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VI THE ACADEMIC AND CONVENTIONAL
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The terms Academic and Conventional are much used in criticism and greatly feared by the criticised, often without either party appearing to have much idea of what is meant. New so-called schools of painting seem to arrive annually1 with the spring fashions, and sooner or later the one of last year gets called out of date, if not conventional and academic. And as students, for fear of having their work called by one or other of these dread2 terms, are inclined to rush into any new extravagance that comes along, some inquiry3 as to their meaning will not be out of place before we pass into the chapters dealing4 with academic study.
It has been the cry for some time that Schools of Art turned out only academic students. And one certainly associates a dead level of respectable mediocrity with much school work. We can call to mind a lot of dull, lifeless, highly-finished work, imperfectly perfect, that has won the prize in many a school competition. Flaubert says "a form deadens," and it does seem as if the necessary formality of a school course had some deadening influence on students; and that there was some important part of the artist's development which it has failed to recognise and encourage.
The freer system of the French schools has been 69in many cases more successful. But each school was presided over by an artist of distinction, and this put the students in touch with real work and thus introduced vitality6. In England, until quite lately, artists were seldom employed in teaching, which was left to men set aside for the purpose, without any time to carry on original work of their own. The Royal Academy Schools are an exception to this. There the students have the advantage of teaching from some distinguished7 member or associate who has charge of the upper school for a month at a time. But as the visitor is constantly changed, the less experienced students are puzzled by the different methods advocated, and flounder hopelessly for want of a definite system to work on; although for a student already in possession of a good grounding there is much to be said for the system, as contact with the different masters widens their outlook.
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1
annually
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adv.一年一次,每年 | |
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dread
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vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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3
inquiry
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n.打听,询问,调查,查问 | |
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dealing
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n.经商方法,待人态度 | |
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5
perfectly
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adv.完美地,无可非议地,彻底地 | |
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vitality
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n.活力,生命力,效力 | |
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7
distinguished
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adj.卓越的,杰出的,著名的 | |
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portray
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v.描写,描述;画(人物、景象等) | |
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painstaking
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adj.苦干的;艰苦的,费力的,刻苦的 | |
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accurately
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adv.准确地,精确地 | |
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11
derived
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vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取 | |
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artistic
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adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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13
devoid
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adj.全无的,缺乏的 | |
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thoroughly
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adv.完全地,彻底地,十足地 | |
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bent
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n.爱好,癖好;adj.弯的;决心的,一心的 | |
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simile
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n.直喻,明喻 | |
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piston
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n.活塞 | |
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cylinder
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n.圆筒,柱(面),汽缸 | |
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sockets
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n.套接字,使应用程序能够读写与收发通讯协定(protocol)与资料的程序( Socket的名词复数 );孔( socket的名词复数 );(电器上的)插口;托座;凹穴 | |
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20
scotch
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n.伤口,刻痕;苏格兰威士忌酒;v.粉碎,消灭,阻止;adj.苏格兰(人)的 | |
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elusive
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adj.难以表达(捉摸)的;令人困惑的;逃避的 | |
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recording
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n.录音,记录 | |
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renderings
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n.(戏剧或乐曲的)演奏( rendering的名词复数 );扮演;表演;翻译作品 | |
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24
blurred
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v.(使)变模糊( blur的过去式和过去分词 );(使)难以区分;模模糊糊;迷离 | |
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impoverished
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adj.穷困的,无力的,用尽了的v.使(某人)贫穷( impoverish的过去式和过去分词 );使(某物)贫瘠或恶化 | |
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formerly
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adv.从前,以前 | |
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advent
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n.(重要事件等的)到来,来临 | |
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machinery
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n.(总称)机械,机器;机构 | |
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impelling
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adj.迫使性的,强有力的v.推动、推进或敦促某人做某事( impel的现在分词 ) | |
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stimulus
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n.刺激,刺激物,促进因素,引起兴奋的事物 | |
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undoubtedly
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adv.确实地,无疑地 | |
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assailed
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v.攻击( assail的过去式和过去分词 );困扰;质问;毅然应对 | |
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waxworks
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n.公共供水系统;蜡制品,蜡像( waxwork的名词复数 ) | |
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scribbled
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v.潦草的书写( scribble的过去式和过去分词 );乱画;草草地写;匆匆记下 | |
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tableau
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n.画面,活人画(舞台上活人扮的静态画面) | |
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drawn
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v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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laboriously
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adv.艰苦地;费力地;辛勤地;(文体等)佶屈聱牙地 | |
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incapable
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adj.无能力的,不能做某事的 | |
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temperament
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n.气质,性格,性情 | |
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flouting
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v.藐视,轻视( flout的现在分词 ) | |
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peculiarity
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n.独特性,特色;特殊的东西;怪癖 | |
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originality
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n.创造力,独创性;新颖 | |
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sincerity
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n.真诚,诚意;真实 | |
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fretting
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n. 微振磨损 adj. 烦躁的, 焦虑的 | |
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eccentricity
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n.古怪,反常,怪癖 | |
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recur
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vi.复发,重现,再发生 | |
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entirely
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ad.全部地,完整地;完全地,彻底地 | |
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scrupulously
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adv.一丝不苟地;小心翼翼地,多顾虑地 | |
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truthful
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adj.真实的,说实话的,诚实的 | |
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50
abortions
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n.小产( abortion的名词复数 );小产胎儿;(计划)等中止或夭折;败育 | |
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51
expressive
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adj.表现的,表达…的,富于表情的 | |
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sculptors
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雕刻家,雕塑家( sculptor的名词复数 ); [天]玉夫座 | |
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53
amenable
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adj.经得起检验的;顺从的;对负有义务的 | |
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entrusted
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v.委托,托付( entrust的过去式和过去分词 ) | |
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emblem
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n.象征,标志;徽章 | |
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dough
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n.生面团;钱,现款 | |
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charcoal
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n.炭,木炭,生物炭 | |
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unlimited
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adj.无限的,不受控制的,无条件的 | |
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rein
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n.疆绳,统治,支配;vt.以僵绳控制,统治 | |
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60
instinctive
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adj.(出于)本能的;直觉的;(出于)天性的 | |
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V MASS DRAWING
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