The short twilight of southern latitudes was giving place to the shades of night, when Bacri the Jew issued from the low door of his house, and threaded the narrow labyrinth of streets which compose the old town of Algiers.

 

The greater part of the old, or, as it is styled, the Moorish town, remains almost exactly the same at the present time that it was at the time of which our tale treats. It occupied the face of a steep hill, and was built in the form of a triangle, the apex being a fort, or “casba,” near the summit of the hill. The base was a street of oriental houses upwards of half a mile in extent, beyond which the sea-wall, well lined with batteries, rose directly from the beach, and was washed by the spray in every breeze. All the houses facing the sea have now been taken down, and their places are occupied by wide handsome streets of French buildings; the beach and the site of the old wall being occupied by splendid quays, wharves, and terraces.

 

The houses of the Moorish town were square white-washed blocks, built so close to each other that most of the streets were mere lanes, not more than from six to ten feet wide. No windows worthy of the name garnished the dead white walls of these houses, whose light sprang in reality from within, each house being in the form of a square of building surrounding a central court, which at the top was open to the weather. The real windows of the houses looked into the courts, which, however, were by no means dismal. They had fountains in the midst of them, which sent up a perpetual—and, in such a climate, grateful—sound of trickling water; while in their corners and elsewhere boxes of earth enabled banana-trees, and palms, and various creepers, to convert the little spots into delightful, though miniature, gardens. Such windows as opened outwards were mere loop-holes, not much more than a foot square—many of them less,—the larger of them being always strongly grated. Most of these houses projected beyond their basement storeys, thus rendering the open space above narrower than the streets below, and in many cases the walls absolutely met, and converted the streets into tunnels. Strange wooden props, seemingly insufficient for their duty, upheld these projecting upper storeys, and gave a peculiarly un-European character to the streets,—a character which became still more perplexing to the stranger when he observed here and there, in places where architecture had scarcely space or light to be seen, fountains of the most elegant design and workmanship; doorways of white marble, most elaborately and beautifully carved; and entrance-halls that resembled courts of the Alhambra in miniature.

 

When one first sees such things they induce surprise, but the surprise evaporates when we reflect that these pirates had at their command the services of thousands of slaves, many of whom represented the artistic talent of the civilised world.

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