Riding in sight of the tumbling waves of Lake Erie, I was taken back in thought to my days in Chicago and all those who had already dropped out of my life forever. What a queer, haphazard6, disconnected thing this living was! Where should I be tomorrow, what doing—the next year—the year after that? Should I ever have any money, any standing7, any friends? So I tortured myself. Arriving in Cleveland at the close of a smoky gray afternoon, I left my bag at the station and sought a room, then walked out to see what I should see. I knew no one. Not a friend anywhere within five hundred miles. My sole resource my little skill as a newspaper worker. Buying the afternoon and morning papers, I examined them with care, copying down their editorial room addresses, then betook me to a small beanery for food.
The next morning I was up early, determined8 to see as much as I could, to visit the offices of the afternoon papers before noon, then to look in upon the city editors of the two or three morning papers. The latter proved not very friendly and there appeared to be no opening anywhere. But I determined to remain here for a few days studying the city as a city and visiting the same editors each day or as often as they would endure me. If nothing came of it within a week, and no telegram came from my friend H—— in Toledo calling me back, I proposed to move on; to which city I had not as yet made up my mind.
The thing that interested me most about Cleveland then was that it was so raw, dark, dirty, smoky, and yet possessed9 of one thing: force, raucous10, clattering11, semi-intelligent force. America was then so new industrially, in the furnace stage of its existence. Everything was in the making: fortunes, art, social and commercial life. The most impressive things were its rich men, their homes, factories, clubs, office buildings and institutions of commerce and pleasure generally; and this was as true of Cleveland as of any other city in America.
Indeed the thing which held my attention, after I had been in Cleveland a day or two and had established myself in a somber12 room in a somber neighborhood once occupied by the very rich, were those great and new residences in Euclid Avenue, with wide lawns and iron or stone statues of stags and dogs and deer, which were occupied by such rich men as John D. Rockefeller, Tom Johnson, and Henry M. Flagler. Rockefeller only a year or two before had given millions to revivify the almost defunct13 University of Chicago, then a small Baptist college, and was accordingly being hailed as one of the richest men of America. He and his satellites and confreres were already casting a luster14 over Cleveland. They were all living here in Euclid Avenue, and I was interested to look up their homes, envying them their wealth of course and wishing that I were famous or a member of a wealthy family, and that I might some day meet one of the beautiful girls I thought must be here and have her fall in love with and make me rich. Physically15 or artistically16 or materially, there was nothing to see but business: a few large hotels, like those of every American city, and these few great houses. Add a few theaters and commonplace churches. All American cities and all the inhabitants were busy with but one thing: commerce. They ate, drank and slept trade. In my wanderings I found a huge steel works and a world of low, smoky, pathetic little hovels about it. Although I was not as yet given to reasoning about the profound delusion17 of equality under democracy, this evidence of the little brain toiling18 for the big one struck me with great force and produced a good deal of speculative19 thought later on.
The paper with which I was eventually connected was the Cleveland Leader, which represented all that was conservative in the local life. Wandering into its office on the second or third day of my stay, I was met at the desk of the city editor by a small, boyish-looking person of a ferret-like countenance20, who wanted to know what I was after. I told him, and he said there was nothing, but on hearing of the papers with which I had been connected and the nature of the work I had done he suggested that possibly I might be able to do something for the Sunday edition. The Sunday editor proved to be a tall, melancholy21 man with sad eyes, a sallow face, sunken cheeks, narrow shoulders and a general air of weariness and depression.
“What is it, now, you want?” he asked slowly, looking up from his musty roll-top desk.
“Your city editor suggested that possibly you might have some Sunday work for me to do. I’ve had experience in this line in Chicago and St. Louis.”
“Yes,” he said not asking me to sit down. “Well, now, what do you think you could write about?”
This was a poser. Being new to the city I had not thought of any particular thing, and could not at this moment. I told him this.
“There’s one thing you might write about if you could. Did you ever hear of a new-style grain-boat they are putting on the Lakes called——”
“Turtle-back?” I interrupted.
“Turtle-back?” went on the editor indifferently. “Well, there’s one here now in the harbor. It’s the first one to come here. Do you think you could get up something on that?”
“I’m sure I could. I’d like to try. Do you use pictures?”
“You might get a photo or two; we could have drawings made from them.”
I started for the door, eager to be about this, when he said: “We don’t pay very much: three dollars a column.”
That was discouraging, but I was filled with the joy of doing something. On my way out I stopped at the business office and bought a copy of the last Sunday issue, which proved to be a poor makeshift composed of a half dozen articles on local enterprises and illustrated22 with a few crude drawings. I read one or two of them, and then looked up my waterfront boat. I found it tied up at a dock adjoining an immense railroad yard and near an imposing23 grain elevator. Finding nobody about, I nosed out the bookkeeper of the grain elevator, who told me that the captain of the boat had gone to the company’s local office in a nearby street. I hastened to the place, and there found a bluff24 old lake captain in blue, short, stout25, ruddy, coarse, who volunteered, almost with a “Heigh!” and a “Ho!” to tell me something about it.
“I think I ought to know a little something about ’em—I sailed the first one that was ever sailed out of the port of Chicago.”
I listened with open ears. I caught a disjointed story of plans and specifications26, Sault Ste. Marie, the pine woods of Northern Michigan, the vast grain business of Chicago and other lake ports, early navigation on the lakes, the theory of a bilge keel and a turtle-back top, and all strung together with numerous “y’sees” and “so nows.” I made notes, on backs of envelopes, scraps27 of paper, and finally on a pad furnished me by the generous bookkeeper. I carried my notes back to the paper.
The Sunday editor was out. I waited patiently until half-past four, and then, the light fading, gave up the idea of going with a photographer to the boat. I went to a faded green baize-covered table and began to write my story. I had no sooner done a paragraph or two than the Sunday editor returned, bringing with him an atmosphere of lassitude and indifference28. I went to him to explain what I had done.
“Well, write it up, write it up. We’ll see,” and he turned away to his papers.
I labored29 hard at my story, and by seven or eight o’clock had ground out two thousand words of description which had more of the bluff old captain in it than of the boat. The Sunday editor took it when I was through, and shoved it into a pigeon-hole, telling me to call in a day or two and he would let me know. I thought this strange. It seemed to me that if I were working for a Sunday paper I should work every day. I called the next day, but Mr. Loomis had not read it. The next day he said the story was well enough written, though very long. “You don’t want to write so loosely. Stick to your facts closer.”
This day I suggested a subject of my own, “the beauty of some of the new suburbs,” but he frowned at this as offering a lot of free advertising30 to real estate men who ought to be made to pay. Then I proposed an article on the magnificence of Euclid Avenue, which was turned down as old. I then spoke31 of a great steel works which was but then coming into the city, but as this offered great opportunity to all the papers he thought poorly of it. He compromised a day or two later by allowing me to write up a chicken-farm which lay outside the city.
Of course this made a poor showing for me at the cashier’s desk. At the end of the second week I was allowed to put in a bill for seven dollars and a half. I had not realized that I was wasting so much time. I appealed to all the editors again for a regular staff position, but was told there was no opening. It began to look as if I should have to leave Cleveland soon, and I wondered where I should go next—Buffalo or Pittsburgh, both equally near.
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1
buffalo
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| n.(北美)野牛；(亚洲)水牛 | |
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deterred
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| v.阻止，制止( deter的过去式和过去分词 ) | |
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inquiry
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| n.打听，询问，调查，查问 | |
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4
decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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eastward
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| adv.向东；adj.向东的；n.东方，东部 | |
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haphazard
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| adj.无计划的，随意的，杂乱无章的 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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determined
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| adj.坚定的；有决心的 | |
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possessed
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| adj.疯狂的；拥有的，占有的 | |
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raucous
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| adj.(声音)沙哑的，粗糙的 | |
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clattering
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| 发出咔哒声（clatter的现在分词形式） | |
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somber
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| adj.昏暗的，阴天的，阴森的，忧郁的 | |
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defunct
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| adj.死亡的；已倒闭的 | |
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luster
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| n.光辉；光泽，光亮；荣誉 | |
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physically
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| adj.物质上，体格上，身体上，按自然规律 | |
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artistically
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| adv.艺术性地 | |
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delusion
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| n.谬见，欺骗，幻觉，迷惑 | |
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18
toiling
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| 长时间或辛苦地工作( toil的现在分词 )； 艰难缓慢地移动，跋涉 | |
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speculative
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| adj.思索性的，暝想性的，推理的 | |
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countenance
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| n.脸色，面容；面部表情；vt.支持，赞同 | |
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melancholy
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| n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的 | |
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illustrated
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| adj. 有插图的，列举的 动词illustrate的过去式和过去分词 | |
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imposing
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| adj.使人难忘的，壮丽的，堂皇的，雄伟的 | |
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bluff
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| v.虚张声势，用假象骗人；n.虚张声势，欺骗 | |
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specifications
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| n.规格；载明；详述；（产品等的）说明书；说明书( specification的名词复数 )；详细的计划书；载明；详述 | |
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scraps
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| 油渣 | |
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indifference
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| n.不感兴趣，不关心，冷淡，不在乎 | |
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labored
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| adj.吃力的，谨慎的v.努力争取(for)( labor的过去式和过去分词 )；苦干；详细分析；（指引擎）缓慢而困难地运转 | |
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advertising
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| n.广告业；广告活动 a.广告的；广告业务的 | |
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31
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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