ON the following day, on his return from the funeral Pierre lunched alone in his room, having decided to take leave of the Cardinal and Donna Serafina during the afternoon. He was quitting Rome that evening by the train which started at seventeen minutes past ten. There was nothing to detain him any longer; there was only one visit which he desired to make, a visit to old Orlando, with whom he had promised to have a long chat prior to his departure. And so a little before two o'clock he sent for a cab which took him to the Via Venti Settembre. A fine rain had fallen all night, its moisture steeping the city in grey vapour; and though this rain had now ceased the sky remained very dark, and the huge new mansions of the Via Venti Settembre were quite livid, interminably mournful with their balconies ever of the same pattern and their regular and endless rows of windows. The Ministry of Finances, that colossal pile of masonry and sculpture, looked in particular like a dead town, a huge bloodless body whence all life had withdrawn. On the other hand, although all was so gloomy the rain had made the atmosphere milder, in fact it was almost warm, damply and feverishly warm.

In the hall of Prada's little palazzo Pierre was surprised to find four or five gentlemen taking off their overcoats; however he learnt from a servant that Count Luigi had a meeting that day with some contractors. As he, Pierre, wished to see the Count's father he had only to ascend to the third floor, added the servant. He must knock at the little door on the right-hand side of the landing there.

On the very first landing, however, the priest found himself face to face with the young Count who was there receiving the contractors, and who on recognising him became frightfully pale. They had not met since the tragedy at the Boccanera mansion, and Pierre well realised how greatly his glance disturbed that man, what a troublesome recollection of moral complicity it evoked, and what mortal dread lest he should have guessed the truth.

"Have you come to see me, have you something to tell me?" the Count inquired.

"No, I am leaving Rome, I have come to wish your father good-bye."

Prada's pallor increased at this, and his whole face quivered: "Ah! it is to see my father. He is not very well, be gentle with him," he replied, and as he spoke, his look of anguish clearly proclaimed what he feared from Pierre, some imprudent word, perhaps even a final mission, the malediction of that man and woman whom he had killed. And surely if his father knew, he would die as well. "Ah! how annoying it is," he resumed, "I can't go up with you! There are gentlemen waiting for me. Yes, how annoyed I am. As soon as possible, however, I will join you, yes, as soon as possible."

He knew not how to stop the young priest, whom he must evidently allow to remain with his father, whilst he himself stayed down below, kept there by his pecuniary worries. But how distressful were the eyes with which he watched Pierre climb the stairs, how he seemed to supplicate him with his whole quivering form. His father, good Lord, the only true love, the one great, pure, faithful passion of his life!

分享到：