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THERE was a sudden stir, the crowd began talking, rushed forward, then moved apart again, and down the space left open through it, the Tsar walked to the strains of the band, which struck up at once. Behind him walked the host and hostess. The Tsar walked in rapidly, bowing to right and to left, as though trying to hurry over the first moments of greeting. The musicians played the polonaise in vogue1 at the time on account of the words set to it. The words began: “Alexander, Elisaveta, our hearts ye ravish quite.” The Tsar went into the drawing-room, the crowd made a dash for the door; several persons ran hurriedly to the door and back with excited faces. The crowd made another rush back, away from the drawing-room door at which the Tsar appeared in conversation with the hostess. A young man, looking distraught, pounced2 down on the ladies and begged them to move aside. Several, with faces that betrayed a total oblivion of all the rules of decorum, squeezed forward, to the destruction of their dresses. The men began approaching the ladies, and couples were formed for the polonaise.
There was a general movement of retreat, and the Tsar, smiling, came out of the drawing-room door, leading out the lady of the house, and not keeping time to the music. He was followed by the host with Marya Antonovna Narishkin; then came ambassadors, ministers, and various generals, whose names Madame Peronsky never tired of reciting. More than half the ladies had partners, and were taking part, or preparing to take part, in the polonaise.
Natasha felt that she would be left with her mother and Sonya in that minority of the ladies who were crowded back against the wall, and not invited to dance the polonaise. She stood, her thin arms hanging at her sides, and her scarcely outlined bosom3 heaving regularly. She held her breath, and gazed before her with shining, frightened eyes, with an expression of equal readiness for the utmost bliss4 or the utmost misery5. She took no interest in the Tsar, nor in all the great people Madame Peronsky was pointing out; her mind was filled by one thought: “Is it possible no one will come up to me? Is it possible that I shall not dance among the foremost? Is it possible I shall not be noticed by all these men, who now don't even seem to see me, but if they look at me, look with an expression as though they would say: ‘Ah! that's not she, so it's no use looking'?” “No, it cannot be!” she thought. “They must know how I long to dance, how well I dance, and how they would enjoy dancing with me.”

1
Vogue
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n.时髦,时尚;adj.流行的 | |
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2
pounced
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v.突然袭击( pounce的过去式和过去分词 );猛扑;一眼看出;抓住机会(进行抨击) | |
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3
bosom
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n.胸,胸部;胸怀;内心;adj.亲密的 | |
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4
bliss
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n.狂喜,福佑,天赐的福 | |
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5
misery
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n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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6
melancholy
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n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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7
ballroom
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n.舞厅 | |
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8
circumspect
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adj.慎重的,谨慎的 | |
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9
steward
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n.乘务员,服务员;看管人;膳食管理员 | |
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10
gallop
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v./n.(马或骑马等)飞奔;飞速发展 | |
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jingle
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n.叮当声,韵律简单的诗句;v.使叮当作响,叮当响,押韵 | |
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12
velvet
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n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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13
cavalry
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n.骑兵;轻装甲部队 | |
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14
baron
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n.男爵;(商业界等)巨头,大王 | |
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15
intimacy
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n.熟悉,亲密,密切关系,亲昵的言行 | |
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16
legislative
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n.立法机构,立法权;adj.立法的,有立法权的 | |
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17
authoritative
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adj.有权威的,可相信的;命令式的;官方的 | |
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18
rumours
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n.传闻( rumour的名词复数 );风闻;谣言;谣传 | |
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19
debut
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n.首次演出,初次露面 | |
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courteous
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adj.彬彬有礼的,客气的 | |
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21
fully
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adv.完全地,全部地,彻底地;充分地 | |
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22
ecstasy
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n.狂喜,心醉神怡,入迷 | |
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23
exquisitely
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adv.精致地;强烈地;剧烈地;异常地 | |
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24
rapture
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n.狂喜;全神贯注;着迷;v.使狂喜 | |
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25
varnish
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n.清漆;v.上清漆;粉饰 | |
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constraint
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n.(on)约束,限制;限制(或约束)性的事物 | |
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27
pointed
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adj.尖的,直截了当的 | |
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28
supple
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adj.柔软的,易弯的,逢迎的,顺从的,灵活的;vt.使柔软,使柔顺,使顺从;vi.变柔软,变柔顺 | |
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29
intoxication
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n.wild excitement;drunkenness;poisoning | |
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