To spend one's days perforce in an enormous house alone is a thing likely to play unholy tricks with a man's mind and lead it to gloomy workings. To know the existence of a hundred or so of closed doors shut on the darkness of unoccupied rooms; to be conscious of flights of unmounted stairs, of stretches of untrodden corridors, of unending walls, from which the pictured eyes of long dead men and women stare, as if seeing things which human eyes behold¹ not—is an eerie² and unwholesome thing. Mount Dunstan slept in a large four-post bed in a chamber³ in which he might have died or been murdered a score of times without being able to communicate with the remote servants' quarters below stairs, where lay the one man and one woman who attended him. When he came late to his room and prepared for sleep by the light of two flickering⁴ candles the silence of the dead in tombs was about him; but it was only a more profound and insistent⁵ thing than the silence of the day, because it was the silence of the night, which is a presence. He used to tell himself with secret smiles at the fact that at certain times the fantasy was half believable—that there were things which walked about softly at night—things which did not want to be dead. He himself had picked them out from among the pictures in the gallery—pretty, light, petulant⁶ women; adventurous-eyed, full-blooded, eager men. His theory was that they hated their stone coffins⁷, and fought their way back through the grey mists to try to talk and make love and to be seen of warm things which were alive. But it was not to be done, because they had no bodies and no voices, and when they beat upon closed doors they would not open. Still they came back—came back. And sometimes there was a rustle⁸ and a sweep through the air in a passage, or a creak, or a sense of waiting which was almost a sound.

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