There was once an editor of a paper in the Far West who was sitting at his desk, musing pleasantly of life, when a bullet crashed through the window and embedded itself in the wall at the back of his head. A happy smile lit up the editor's face. "Ah," he said complacently, "I knew that Personal column of ours was going to be a success!"

What the bullet was to the Far West editor, the visit of Mr. Francis Parker to the offices of _Cosy Moments_ was to Billy Windsor.

It occurred in the third week of the new _régime_ of the paper. _Cosy Moments_, under its new management, had bounded ahead like a motor-car when the throttle is opened. Incessant work had been the order of the day. Billy Windsor's hair had become more dishevelled than ever, and even Psmith had at moments lost a certain amount of his dignified calm. Sandwiched in between the painful case of Kid Brady and the matter of the tenements, which formed the star items of the paper's contents, was a mass of bright reading dealing with the events of the day. Billy Windsor's newspaper friends had turned in some fine, snappy stuff in their best Yellow Journal manner, relating to the more stirring happenings in the city. Psmith, who had constituted himself guardian of the literary and dramatic interests of the paper, had employed his gift of general invective to considerable effect, as was shown by a conversation between Master Maloney and a visitor one morning, heard through the open door.

"I wish to see the editor of this paper," said the visitor.

"Editor not in," said Master Maloney, untruthfully.

"Ha! Then when he returns I wish you to give him a message."

"Sure."

"I am Aubrey Bodkin, of the National Theatre. Give him my compliments, and tell him that Mr. Bodkin does not lightly forget."

An unsolicited testimonial which caused Psmith the keenest satisfaction.

The section of the paper devoted to Kid Brady was attractive to all those with sporting blood in them. Each week there appeared in the same place on the same page a portrait of the Kid, looking moody and important, in an attitude of self-defence, and under the portrait the legend, "Jimmy Garvin must meet this boy." Jimmy was the present holder of the light-weight title. He had won it a year before, and since then had confined himself to smoking cigars as long as walking-sticks and appearing nightly as the star in a music-hall sketch entitled "A Fight for Honour." His reminiscences were appearing weekly in a Sunday paper. It was this that gave Psmith the idea of publishing Kid Brady's autobiography in _Cosy Moments_, an idea which made the Kid his devoted adherent from then on. Like most pugilists, the Kid had a passion for bursting into print, and his life had been saddened up to the present by the refusal of the press to publish his reminiscences. To appear in print is the fighter's accolade. It signifies that he has arrived. Psmith extended the hospitality of page four of _Cosy Moments_ to Kid Brady, and the latter leaped at the chance. He was grateful to Psmith for not editing his contributions. Other pugilists, contributing to other papers, groaned under the supervision of a member of the staff who cut out their best passages and altered the rest into Addisonian English. The readers of _Cosy Moments_ got Kid Brady raw.