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CHAPTER III
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“The Muse1?” (said Merrick, refilling my glass and stooping to pat the terrier as he went back to his chair)—“well, you’ve met the Muse in the little volume of sonnets2 you used to like; and you’ve met the woman too, and you used to like her; though you didn’t know her when you saw her the other evening....
“No, I won’t ask you how she struck you when you talked to her: I know. She struck you like that stuff I gave you to read last night. She’s conformed—I’ve conformed—the mills have caught us and ground us: ground us, oh, exceedingly small!
“But you remember what she was; and that’s the reason why I’m telling you this now....
“You may recall that after my father’s death I tried to sell the Works. I was impatient to free myself from anything that would keep me tied to New York. I don’t dislike my trade, and I’ve made, in the end, a fairly good thing of it; but industrialism was not, at that time, in the line of my tastes, and I know now that it wasn’t what I was meant for. Above all, I wanted to get away, to see new places and rub up against different ideas. I had reached a time of life—the top of the first hill, so to speak—where the distance draws one, and everything in the foreground seems tame and stale. I was sick to death of the particular set of conformities3 I had grown up among; sick of being a pleasant popular young man with a long line of dinners on my list, and the dead certainty of meeting the same people, or their prototypes, at all of them.
“Well—I failed to sell the Works, and that increased my discontent. I went through moods of cold unsociability, alternating with sudden flushes of curiosity, when I gloated over stray scraps4 of talk overheard in railway stations and omnibuses, when strange faces that I passed in the street tantalized5 me with fugitive6 promises. I wanted to be among things that were unexpected and unknown; and it seemed to me that nobody about me understood in the least what I felt, but that somewhere just out of reach there was some one who did, and whom I must find or despair....
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1
muse
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n.缪斯(希腊神话中的女神),创作灵感 | |
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2
sonnets
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n.十四行诗( sonnet的名词复数 ) | |
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conformities
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n.符合(conformity的复数形式) | |
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scraps
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油渣 | |
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tantalized
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v.逗弄,引诱,折磨( tantalize的过去式和过去分词 ) | |
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6
fugitive
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adj.逃亡的,易逝的;n.逃犯,逃亡者 | |
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tapestry
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n.挂毯,丰富多采的画面 | |
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filaments
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n.(电灯泡的)灯丝( filament的名词复数 );丝极;细丝;丝状物 | |
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steadily
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adv.稳定地;不变地;持续地 | |
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confidential
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adj.秘(机)密的,表示信任的,担任机密工作的 | |
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epidermal
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adj. [解][生]表皮的,外皮的 | |
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tenement
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n.公寓;房屋 | |
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hearsay
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n.谣传,风闻 | |
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analyzing
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v.分析;分析( analyze的现在分词 );分解;解释;对…进行心理分析n.分析 | |
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enjoyment
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n.乐趣;享有;享用 | |
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pompous
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adj.傲慢的,自大的;夸大的;豪华的 | |
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sneer
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v.轻蔑;嘲笑;n.嘲笑,讥讽的言语 | |
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prematurely
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adv.过早地,贸然地 | |
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partisans
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游击队员( partisan的名词复数 ); 党人; 党羽; 帮伙 | |
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consort
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v.相伴;结交 | |
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ripple
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n.涟波,涟漪,波纹,粗钢梳;vt.使...起涟漪,使起波纹; vi.呈波浪状,起伏前进 | |
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subdue
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vt.制服,使顺从,征服;抑制,克制 | |
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subversively
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颠覆性的,破坏性的 | |
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primitive
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adj.原始的;简单的;n.原(始)人,原始事物 | |
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virtuous
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adj.有品德的,善良的,贞洁的,有效力的 | |
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rout
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n.溃退,溃败;v.击溃,打垮 | |
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instinctively
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adv.本能地 | |
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bondage
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n.奴役,束缚 | |
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etiquette
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n.礼仪,礼节;规矩 | |
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rites
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仪式,典礼( rite的名词复数 ) | |
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abiding
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adj.永久的,持久的,不变的 | |
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spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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sentimental
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adj.多愁善感的,感伤的 | |
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implicit
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a.暗示的,含蓄的,不明晰的,绝对的 | |
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rejection
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n.拒绝,被拒,抛弃,被弃 | |
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afterward
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adv.后来;以后 | |
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metaphor
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n.隐喻,暗喻 | |
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plunge
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v.跳入,(使)投入,(使)陷入;猛冲 | |
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liking
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n.爱好;嗜好;喜欢 | |
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robust
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adj.强壮的,强健的,粗野的,需要体力的,浓的 | |
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machinery
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n.(总称)机械,机器;机构 | |
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metropolis
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n.首府;大城市 | |
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judgment
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n.审判;判断力,识别力,看法,意见 | |
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phenomena
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n.现象 | |
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insignificance
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n.不重要;无价值;无意义 | |
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mere
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adj.纯粹的;仅仅,只不过 | |
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geographical
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adj.地理的;地区(性)的 | |
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latitude
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n.纬度,行动或言论的自由(范围),(pl.)地区 | |
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convalescence
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n.病后康复期 | |
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torrent
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n.激流,洪流;爆发,(话语等的)连发 | |
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revolving
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adj.旋转的,轮转式的;循环的v.(使)旋转( revolve的现在分词 );细想 | |
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vaguely
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adv.含糊地,暖昧地 | |
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irrelevant
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adj.不恰当的,无关系的,不相干的 | |
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haphazard
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adj.无计划的,随意的,杂乱无章的 | |
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moss
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n.苔,藓,地衣 | |
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beetle
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n.甲虫,近视眼的人 | |
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CHAPTER II
下一章:
CHAPTER IV
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