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With only one lamp burning amid the verdure on the altar of the Virgin, huge floating shadows filled the church at either end. From the pulpit a sheet of gloom projected to the rafters of the ceiling. The confessional looked quite black under the gallery, showing strange outlines suggestive of a ruined sentry-box. All the light, softened and tinted as it were by the green foliage, rested slumberingly upon the tall gilded Virgin, who seemed to descend with queenly mien, borne upon the cloud round which gambolled the winged cherubim. At sight of that round lamp gleaming amid the boughs one might have thought the pallid moon was rising on the verge of a wood, casting its light upon a regal apparition, a princess of heaven, crowned and clothed with gold, who with her nude and Divine Infant had come to stroll in the mysterious woodland avenues. Between the leaves, along the lofty plumes of greenery, within the large ogival arbour, and even along the branches strewing the flagstones, star-like beams glided drowsily, like the milky rain of light that filters through the bushes on moonlit nights. Vague sounds and creakings came from the dusky ends of the church; the large clock on the left of the chancel throbbed slowly, with the heavy breathing of a machine asleep. And the radiant vision, the Mother with slender bands of chestnut hair, as if reassured by the nocturnal quiet of the nave, came lower and lower, scarce bending the blades of grass in the clearings beneath the gentle flight of her cloudy chariot.
Abbe Mouret gazed at her. This was the hour when he most loved the church. He forgot the woeful figure on the cross, the Victim bedaubed with carmine and ochre, who gasped out His life behind him, in the chapel of the Dead. His thoughts were no longer distracted by the garish light from the windows, by the gayness of morning coming in with the sun, by the irruption of outdoor life--the sparrows and the boughs invading the nave through the shattered panes. At that hour of night Nature was dead; shadows hung the whitewashed walls with crape; a chill fell upon his shoulders like a salutary penance-shirt. He could now wholly surrender himself to the supremest love, without fear of any flickering ray of light, any caressing breeze or scent, any buzzing of an insect's wing disturbing him amidst the delight of loving. Never had his morning mass afforded him the superhuman joys of his nightly prayers.
With quivering lips Abbe Mouret now gazed at the tall Virgin. He could see her coming towards him from the depths of her green bower in ever-increasing splendour. No longer did a flood of moonlight seem to float across the tree-tops. She seemed to him clothed with the sun; she advanced majestically, glorious, colossal, and so all-powerful that he was tempted at times to cast himself face downwards to shun the flaming splendour of that gate opening into heaven. Then, amidst the adoration of his whole being, which stayed his words upon his lips, he remembered Brother Archangias's final rebuke, as he might have remembered words of blasphemy. The Brother often reproved him for his devotion to the Virgin, which he declared was veritable robbery of devotion due to God. In the Brother's opinion it enervated the soul, put religion into petticoats, created and fostered a state of sentimentalism quite unworthy of the strong. He bore the Virgin a grudge for her womanhood, her beauty, her maternity; he was ever on his guard against her, possessed by a covert fear of feeling tempted by her gracious mien, of succumbing to her seductive sweetness. 'She will lead you far!' he had cried one day to the young priest, for in her he saw the commencement of human passion. From contemplating her one might glide to delight in lovely chestnut hair, in large bright eyes, and the mystery of garments falling from neck to toes. His was the blunt rebellion of a saint who roughly parted the Mother from the Son, asking as He did: 'Woman, what have we in common, thou and I?'
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