Far up at the other end of the island, on the banks of the Harlem River, there stands the old warehouse which modern progress has converted into the Highfield Athletic and Gymnastic Club. The imagination, stimulated by the title, conjures up a sort of National Sporting Club, with pictures on the walls, padding on the chairs, and a sea of white shirt-fronts from roof to floor. But the Highfield differs in some respects from this fancy picture. Indeed, it would be hard to find a respect in which it does not differ. But these names are so misleading. The title under which the Highfield used to be known till a few years back was "Swifty Bob's." It was a good, honest title. You knew what to expect; and if you attended _séances_ at Swifty Bob's you left your gold watch and your little savings at home. But a wave of anti-pugilistic feeling swept over the New York authorities. Promoters of boxing contests found themselves, to their acute disgust, raided by the police. The industry began to languish. People avoided places where at any moment the festivities might be marred by an inrush of large men in blue uniforms armed with locust-sticks.

And then some big-brained person suggested the club idea, which stands alone as an example of American dry humour. There are now no boxing contests in New York. Swifty Bob and his fellows would be shocked at the idea of such a thing. All that happens now is exhibition sparring bouts between members of the club. It is true that next day the papers very tactlessly report the friendly exhibition spar as if it had been quite a serious affair, but that is not the fault of Swifty Bob.

Kid Brady, the chosen of _Cosy Moments_, was billed for a "ten-round exhibition contest," to be the main event of the evening's entertainment. No decisions are permitted at these clubs. Unless a regrettable accident occurs, and one of the sparrers is knocked out, the verdict is left to the newspapers next day. It is not uncommon to find a man win easily in the _World_, draw in the _American_, and be badly beaten in the _Evening Mail_. The system leads to a certain amount of confusion, but it has the merit of offering consolation to a much-smitten warrior.

The best method of getting to the Highfield is by the Subway. To see the Subway in its most characteristic mood one must travel on it during the rush-hour, when its patrons are packed into the carriages in one solid jam by muscular guards and policemen, shoving in a manner reminiscent of a Rugby football scrum. When Psmith and Billy entered it on the Friday evening, it was comparatively empty. All the seats were occupied, but only a few of the straps and hardly any of the space reserved by law for the conductor alone.

Conversation on the Subway is impossible. The ingenious gentlemen who constructed it started with the object of making it noisy. Not ordinarily noisy, like a ton of coal falling on to a sheet of tin, but really noisy. So they fashioned the pillars of thin steel, and the sleepers of thin wood, and loosened all the nuts, and now a Subway train in motion suggests a prolonged dynamite explosion blended with the voice of some great cataract.