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V MASS DRAWING
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In the preceding chapter it has, I hope, been shown that outline drawing is an instinct with Western artists and has been so from the earliest times; that this instinct is due to the fact that the first mental idea of an object is the sense of its form as a felt thing, not a thing seen; and that an outline drawing satisfies and appeals directly to this mental idea of objects.
But there is another basis of expression directly related to visual appearances that in the fulness of time was evolved, and has had a very great influence on modern art. This form of drawing is based on the consideration of the flat appearances on the retina, with the knowledge of the felt shapes of objects for the time being forgotten. In opposition1 to line drawing, we may call this Mass Drawing.
The scientific truth of this point of view is obvious. If only the accurate copying of the appearances of nature were the sole object of art (an idea to be met with among students) the problem of painting would be simpler than it is, and would be likely ere long to be solved by the photographic camera.
This form of drawing is the natural means of expression when a brush full of paint is in your hands. The reducing of a complicated appearance 59to a few simple masses is the first necessity of the painter. But this will be fully2 explained in a later chapter treating more practically of the practice of mass drawing.

Plate X.
EXAMPLE OF FIFTEENTH-CENTURY CHINESE WORK BY LUI LIANG (BRITISH MUSEUM)
Showing how early Chinese masters had developed the mass-drawing point of view.
The art of China and Japan appears to have been more [influenced by this view of natural appearances than that of the West has been, until quite lately. The Eastern mind does not seem to be so obsessed3 by the objectivity of things as is the Western mind. With us the practical sense of touch is all powerful. "I know that is so, because I felt it with my hands" would be a characteristic expression with us. Whereas I do not think it would be an expression the Eastern mind would use. With them the spiritual essence of the thing seen appears to be the more real, judging from their art. And who is to say they may not be right? This is certainly the impression one gets from their beautiful painting, with its lightness of texture
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1
opposition
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n.反对,敌对 | |
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fully
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adv.完全地,全部地,彻底地;充分地 | |
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obsessed
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adj.心神不宁的,鬼迷心窍的,沉迷的 | |
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4
texture
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n.(织物)质地;(材料)构造;结构;肌理 | |
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accentuate
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v.着重,强调 | |
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pervades
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v.遍及,弥漫( pervade的第三人称单数 ) | |
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diffused
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散布的,普及的,扩散的 | |
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entirely
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ad.全部地,完整地;完全地,彻底地 | |
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9
blurred
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v.(使)变模糊( blur的过去式和过去分词 );(使)难以区分;模模糊糊;迷离 | |
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10
subtleties
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细微( subtlety的名词复数 ); 精细; 巧妙; 细微的差别等 | |
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11
flattens
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变平,使(某物)变平( flatten的第三人称单数 ); 彻底打败某人,使丢脸; 停止增长(或上升); (把身体或身体部位)紧贴… | |
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12
gamut
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n.全音阶,(一领域的)全部知识 | |
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13
primitive
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adj.原始的;简单的;n.原(始)人,原始事物 | |
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subjective
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a.主观(上)的,个人的 | |
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15
rhythmic
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adj.有节奏的,有韵律的 | |
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rhythmically
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adv.有节奏地 | |
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necessitated
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使…成为必要,需要( necessitate的过去式和过去分词 ) | |
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18
dependence
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n.依靠,依赖;信任,信赖;隶属 | |
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pictorial
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adj.绘画的;图片的;n.画报 | |
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phenomena
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n.现象 | |
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21
deriving
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v.得到( derive的现在分词 );(从…中)得到获得;源于;(从…中)提取 | |
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tempt
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vt.引诱,勾引,吸引,引起…的兴趣 | |
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entails
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使…成为必要( entail的第三人称单数 ); 需要; 限定继承; 使必需 | |
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undoubtedly
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adv.确实地,无疑地 | |
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expressive
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adj.表现的,表达…的,富于表情的 | |
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exponents
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n.倡导者( exponent的名词复数 );说明者;指数;能手 | |
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solely
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adv.仅仅,唯一地 | |
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concessions
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n.(尤指由政府或雇主给予的)特许权( concession的名词复数 );承认;减价;(在某地的)特许经营权 | |
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repulsive
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adj.排斥的,使人反感的 | |
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purely
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adv.纯粹地,完全地 | |
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permanently
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adv.永恒地,永久地,固定不变地 | |
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affected
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adj.不自然的,假装的 | |
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emancipated
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adj.被解放的,不受约束的v.解放某人(尤指摆脱政治、法律或社会的束缚)( emancipate的过去式和过去分词 ) | |
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34
dissected
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adj.切开的,分割的,(叶子)多裂的v.解剖(动物等)( dissect的过去式和过去分词 );仔细分析或研究 | |
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anatomy
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n.解剖学,解剖;功能,结构,组织 | |
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spectrum
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n.谱,光谱,频谱;范围,幅度,系列 | |
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pigments
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n.(粉状)颜料( pigment的名词复数 );天然色素 | |
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determined
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adj.坚定的;有决心的 | |
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sufficiently
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adv.足够地,充分地 | |
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insistence
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n.坚持;强调;坚决主张 | |
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alluring
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adj.吸引人的,迷人的 | |
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stimulate
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vt.刺激,使兴奋;激励,使…振奋 | |
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irrelevant
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adj.不恰当的,无关系的,不相干的 | |
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decomposing
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腐烂( decompose的现在分词 ); (使)分解; 分解(某物质、光线等) | |
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enveloping
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v.包围,笼罩,包住( envelop的现在分词 ) | |
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scintillating
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adj.才气横溢的,闪闪发光的; 闪烁的 | |
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gleaned
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v.一点点地收集(资料、事实)( glean的过去式和过去分词 );(收割后)拾穗 | |
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grafting
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嫁接法,移植法 | |
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rendering
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n.表现,描写 | |
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50
silhouette
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n.黑色半身侧面影,影子,轮廓;v.描绘成侧面影,照出影子来,仅仅显出轮廓 | |
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exclusion
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n.拒绝,排除,排斥,远足,远途旅行 | |
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tactile
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adj.触觉的,有触觉的,能触知的 | |
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drawn
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v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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overlapping
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adj./n.交迭(的) | |
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pathos
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n.哀婉,悲怆 | |
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accurately
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adv.准确地,精确地 | |
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portraying
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v.画像( portray的现在分词 );描述;描绘;描画 | |
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followers
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追随者( follower的名词复数 ); 用户; 契据的附面; 从动件 | |
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上一章:
IV LINE DRAWING
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