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Chapter 7
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. . . “She was BAD . . . always. They used to meet at the Fifth Avenue Hotel.”
I must go back now to this phrase of my mother’s — the phrase from which, at the opening of my narrative, I broke away for a time in order to project more vividly on the scene that anxious moving vision of Lizzie Hazeldean: a vision in which memories of my one boyish glimpse of her were pieced together with hints collected afterward.
When my mother uttered her condemnatory judgment I was a young man of twenty-one, newly graduated from Harvard, and at home again under the family roof in New York. It was long since I had heard Mrs. Hazeldean spoken of. I had been away, at school and at Harvard, for the greater part of the interval, and in the holidays she was probably not considered a fitting subject of conversation, especially now that my sisters came to the table.
At any rate, I had forgotten everything I might ever have picked up about her when, on the evening after my return, my cousin Hubert Wesson — now towering above me as a pillar of the Knickerbocker Club, and a final authority on the ways of the world — suggested our joining her at the opera.
“Mrs. Hazeldean? But I don’t know her. What will she think?”
“That it’s all right. Come along. She’s the jolliest woman I know. We’ll go back afterward and have supper with her — jolliest house I know.” Hubert twirled a self-conscious moustache.
We were dining at the Knickerbocker, to which I had just been elected, and the bottle of Pommery we were finishing disposed me to think that nothing could be more fitting for two men of the world than to end their evening in the box of the jolliest woman Hubert knew. I groped for my own moustache, gave a twirl in the void, and followed him, after meticulously sliding my overcoat sleeve around my silk hat as I had seen him do.
But once in Mrs. Hazeldean’s box I was only an overgrown boy again, bathed in such blushes as used, at the same age, to visit Hubert, forgetting that I had a moustache to twirl, and knocking my hat from the peg on which I had just hung it, in my zeal to pick up a programme she had not dropped.
For she was really too lovely — too formidably lovely. I was used by now to mere unadjectived loveliness, the kind that youth and spirits hang like a rosy veil over commonplace features, an average outline and a pointless merriment. But this was something calculated, accomplished, finished — and just a little worn. It frightened me with my first glimpse of the infinity of beauty and the multiplicity of her pit-falls. What! There were women who need not fear crow’s-feet, were more beautiful for being pale, could let a silver hair or two show among the dark, and their eyes brood inwardly while they smiled and chatted? but then no young man was safe for a moment! But then the world I had hitherto known had been only a warm pink nursery, while this new one was a place of darkness, perils and enchantments . . .
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