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CHAPTER V
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 By the first of February Thea had been in Chicago almost four months, and she did not know much more about the city than if she had never quitted Moonstone. She was, as Harsanyi said, incurious. Her work took most of her time, and she found that she had to sleep a good deal. It had never before been so hard to get up in the morning. She had the bother of caring for her room, and she had to build her fire and bring up her coal. Her routine was frequently interrupted by a message from Mr. Larsen summoning her to sing at a funeral. Every funeral took half a day, and the time had to be made up. When Mrs. Harsanyi asked her if it did not depress her to sing at funerals, she replied that she “had been brought up to go to funerals and didn’t mind.”
 
Thea never went into shops unless she had to, and she felt no interest in them. Indeed, she shunned1 them, as places where one was sure to be parted from one’s money in some way. She was nervous about counting her change, and she could not accustom2 herself to having her purchases sent to her address. She felt much safer with her bundles under her arm.
 
During this first winter Thea got no city consciousness. Chicago was simply a wilderness3 through which one had to find one’s way. She felt no interest in the general briskness4 and zest5 of the crowds. The crash and scramble6 of that big, rich, appetent Western city she did not take in at all, except to notice that the noise of the drays and street-cars tired her. The brilliant window displays, the splendid furs and stuffs, the gorgeous flower-shops, the gay candy-shops, she scarcely noticed. At Christmas-time she did feel some curiosity about the toy-stores, and she wished she held Thor’s little mittened7 fist in her hand as she stood before the windows. The jewelers’ windows, too, had a strong attraction for her—she had always liked bright stones. When she went into the city she used to brave the biting lake winds and stand gazing in at the displays of diamonds and pearls and emeralds; the tiaras and necklaces and earrings8, on white velvet9. These seemed very well worth while to her, things worth coveting10.
 
Mrs. Lorch and Mrs. Andersen often told each other it was strange that Miss Kronborg had so little initiative about “visiting points of interest.” When Thea came to live with them she had expressed a wish to see two places: Montgomery Ward11 and Company’s big mail-order store, and the packing-houses, to which all the hogs12 and cattle that went through Moonstone were bound. One of Mrs. Lorch’s lodgers13 worked in a packing-house, and Mrs. Andersen brought Thea word that she had spoken to Mr. Eckman and he would gladly take her to Packingtown. Eckman was a toughish young Swede, and he thought it would be something of a lark15 to take a pretty girl through the slaughter-houses. But he was disappointed. Thea neither grew faint nor clung to the arm he kept offering her. She asked innumerable questions and was impatient because he knew so little of what was going on outside of his own department. When they got off the street-car and walked back to Mrs. Lorch’s house in the dusk, Eckman put her hand in his overcoat pocket—she had no muff—and kept squeezing it ardently16 until she said, “Don’t do that; my ring cuts me.” That night he told his roommate that he “could have kissed her as easy as rolling off a log, but she wasn’t worth the trouble.” As for Thea, she had enjoyed the afternoon very much, and wrote her father a brief but clear account of what she had seen.
 
One night at supper Mrs. Andersen was talking about the exhibit of students’ work she had seen at the Art Institute that afternoon. Several of her friends had sketches17 in the exhibit. Thea, who always felt that she was behindhand in courtesy to Mrs. Andersen, thought that here was an opportunity to show interest without committing herself to anything. “Where is that, the Institute?” she asked absently.
 
Mrs. Andersen clasped her napkin in both hands. “The Art Institute? Our beautiful Art Institute on Michigan Avenue? Do you mean to say you have never visited it?”
 
“Oh, is it the place with the big lions out in front? I remember; I saw it when I went to Montgomery Ward’s. Yes, I thought the lions were beautiful.”
 
“But the pictures! Didn’t you visit the galleries?”
 
“No. The sign outside said it was a pay-day. I’ve always meant to go back, but I haven’t happened to be down that way since.”
 
Mrs. Lorch and Mrs. Andersen looked at each other. The old mother spoke14, fixing her shining little eyes upon Thea across the table. “Ah, but Miss Kronborg, there are old masters! Oh, many of them, such as you could not see anywhere out of Europe.”
 
“And Corots,” breathed Mrs. Andersen, tilting18 her head feelingly. “Such examples of the Barbizon school!” This was meaningless to Thea, who did not read the art columns of the Sunday Inter-Ocean as Mrs. Andersen did.
 
“Oh, I’m going there some day,” she reassured19 them. “I like to look at oil paintings.”
 
One bleak20 day in February, when the wind was blowing clouds of dirt like a Moonstone sandstorm, dirt that filled your eyes and ears and mouth, Thea fought her way across the unprotected space in front of the Art Institute and into the doors of the building. She did not come out again until the closing hour. In the street-car, on the long cold ride home, while she sat staring at the waistcoat buttons of a fat strap-hanger, she had a serious reckoning with herself. She seldom thought about her way of life, about what she ought or ought not to do; usually there was but one obvious and important thing to be done. But that afternoon she remonstrated21 with herself severely22. She told herself that she was missing a great deal; that she ought to be more willing to take advice and to go to see things. She was sorry that she had let months pass without going to the Art Institute. After this she would go once a week.
 
The Institute proved, indeed, a place of retreat, as the sand hills or the Kohlers’ garden used to be; a place where she could forget Mrs. Andersen’s tiresome23 overtures24 of friendship, the stout25 contralto in the choir26 whom she so unreasonably27 hated, and even, for a little while, the torment28 of her work. That building was a place in which she could relax and play, and she could hardly ever play now. On the whole, she spent more time with the casts than with the pictures. They were at once more simple and more perplexing; and some way they seemed more important, harder to overlook. It never occurred to her to buy a catalogue, so she called most of the casts by names she made up for them. Some of them she knew; the Dying Gladiator she had read about in “Childe Harold” almost as long ago as she could remember; he was strongly associated with Dr. Archie and childish illnesses. The Venus di Milo puzzled her; she could not see why people thought her so beautiful. She told herself over and over that she did not think the Apollo Belvedere “at all handsome.” Better than anything else she liked a great equestrian29 statue of an evil, cruel-looking general with an unpronounceable name. She used to walk round and round this terrible man and his terrible horse, frowning at him, brooding upon him, as if she had to make some momentous30 decision about him.
 
The casts, when she lingered long among them, always made her gloomy. It was with a lightening of the heart, a feeling of throwing off the old miseries31 and old sorrows of the world, that she ran up the wide staircase to the pictures. There she liked best the ones that told stories. There was a painting by Gérôme called “The Pasha’s Grief” which always made her wish for Gunner and Axel. The Pasha was seated on a rug, beside a green candle almost as big as a telegraph pole, and before him was stretched his dead tiger, a splendid beast, and there were pink roses scattered32 about him. She loved, too, a picture of some boys bringing in a newborn calf33 on a litter, the cow walking beside it and licking it. The Corot which hung next to this painting she did not like or dislike; she never saw it.
 
But in that same room there was a picture—oh, that was the thing she ran upstairs so fast to see! That was her picture. She imagined that nobody cared for it but herself, and that it waited for her. That was a picture indeed. She liked even the name of it, “The Song of the Lark.” The flat country, the early morning light, the wet fields, the look in the girl’s heavy face—well, they were all hers, anyhow, whatever was there. She told herself that that picture was “right.” Just what she meant by this, it would take a clever person to explain. But to her the word covered the almost boundless34 satisfaction she felt when she looked at the picture.
 
Before Thea had any idea how fast the weeks were flying, before Mr. Larsen’s “permanent” soprano had returned to her duties, spring came; windy, dusty, strident, shrill35; a season almost more violent in Chicago than the winter from which it releases one, or the heat to which it eventually delivers one. One sunny morning the apple trees in Mrs. Lorch’s back yard burst into bloom, and for the first time in months Thea dressed without building a fire. The morning shone like a holiday, and for her it was to be a holiday. There was in the air that sudden, treacherous36 softness which makes the Poles who work in the packing-houses get drunk. At such times beauty is necessary, and in Packingtown there is no place to get it except at the saloons, where one can buy for a few hours the illusion of comfort, hope, love,—whatever one most longs for.
 
Harsanyi had given Thea a ticket for the symphony concert that afternoon, and when she looked out at the white apple trees her doubts as to whether she ought to go vanished at once. She would make her work light that morning, she told herself. She would go to the concert full of energy. When she set off, after dinner, Mrs. Lorch, who knew Chicago weather, prevailed upon her to take her cape37. The old lady said that such sudden mildness, so early in April, presaged38 a sharp return of winter, and she was anxious about her apple trees.
 
The concert began at two-thirty, and Thea was in her seat in the Auditorium39 at ten minutes after two—a fine seat in the first row of the balcony, on the side, where she could see the house as well as the orchestra. She had been to so few concerts that the great house, the crowd of people, and the lights, all had a stimulating40 effect. She was surprised to see so many men in the audience, and wondered how they could leave their business in the afternoon. During the first number Thea was so much interested in the orchestra itself, in the men, the instruments, the volume of sound, that she paid little attention to what they were playing. Her excitement impaired41 her power of listening. She kept saying to herself, “Now I must stop this foolishness and listen; I may never hear this again”; but her mind was like a glass that is hard to focus. She was not ready to listen until the second number, Dvorak’s Symphony in E minor42, called on the programme, “From the New World.” The first theme had scarcely been given out when her mind became clear; instant composure fell upon her, and with it came the power of concentration. This was music she could understand, music from the New World indeed! Strange how, as the first movement went on, it brought back to her that high tableland above Laramie; the grass-grown wagon43 trails, the far-away peaks of the snowy range, the wind and the eagles, that old man and the first telegraph message.
 
When the first movement ended, Thea’s hands and feet were cold as ice. She was too much excited to know anything except that she wanted something desperately44, and when the English horns gave out the theme of the Largo45, she knew that what she wanted was exactly that. Here were the sand hills, the grasshoppers46 and locusts47, all the things that wakened and chirped48 in the early morning; the reaching and reaching of high plains, the immeasurable yearning49 of all flat lands. There was home in it, too; first memories, first mornings long ago; the amazement50 of a new soul in a new world; a soul new and yet old, that had dreamed something despairing, something glorious, in the dark before it was born; a soul obsessed51 by what it did not know, under the cloud of a past it could not recall.
 
If Thea had had much experience in concert-going, and had known her own capacity, she would have left the hall when the symphony was over. But she sat still, scarcely knowing where she was, because her mind had been far away and had not yet come back to her. She was startled when the orchestra began to play again—the entry of the gods into Walhalla. She heard it as people hear things in their sleep. She knew scarcely anything about the Wagner operas. She had a vague idea that “Rhinegold” was about the strife52 between gods and men; she had read something about it in Mr. Haweis’s book long ago. Too tired to follow the orchestra with much understanding, she crouched53 down in her seat and closed her eyes. The cold, stately measures of the Walhalla music rang out, far away; the rainbow bridge throbbed54 out into the air, under it the wailing55 of the Rhine daughters and the singing of the Rhine. But Thea was sunk in twilight56; it was all going on in another world. So it happened that with a dull, almost listless ear she heard for the first time that troubled music, ever-darkening, ever-brightening, which was to flow through so many years of her life.
 
When Thea emerged from the concert hall, Mrs. Lorch’s predictions had been fulfilled. A furious gale57 was beating over the city from Lake Michigan. The streets were full of cold, hurrying, angry people, running for street-cars and barking at each other. The sun was setting in a clear, windy sky, that flamed with red as if there were a great fire somewhere on the edge of the city. For almost the first time Thea was conscious of the city itself, of the congestion58 of life all about her, of the brutality59 and power of those streams that flowed in the streets, threatening to drive one under. People jostled her, ran into her, poked60 her aside with their elbows, uttering angry exclamations61. She got on the wrong car and was roughly ejected by the conductor at a windy corner, in front of a saloon. She stood there dazed and shivering. The cars passed, screaming as they rounded curves, but either they were full to the doors, or were bound for places where she did not want to go. Her hands were so cold that she took off her tight kid gloves. The street lights began to gleam in the dusk. A young man came out of the saloon and stood eyeing her questioningly while he lit a cigarette. “Looking for a friend to-night?” he asked. Thea drew up the collar of her cape and walked on a few paces. The young man shrugged62 his shoulders and drifted away.
 
Thea came back to the corner and stood there irresolutely63. An old man approached her. He, too, seemed to be waiting for a car. He wore an overcoat with a black fur collar, his gray mustache was waxed into little points, and his eyes were watery64. He kept thrusting his face up near hers. Her hat blew off and he ran after it—a stiff, pitiful skip he had—and brought it back to her. Then, while she was pinning her hat on, her cape blew up, and he held it down for her, looking at her intently. His face worked as if he were going to cry or were frightened. He leaned over and whispered something to her. It struck her as curious that he was really quite timid, like an old beggar. “Oh, let me Alone!” she cried miserably65 between her teeth. He vanished, disappeared like the Devil in a play. But in the mean time something had got away from her; she could not remember how the violins came in after the horns, just there. When her cape blew up, perhaps—Why did these men torment her? A cloud of dust blew in her face and blinded her. There was some power abroad in the world bent66 upon taking away from her that feeling with which she had come out of the concert hall. Everything seemed to sweep down on her to tear it out from under her cape. If one had that, the world became one’s enemy; people, buildings, wagons67, cars, rushed at one to crush it under, to make one let go of it. Thea glared round her at the crowds, the ugly, sprawling68 streets, the long lines of lights, and she was not crying now. Her eyes were brighter than even Harsanyi had ever seen them. All these things and people were no longer remote and negligible; they had to be met, they were lined up against her, they were there to take something from her. Very well; they should never have it. They might trample69 her to death, but they should never have it. As long as she lived that ecstasy70 was going to be hers. She would live for it, work for it, die for it; but she was going to have it, time after time, height after height. She could hear the crash of the orchestra again, and she rose on the brasses71. She would have it, what the trumpets72 were singing! She would have it, have it,—it! Under the old cape she pressed her hands upon her heaving bosom73, that was a little girl’s no longer.

点击收听单词发音收听单词发音  

1 shunned bcd48f012d0befb1223f8e35a7516d0e     
v.避开,回避,避免( shun的过去式和过去分词 )
参考例句:
  • She was shunned by her family when she remarried. 她再婚后家里人都躲着她。
  • He was a shy man who shunned all publicity. 他是个怕羞的人,总是避开一切引人注目的活动。 来自《简明英汉词典》
2 accustom sJSyd     
vt.使适应,使习惯
参考例句:
  • It took him a while to accustom himself to the idea.他过了一段时间才习惯这个想法。
  • It'shouldn't take long to accustom your students to working in groups.你的学生应该很快就会习惯分组学习的。
3 wilderness SgrwS     
n.杳无人烟的一片陆地、水等,荒漠
参考例句:
  • She drove the herd of cattle through the wilderness.她赶着牛群穿过荒野。
  • Education in the wilderness is not a matter of monetary means.荒凉地区的教育不是钱财问题。
4 briskness Ux2z6U     
n.敏捷,活泼
参考例句:
  • A child who was flying a kite sensed it in terms of briskness.一个孩子在放风筝时猛然感到的飞腾。
  • Father open the window to let in the briskness of the morning air.父亲打开窗户让早晨的清新空气进来。
5 zest vMizT     
n.乐趣;滋味,风味;兴趣
参考例句:
  • He dived into his new job with great zest.他充满热情地投入了新的工作。
  • He wrote his novel about his trip to Asia with zest.他兴趣浓厚的写了一本关于他亚洲之行的小说。
6 scramble JDwzg     
v.爬行,攀爬,杂乱蔓延,碎片,片段,废料
参考例句:
  • He broke his leg in his scramble down the wall.他爬墙摔断了腿。
  • It was a long scramble to the top of the hill.到山顶须要爬登一段长路。
7 mittened 0339c59c4c6ae46a2089fb1d15387c45     
v.(使)变得潮湿,变得湿润( moisten的过去式和过去分词 )
参考例句:
  • He moistened his lips before he spoke. 他润了润嘴唇,接着就开始讲话。
  • Although I moistened it,the flap doesn't stick to the envelope. 我把信封弄湿了,可是信封口盖还是粘不上。 来自《简明英汉词典》
8 earrings 9ukzSs     
n.耳环( earring的名词复数 );耳坠子
参考例句:
  • a pair of earrings 一对耳环
  • These earrings snap on with special fastener. 这付耳环是用特制的按扣扣上去的。 来自《简明英汉词典》
9 velvet 5gqyO     
n.丝绒,天鹅绒;adj.丝绒制的,柔软的
参考例句:
  • This material feels like velvet.这料子摸起来像丝绒。
  • The new settlers wore the finest silk and velvet clothing.新来的移民穿着最华丽的丝绸和天鹅绒衣服。
10 coveting bcf51cc820cec5bf2c09ea88ad1492a4     
v.贪求,觊觎( covet的现在分词 )
参考例句:
  • We begin by coveting what we see every day. 垂涎的开始是我们每天看见的东西。 来自互联网
  • We coveting what we see every day. 之所以如此,是因为我们垂涎每日所见的一些东西。 来自互联网
11 ward LhbwY     
n.守卫,监护,病房,行政区,由监护人或法院保护的人(尤指儿童);vt.守护,躲开
参考例句:
  • The hospital has a medical ward and a surgical ward.这家医院有内科病房和外科病房。
  • During the evening picnic,I'll carry a torch to ward off the bugs.傍晚野餐时,我要点根火把,抵挡蚊虫。
12 hogs 8a3a45e519faa1400d338afba4494209     
n.(尤指喂肥供食用的)猪( hog的名词复数 );(供食用的)阉公猪;彻底地做某事;自私的或贪婪的人
参考例句:
  • 'sounds like -- like hogs grunting. “像——像是猪发出的声音。 来自英汉文学 - 汤姆历险
  • I hate the way he hogs down his food. 我讨厌他那副狼吞虎咽的吃相。 来自辞典例句
13 lodgers 873866fb939d5ab097342b033a0e269d     
n.房客,租住者( lodger的名词复数 )
参考例句:
  • He takes in lodgers. 他招收房客。 来自《简明英汉词典》
  • A good proportion of my lodgers is connected with the theaters. 住客里面有不少人是跟戏院子有往来的。 来自辞典例句
14 spoke XryyC     
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说
参考例句:
  • They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
  • The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。
15 lark r9Fza     
n.云雀,百灵鸟;n.嬉戏,玩笑;vi.嬉戏
参考例句:
  • He thinks it cruel to confine a lark in a cage.他认为把云雀关在笼子里太残忍了。
  • She lived in the village with her grandparents as cheerful as a lark.她同祖父母一起住在乡间非常快活。
16 ardently 8yGzx8     
adv.热心地,热烈地
参考例句:
  • The preacher is disserveing the very religion in which he ardently believe. 那传教士在损害他所热烈信奉的宗教。 来自辞典例句
  • However ardently they love, however intimate their union, they are never one. 无论他们的相爱多么热烈,无论他们的关系多么亲密,他们决不可能合而为一。 来自辞典例句
17 sketches 8d492ee1b1a5d72e6468fd0914f4a701     
n.草图( sketch的名词复数 );素描;速写;梗概
参考例句:
  • The artist is making sketches for his next painting. 画家正为他的下一幅作品画素描。
  • You have to admit that these sketches are true to life. 你得承认这些素描很逼真。 来自《简明英汉词典》
18 tilting f68c899ac9ba435686dcb0f12e2bbb17     
倾斜,倾卸
参考例句:
  • For some reason he thinks everyone is out to get him, but he's really just tilting at windmills. 不知为什么他觉得每个人都想害他,但其实他不过是在庸人自扰。
  • So let us stop bickering within our ranks.Stop tilting at windmills. 所以,让我们结束内部间的争吵吧!再也不要去做同风车作战的蠢事了。
19 reassured ff7466d942d18e727fb4d5473e62a235     
adj.使消除疑虑的;使放心的v.再保证,恢复信心( reassure的过去式和过去分词)
参考例句:
  • The captain's confidence during the storm reassured the passengers. 在风暴中船长的信念使旅客们恢复了信心。 来自《现代英汉综合大词典》
  • The doctor reassured the old lady. 医生叫那位老妇人放心。 来自《简明英汉词典》
20 bleak gtWz5     
adj.(天气)阴冷的;凄凉的;暗淡的
参考例句:
  • They showed me into a bleak waiting room.他们引我来到一间阴冷的会客室。
  • The company's prospects look pretty bleak.这家公司的前景异常暗淡。
21 remonstrated a6eda3fe26f748a6164faa22a84ba112     
v.抗议( remonstrate的过去式和过去分词 );告诫
参考例句:
  • They remonstrated with the official about the decision. 他们就这一决定向这位官员提出了抗议。
  • We remonstrated against the ill-treatment of prisoners of war. 我们对虐待战俘之事提出抗议。 来自辞典例句
22 severely SiCzmk     
adv.严格地;严厉地;非常恶劣地
参考例句:
  • He was severely criticized and removed from his post.他受到了严厉的批评并且被撤了职。
  • He is severely put down for his careless work.他因工作上的粗心大意而受到了严厉的批评。
23 tiresome Kgty9     
adj.令人疲劳的,令人厌倦的
参考例句:
  • His doubts and hesitations were tiresome.他的疑惑和犹豫令人厌烦。
  • He was tiresome in contending for the value of his own labors.他老为他自己劳动的价值而争强斗胜,令人生厌。
24 overtures 0ed0d32776ccf6fae49696706f6020ad     
n.主动的表示,提议;(向某人做出的)友好表示、姿态或提议( overture的名词复数 );(歌剧、芭蕾舞、音乐剧等的)序曲,前奏曲
参考例句:
  • Their government is making overtures for peace. 他们的政府正在提出和平建议。 来自《简明英汉词典》
  • He had lately begun to make clumsy yet endearing overtures of friendship. 最近他开始主动表示友好,样子笨拙却又招人喜爱。 来自辞典例句
25     
参考例句:
26 choir sX0z5     
n.唱诗班,唱诗班的席位,合唱团,舞蹈团;v.合唱
参考例句:
  • The choir sang the words out with great vigor.合唱团以极大的热情唱出了歌词。
  • The church choir is singing tonight.今晚教堂歌唱队要唱诗。
27 unreasonably 7b139a7b80379aa34c95638d4a789e5f     
adv. 不合理地
参考例句:
  • He was also petty, unreasonably querulous, and mean. 他还是个气量狭窄,无事生非,平庸刻薄的人。
  • Food in that restaurant is unreasonably priced. 那家饭店价格不公道。
28 torment gJXzd     
n.折磨;令人痛苦的东西(人);vt.折磨;纠缠
参考例句:
  • He has never suffered the torment of rejection.他从未经受过遭人拒绝的痛苦。
  • Now nothing aggravates me more than when people torment each other.没有什么东西比人们的互相折磨更使我愤怒。
29 equestrian 3PlzG     
adj.骑马的;n.马术
参考例句:
  • They all showed extraordinary equestrian skills.他们的骑术都很高超。
  • I want to book two equestrian tickets.我想订两张马术比赛的票。
30 momentous Zjay9     
adj.重要的,重大的
参考例句:
  • I am deeply honoured to be invited to this momentous occasion.能应邀出席如此重要的场合,我深感荣幸。
  • The momentous news was that war had begun.重大的新闻是战争已经开始。
31 miseries c95fd996533633d2e276d3dd66941888     
n.痛苦( misery的名词复数 );痛苦的事;穷困;常发牢骚的人
参考例句:
  • They forgot all their fears and all their miseries in an instant. 他们马上忘记了一切恐惧和痛苦。 来自《现代汉英综合大词典》
  • I'm suffering the miseries of unemployment. 我正为失业而痛苦。 来自《简明英汉词典》
32 scattered 7jgzKF     
adj.分散的,稀疏的;散步的;疏疏落落的
参考例句:
  • Gathering up his scattered papers,he pushed them into his case.他把散乱的文件收拾起来,塞进文件夹里。
33 calf ecLye     
n.小牛,犊,幼仔,小牛皮
参考例句:
  • The cow slinked its calf.那头母牛早产了一头小牛犊。
  • The calf blared for its mother.牛犊哞哞地高声叫喊找妈妈。
34 boundless kt8zZ     
adj.无限的;无边无际的;巨大的
参考例句:
  • The boundless woods were sleeping in the deep repose of nature.无边无际的森林在大自然静寂的怀抱中酣睡着。
  • His gratitude and devotion to the Party was boundless.他对党无限感激、无限忠诚。
35 shrill EEize     
adj.尖声的;刺耳的;v尖叫
参考例句:
  • Whistles began to shrill outside the barn.哨声开始在谷仓外面尖叫。
  • The shrill ringing of a bell broke up the card game on the cutter.刺耳的铃声打散了小汽艇的牌局。
36 treacherous eg7y5     
adj.不可靠的,有暗藏的危险的;adj.背叛的,背信弃义的
参考例句:
  • The surface water made the road treacherous for drivers.路面的积水对驾车者构成危险。
  • The frozen snow was treacherous to walk on.在冻雪上行走有潜在危险。
37 cape ITEy6     
n.海角,岬;披肩,短披风
参考例句:
  • I long for a trip to the Cape of Good Hope.我渴望到好望角去旅行。
  • She was wearing a cape over her dress.她在外套上披着一件披肩。
38 presaged 3ef3a64d0ddb42df75d28a43e76324ae     
v.预示,预兆( presage的过去式和过去分词 )
参考例句:
  • This experience presaged my later return as CEA chairman in 2003. 这次的经历预示了我作为经济顾问理事会主席在2003年的回归。 来自互联网
  • He emphasized self-expression, the warm personal note presaged by C.P.E. Bach and Mozart. 他强调自我表现,这种热情的、带有个人色彩的表现足巴赫和莫扎特所预示过的。 来自互联网
39 auditorium HO6yK     
n.观众席,听众席;会堂,礼堂
参考例句:
  • The teacher gathered all the pupils in the auditorium.老师把全体同学集合在礼堂内。
  • The stage is thrust forward into the auditorium.舞台向前突出,伸入观众席。
40 stimulating ShBz7A     
adj.有启发性的,能激发人思考的
参考例句:
  • shower gel containing plant extracts that have a stimulating effect on the skin 含有对皮肤有益的植物精华的沐浴凝胶
  • This is a drug for stimulating nerves. 这是一种兴奋剂。
41 impaired sqtzdr     
adj.受损的;出毛病的;有(身体或智力)缺陷的v.损害,削弱( impair的过去式和过去分词 )
参考例句:
  • Much reading has impaired his vision. 大量读书损害了他的视力。 来自《现代汉英综合大词典》
  • His hearing is somewhat impaired. 他的听觉已受到一定程度的损害。 来自《现代汉英综合大词典》
42 minor e7fzR     
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修
参考例句:
  • The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
  • I gave him a minor share of my wealth.我把小部分财产给了他。
43 wagon XhUwP     
n.四轮马车,手推车,面包车;无盖运货列车
参考例句:
  • We have to fork the hay into the wagon.我们得把干草用叉子挑进马车里去。
  • The muddy road bemired the wagon.马车陷入了泥泞的道路。
44 desperately cu7znp     
adv.极度渴望地,绝望地,孤注一掷地
参考例句:
  • He was desperately seeking a way to see her again.他正拼命想办法再见她一面。
  • He longed desperately to be back at home.他非常渴望回家。
45 largo H90zb     
n.广板乐章;adj.缓慢的,宽广的;adv.缓慢地,宽广地
参考例句:
  • The tempo marking in most cases is andante,adagio,or largo.大多数第一乐章的速度标记是行板、柔板或广板。
  • The second movement is a largo.第二乐章是广板乐章。
46 grasshoppers 36b89ec2ea2ca37e7a20710c9662926c     
n.蚱蜢( grasshopper的名词复数 );蝗虫;蚂蚱;(孩子)矮小的
参考例句:
  • Grasshoppers die in fall. 蚱蜢在秋天死去。 来自《简明英汉词典》
  • There are usually a lot of grasshoppers in the rice fields. 稻田里通常有许多蚱蜢。 来自辞典例句
47 locusts 0fe5a4959a3a774517196dcd411abf1e     
n.蝗虫( locust的名词复数 );贪吃的人;破坏者;槐树
参考例句:
  • a swarm of locusts 一大群蝗虫
  • In no time the locusts came down and started eating everything. 很快蝗虫就飞落下来开始吃东西,什么都吃。 来自《简明英汉词典》
48 chirped 2d76a8bfe4602c9719744234606acfc8     
鸟叫,虫鸣( chirp的过去式 )
参考例句:
  • So chirped fiber gratings have broad reflection bandwidth. 所以chirped光纤光栅具有宽的反射带宽,在反射带宽内具有渐变的群时延等其它类型的光纤光栅所不具备的特点。
  • The crickets chirped faster and louder. 蟋蟀叫得更欢了。
49 yearning hezzPJ     
a.渴望的;向往的;怀念的
参考例句:
  • a yearning for a quiet life 对宁静生活的向往
  • He felt a great yearning after his old job. 他对过去的工作有一种强烈的渴想。
50 amazement 7zlzBK     
n.惊奇,惊讶
参考例句:
  • All those around him looked at him with amazement.周围的人都对他投射出惊异的眼光。
  • He looked at me in blank amazement.他带着迷茫惊诧的神情望着我。
51 obsessed 66a4be1417f7cf074208a6d81c8f3384     
adj.心神不宁的,鬼迷心窍的,沉迷的
参考例句:
  • He's obsessed by computers. 他迷上了电脑。
  • The fear of death obsessed him throughout his old life. 他晚年一直受着死亡恐惧的困扰。
52 strife NrdyZ     
n.争吵,冲突,倾轧,竞争
参考例句:
  • We do not intend to be drawn into the internal strife.我们不想卷入内乱之中。
  • Money is a major cause of strife in many marriages.金钱是造成很多婚姻不和的一个主要原因。
53 crouched 62634c7e8c15b8a61068e36aaed563ab     
v.屈膝,蹲伏( crouch的过去式和过去分词 )
参考例句:
  • He crouched down beside her. 他在她的旁边蹲了下来。
  • The lion crouched ready to pounce. 狮子蹲下身,准备猛扑。
54 throbbed 14605449969d973d4b21b9356ce6b3ec     
抽痛( throb的过去式和过去分词 ); (心脏、脉搏等)跳动
参考例句:
  • His head throbbed painfully. 他的头一抽一跳地痛。
  • The pulse throbbed steadily. 脉搏跳得平稳。
55 wailing 25fbaeeefc437dc6816eab4c6298b423     
v.哭叫,哀号( wail的现在分词 );沱
参考例句:
  • A police car raced past with its siren wailing. 一辆警车鸣着警报器飞驰而过。
  • The little girl was wailing miserably. 那小女孩难过得号啕大哭。
56 twilight gKizf     
n.暮光,黄昏;暮年,晚期,衰落时期
参考例句:
  • Twilight merged into darkness.夕阳的光辉融于黑暗中。
  • Twilight was sweet with the smell of lilac and freshly turned earth.薄暮充满紫丁香和新翻耕的泥土的香味。
57 gale Xf3zD     
n.大风,强风,一阵闹声(尤指笑声等)
参考例句:
  • We got our roof blown off in the gale last night.昨夜的大风把我们的房顶给掀掉了。
  • According to the weather forecast,there will be a gale tomorrow.据气象台预报,明天有大风。
58 congestion pYmy3     
n.阻塞,消化不良
参考例句:
  • The congestion in the city gets even worse during the summer.夏天城市交通阻塞尤为严重。
  • Parking near the school causes severe traffic congestion.在学校附近泊车会引起严重的交通堵塞。
59 brutality MSbyb     
n.野蛮的行为,残忍,野蛮
参考例句:
  • The brutality of the crime has appalled the public. 罪行之残暴使公众大为震惊。
  • a general who was infamous for his brutality 因残忍而恶名昭彰的将军
60 poked 87f534f05a838d18eb50660766da4122     
v.伸出( poke的过去式和过去分词 );戳出;拨弄;与(某人)性交
参考例句:
  • She poked him in the ribs with her elbow. 她用胳膊肘顶他的肋部。
  • His elbow poked out through his torn shirt sleeve. 他的胳膊从衬衫的破袖子中露了出来。 来自《简明英汉词典》
61 exclamations aea591b1607dd0b11f1dd659bad7d827     
n.呼喊( exclamation的名词复数 );感叹;感叹语;感叹词
参考例句:
  • The visitors broke into exclamations of wonder when they saw the magnificent Great Wall. 看到雄伟的长城,游客们惊叹不已。 来自《简明英汉词典》
  • After the will has been read out, angry exclamations aroused. 遗嘱宣读完之后,激起一片愤怒的喊声。 来自辞典例句
62 shrugged 497904474a48f991a3d1961b0476ebce     
vt.耸肩(shrug的过去式与过去分词形式)
参考例句:
  • Sam shrugged and said nothing. 萨姆耸耸肩膀,什么也没说。
  • She shrugged, feigning nonchalance. 她耸耸肩,装出一副无所谓的样子。 来自《简明英汉词典》
63 irresolutely bd48a0849e0a868390b09177fd05c8ef     
adv.优柔寡断地
参考例句:
  • He followed irresolutely for a little distance, half a pace behind her. 他犹豫地跟了短短的一段距离,落在她身后半步路。 来自英汉文学
  • She arose and stood irresolutely at the foot of the stairs. 她起身来到楼梯脚下,犹豫不定地站在那里。 来自飘(部分)
64 watery bU5zW     
adj.有水的,水汪汪的;湿的,湿润的
参考例句:
  • In his watery eyes there is an expression of distrust.他那含泪的眼睛流露出惊惶失措的神情。
  • Her eyes became watery because of the smoke.因为烟熏,她的双眼变得泪汪汪的。
65 miserably zDtxL     
adv.痛苦地;悲惨地;糟糕地;极度地
参考例句:
  • The little girl was wailing miserably. 那小女孩难过得号啕大哭。
  • It was drizzling, and miserably cold and damp. 外面下着毛毛细雨,天气又冷又湿,令人难受。 来自《简明英汉词典》
66 bent QQ8yD     
n.爱好,癖好;adj.弯的;决心的,一心的
参考例句:
  • He was fully bent upon the project.他一心扑在这项计划上。
  • We bent over backward to help them.我们尽了最大努力帮助他们。
67 wagons ff97c19d76ea81bb4f2a97f2ff0025e7     
n.四轮的运货马车( wagon的名词复数 );铁路货车;小手推车
参考例句:
  • The wagons were hauled by horses. 那些货车是马拉的。
  • They drew their wagons into a laager and set up camp. 他们把马车围成一圈扎起营地。
68 sprawling 3ff3e560ffc2f12f222ef624d5807902     
adj.蔓生的,不规则地伸展的v.伸开四肢坐[躺]( sprawl的现在分词 );蔓延;杂乱无序地拓展;四肢伸展坐着(或躺着)
参考例句:
  • He was sprawling in an armchair in front of the TV. 他伸开手脚坐在电视机前的一张扶手椅上。
  • a modern sprawling town 一座杂乱无序拓展的现代城镇
69 trample 9Jmz0     
vt.踩,践踏;无视,伤害,侵犯
参考例句:
  • Don't trample on the grass. 勿踏草地。
  • Don't trample on the flowers when you play in the garden. 在花园里玩耍时,不要踩坏花。
70 ecstasy 9kJzY     
n.狂喜,心醉神怡,入迷
参考例句:
  • He listened to the music with ecstasy.他听音乐听得入了神。
  • Speechless with ecstasy,the little boys gazed at the toys.小孩注视着那些玩具,高兴得说不出话来。
71 brasses Nxfza3     
n.黄铜( brass的名词复数 );铜管乐器;钱;黄铜饰品(尤指马挽具上的黄铜圆片)
参考例句:
  • The brasses need to be cleaned. 这些黄铜器要擦一擦。 来自辞典例句
  • There are the usual strings, woodwinds, brasses and percussions of western orchestra. 有西洋管弦乐队常见的弦乐器,木管和铜管乐器,还有打击乐器。 来自互联网
72 trumpets 1d27569a4f995c4961694565bd144f85     
喇叭( trumpet的名词复数 ); 小号; 喇叭形物; (尤指)绽开的水仙花
参考例句:
  • A wreath was laid on the monument to a fanfare of trumpets. 在响亮的号角声中花圈被献在纪念碑前。
  • A fanfare of trumpets heralded the arrival of the King. 嘹亮的小号声宣告了国王驾到。
73 bosom Lt9zW     
n.胸,胸部;胸怀;内心;adj.亲密的
参考例句:
  • She drew a little book from her bosom.她从怀里取出一本小册子。
  • A dark jealousy stirred in his bosom.他内心生出一阵恶毒的嫉妒。


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