Gavin let the doctor’s warnings fall in the grass. In his joy over Nanny’s deliverance he jumped the garden gate, whose hinges were of yarn¹, and cleverly caught his hat as it was leaving his head in protest. He then re-entered the mud house staidly. Pleasant was the change. Nanny’s home was as a clock that had been run out, and is set going again. Already the old woman was unpacking² her box, to increase the distance between herself and the poorhouse. But Gavin only saw her in the background, for the Egyptian, singing at her work, had become the heart of the house. She had flung her shawl over Nanny’s shoulders, and was at the fireplace breaking peats with the leg of a stool. She turned merrily to the minister to ask him to chop up his staff for firewood, and he would have answered wittily³ but could not. Then, as often, the beauty of the Egyptian surprised him into silence. I could never get used to her face myself in the after-days. It has always held me wondering, like my own Glen Quharity on a summer day, when the sun is lingering and the clouds are on the march, and the glen is never the same for two minutes, but always so beautiful as to make me sad. Never will I attempt to picture the Egyptian as she seemed to Gavin while she bent⁴ over Nanny’s fire, never will I describe my glen. Yet a hundred times have I hankered after trying to picture both.