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XIII VARIETY OF MASS
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The masses that go to make up a picture have variety in their shape, their tone values, their edges, in texture1 or quality, and in gradation. Quite a formidable list, but each of these particulars has some rhythmic2 quality of its own about which it will be necessary to say a word.
Variety of Shape.
As to variety of shape, many things that were said about lines apply equally to the spaces enclosed by them. It is impossible to write of the rhythmic possibilities that the infinite variety of shapes possessed3 by natural objects contain, except to point out how necessary the study of nature is for this. Variety of shape is one of the most difficult things to invent, and one of the commonest things in nature. However imaginative your conception, and no matter how far you may carry your design, working from imagination, there will come a time when studies from nature will be necessary if your work is to have the variety that will give life and interest. Try and draw from imagination a row of elm trees of about the same height and distance apart, and get the variety of nature into them; and you will see how difficult it is to invent. On examining your work you will probably discover two or three pet forms repeated, or there may be only one. Or try and draw some cumulus clouds from imagination, several groups of them 186across a sky, and you will find how often again you have repeated unconsciously the same forms. How tired one gets of the pet cloud or tree of a painter who does not often consult nature in his pictures. Nature is the great storehouse of variety; even a piece of coal will suggest more interesting rock-forms than you can invent. And it is fascinating to watch the infinite variety of graceful4 forms assumed by the curling smoke from a cigarette, full of suggestions for beautiful line arrangements. If this variety of form in your work is allowed to become excessive it will overpower the unity5 of your conception. It is in the larger unity of your composition that the imaginative faculty6 will be wanted, and variety in your forms should always be subordinated to this idea.
Nature does not so readily suggest a scheme of unity, for the simple reason that the first condition of your picture, the four bounding lines, does not exist in nature. You may get infinite suggestions for arrangements, and should always be on the look out for them, but your imagination will have to relate them to the rigorous conditions of your four bounding lines, and nature does not help you much here. But when variety in the forms is wanted, she is pre-eminent, and it is never advisable to waste inventive power where it is so unnecessary.
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1
texture
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n.(织物)质地;(材料)构造;结构;肌理 | |
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2
rhythmic
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adj.有节奏的,有韵律的 | |
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3
possessed
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adj.疯狂的;拥有的,占有的 | |
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4
graceful
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adj.优美的,优雅的;得体的 | |
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5
unity
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n.团结,联合,统一;和睦,协调 | |
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6
faculty
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n.才能;学院,系;(学院或系的)全体教学人员 | |
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7
haphazard
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adj.无计划的,随意的,杂乱无章的 | |
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8
chaotic
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adj.混沌的,一片混乱的,一团糟的 | |
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9
harmoniously
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和谐地,调和地 | |
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10
discordant
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adj.不调和的 | |
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11
bough
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n.大树枝,主枝 | |
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12
rectify
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v.订正,矫正,改正 | |
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13
pictorial
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adj.绘画的;图片的;n.画报 | |
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14
mosaic
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n./adj.镶嵌细工的,镶嵌工艺品的,嵌花式的 | |
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15
lighter
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n.打火机,点火器;驳船;v.用驳船运送;light的比较级 | |
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16
err
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vi.犯错误,出差错 | |
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17
secondly
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adv.第二,其次 | |
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18
tune
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n.调子;和谐,协调;v.调音,调节,调整 | |
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dominant
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adj.支配的,统治的;占优势的;显性的;n.主因,要素,主要的人(或物);显性基因 | |
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20
obliterating
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v.除去( obliterate的现在分词 );涂去;擦掉;彻底破坏或毁灭 | |
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21
scrambled
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v.快速爬行( scramble的过去式和过去分词 );攀登;争夺;(军事飞机)紧急起飞 | |
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22
glazed
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adj.光滑的,像玻璃的;上过釉的;呆滞无神的v.装玻璃( glaze的过去式);上釉于,上光;(目光)变得呆滞无神 | |
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23
charcoal
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n.炭,木炭,生物炭 | |
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24
distressing
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a.使人痛苦的 | |
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25
dealing
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n.经商方法,待人态度 | |
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prospect
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n.前景,前途;景色,视野 | |
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textures
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n.手感( texture的名词复数 );质感;口感;(音乐或文学的)谐和统一感 | |
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unlimited
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adj.无限的,不受控制的,无条件的 | |
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crumbling
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adj.摇摇欲坠的 | |
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30
followers
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追随者( follower的名词复数 ); 用户; 契据的附面; 从动件 | |
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31
finesse
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n.精密技巧,灵巧,手腕 | |
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32
subtleties
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细微( subtlety的名词复数 ); 精细; 巧妙; 细微的差别等 | |
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33
sufficiently
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adv.足够地,充分地 | |
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34
entirely
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ad.全部地,完整地;完全地,彻底地 | |
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previously
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adv.以前,先前(地) | |
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makers
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n.制造者,制造商(maker的复数形式) | |
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transparent
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adj.明显的,无疑的;透明的 | |
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emphasise
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vt.加强...的语气,强调,着重 | |
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monotonous
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adj.单调的,一成不变的,使人厌倦的 | |
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decorative
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adj.装饰的,可作装饰的 | |
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delightful
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adj.令人高兴的,使人快乐的 | |
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remarkable
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adj.显著的,异常的,非凡的,值得注意的 | |
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cymbals
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pl.铙钹 | |
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tunic
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n.束腰外衣 | |
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monotonously
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adv.单调地,无变化地 | |
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pictorially
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绘画般地 | |
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ensemble
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n.合奏(唱)组;全套服装;整体,总效果 | |
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accentuated
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v.重读( accentuate的过去式和过去分词 );使突出;使恶化;加重音符号于 | |
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49
enveloping
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v.包围,笼罩,包住( envelop的现在分词 ) | |
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varied
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adj.多样的,多变化的 | |
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51
drawn
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v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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fixed
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adj.固定的,不变的,准备好的;(计算机)固定的 | |
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53
formerly
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adv.从前,以前 | |
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54
primitive
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adj.原始的;简单的;n.原(始)人,原始事物 | |
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fussy
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adj.为琐事担忧的,过分装饰的,爱挑剔的 | |
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56
sublimity
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崇高,庄严,气质高尚 | |
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illustrated
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adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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applied
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adj.应用的;v.应用,适用 | |
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59
foliage
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n.叶子,树叶,簇叶 | |
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60
oratorio
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n.神剧,宗教剧,清唱剧 | |
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61
infinitely
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adv.无限地,无穷地 | |
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62
crescendo
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n.(音乐)渐强,高潮 | |
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63
fussiness
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[医]易激怒 | |
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thoroughly
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adv.完全地,彻底地,十足地 | |
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permissible
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adj.可允许的,许可的 | |
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XIV UNITY OF MASS
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