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CHAPTER V IN THE STUDIO
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The fact that it was beginning to grow dark prevented Alora from observing all the tawdriness of her new home and what she saw inspired her more with curiosity than dismay. The little girl had been reared from babyhood in an atmosphere of luxury; through environment she had become an aristocrat1 from the top of her head to the tips of her toes; this introduction to shabbiness was unique, nor could she yet understand that such surroundings were familiar to many who battle for existence in a big city. The very fact that her father's humble2 flat was "different" made it far more interesting to the child than new apartments such as she had been accustomed to. Therefore she had no thought, at this time, of protest. Her own little room contained a small iron bed, one straight chair with a wooden bottom and a broken- legged dresser over which hung a cracked mirror. The small rag rug was worn threadbare.
While she stood in the doorway3 of this room, solemnly regarding it, her father said over her shoulder:
"You won't need both those big trunks here, I'm sure. I'll store them somewhere in the studio. Covered with drapes, they won't be noticed. I can't imagine what that woman packed them with."
"My dresses," replied Alora. "Even then, I left a lot at the Voltaire, for the maids to sell or give away. Mamma used to send them to the Salvation4 Army."
"Two trunks of dresses ought to last for a good many years," he remarked in a reflective tone.
"Oh, no indeed," said Lory. "Miss Gorham was about to engage a dressmaker for me when—when—you said we'd go away. I'm growing fast, you know, and I was to have a dozen or fifteen summer frocks made, and a lot of lingerie."
"Then we moved just in time to save that expense," he declared, setting his stern jaws5 together. "There's been a terrible waste of money through that woman Gorham. We're well rid of her."
He turned away to the studio and the child followed him there. He turned on the electric lights, which were not very bright, and Alora took a look at the workroom and thought it seemed more comfortable than the other rooms of the flat.
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1
aristocrat
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| n.贵族,有贵族气派的人,上层人物 | |
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humble
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| adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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doorway
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| n.门口,(喻)入门;门路,途径 | |
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salvation
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| n.(尤指基督)救世,超度,拯救,解困 | |
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jaws
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| n.口部;嘴 | |
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artistic
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| adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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shrug
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| v.耸肩(表示怀疑、冷漠、不知等) | |
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fumes
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| n.(强烈而刺激的)气味,气体 | |
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linen
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| n.亚麻布,亚麻线,亚麻制品;adj.亚麻布制的,亚麻的 | |
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decided
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| adj.决定了的,坚决的;明显的,明确的 | |
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indifference
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| n.不感兴趣,不关心,冷淡,不在乎 | |
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dingy
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| adj.昏暗的,肮脏的 | |
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puffing
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| v.使喷出( puff的现在分词 );喷着汽(或烟)移动;吹嘘;吹捧 | |
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stuffy
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| adj.不透气的,闷热的 | |
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afterward
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| adv.后来;以后 | |
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unpacked
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| v.从(包裹等)中取出(所装的东西),打开行李取出( unpack的过去式和过去分词 );拆包;解除…的负担;吐露(心事等) | |
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pumpkin
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| n.南瓜 | |
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plodded
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| v.沉重缓慢地走(路)( plod的过去式和过去分词 );努力从事;沉闷地苦干;缓慢进行(尤指艰难枯燥的工作) | |
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drearily
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| 沉寂地,厌倦地,可怕地 | |
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repulsive
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| adj.排斥的,使人反感的 | |
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modish
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| adj.流行的,时髦的 | |
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embroidered
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| adj.绣花的 | |
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jewelry
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| n.(jewllery)(总称)珠宝 | |
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standing
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| n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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disdain
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| n.鄙视,轻视;v.轻视,鄙视,不屑 | |
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growl
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| v.(狗等)嗥叫,(炮等)轰鸣;n.嗥叫,轰鸣 | |
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spoke
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| n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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tinged
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| v.(使)发丁丁声( ting的过去式和过去分词 ) | |
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haughty
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| adj.傲慢的,高傲的 | |
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tolerance
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| n.宽容;容忍,忍受;耐药力;公差 | |
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retired
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| adj.隐退的,退休的,退役的 | |
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contented
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| adj.满意的,安心的,知足的 | |
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fixedly
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| adv.固定地;不屈地,坚定不移地 | |
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humbug
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| n.花招,谎话,欺骗 | |
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wriggle
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| v./n.蠕动,扭动;蜿蜒 | |
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dame
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| n.女士 | |
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grumble
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| vi.抱怨;咕哝;n.抱怨,牢骚;咕哝,隆隆声 | |
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frankly
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| adv.坦白地,直率地;坦率地说 | |
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guardian
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| n.监护人;守卫者,保护者 | |
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scowl
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| vi.(at)生气地皱眉,沉下脸,怒视;n.怒容 | |
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virtue
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| n.德行,美德;贞操;优点;功效,效力 | |
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subservience
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| n.有利,有益;从属(地位),附属性;屈从,恭顺;媚态 | |
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haggled
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| v.讨价还价( haggle的过去式和过去分词 ) | |
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coupons
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| n.礼券( coupon的名词复数 );优惠券;订货单;参赛表 | |
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ambled
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| v.(马)缓行( amble的过去式和过去分词 );从容地走,漫步 | |
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supercilious
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| adj.目中无人的,高傲的;adv.高傲地;n.高傲 | |
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clattered
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| 发出咔哒声(clatter的过去式与过去分词形式) | |
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automobile
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| n.汽车,机动车 | |
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chauffeur
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| n.(受雇于私人或公司的)司机;v.为…开车 | |
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scowling
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| 怒视,生气地皱眉( scowl的现在分词 ) | |
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下一章:
CHAPTER VI FLITTING
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