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IX MASS DRAWING: PRACTICAL
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This is the form of drawing with which painting in the oil medium is properly concerned. The distinction between drawing and painting that is sometimes made is a wrong one in so far as it conveys any idea of painting being distinct from drawing. Painting is drawing (i.e. the expression of form) with the added complication of colour and tone. And with a brush full of paint as your tool, some form of mass drawing must be adopted, so that at the same time that the student is progressing with line drawing, he should begin to accustom1, himself to this other method of seeing, by attempting very simple exercises in drawing with the brush.
Most objects can be reduced broadly into three tone masses, the lights (including the high lights), the half tones, and the shadows. And the habit of reducing things into a simple equation of three tones as a foundation on which to build complex appearances should early be sought for.
Exercise in Mass Drawing.
Here is a simple exercise in mass drawing with the brush that is, as far as I know, never offered to the young student. select a simple object: some of those casts of fruit hanging up that are common in art schools will do. Place it in a strong light and shade, preferably by artificial light, as it is not so subtle, and therefore easier; the 111light coming from either the right or left hand, but not from in front. Try and arrange it so that the tone of the ground of your cast comes about equal to the half tones in the relief.

Plate XXIII.
SET OF FOUR PHOTOGRAPHS OF THE SAME PAINTING FROM A CAST IN DIFFERENT STAGES
No. 1. Blocking out the shape of spaces to be occupied by masses.
No. 2. A middle tone having been scumbled over the whole, the lights are now painted. Their shapes and the play of lost-and-foundness on their edges being observed. Gradations are got by thinner paint, which is mixed with the wet middle tone of the ground, and is darkened

Plate XXIV.
SET OF FOUR PHOTOGRAPHS OF THE SAME PAINTING FROM A CAST IN DIFFERENT STAGES
No. 3. The same as the last, with the addition of the darks; variety being got in the same way as in the case of the lights, only here the thinner part is lighter3, whereas in the case of the lights it was darker.
No. 4. The finished work, refinements
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1
accustom
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vt.使适应,使习惯 | |
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2
tempt
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vt.引诱,勾引,吸引,引起…的兴趣 | |
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3
lighter
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n.打火机,点火器;驳船;v.用驳船运送;light的比较级 | |
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4
refinement
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n.文雅;高尚;精美;精制;精炼 | |
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refinements
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n.(生活)风雅;精炼( refinement的名词复数 );改良品;细微的改良;优雅或高贵的动作 | |
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charcoal
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n.炭,木炭,生物炭 | |
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7
ward
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n.守卫,监护,病房,行政区,由监护人或法院保护的人(尤指儿童);vt.守护,躲开 | |
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fixed
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adj.固定的,不变的,准备好的;(计算机)固定的 | |
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merge
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v.(使)结合,(使)合并,(使)合为一体 | |
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10
affected
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adj.不自然的,假装的 | |
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remains
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n.剩余物,残留物;遗体,遗迹 | |
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allied
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adj.协约国的;同盟国的 | |
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13
sloppy
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adj.邋遢的,不整洁的 | |
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opaque
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adj.不透光的;不反光的,不传导的;晦涩的 | |
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interfere
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v.(in)干涉,干预;(with)妨碍,打扰 | |
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expedients
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n.应急有效的,权宜之计的( expedient的名词复数 ) | |
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vice
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n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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vitality
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n.活力,生命力,效力 | |
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deft
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adj.灵巧的,熟练的(a deft hand 能手) | |
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touching
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adj.动人的,使人感伤的 | |
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21
glazed
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adj.光滑的,像玻璃的;上过釉的;呆滞无神的v.装玻璃( glaze的过去式);上釉于,上光;(目光)变得呆滞无神 | |
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transparent
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adj.明显的,无疑的;透明的 | |
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complicate
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vt.使复杂化,使混乱,使难懂 | |
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illustrating
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给…加插图( illustrate的现在分词 ); 说明; 表明; (用示例、图画等)说明 | |
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illustrate
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v.举例说明,阐明;图解,加插图 | |
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drawn
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v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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situated
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adj.坐落在...的,处于某种境地的 | |
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perfectly
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adv.完美地,无可非议地,彻底地 | |
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delicacy
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n.精致,细微,微妙,精良;美味,佳肴 | |
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illustrated
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adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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lessened
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减少的,减弱的 | |
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makers
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n.制造者,制造商(maker的复数形式) | |
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pointed
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adj.尖的,直截了当的 | |
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consistency
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n.一贯性,前后一致,稳定性;(液体的)浓度 | |
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dexterous
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adj.灵敏的;灵巧的 | |
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dexterity
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n.(手的)灵巧,灵活 | |
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accurately
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adv.准确地,精确地 | |
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noted
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adj.著名的,知名的 | |
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zinc
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n.锌;vt.在...上镀锌 | |
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linen
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n.亚麻布,亚麻线,亚麻制品;adj.亚麻布制的,亚麻的 | |
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flatten
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v.把...弄平,使倒伏;使(漆等)失去光泽 | |
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standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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emphasise
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vt.加强...的语气,强调,着重 | |
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expressive
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adj.表现的,表达…的,富于表情的 | |
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dictate
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v.口授;(使)听写;指令,指示,命令 | |
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wrought
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v.引起;以…原料制作;运转;adj.制造的 | |
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paraphrase
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vt.将…释义,改写;n.释义,意义 | |
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apparently
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adv.显然地;表面上,似乎 | |
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impetus
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n.推动,促进,刺激;推动力 | |
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anatomy
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n.解剖学,解剖;功能,结构,组织 | |
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modesty
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n.谦逊,虚心,端庄,稳重,羞怯,朴素 | |
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exclusion
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n.拒绝,排除,排斥,远足,远途旅行 | |
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inconvenient
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adj.不方便的,令人感到麻烦的 | |
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overlapping
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adj./n.交迭(的) | |
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decorative
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adj.装饰的,可作装饰的 | |
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buffer
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n.起缓冲作用的人(或物),缓冲器;vt.缓冲 | |
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X RHYTHM
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