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XIX "THAT IS ONE!"
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A week had not passed before Marco brought to The Rat in their bedroom an envelope containing a number of slips of paper on each of which was written something.
"This is another part of the game," he said gravely. "Let us sit down together by the table and study it."
They sat down and examined what was written on the slips. At the head of each was the name of one of the places with which Marco had connected a face he had sketched2. Below were clear and concise3 directions as to how it was to be reached and the words to be said when each individual was encountered.
"This person is to be found at his stall in the market," was written of the vacant-faced peasant. "You will first attract his attention by asking the price of something. When he is looking at you, touch your left thumb lightly with the forefinger4 of your right hand. Then utter in a low distinct tone the words 'The Lamp is lighted.' That is all you are to do."
Sometimes the directions were not quite so simple, but they were all instructions of the same order. The originals of the sketches5 were to be sought out—always with precaution which should conceal6 that they were being sought at all, and always in such a manner as would cause an encounter to appear to be mere7 chance. Then certain words were to be uttered, but always without attracting the attention of any bystander or passer-by.
The boys worked at their task through the entire day. They concentrated all their powers upon it. They wrote and re-wrote—they repeated to each other what they committed to memory as if it were a lesson. Marco worked with the greater ease and more rapidly, because exercise of this order had been his practice and entertainment from his babyhood. The Rat, however, almost kept pace with him, as he had been born with a phenomenal memory and his eagerness and desire were a fury.
But throughout the entire day neither of them once referred to what they were doing as anything but "the game."
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1
sketch
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| n.草图;梗概;素描;v.素描;概述 | |
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sketched
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| v.草拟(sketch的过去式与过去分词形式) | |
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concise
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| adj.简洁的,简明的 | |
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forefinger
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| n.食指 | |
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sketches
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| n.草图( sketch的名词复数 );素描;速写;梗概 | |
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conceal
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| v.隐藏,隐瞒,隐蔽 | |
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mere
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| adj.纯粹的;仅仅,只不过 | |
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rue
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| n.懊悔,芸香,后悔;v.后悔,悲伤,懊悔 | |
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longing
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| n.(for)渴望 | |
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yearning
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| a.渴望的;向往的;怀念的 | |
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dread
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| vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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nervously
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| adv.神情激动地,不安地 | |
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intervals
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| n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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standing
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| n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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tighten
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| v.(使)变紧;(使)绷紧 | |
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spoke
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| n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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hoarse
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| adj.嘶哑的,沙哑的 | |
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shuffle
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| n.拖著脚走,洗纸牌;v.拖曳,慢吞吞地走 | |
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uncertainty
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| n.易变,靠不住,不确知,不确定的事物 | |
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heralds
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| n.使者( herald的名词复数 );预报者;预兆;传令官v.预示( herald的第三人称单数 );宣布(好或重要) | |
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attained
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| (通常经过努力)实现( attain的过去式和过去分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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22
awe
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| n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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awakened
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| v.(使)醒( awaken的过去式和过去分词 );(使)觉醒;弄醒;(使)意识到 | |
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penetrated
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| adj. 击穿的,鞭辟入里的 动词penetrate的过去式和过去分词形式 | |
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intensity
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| n.强烈,剧烈;强度;烈度 | |
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maturity
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| n.成熟;完成;(支票、债券等)到期 | |
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charing
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| n.炭化v.把…烧成炭,把…烧焦( char的现在分词 );烧成炭,烧焦;做杂役女佣 | |
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shuffling
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| adj. 慢慢移动的, 滑移的 动词shuffle的现在分词形式 | |
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apparently
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| adv.显然地;表面上,似乎 | |
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crutches
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| n.拐杖, 支柱 v.支撑 | |
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remarkable
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| adj.显著的,异常的,非凡的,值得注意的 | |
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picturesque
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| adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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secluded
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| adj.与世隔绝的;隐退的;偏僻的v.使隔开,使隐退( seclude的过去式和过去分词) | |
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advantageous
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| adj.有利的;有帮助的 | |
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majestic
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| adj.雄伟的,壮丽的,庄严的,威严的,崇高的 | |
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fascination
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| n.令人着迷的事物,魅力,迷恋 | |
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obelisk
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| n.方尖塔 | |
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wrought
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| v.引起;以…原料制作;运转;adj.制造的 | |
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gilded
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| a.镀金的,富有的 | |
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eyebrows
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| 眉毛( eyebrow的名词复数 ) | |
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erect
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| n./v.树立,建立,使竖立;adj.直立的,垂直的 | |
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furtive
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| adj.鬼鬼崇崇的,偷偷摸摸的 | |
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positively
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| adv.明确地,断然,坚决地;实在,确实 | |
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44
gnawed
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| 咬( gnaw的过去式和过去分词 ); (长时间) 折磨某人; (使)苦恼; (长时间)危害某事物 | |
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45
dictatorial
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| adj. 独裁的,专断的 | |
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cantankerous
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| adj.爱争吵的,脾气不好的 | |
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catching
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| adj.易传染的,有魅力的,迷人的,接住 | |
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48
yelp
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| vi.狗吠 | |
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amiable
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| adj.和蔼可亲的,友善的,亲切的 | |
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acquiescence
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| n.默许;顺从 | |
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countenance
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| n.脸色,面容;面部表情;vt.支持,赞同 | |
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52
scraps
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| 油渣 | |
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