The M.C.C. match opened auspiciously. Norris, for the first time that season, won the toss. Tom Brown, we read, in a similar position, 'with the usual liberality of young hands', put his opponents in first. Norris was not so liberal. He may have been young, but he was not so young as that. The sun was shining on as true a wicket as was ever prepared when he cried 'Heads', and the coin, after rolling for some time in diminishing circles, came to a standstill with the dragon undermost. And Norris returned to the Pavilion and informed his gratified team that, all things considered, he rather thought that they would bat, and he would be obliged if Baker would get on his pads and come in first with him.

The M.C.C. men took the field--O. T. Blackwell, by the way, had shrunk into a mere brother of the century-making A. T.--and the two School House representatives followed them. An amateur of lengthy frame took the ball, a man of pace, to judge from the number of slips. Norris asked for 'two leg'. An obliging umpire informed him that he had got two leg. The long bowler requested short slip to stand finer, swung his arm as if to see that the machinery still worked, and dashed wildly towards the crease. The match had begun.

There are few pleasanter or more thrilling moments in one's school career than the first over of a big match. Pleasant, that is to say, if you are actually looking on. To have to listen to a match being started from the interior of a form-room is, of course, maddening. You hear the sound of bat meeting ball, followed by distant clapping. Somebody has scored. But who and what? It may be a four, or it may be a mere single. More important still, it may be the other side batting after all. Some miscreant has possibly lifted your best bowler into the road. The suspense is awful. It ought to be a School rule that the captain of the team should send a message round the form-rooms stating briefly and lucidly the result of the toss. Then one would know where one was. As it is, the entire form is dependent on the man sitting under the window. The form-master turns to write on the blackboard. The only hope of the form shoots up like a rocket, gazes earnestly in the direction of the Pavilion, and falls back with a thud into his seat. 'They haven't started yet,' he informs the rest in a stage whisper. 'Si-_lence_,' says the form-master, and the whole business must be gone through again, with the added disadvantage that the master now has his eye fixed coldly on the individual nearest the window, your only link with the outer world.

Various masters have various methods under such circumstances. One more than excellent man used to close his book and remark, 'I think we'll make up a little party to watch this match.' And the form, gasping its thanks, crowded to the windows. Another, the exact antithesis of this great and good gentleman, on seeing a boy taking fitful glances through the window, would observe acidly, 'You are at perfect liberty, Jones, to watch the match if you care to, but if you do you will come in in the afternoon and make up the time you waste.' And as all that could be seen from that particular window was one of the umpires and a couple of fieldsmen, Jones would reluctantly elect to reserve himself, and for the present to turn his attention to Euripides again.