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There was a rough stone age and a smooth stone age and a bronze age, and many years afterward1 a cut-glass age. In the cut-glass age, when young ladies had persuaded young men with long, curly mustaches to marry them, they sat down several months afterward and wrote thank-you notes for all sorts of cut-glass presents — punch-bowls, finger-bowls, dinner-glasses, wine-glasses, ice-cream dishes, bonbon2 dishes, decanters, and vases — for, though cut glass was nothing new in the nineties, it was then especially busy reflecting the dazzling light of fashion from the Back Bay to the fastnesses of the Middle West.
After the wedding the punch-bowls were arranged in the sideboard with the big bowl in the centre; the glasses were set up in the china-closet; the candlesticks were put at both ends of things — and then the struggle for existence began. The bonbon dish lost its little handle and became a pin-tray upstairs; a promenading3 cat knocked the little bowl off the sideboard, and the hired girl chipped the middle-sized one with the sugar-dish; then the wine-glasses succumbed4 to leg fractures, and even the dinner-glasses disappeared one by one like the ten little niggers, the last one ending up, scarred and maimed as a tooth-brush holder5 among other shabby genteels on the bathroom shelf. But by the time all this had happened the cut-glass age was over, anyway.
It was well past its first glory on the day the curious Mrs. Roger Fairboalt came to see the beautiful Mrs. Harold Piper.
“My dear,” said the curious Mrs. Roger Fairboalt, “I LOVE your house. I think it’s QUITE artistic6.”
“I’m SO glad,” said the beautiful Mrs. Harold Piper, lights appearing in her young, dark eyes; “and you MUST come often. I’m almost ALWAYS alone in the afternoon.”
Mrs. Fairboalt would have liked to remark that she didn’t believe this at all and couldn’t see how she’d be expected to — it was all over town that Mr. Freddy Gedney had been dropping in on Mrs. Piper five afternoons a week for the past six months. Mrs. Fairboalt was at that ripe age where she distrusted all beautiful women ——

1
afterward
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adv.后来;以后 | |
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2
bonbon
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n.棒棒糖;夹心糖 | |
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promenading
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v.兜风( promenade的现在分词 ) | |
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succumbed
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不再抵抗(诱惑、疾病、攻击等)( succumb的过去式和过去分词 ); 屈从; 被压垮; 死 | |
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holder
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n.持有者,占有者;(台,架等)支持物 | |
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artistic
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adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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prettily
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adv.优美地;可爱地 | |
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petal
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n.花瓣 | |
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attentive
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adj.注意的,专心的;关心(别人)的,殷勤的 | |
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circumference
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n.圆周,周长,圆周线 | |
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scribbling
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n.乱涂[写]胡[乱]写的文章[作品]v.潦草的书写( scribble的现在分词 );乱画;草草地写;匆匆记下 | |
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spacious
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adj.广阔的,宽敞的 | |
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gathering
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n.集会,聚会,聚集 | |
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disapproving
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adj.不满的,反对的v.不赞成( disapprove的现在分词 ) | |
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receding
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v.逐渐远离( recede的现在分词 );向后倾斜;自原处后退或避开别人的注视;尤指问题 | |
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mighty
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adj.强有力的;巨大的 | |
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frankly
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adv.坦白地,直率地;坦率地说 | |
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steadily
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adv.稳定地;不变地;持续地 | |
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standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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miserably
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adv.痛苦地;悲惨地;糟糕地;极度地 | |
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stiffened
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加强的 | |
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repose
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v.(使)休息;n.安息 | |
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allude
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v.提及,暗指 | |
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preoccupied
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adj.全神贯注的,入神的;被抢先占有的;心事重重的v.占据(某人)思想,使对…全神贯注,使专心于( preoccupy的过去式) | |
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clattered
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发出咔哒声(clatter的过去式与过去分词形式) | |
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lighting
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n.照明,光线的明暗,舞台灯光 | |
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doorway
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n.门口,(喻)入门;门路,途径 | |
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decided
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adj.决定了的,坚决的;明显的,明确的 | |
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forestall
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vt.抢在…之前采取行动;预先阻止 | |
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contingency
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n.意外事件,可能性 | |
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dreaded
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adj.令人畏惧的;害怕的v.害怕,恐惧,担心( dread的过去式和过去分词) | |
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notch
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n.(V字形)槽口,缺口,等级 | |
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rattle
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v.飞奔,碰响;激怒;n.碰撞声;拨浪鼓 | |
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amazement
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n.惊奇,惊讶 | |
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frantically
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ad.发狂地, 发疯地 | |
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porcelain
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n.瓷;adj.瓷的,瓷制的 | |
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humbly
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adv. 恭顺地,谦卑地 | |
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simultaneously
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adv.同时发生地,同时进行地 | |
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eyelids
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n.眼睑( eyelid的名词复数 );眼睛也不眨一下;不露声色;面不改色 | |
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scurried
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v.急匆匆地走( scurry的过去式和过去分词 ) | |
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nervously
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adv.神情激动地,不安地 | |
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