But worse was to follow. The American public likes gossip about well-known people, and the Kanes were wealthy and socially prominent. The report was that Lester, one of its principal heirs, had married a servant girl. He, an heir to millions! Could it be possible? What a piquant morsel for the newspapers! Very soon the paragraphs began to appear. A small society paper, called the South Side Budget, referred to him anonymously as “the son of a famous and wealthy carriage manufacturer of Cincinnati,” and outlined briefly what it knew of the story. “Of Mrs. ——” it went on, sagely, “not so much is known, except that she once worked in a well-known Cleveland society family as a maid and was, before that, a working-girl in Columbus, Ohio. After such a picturesque love-affair in high society who shall say that romance is dead?”

Lester saw this item. He did not take the paper, but some kind soul took good care to see that a copy was marked and mailed to him. It irritated him greatly, for he suspected at once that it was a scheme to blackmail him. But he did not know exactly what to do about it. He preferred, of course, that such comments should cease, but he also thought that if he made any effort to have them stopped he might make matters worse. So he did nothing. Naturally, the paragraph in the Budget attracted the attention of other newspapers. It sounded like a good story, and one Sunday editor, more enterprising than the others, conceived the notion of having this romance written up. A full-page Sunday story with a scare-head such as “Sacrifices Millions for His Servant Girl Love,” pictures of Lester, Jennie, the house at Hyde Park, the Kane manufactory at Cincinnati, the warehouse on Michigan Avenue — certainly, such a display would make a sensation. The Kane Company was not an advertiser in any daily or Sunday paper. The newspaper owed him nothing. If Lester had been forewarned he might have put a stop to the whole business by putting an advertisement in the paper or appealing to the publisher. He did not know, however, and so was without power to prevent the publication. The editor made a thorough job of the business. Local newspaper men in Cincinnati, Cleveland, and Columbus were instructed to report by wire whether anything of Jennie’s history was known in their city. The Bracebridge family in Cleveland was asked whether Jennie had ever worked there. A garbled history of the Gerhardts was obtained from Columbus. Jennie’s residence on the North Side, for several years prior to her supposed marriage, was discovered and so the whole story was nicely pieced together. It was not the idea of the newspaper editor to be cruel or critical, but rather complimentary. All the bitter things, such as the probable illegitimacy of Vesta, the suspected immorality of Lester and Jennie in residing together as man and wife, the real grounds of the well-known objections of his family to the match, were ignored. The idea was to frame up a Romeo and Juliet story in which Lester should appear as an ardent, self-sacrificing lover, and Jennie as a poor and lovely working-girl, lifted to great financial and social heights by the devotion of her millionaire lover. An exceptional newspaper artist was engaged to make scenes depicting the various steps of the romance and the whole thing was handled in the most approved yellow-journal style. There was a picture of Lester obtained from his Cincinnati photographer for a consideration; Jennie had been surreptitiously “snapped” by a staff artist while she was out walking.

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