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XX MATERIALS
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The materials in which the artist works are of the greatest importance in determining what qualities in the infinite complexity1 of nature he selects for expression. And the good draughtsman will find out the particular ones that belong to whatever medium he selects for his drawing, and be careful never to attempt more than it is capable of doing. Every material he works with possesses certain vital qualities peculiar2 to itself, and it is his business to find out what these are and use them to the advantage of his drawing. When one is working with, say, pen and ink, the necessity for selecting only certain things is obvious enough. But when a medium with the vast capacity of oil paint is being used, the principle of its governing the nature of the work is more often lost sight of. So near can oil paint approach an actual illusion of natural appearances, that much misdirected effort has been wasted on this object, all enjoyment3 of the medium being subordinated to a meretricious4 attempt to deceive the eye. And I believe a popular idea of the art of painting is that it exists chiefly to produce this deception5. No vital expression of nature can be achieved without the aid of the particular vitality6 possessed7 by the medium with which one is working. If this is lost sight of and the eye is 272tricked into thinking that it is looking at real nature, it is not a fine picture. Art is not a substitute for nature, but an expression of feeling produced in the consciousness of the artist, and intimately associated with the material through which it is expressed in his work—inspired, it may be, in the first instance, by something seen, and expressed by him in painted symbols as true to nature as he can make them while keeping in tune8 to the emotional idea that prompted the work; but never regarded by the fine artist as anything but painted symbols nevertheless. Never for one moment does he intend you to forget that it is a painted picture you are looking at, however naturalistic the treatment his theme may demand.
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1
complexity
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n.复杂(性),复杂的事物 | |
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2
peculiar
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adj.古怪的,异常的;特殊的,特有的 | |
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3
enjoyment
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n.乐趣;享有;享用 | |
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4
meretricious
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adj.华而不实的,俗艳的 | |
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5
deception
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n.欺骗,欺诈;骗局,诡计 | |
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vitality
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n.活力,生命力,效力 | |
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possessed
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adj.疯狂的;拥有的,占有的 | |
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tune
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n.调子;和谐,协调;v.调音,调节,调整 | |
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phenomena
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n.现象 | |
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expressive
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adj.表现的,表达…的,富于表情的 | |
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entirely
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ad.全部地,完整地;完全地,彻底地 | |
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12
infinitely
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adv.无限地,无穷地 | |
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utterly
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adv.完全地,绝对地 | |
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14
restrictions
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约束( restriction的名词复数 ); 管制; 制约因素; 带限制性的条件(或规则) | |
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15
lighter
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n.打火机,点火器;驳船;v.用驳船运送;light的比较级 | |
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16
tally
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n.计数器,记分,一致,测量;vt.计算,记录,使一致;vi.计算,记分,一致 | |
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17
sable
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n.黑貂;adj.黑色的 | |
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delicacy
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n.精致,细微,微妙,精良;美味,佳肴 | |
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19
picturesque
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adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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20
vagaries
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n.奇想( vagary的名词复数 );异想天开;异常行为;难以预测的情况 | |
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charcoal
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n.炭,木炭,生物炭 | |
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rendering
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n.表现,描写 | |
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chisel
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n.凿子;v.用凿子刻,雕,凿 | |
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drawn
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v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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fixed
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adj.固定的,不变的,准备好的;(计算机)固定的 | |
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charcoals
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n.炭,木炭( charcoal的名词复数 );深灰色 | |
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acting
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n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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varnish
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n.清漆;v.上清漆;粉饰 | |
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delightful
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adj.令人高兴的,使人快乐的 | |
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pointed
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adj.尖的,直截了当的 | |
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fumbling
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n. 摸索,漏接 v. 摸索,摸弄,笨拙的处理 | |
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applied
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adj.应用的;v.应用,适用 | |
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velvety
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adj. 像天鹅绒的, 轻软光滑的, 柔软的 | |
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tint
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n.淡色,浅色;染发剂;vt.着以淡淡的颜色 | |
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tinted
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adj. 带色彩的 动词tint的过去式和过去分词 | |
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zinc
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n.锌;vt.在...上镀锌 | |
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cedar
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n.雪松,香柏(木) | |
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unstable
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adj.不稳定的,易变的 | |
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artistic
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adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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esteem
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n.尊敬,尊重;vt.尊重,敬重;把…看作 | |
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limestone
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n.石灰石 | |
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perfectly
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adv.完美地,无可非议地,彻底地 | |
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greasy
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adj. 多脂的,油脂的 | |
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porous
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adj.可渗透的,多孔的 | |
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cumbersome
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adj.笨重的,不便携带的 | |
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texture
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n.(织物)质地;(材料)构造;结构;肌理 | |
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textures
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n.手感( texture的名词复数 );质感;口感;(音乐或文学的)谐和统一感 | |
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notably
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adv.值得注意地,显著地,尤其地,特别地 | |
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49
scribbles
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n.潦草的书写( scribble的名词复数 );乱画;草草地写;匆匆记下v.潦草的书写( scribble的第三人称单数 );乱画;草草地写;匆匆记下 | |
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50
nibs
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上司,大人物; 钢笔尖,鹅毛管笔笔尖( nib的名词复数 ); 可可豆的碎粒; 小瑕疵 | |
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51
underneath
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adj.在...下面,在...底下;adv.在下面 | |
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52
cone
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n.圆锥体,圆锥形东西,球果 | |
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53
grooves
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n.沟( groove的名词复数 );槽;老一套;(某种)音乐节奏v.沟( groove的第三人称单数 );槽;老一套;(某种)音乐节奏 | |
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54
copper
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n.铜;铜币;铜器;adj.铜(制)的;(紫)铜色的 | |
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diluted
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无力的,冲淡的 | |
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remains
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n.剩余物,残留物;遗体,遗迹 | |
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sufficiently
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adv.足够地,充分地 | |
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stimulant
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n.刺激物,兴奋剂 | |
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linen
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n.亚麻布,亚麻线,亚麻制品;adj.亚麻布制的,亚麻的 | |
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XIX PROCEDURE
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XXI CONCLUSION
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