains
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| n.剩余物，残留物；遗体，遗迹 | |
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52
hood
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| n.头巾，兜帽，覆盖；v.罩上，以头巾覆盖 | |
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53
antiquity
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| n.古老；高龄；古物，古迹 | |
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54
snug
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| adj.温暖舒适的，合身的，安全的；v.使整洁干净，舒适地依靠，紧贴；n.（英）酒吧里的私房 | |
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55
robin
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| n.知更鸟，红襟鸟 | |
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56
bower
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| n.凉亭，树荫下凉快之处；闺房；v.荫蔽 | |
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57
rambled
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| （无目的地）漫游( ramble的过去式和过去分词 )； （喻）漫谈； 扯淡； 长篇大论 | |
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58
solitary
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| adj.孤独的，独立的，荒凉的；n.隐士 | |
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59
sip
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| v.小口地喝，抿，呷；n.一小口的量 | |
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60
muse
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| n.缪斯（希腊神话中的女神），创作灵感 | |
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61
quaint
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| adj.古雅的，离奇有趣的，奇怪的 | |
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62
stimulated
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| a.刺激的 | |
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63
awakened
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| v.（使）醒( awaken的过去式和过去分词 )；（使）觉醒；弄醒；（使）意识到 | |
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64
swarming
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| 密集( swarm的现在分词 )； 云集； 成群地移动； 蜜蜂或其他飞行昆虫成群地飞来飞去 | |
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65
stunned
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| adj. 震惊的，惊讶的 动词stun的过去式和过去分词 | |
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66
misery
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| n.痛苦，苦恼，苦难；悲惨的境遇，贫苦 | |
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67
vein
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| n.血管，静脉；叶脉，纹理；情绪；vt.使成脉络 | |
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68
landlady
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| n.女房东，女地主 | |
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69
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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70
interdict
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| v.限制；禁止；n.正式禁止；禁令 | |
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71
gaping
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| adj.口的；张口的；敞口的；多洞穴的v.目瞪口呆地凝视( gape的现在分词 )；张开，张大 | |
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72
retail
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| v./n.零售；adv.以零售价格 | |
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73
labors
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| v.努力争取(for)( labor的第三人称单数 )；苦干；详细分析；（指引擎）缓慢而困难地运转 | |
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74
whit
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| n.一点，丝毫 | |
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75
remarkable
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| adj.显著的，异常的，非凡的，值得注意的 | |
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76
asylum
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| n.避难所，庇护所，避难 | |
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77
persecuted
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| （尤指宗教或政治信仰的）迫害(~sb. for sth.)( persecute的过去式和过去分词 )； 烦扰，困扰或骚扰某人 | |
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78
creditors
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| n.债权人，债主( creditor的名词复数 ) | |
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79
defiance
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| n.挑战，挑衅，蔑视，违抗 | |
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80
mow
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| v.割（草、麦等），扫射，皱眉；n.草堆，谷物堆 | |
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81
twilight
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| n.暮光，黄昏；暮年，晚期，衰落时期 | |
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82
tipple
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| n.常喝的酒；v.不断喝，饮烈酒 | |
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83
drowsy
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| adj.昏昏欲睡的，令人发困的 | |
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84
dawdle
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| vi.浪费时间；闲荡 | |
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85
primrose
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| n.樱草，最佳部分， | |
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86
bards
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| n.诗人( bard的名词复数 ) | |
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87
inhaling
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| v.吸入( inhale的现在分词 ) | |
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88
fragrance
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| n.芬芳，香味，香气 | |
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89
grasshopper
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| n.蚱蜢，蝗虫，蚂蚱 | |
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90
bosom
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| n.胸，胸部；胸怀；内心；adj.亲密的 | |
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91
toiling
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| 长时间或辛苦地工作( toil的现在分词 )； 艰难缓慢地移动，跋涉 | |
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92
bowels
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| n.肠，内脏，内部；肠( bowel的名词复数 )；内部，最深处 | |
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93
gnomes
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| n.矮子( gnome的名词复数 )；侏儒；（尤指金融市场上搞投机的）银行家；守护神 | |
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94
groves
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| 树丛，小树林( grove的名词复数 ) | |
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95
moss
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| n.苔，藓，地衣 | |
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96
tranquil
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| adj. 安静的, 宁静的, 稳定的, 不变的 | |
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97
vengeance
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| n.报复，报仇，复仇 | |
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98
dulcet
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| adj.悦耳的 | |
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99
beguiled
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| v.欺骗( beguile的过去式和过去分词 )；使陶醉；使高兴；消磨（时间等） | |
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100
jack
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| n.插座，千斤顶，男人；v.抬起，提醒，扛举；n.（Jake）杰克 | |
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101
followers
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| 追随者( follower的名词复数 )； 用户； 契据的附面； 从动件 | |
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102
ruminating
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| v.沉思( ruminate的现在分词 )；反复考虑；反刍；倒嚼 | |
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103
pint
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| n.品脱 | |
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104
kindled
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| （使某物）燃烧，着火( kindle的过去式和过去分词 )； 激起（感情等）； 发亮，放光 | |
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105
sketched
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| v.草拟（sketch的过去式与过去分词形式） | |
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106
countenance
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| n.脸色，面容；面部表情；vt.支持，赞同 | |
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107
squint
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| v. 使变斜视眼, 斜视, 眯眼看, 偏移, 窥视; n. 斜视, 斜孔小窗; adj. 斜视的, 斜的 | |
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108
sociable
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| adj.好交际的，友好的，合群的 | |
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109
assented
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| 同意，赞成( assent的过去式和过去分词 ) | |
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110
tavern
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| n.小旅馆，客栈；小酒店 | |
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111
perfectly
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| adv.完美地，无可非议地，彻底地 | |
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112
raptures
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| 极度欢喜( rapture的名词复数 ) | |
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113
zealously
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| adv.热心地；热情地；积极地；狂热地 | |
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115
hoof
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| n.(马，牛等的)蹄 | |
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116
ballads
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| 民歌，民谣，特别指叙述故事的歌( ballad的名词复数 )； 讴 | |
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117
flinch
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| v.畏缩，退缩 | |
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118
picturesque
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| adj.美丽如画的，（语言）生动的，绘声绘色的 | |
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119
gallant
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| adj.英勇的，豪侠的；(向女人)献殷勤的 | |
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120
lurk
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| n.潜伏，潜行；v.潜藏，潜伏，埋伏 | |
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121
hearty
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| adj.热情友好的；衷心的；尽情的，纵情的 | |
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122
cavern
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| n.洞穴，大山洞 | |
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123
conceal
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| v.隐藏，隐瞒，隐蔽 | |
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124
knight
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| n.骑士，武士；爵士 | |
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125
knights
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| 骑士； （中古时代的）武士( knight的名词复数 )； 骑士； 爵士； （国际象棋中）马 | |
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126
dwindled
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| v.逐渐变少或变小( dwindle的过去式和过去分词 ) | |
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127
lurking
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| 潜在 | |
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128
sneaking
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| a.秘密的，不公开的 | |
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129
jingling
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| 叮当声 | |
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130
resolute
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| adj.坚决的，果敢的 | |
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131
mare
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| n.母马，母驴 | |
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132
galloped
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| （使马）飞奔，奔驰( gallop的过去式和过去分词 )； 快速做[说]某事 | |
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133
admiration
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| n.钦佩，赞美，羡慕 | |
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134
craving
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| n.渴望,热望 | |
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135
banking
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| n.银行业，银行学，金融业 | |
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136
formerly
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| adv.从前，以前 | |
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137
catching
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| adj.易传染的，有魅力的，迷人的，接住 | |
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138
carrion
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| n.腐肉 | |
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139
galleon
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| n.大帆船 | |
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140
mangled
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| vt.乱砍（mangle的过去式与过去分词形式） | |
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141
scrap
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| n.碎片；废料；v.废弃，报废 | |
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142
relish
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| n.滋味，享受，爱好，调味品；vt.加调味料，享受，品味；vi.有滋味 | |
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143
quotation
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| n.引文，引语，语录；报价，牌价，行情 | |
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144
delightful
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| adj.令人高兴的，使人快乐的 | |
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145
infested
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| adj.为患的，大批滋生的（常与with搭配）v.害虫、野兽大批出没于( infest的过去式和过去分词 )；遍布于 | |
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146
paltry
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| adj.无价值的，微不足道的 | |
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147
duel
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| n./v.决斗；(双方的)斗争 | |
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148
disburse
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| v.支出，拨款 | |
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149
parley
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| n.谈判 | |
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150
swoop
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| n.俯冲，攫取；v.抓取，突然袭击 | |
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151
sprawling
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| adj.蔓生的，不规则地伸展的v.伸开四肢坐[躺]( sprawl的现在分词 )；蔓延；杂乱无序地拓展；四肢伸展坐着（或躺着） | |
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152
scampered
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| v.蹦蹦跳跳地跑，惊惶奔跑( scamper的过去式和过去分词 ) | |
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153
impudent
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| adj.鲁莽的，卑鄙的，厚颜无耻的 | |
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154
wink
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| n.眨眼，使眼色，瞬间；v.眨眼，使眼色，闪烁 | |
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155
catastrophe
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| n.大灾难，大祸 | |
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156
conceit
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| n.自负，自高自大 | |
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157
miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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158
joints
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| 接头( joint的名词复数 )； 关节； 公共场所（尤指价格低廉的饮食和娱乐场所） （非正式）； 一块烤肉 （英式英语） | |
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159
gravy
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| n.肉汁；轻易得来的钱，外快 | |
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160
muses
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| v.沉思，冥想( muse的第三人称单数 )；沉思自语说（某事） | |
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161
meditations
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| 默想( meditation的名词复数 )； 默念； 沉思； 冥想 | |
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162
pouch
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| n.小袋，小包，囊状袋；vt.装...入袋中，用袋运输；vi.用袋送信件 | |
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163
salvation
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| n.（尤指基督）救世，超度，拯救，解困 | |
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164
immortal
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| adj.不朽的；永生的，不死的；神的 | |
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165
mischief
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| n.损害，伤害，危害；恶作剧，捣蛋，胡闹 | |
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166
iniquity
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| n.邪恶；不公正 | |
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167
uncommonly
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| adv. 稀罕(极，非常) | |
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168
snip
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| n.便宜货，廉价货，剪，剪断 | |
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169
snipped
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| v.剪( snip的过去式和过去分词 ) | |
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170
theatrical
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| adj.剧场的，演戏的；做戏似的，做作的 | |
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171
anonymous
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| adj.无名的；匿名的；无特色的 | |
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172
dread
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| vt.担忧，忧虑；惧怕，不敢；n.担忧，畏惧 | |
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173
fret
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| v.(使)烦恼；(使)焦急；(使)腐蚀，(使)磨损 | |
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174
anecdotes
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| n.掌故，趣闻，轶事( anecdote的名词复数 ) | |
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175
peculiarities
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| n. 特质, 特性, 怪癖, 古怪 | |
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176
tinge
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| vt.(较淡)着色于，染色；使带有…气息；n.淡淡色彩，些微的气息 | |
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177
buffeted
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| 反复敲打( buffet的过去式和过去分词 )； 连续猛击； 打来打去； 推来搡去 | |
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178
thereby
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| adv.因此，从而 | |
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179
mellower
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| 成熟的( mellow的比较级 )； （水果）熟透的； （颜色或声音）柔和的； 高兴的 | |
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180
bruised
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| [医]青肿的，瘀紫的 | |
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181
follies
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| 罪恶，时事讽刺剧； 愚蠢，蠢笨，愚蠢的行为、思想或做法( folly的名词复数 ) | |
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182
epoch
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| n.(新)时代；历元 | |
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183
prelude
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| n.序言，前兆，序曲 | |
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