DORA BARRY sat at her easel absorbed in the painting of a picture, though the afternoon light was fading from her canvas in a way that made the work difficult, when her mother came to the door and glanced in.

“I have kept a lookout¹ for fully² an hour,” she announced, “but I haven’t once seen Lionel. I am getting old and silly, I suppose, but I can’t keep from worrying.”

Dora got up quickly, her face full of alarm, and the two went to the window of the dining-room and stood looking out for a moment.

“There! Isn’t that—I see him!” Mrs. Barry cried out in relief. “Why, he is with Kenneth Galt! He has him in his arms. There!—don’t you see?—just beyond the row of cedars³. Thank Heaven! we had our scare for nothing.”

But Dora, wide-eyed and astonished, was silent; her face was very grave. Her mother ran eagerly to the door to meet the child, but Dora remained as if rooted to the spot, her gaze fixed⁴ on the receding⁵ form of Galt.

“Why did he have him?” she whispered to herself. “What can it mean? He was treating him kindly⁶, and gently, too. I could see it in his face. It was glowing as it used to glow when he was true to himself and to me. It looked like Lionel’s arm was round his neck. What can it mean?”

When the child had come in, Dora sat down and drew him into her lap and held him fondly to her breast. “Mother was frightened,” she said, cooingly, her lips on his brow. “She missed her little boy, and was afraid something had happened to him.”

“Oh, I’m all right, mother,” Lionel said. “I can take care of myself; you must never be afraid.”

“But how did you happen to be with Mr. Galt?” Mrs. Barry asked. “I didn’t know you knew him.”

“Why, why—” but Lionel went no further. He had never lied, and the plan his sense of honor had laid for him was difficult to execute. His grandmother repeated her question in more positive tones, but, with eyes downcast, he refused to answer.

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