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New York, January 15th(Continued,Dictated on January 16th)
That incident made a strong impression upon me. I believed I had made a discovery--the discovery already indicated--the discovery of the wide difference in interest between "news" and "history"; that news is history in its first and best form, its vivid and fascinating form, and that history is the pale and tranquil2 reflection of it.
This reminds me that in this daily dictation of autobiographical notes I am mixing these two forms together all the time. I am hoping by this method of procedure to secure the values of both. I am sure I have found the right way to spin an autobiography3 at last, after my many experiments. Years ago I used to make skeleton notes to use as texts in writing autobiographical chapters, but really those notes were worth next to nothing. If I expanded them upon the page at once, while their interest was fresh in my mind, they were useful, but if I left them unused for several weeks, or several months, their power to suggest and excite had usually passed away. They were faded flowers, their fragrance4 was gone. But I believe in this present plan. When you arrive with your stenographic5 plant at eleven, every morning, you find me placid6 and comfortable in bed, smoking, untroubled by the fact that I must presently get to work and begin to dictate1 this history of mine. And if I were depending upon faded notes for inspiration, I should have trouble and my work would soon become distasteful. But by my present system I do not need any notes. The thing uppermost in a person's mind is the thing to talk about or write about. The thing of new and immediate7 interest is the pleasantest text he can have--and you can't come here at eleven o'clock, or any other hour, and catch me without a new interest--a perfectly8 fresh interest--because I have either been reading the infernal newspapers and got it there, or I have been talking with somebody; and in either case the new interest is present--the interest which I most wish to dictate about. So you see the result is that this
收听单词发音
1
dictate
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| v.口授;(使)听写;指令,指示,命令 | |
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tranquil
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| adj. 安静的, 宁静的, 稳定的, 不变的 | |
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autobiography
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| n.自传 | |
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fragrance
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| n.芬芳,香味,香气 | |
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stenographic
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| adj.速记的,利用速记的 | |
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placid
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| adj.安静的,平和的 | |
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immediate
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| adj.立即的;直接的,最接近的;紧靠的 | |
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perfectly
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| adv.完美地,无可非议地,彻底地 | |
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narrative
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| n.叙述,故事;adj.叙事的,故事体的 | |
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absurdity
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| n.荒谬,愚蠢;谬论 | |
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idiotic
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| adj.白痴的 | |
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asylum
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| n.避难所,庇护所,避难 | |
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lapse
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| n.过失,流逝,失效,抛弃信仰,间隔;vi.堕落,停止,失效,流逝;vt.使失效 | |
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rev
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| v.发动机旋转,加快速度 | |
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sculptor
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| n.雕刻家,雕刻家 | |
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segregation
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| n.隔离,种族隔离 | |
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unlimited
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| adj.无限的,不受控制的,无条件的 | |
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calf
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| n.小牛,犊,幼仔,小牛皮 | |
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eloquent
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| adj.雄辩的,口才流利的;明白显示出的 | |
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deserted
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| adj.荒芜的,荒废的,无人的,被遗弃的 | |
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billiards
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| n.台球 | |
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lodging
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| n.寄宿,住所;(大学生的)校外宿舍 | |
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apprentice
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| n.学徒,徒弟 | |
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troupe
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| n.剧团,戏班;杂技团;马戏团 | |
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eminences
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| 卓越( eminence的名词复数 ); 著名; 高地; 山丘 | |
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tragic
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| adj.悲剧的,悲剧性的,悲惨的 | |
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celebrity
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| n.名人,名流;著名,名声,名望 | |
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serene
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| adj. 安详的,宁静的,平静的 | |
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minor
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| adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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forth
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| adv.向前;向外,往外 | |
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jubilation
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| n.欢庆,喜悦 | |
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theatrical
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| adj.剧场的,演戏的;做戏似的,做作的 | |
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standing
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| n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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meekly
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| adv.温顺地,逆来顺受地 | |
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bent
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| n.爱好,癖好;adj.弯的;决心的,一心的 | |
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daydreaming
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| v.想入非非,空想( daydream的现在分词 ) | |
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insignificance
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| n.不重要;无价值;无意义 | |
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tally
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| n.计数器,记分,一致,测量;vt.计算,记录,使一致;vi.计算,记分,一致 | |
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indifference
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| n.不感兴趣,不关心,冷淡,不在乎 | |
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serenity
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| n.宁静,沉着,晴朗 | |
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spoke
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| n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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inviting
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| adj.诱人的,引人注目的 | |
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mildewed
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| adj.发了霉的,陈腐的,长了霉花的v.(使)发霉,(使)长霉( mildew的过去式和过去分词 ) | |
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swap
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| n.交换;vt.交换,用...作交易 | |
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bishop
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| n.主教,(国际象棋)象 | |
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narratives
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| 记叙文( narrative的名词复数 ); 故事; 叙述; 叙述部分 | |
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culled
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| v.挑选,剔除( cull的过去式和过去分词 ) | |
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moldy
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| adj.发霉的 | |
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