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She took her letters up to her room with her, having persuaded her mother to go to bed directly Mr. Hilbery left them, for so long as she sat in the same room as her mother, Mrs. Hilbery might, at any moment, ask for a sight of the post. A very hasty glance through many sheets had shown Katharine that, by some coincidence, her attention had to be directed to many different anxieties simultaneously1. In the first place, Rodney had written a very full account of his state of mind, which was illustrated2 by a sonnet3, and he demanded a reconsideration of their position, which agitated4 Katharine more than she liked. Then there were two letters which had to be laid side by side and compared before she could make out the truth of their story, and even when she knew the facts she could not decide what to make of them; and finally she had to reflect upon a great many pages from a cousin who found himself in financial difficulties, which forced him to the uncongenial occupation of teaching the young ladies of Bungay to play upon the violin.
But the two letters which each told the same story differently were the chief source of her perplexity. She was really rather shocked to find it definitely established that her own second cousin, Cyril Alardyce, had lived for the last four years with a woman who was not his wife, who had borne him two children, and was now about to bear him another. This state of things had been discovered by Mrs. Milvain, her aunt Celia, a zealous5 inquirer into such matters, whose letter was also under consideration. Cyril, she said, must be made to marry the woman at once; and Cyril, rightly or wrongly, was indignant with such interference with his affairs, and would not own that he had any cause to be ashamed of himself. Had he any cause to be ashamed of himself, Katharine wondered; and she turned to her aunt again.
"Remember," she wrote, in her profuse6, emphatic7 statement, "that he bears your grandfather's name, and so will the child that is to be born. The poor boy is not so much to blame as the woman who

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simultaneously
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adv.同时发生地,同时进行地 | |
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illustrated
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adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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sonnet
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n.十四行诗 | |
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agitated
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adj.被鼓动的,不安的 | |
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zealous
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adj.狂热的,热心的 | |
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profuse
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adj.很多的,大量的,极其丰富的 | |
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emphatic
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adj.强调的,着重的;无可置疑的,明显的 | |
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deluded
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v.欺骗,哄骗( delude的过去式和过去分词 ) | |
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twitched
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vt.& vi.(使)抽动,(使)颤动(twitch的过去式与过去分词形式) | |
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incessant
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adj.不停的,连续的 | |
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texture
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n.(织物)质地;(材料)构造;结构;肌理 | |
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hemmed
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缝…的褶边( hem的过去式和过去分词 ); 包围 | |
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intercourse
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n.性交;交流,交往,交际 | |
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dense
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a.密集的,稠密的,浓密的;密度大的 | |
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entanglements
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n.瓜葛( entanglement的名词复数 );牵连;纠缠;缠住 | |
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speck
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n.微粒,小污点,小斑点 | |
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accomplishment
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n.完成,成就,(pl.)造诣,技能 | |
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pageant
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n.壮观的游行;露天历史剧 | |
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dressing
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n.(食物)调料;包扎伤口的用品,敷料 | |
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dwarfed
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vt.(使)显得矮小(dwarf的过去式与过去分词形式) | |
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phantom
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n.幻影,虚位,幽灵;adj.错觉的,幻影的,幽灵的 | |
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resounding
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adj. 响亮的 | |
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ledges
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n.(墙壁,悬崖等)突出的狭长部分( ledge的名词复数 );(平窄的)壁架;横档;(尤指)窗台 | |
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plunge
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v.跳入,(使)投入,(使)陷入;猛冲 | |
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downwards
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adj./adv.向下的(地),下行的(地) | |
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asunder
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adj.分离的,化为碎片 | |
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catastrophe
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n.大灾难,大祸 | |
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reclaimed
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adj.再生的;翻造的;收复的;回收的v.开拓( reclaim的过去式和过去分词 );要求收回;从废料中回收(有用的材料);挽救 | |
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galloped
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(使马)飞奔,奔驰( gallop的过去式和过去分词 ); 快速做[说]某事 | |
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rim
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n.(圆物的)边,轮缘;边界 | |
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contemplate
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vt.盘算,计议;周密考虑;注视,凝视 | |
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perfectly
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adv.完美地,无可非议地,彻底地 | |
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prosaic
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adj.单调的,无趣的 | |
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fabric
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n.织物,织品,布;构造,结构,组织 | |
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futility
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n.无用 | |
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reign
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n.统治时期,统治,支配,盛行;v.占优势 | |
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subterranean
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adj.地下的,地表下的 | |
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mere
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adj.纯粹的;仅仅,只不过 | |
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Christian
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adj.基督教徒的;n.基督教徒 | |
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scrupulously
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adv.一丝不苟地;小心翼翼地,多顾虑地 | |
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punctuation
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n.标点符号,标点法 | |
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scrupulosity
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n.顾虑 | |
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ruminating
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v.沉思( ruminate的现在分词 );反复考虑;反刍;倒嚼 | |
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spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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judiciously
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adv.明断地,明智而审慎地 | |
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irritation
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n.激怒,恼怒,生气 | |
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confided
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v.吐露(秘密,心事等)( confide的过去式和过去分词 );(向某人)吐露(隐私、秘密等) | |
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semblance
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n.外貌,外表 | |
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decency
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n.体面,得体,合宜,正派,庄重 | |
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tempt
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vt.引诱,勾引,吸引,引起…的兴趣 | |
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affected
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adj.不自然的,假装的 | |
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malice
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n.恶意,怨恨,蓄意;[律]预谋 | |
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adroit
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adj.熟练的,灵巧的 | |
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