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chapter 28 Dante
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I ran through an Italian grammar on my way across the Atlantic, and from my knowledge of Latin, Spanish, and French, I soon had a reading acquaintance with the language. I had really wanted to go to Germany, that I might carry forward my studies in German literature, and I first applied1 for the consulate2 at Munich. The powers at Washington thought it quite the same thing to offer me Rome; but I found that the income of the Roman consulate would not give me a living, and I was forced to decline it. Then the President’s private secretaries, Mr. John Nicolay and Mr. John Hay, who did not know me except as a young Westerner who had written poems in the Atlantic Monthly, asked me how I would like Venice, and promised that they would have the salary put up to a thousand a year, under the new law to embarrass privateers. It was really put up to fifteen hundred, and with this income assured me I went out to the city whose influence changed the whole course of my literary life.
No privateers ever came, though I once had notice from Turin that the Florida had been sighted off Ancona; and I had nearly four years of nearly uninterrupted leisure at Venice, which I meant to employ in reading all Italian literature, and writing a history of the republic. The history, of course, I expected would be a long affair, and I did not quite suppose that I could despatch3 the literature in any short time; besides, I had several considerable poems on hand that occupied me a good deal, and worked at these as well as advanced myself in Italian, preparatory to the efforts before me.
I had already a slight general notion of Italian letters from Leigh Hunt, and from other agreeable English Italianates; and I knew that I wanted to read not only the four great poets, Dante, Petrarch, Ariosto, and Tasso, but that whole group of burlesque4 poets, Pulci, Berni, and the rest, who, from what I knew of them, I thought would be even more to my mind. As a matter of fact, and in the process of time, I did read somewhat of all these, but rather in the minor5 than the major way; and I soon went off from them to the study of the modern poets, novelists, and playwrights
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1
applied
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| adj.应用的;v.应用,适用 | |
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consulate
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| n.领事馆 | |
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despatch
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| n./v.(dispatch)派遣;发送;n.急件;新闻报道 | |
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burlesque
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| v.嘲弄,戏仿;n.嘲弄,取笑,滑稽模仿 | |
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minor
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| adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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playwrights
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| n.剧作家( playwright的名词复数 ) | |
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patrician
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| adj.贵族的,显贵的;n.贵族;有教养的人;罗马帝国的地方官 | |
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faltering
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| 犹豫的,支吾的,蹒跚的 | |
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rapture
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| n.狂喜;全神贯注;着迷;v.使狂喜 | |
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browbeat
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| v.欺侮;吓唬 | |
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frankly
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| adv.坦白地,直率地;坦率地说 | |
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majesty
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| n.雄伟,壮丽,庄严,威严;最高权威,王权 | |
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grandeur
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| n.伟大,崇高,宏伟,庄严,豪华 | |
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fabric
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| n.织物,织品,布;构造,结构,组织 | |
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personalities
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| n. 诽谤,(对某人容貌、性格等所进行的)人身攻击; 人身攻击;人格, 个性, 名人( personality的名词复数 ) | |
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profess
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| v.声称,冒称,以...为业,正式接受入教,表明信仰 | |
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splendor
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| n.光彩;壮丽,华丽;显赫,辉煌 | |
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torment
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| n.折磨;令人痛苦的东西(人);vt.折磨;纠缠 | |
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patriotism
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| n.爱国精神,爱国心,爱国主义 | |
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ethics
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| n.伦理学;伦理观,道德标准 | |
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aesthetics
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| n.(尤指艺术方面之)美学,审美学 | |
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enjoyment
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| n.乐趣;享有;享用 | |
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discomfort
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| n.不舒服,不安,难过,困难,不方便 | |
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postulate
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| n.假定,基本条件;vt.要求,假定 | |
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pathos
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| n.哀婉,悲怆 | |
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dilution
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| n.稀释,淡化 | |
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gust
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| n.阵风,突然一阵(雨、烟等),(感情的)迸发 | |
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perennial
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| adj.终年的;长久的 | |
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mere
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| adj.纯粹的;仅仅,只不过 | |
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fatigued
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| adj. 疲乏的 | |
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purport
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| n.意义,要旨,大要;v.意味著,做为...要旨,要领是... | |
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beatific
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| adj.快乐的,有福的 | |
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philological
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| adj.语言学的,文献学的 | |
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kindly
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| adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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longing
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| n.(for)渴望 | |
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vocation
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| n.职业,行业 | |
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consorted
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| v.结伴( consort的过去式和过去分词 );交往;相称;调和 | |
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picturesque
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| adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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entirely
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| ad.全部地,完整地;完全地,彻底地 | |
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dealing
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| n.经商方法,待人态度 | |
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bent
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| n.爱好,癖好;adj.弯的;决心的,一心的 | |
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