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Chapter 7

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WHEN Claude found himself once more on the pavement of Paris he was seized with a feverish longing for hubbub and motion, a desire to gad about, scour the whole city, and see his chums. He was off the moment he awoke, leaving Christine to get things shipshape by herself in the studio which they had taken in the Rue de Douai, near the Boulevard de Clichy. In this way, on the second day of his arrival, he dropped in at Mahoudeau's at eight o'clock in the morning, in the chill, grey November dawn which had barely risen.

However, the shop in the Rue du Cherche-Midi, which the sculptor still occupied, was open, and Mahoudeau himself, half asleep, with a white face, was shivering as he took down the shutters.

Ah! it's you. The devil! you've got into early habits in the country. So it's settled--you are back for good?'

'Yes; since the day before yesterday.'

'That's all right. Then we shall see something of each other. Come in; it's sharp this morning.'

But Claude felt colder in the shop than outside. He kept the collar of his coat turned up, and plunged his hands deep into his pockets; shivering before the dripping moisture of the bare walls, the muddy heaps of clay, and the pools of water soddening the floor. A blast of poverty had swept into the place, emptying the shelves of the casts from the antique, and smashing stands and buckets, which were now held together with bits of rope. It was an abode of dirt and disorder, a mason's cellar going to rack and ruin. On the window of the door, besmeared with whitewash, there appeared in mockery, as it were, a large beaming sun, roughly drawn with thumb-strokes, and ornamented in the centre with a face, the mouth of which, describing a semicircle, seemed likely to burst with laughter.

'Just wait,' said Mahoudeau, 'a fire's being lighted. These confounded workshops get chilly directly, with the water from the covering cloths.'

At that moment, Claude, on turning round, noticed Chaine on his knees near the stove, pulling the straw from the seat of an old stool to light the coals with. He bade him good-morning, but only elicited a muttered growl, without succeeding in making him look up.

'And what are you doing just now, old man?' he asked the sculptor.

'Oh! nothing of much account. It's been a bad year--worse than the last one, which wasn't worth a rap. There's a crisis in the church-statue business. Yes, the market for holy wares is bad, and, dash it, I've had to tighten my belt! Look, in the meanwhile, I'm reduced to this.'

He thereupon took the linen wraps off a bust, showing a long face still further elongated by whiskers, a face full of conceit and infinite imbecility.

'It's an advocate who lives near by. Doesn't he look repugnant, eh? And the way he worries me about being very careful with his mouth. However, a fellow must eat, mustn't he?'

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