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Chapter 6 THE ALBANY
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G.J. Hoape—He was usually addressed as "G.J." by his friends, and always referred to as "G.J." by both friends and acquaintances—woke up finally in the bedroom of his flat with the thought:
"To-day I shall see her."
He inhabited one of the three flats at the extreme northern end of the Albany, Piccadilly, W.I. The flat was strangely planned. Its shape as a whole was that of a cube. Imagine the cube to be divided perpendicularly1 into two very unequal parts. The larger part, occupying nearly two-thirds of the entire cubic space, was the drawing-room, a noble chamber2, large and lofty. The smaller part was cut horizontally into two storeys. The lower storey comprised a very small hall, a fair bathroom, the tiniest staircase in London, and G.J.'s very small bedroom. The upper storey comprised a very small dining-room, the kitchen, and servants' quarters.
The door between the bedroom and the drawing room, left open in the night for ventilation, had been softly closed as usual during G.J.'s final sleep, and the bedroom was in absolute darkness save for a faint grey gleam over the valance of the window curtains. G.J. could think. He wondered whether he was in love. He hoped he was in love, and the fact that the woman who attracted him was a courtesan did not disturb him in the least.
He was nearing fifty years of age. He had casually3 known hundreds of courtesans in sundry4 capitals, a few of them very agreeable; also a number of women calling themselves, sometimes correctly, actresses, all of whom, for various reasons which need not be given, had proved very unsatisfactory. But he had never loved—unless it might be, mildly, Concepcion, and Concepcion was now a war bride. He wanted to love. He had never felt about any woman, not even about Concepcion, as he felt about the woman seen for a few minutes at the Marigny Theatre and then for five successive nights vainly searched for in all the chief music-halls of Paris. (A nice name, Christine! It suited her.) He had given her up—never expected to catch sight of her again; but she had remained a steadfast5 memory, sad and charming. The encounter in the
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perpendicularly
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adv. 垂直地, 笔直地, 纵向地 | |
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chamber
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n.房间,寝室;会议厅;议院;会所 | |
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casually
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adv.漠不关心地,无动于衷地,不负责任地 | |
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sundry
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adj.各式各样的,种种的 | |
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steadfast
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adj.固定的,不变的,不动摇的;忠实的;坚贞不移的 | |
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promenade
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n./v.散步 | |
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positively
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adv.明确地,断然,坚决地;实在,确实 | |
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stimulated
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a.刺激的 | |
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alluring
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adj.吸引人的,迷人的 | |
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apparently
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adv.显然地;表面上,似乎 | |
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wavy
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adj.有波浪的,多浪的,波浪状的,波动的,不稳定的 | |
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caressing
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爱抚的,表现爱情的,亲切的 | |
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morose
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adj.脾气坏的,不高兴的 | |
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drawn
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v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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doorway
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n.门口,(喻)入门;门路,途径 | |
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twilight
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n.暮光,黄昏;暮年,晚期,衰落时期 | |
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dome
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n.圆屋顶,拱顶 | |
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crimson
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n./adj.深(绯)红色(的);vi.脸变绯红色 | |
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tassels
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n.穗( tassel的名词复数 );流苏状物;(植物的)穗;玉蜀黍的穗状雄花v.抽穗, (玉米)长穗须( tassel的第三人称单数 );使抽穗, (为了使作物茁壮生长)摘去穗状雄花;用流苏装饰 | |
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abode
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n.住处,住所 | |
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recessed
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v.把某物放在墙壁的凹处( recess的过去式和过去分词 );将(墙)做成凹形,在(墙)上做壁龛;休息,休会,休庭 | |
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connoisseurship
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n.鉴赏家(或鉴定家、行家)身份,鉴赏(或鉴定)力 | |
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perpendiculars
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n.垂直的,成直角的( perpendicular的名词复数 );直立的 | |
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morbid
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adj.病的;致病的;病态的;可怕的 | |
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imposing
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adj.使人难忘的,壮丽的,堂皇的,雄伟的 | |
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determined
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adj.坚定的;有决心的 | |
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utterly
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adv.完全地,绝对地 | |
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second-hand
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adj.用过的,旧的,二手的 | |
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solitary
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adj.孤独的,独立的,荒凉的;n.隐士 | |
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solitude
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n. 孤独; 独居,荒僻之地,幽静的地方 | |
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consecrated
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adj.神圣的,被视为神圣的v.把…奉为神圣,给…祝圣( consecrate的过去式和过去分词 );奉献 | |
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concealed
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a.隐藏的,隐蔽的 | |
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prelude
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n.序言,前兆,序曲 | |
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impatience
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n.不耐烦,急躁 | |
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tempted
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v.怂恿(某人)干不正当的事;冒…的险(tempt的过去分词) | |
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solicitor
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n.初级律师,事务律师 | |
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widower
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n.鳏夫 | |
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attained
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(通常经过努力)实现( attain的过去式和过去分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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naught
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n.无,零 [=nought] | |
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possessed
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adj.疯狂的;拥有的,占有的 | |
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mighty
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adj.强有力的;巨大的 | |
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prospered
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成功,兴旺( prosper的过去式和过去分词 ) | |
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illuminating
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a.富于启发性的,有助阐明的 | |
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outfits
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n.全套装备( outfit的名词复数 );一套服装;集体;组织v.装备,配置设备,供给服装( outfit的第三人称单数 ) | |
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patriotically
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爱国地;忧国地 | |
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repulsed
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v.击退( repulse的过去式和过去分词 );驳斥;拒绝 | |
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caustically
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adv.刻薄地;挖苦地;尖刻地;讥刺地 | |
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implored
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恳求或乞求(某人)( implore的过去式和过去分词 ) | |
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incubus
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n.负担;恶梦 | |
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lighter
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n.打火机,点火器;驳船;v.用驳船运送;light的比较级 | |
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Chapter 5 OSTEND
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