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"It gave her quite a turn," said Mr. Wilcox, when retailing1 the incident to Dolly at tea-time. "None of you girls have any nerves, really. Of course, a word from me put it all right, but silly old Miss Avery--she frightened you, didn't she, Margaret? There you stood clutching a bunch of weeds. She might have said something, instead of coming down the stairs with that alarming bonnet2 on. I passed her as I came in. Enough to make the car shy. I believe Miss Avery goes in for being a character; some old maids do." He lit a cigarette. "It is their last resource. Heaven knows what she was doing in the place; but that's Bryce's business, not mine."
"I wasn't as foolish as you suggest," said Margaret. "She only startled me, for the house had been silent so long."
"Did you take her for a spook?" asked Dolly, for whom "spooks" and "going to church" summarized the unseen.
"Not exactly."
"She really did frighten you," said Henry, who was far from discouraging timidity in females. "Poor Margaret! And very naturally. Uneducated classes are so stupid."
"Is Miss Avery uneducated classes?" Margaret asked, and found herself looking at the decoration scheme of Dolly's drawing-room.
"She's just one of the crew at the farm. People like that always assume things. She assumed you'd know who she was. She left all the Howards End keys in the front lobby, and assumed that you'd seen them as you came in, that you'd lock up the house when you'd done, and would bring them on down to her. And there was her niece hunting for them down at the farm. Lack of education makes people very casual. Hilton was full of women like Miss Avery once."
"I shouldn't have disliked it, perhaps."
"Or Miss Avery giving me a wedding present," said Dolly.
Which was illogical but interesting. Through Dolly, Margaret was destined3 to learn a good deal.
"But Charles said I must try not to mind, because she had known his grandmother."
"As usual, you've got the story wrong, my good Dorothea."
"I mean great-grandmother--the one who left Mrs. Wilcox the house. Weren't both of them and Miss Avery friends when Howards End, too, was a farm?"
Her father-in-law blew out a shaft4 of smoke. His attitude to his dead wife was curious. He would

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retailing
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n.零售业v.零售(retail的现在分词) | |
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bonnet
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n.无边女帽;童帽 | |
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destined
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adj.命中注定的;(for)以…为目的地的 | |
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shaft
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n.(工具的)柄,杆状物 | |
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allude
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v.提及,暗指 | |
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bucolic
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adj.乡村的;牧羊的 | |
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chaff
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v.取笑,嘲笑;n.谷壳 | |
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negligently
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trickling
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n.油画底色含油太多而成泡沫状突起v.滴( trickle的现在分词 );淌;使)慢慢走;缓慢移动 | |
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penetrated
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adj. 击穿的,鞭辟入里的 动词penetrate的过去式和过去分词形式 | |
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merged
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(使)混合( merge的过去式和过去分词 ); 相融; 融入; 渐渐消失在某物中 | |
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flux
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n.流动;不断的改变 | |
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veering
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n.改变的;犹豫的;顺时针方向转向;特指使船尾转向上风来改变航向v.(尤指交通工具)改变方向或路线( veer的现在分词 );(指谈话内容、人的行为或观点)突然改变;(指风) (在北半球按顺时针方向、在南半球按逆时针方向)逐渐转向;风向顺时针转 | |
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tangible
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adj.有形的,可触摸的,确凿的,实际的 | |
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allaying
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v.减轻,缓和( allay的现在分词 ) | |
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agitation
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n.搅动;搅拌;鼓动,煽动 | |
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sketched
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v.草拟(sketch的过去式与过去分词形式) | |
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monologue
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n.长篇大论,(戏剧等中的)独白 | |
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spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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cultivation
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n.耕作,培养,栽培(法),养成 | |
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standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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pony
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adj.小型的;n.小马 | |
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superannuated
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adj.老朽的,退休的;v.因落后于时代而废除,勒令退学 | |
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artistic
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adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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peculiar
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adj.古怪的,异常的;特殊的,特有的 | |
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warrior
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n.勇士,武士,斗士 | |
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transcended
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超出或超越(经验、信念、描写能力等)的范围( transcend的过去式和过去分词 ); 优于或胜过… | |
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similes
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(使用like或as等词语的)明喻( simile的名词复数 ) | |
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dwarfed
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vt.(使)显得矮小(dwarf的过去式与过去分词形式) | |
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eternity
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n.不朽,来世;永恒,无穷 | |
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