There is nothing more difficult in the writing of a story than to describe adequately the person of a hero or a heroine, so as to place before the mind of the reader any clear picture of him or her who is described. A courtship is harder still—so hard that we may say generally that it is impossible. Southey's Lodore is supposed to have been effective; but let any one with the words in his memory stand beside the waterfall and say whether it is such as the words have painted it. It rushes and it foams¹, as described by the poet, much more violently than does the real water; and so does everything described, unless in the hands of a wonderful master. But I have clear images on my brain of the characters of the persons introduced. I know with fair accuracy what was intended by the character as given of Amelia Booth, of Clarissa, of Di Vernon, and of Maggie Tulliver. But as their persons have not been drawn² with the pencil for me by the artists who themselves created them, I have no conception how they looked. Of Thackeray's Beatrix I have a vivid idea, because she was drawn for him by an artist under his own eye. I have now to describe Mary Lawrie, but have no artist who will take the trouble to learn my thoughts and to reproduce them. Consequently I fear that no true idea of the young lady can be conveyed to the reader; and that I must leave him to entertain such a notion of her carriage and demeanour as must come to him at the end from the reading of the whole book.

But the attempt must be made, if only for fashion sake, so that no adventitious³ help may be wanting to him, or more probably to her, who may care to form for herself a personification of Mary Lawrie. She was a tall, thin, staid girl, who never put herself forward in any of those walks of life in which such a young lady as she is called upon to show herself. She was silent and reserved, and sometimes startled, even when appealed to in a household so quiet as that of Mr Whittlestaff. Those who had seen her former life had known that she had lived under the dominion⁴ of her step-mother, and had so accounted for her manner. And then, added to this, was the sense of entire dependence⁵ on a stranger, which, no doubt, helped to

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