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It was a crowded night at Wallack's theatre.
The play was "The Shaughraun," with Dion Boucicault in the title role and Harry1 Montague and Ada Dyas as the lovers. The popularity of the admirable English company was at its height, and the Shaughraun always packed the house. In the galleries the enthusiasm was unreserved; in the stalls and boxes, people smiled a little at the hackneyed sentiments and clap- trap situations, and enjoyed the play as much as the galleries did.
There was one episode, in particular, that held the house from floor to ceiling. It was that in which Harry Montague, after a sad, almost monosyllabic scene of parting with Miss Dyas, bade her good-bye, and turned to go. The actress, who was standing3 near the mantelpiece and looking down into the fire, wore a gray cashmere dress without fashionable loopings or trimmings, moulded to her tall figure and flowing in long lines about her feet. Around her neck was a narrow black velvet4 ribbon with the ends falling down her back.
When her wooer turned from her she rested her arms against the mantel-shelf and bowed her face in her hands. On the threshold he paused to look at her; then he stole back, lifted one of the ends of velvet ribbon, kissed it, and left the room without her hearing him or changing her attitude. And on this silent parting the curtain fell.
It was always for the sake of that particular scene that Newland Archer5 went to see "The Shaughraun." He thought the adieux of Montague and Ada Dyas as fine as anything he had ever seen Croisette and Bressant do in Paris, or Madge Robertson and Kendal in London; in its reticence6, its dumb sorrow, it moved him more than the most famous histrionic outpourings.
On the evening in question the little scene acquired an added poignancy7 by reminding him--he could not have said why--of his leave-taking from Madame Olenska after their confidential8 talk a week or ten days earlier.
It would have been as difficult to discover any resemblance between the two situations as between the appearance of the persons concerned. Newland Archer could not pretend to anything approaching the young English actor's romantic good looks, and Miss Dyas was a tall red-haired woman of monumental build whose pale and pleasantly ugly face was

1
harry
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vt.掠夺,蹂躏,使苦恼 | |
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2
par
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n.标准,票面价值,平均数量;adj.票面的,平常的,标准的 | |
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standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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velvet
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n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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archer
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n.射手,弓箭手 | |
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reticence
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n.沉默,含蓄 | |
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poignancy
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n.辛酸事,尖锐 | |
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confidential
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adj.秘(机)密的,表示信任的,担任机密工作的 | |
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utterly
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adv.完全地,绝对地 | |
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countenance
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n.脸色,面容;面部表情;vt.支持,赞同 | |
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faculty
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n.才能;学院,系;(学院或系的)全体教学人员 | |
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tragic
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adj.悲剧的,悲剧性的,悲惨的 | |
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projection
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n.发射,计划,突出部分 | |
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passionate
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adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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innate
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adj.天生的,固有的,天赋的 | |
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apparently
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adv.显然地;表面上,似乎 | |
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precisely
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adv.恰好,正好,精确地,细致地 | |
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maelstrom
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n.大乱动;大漩涡 | |
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accusation
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n.控告,指责,谴责 | |
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gratitude
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adj.感激,感谢 | |
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abominable
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adj.可厌的,令人憎恶的 | |
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kindly
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adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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drawn
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v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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jealousy
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n.妒忌,嫉妒,猜忌 | |
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humbling
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adj.令人羞辱的v.使谦恭( humble的现在分词 );轻松打败(尤指强大的对手);低声下气 | |
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scrutiny
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n.详细检查,仔细观察 | |
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proceeding
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n.行动,进行,(pl.)会议录,学报 | |
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spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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narrative
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n.叙述,故事;adj.叙事的,故事体的 | |
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allusion
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n.暗示,间接提示 | |
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agitated
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adj.被鼓动的,不安的 | |
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smoothly
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adv.平滑地,顺利地,流利地,流畅地 | |
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obedience
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n.服从,顺从 | |
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interfere
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v.(in)干涉,干预;(with)妨碍,打扰 | |
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pneumonia
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n.肺炎 | |
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insistence
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n.坚持;强调;坚决主张 | |
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inflexible
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adj.不可改变的,不受影响的,不屈服的 | |
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betrothed
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n. 已订婚者 动词betroth的过去式和过去分词 | |
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arduous
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adj.艰苦的,费力的,陡峭的 | |
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frivolity
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n.轻松的乐事,兴高采烈;轻浮的举止 | |
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clan
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n.氏族,部落,宗族,家族,宗派 | |
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constituents
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n.选民( constituent的名词复数 );成分;构成部分;要素 | |
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abruptly
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adv.突然地,出其不意地 | |
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broaching
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n.拉削;推削;铰孔;扩孔v.谈起( broach的现在分词 );打开并开始用;用凿子扩大(或修光);(在桶上)钻孔取液体 | |
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resonant
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adj.(声音)洪亮的,共鸣的 | |
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conspicuously
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ad.明显地,惹人注目地 | |
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ingenuous
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adj.纯朴的,单纯的;天真的;坦率的 | |
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hovering
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鸟( hover的现在分词 ); 靠近(某事物); (人)徘徊; 犹豫 | |
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deity
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n.神,神性;被奉若神明的人(或物) | |
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ingenuousness
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n.率直;正直;老实 | |
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divination
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n.占卜,预测 | |
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