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CHAPTER XIV. THE EARLIEST PAINTERS.
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We have no certain knowledge as to the commencement of the art of painting. The Egyptians assert that it was invented among themselves, six thousand years before it passed into Greece; a vain boast—evidently. As to the Greeks, some say that it was invented at Sicyon, others at Corinth; but they all agree that it originated in tracing lines round the human shadow. The first stage of the art was this, the second the employment of single colors; a process known as “monochrome-painting.” The invention of line-drawing has been assigned to Philocles, the Egyptian, or to Cleanthes of Corinth. The first who practised this line-drawing were Aridices, the Corinthian, and Telephanes, the Sicyonian, artists who, without making use of any colors, shaded the interior of the outline by drawing lines; hence, it was the custom with them to add to the picture the name of the person represented. Ecphantus, the Corinthian, was the first to employ colors upon these pictures, made, it is said, of broken earthenware1, reduced to powder.
But already had the art of painting been perfectly2 developed in Italy. At all events, there are extant in the temples at Ardea, at this day, paintings of greater antiquity3 than Rome itself; in which, in my opinion, nothing is more marvellous, than that they should have remained so long unprotected by a roof, and yet preserving their freshness. At Lanuvium we see an Atalanta and a Helena, without drapery, close together, and painted by the same artist. They are both of the greatest beauty, the former being evidently the figure of a virgin4, and they still remain uninjured, though the temple is in ruins. The Emperor Caligula attempted to have 293 them removed to his own palace, but the nature of the plaster would not admit of it. There are in existence at C?re, some paintings of a still higher antiquity. Whoever carefully examines them, will be forced to admit that no art has arrived more speedily at perfection, seeing that it evidently was not in existence at the time of the Trojan War.
Among the Romans this art very soon rose into esteem5, the Fabii, a most illustrious family, deriving
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1
earthenware
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n.土器,陶器 | |
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2
perfectly
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adv.完美地,无可非议地,彻底地 | |
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3
antiquity
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n.古老;高龄;古物,古迹 | |
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4
virgin
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n.处女,未婚女子;adj.未经使用的;未经开发的 | |
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5
esteem
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n.尊敬,尊重;vt.尊重,敬重;把…看作 | |
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6
deriving
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v.得到( derive的现在分词 );(从…中)得到获得;源于;(从…中)提取 | |
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7
reign
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n.统治时期,统治,支配,盛行;v.占优势 | |
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8
celebrity
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n.名人,名流;著名,名声,名望 | |
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9
equestrian
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adj.骑马的;n.马术 | |
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10
formerly
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adv.从前,以前 | |
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11
ridiculed
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v.嘲笑,嘲弄,奚落( ridicule的过去式和过去分词 ) | |
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12
sneered
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讥笑,冷笑( sneer的过去式和过去分词 ) | |
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13
celebrated
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adj.有名的,声誉卓著的 | |
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consultation
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n.咨询;商量;商议;会议 | |
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consulship
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领事的职位或任期 | |
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orator
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n.演说者,演讲者,雄辩家 | |
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forum
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n.论坛,讨论会 | |
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standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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complaisance
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n.彬彬有礼,殷勤,柔顺 | |
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ERECTED
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adj. 直立的,竖立的,笔直的 vt. 使 ... 直立,建立 | |
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admiration
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n.钦佩,赞美,羡慕 | |
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ravens
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n.低质煤;渡鸦( raven的名词复数 ) | |
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conspicuous
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adj.明眼的,惹人注目的;炫耀的,摆阔气的 | |
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consecrated
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adj.神圣的,被视为神圣的v.把…奉为神圣,给…祝圣( consecrate的过去式和过去分词 );奉献 | |
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talons
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n.(尤指猛禽的)爪( talon的名词复数 );(如爪般的)手指;爪状物;锁簧尖状突出部 | |
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attests
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v.证明( attest的第三人称单数 );证实;声称…属实;使宣誓 | |
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mighty
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adj.强有力的;巨大的 | |
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wielded
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手持着使用(武器、工具等)( wield的过去式和过去分词 ); 具有; 运用(权力); 施加(影响) | |
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pictorial
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adj.绘画的;图片的;n.画报 | |
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oblique
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adj.斜的,倾斜的,无诚意的,不坦率的 | |
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backwards
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adv.往回地,向原处,倒,相反,前后倒置地 | |
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upwards
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adv.向上,在更高处...以上 | |
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downwards
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adj./adv.向下的(地),下行的(地) | |
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veins
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n.纹理;矿脉( vein的名词复数 );静脉;叶脉;纹理 | |
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barbarians
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n.野蛮人( barbarian的名词复数 );外国人;粗野的人;无教养的人 | |
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transparent
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adj.明显的,无疑的;透明的 | |
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countenance
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n.脸色,面容;面部表情;vt.支持,赞同 | |
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rigidity
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adj.钢性,坚硬 | |
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