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Chapter XLV
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I have said already that but for the hazard of a journey to Tahiti I should doubtless never have written this book. It is thither1 that after many wanderings Charles Strickland came, and it is there that he painted the pictures on which his fame most securely rests. I suppose no artist achieves completely the realisation of the dream that obsesses2 him, and Strickland, harassed3 incessantly4 by his struggle with technique, managed, perhaps, less than others to express the vision that he saw with his mind's eye; but in Tahiti the circumstances were favourable5 to him; he found in his surroundings the accidents necessary for his inspiration to become effective, and his later pictures give at least a suggestion of what he sought. They offer the imagination something new and strange. It is as though in this far country his spirit, that had wandered disembodied, seeking a tenement6, at last was able to clothe itself in flesh. To use the hackneyed phrase, here he found himself.
It would seem that my visit to this remote island should immediately revive my interest in Strickland, but the work I was engaged in occupied my attention to the exclusion8 of something that was irrelevant9, and it was not till I had been there some days that I even remembered his connection with it. After all, I had not seen him for fifteen years, and it was nine since he died. But I think my arrival at Tahiti would have driven out of my head matters of much more immediate7 importance to me, and even after a week I found it not easy to order myself soberly. I remember that on my first morning I awoke early, and when I came on to the terrace of the hotel no one was stirring. I wandered round to the kitchen, but it was locked, and on a bench outside it a native boy was sleeping. There seemed no chance of breakfast for some time, so I sauntered down to the water-front. The Chinamen were already busy in their shops. The sky had still the pallor of dawn, and there was a ghostly silence on the
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1
thither
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| adv.向那里;adj.在那边的,对岸的 | |
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obsesses
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| v.时刻困扰( obsess的第三人称单数 );缠住;使痴迷;使迷恋 | |
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harassed
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| adj. 疲倦的,厌烦的 动词harass的过去式和过去分词 | |
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incessantly
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| ad.不停地 | |
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favourable
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| adj.赞成的,称赞的,有利的,良好的,顺利的 | |
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tenement
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| n.公寓;房屋 | |
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immediate
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| adj.立即的;直接的,最接近的;紧靠的 | |
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exclusion
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| n.拒绝,排除,排斥,远足,远途旅行 | |
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irrelevant
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| adj.不恰当的,无关系的,不相干的 | |
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lagoon
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| n.泻湖,咸水湖 | |
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seaport
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| n.海港,港口,港市 | |
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desolate
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| adj.荒凉的,荒芜的;孤独的,凄凉的;v.使荒芜,使孤寂 | |
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elixir
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| n.长生不老药,万能药 | |
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vouchsafed
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| v.给予,赐予( vouchsafe的过去式和过去分词 );允诺 | |
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isle
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| n.小岛,岛 | |
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fabric
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| n.织物,织品,布;构造,结构,组织 | |
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knights
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| 骑士; (中古时代的)武士( knight的名词复数 ); 骑士; 爵士; (国际象棋中)马 | |
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rites
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| 仪式,典礼( rite的名词复数 ) | |
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stony
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| adj.石头的,多石头的,冷酷的,无情的 | |
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inaccessible
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| adj.达不到的,难接近的 | |
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murmur
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| n.低语,低声的怨言;v.低语,低声而言 | |
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umbrageous
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| adj.多荫的 | |
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fleeting
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| adj.短暂的,飞逝的 | |
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enjoyment
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| n.乐趣;享有;享用 | |
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prodigal
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| adj.浪费的,挥霍的,放荡的 | |
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schooners
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| n.(有两个以上桅杆的)纵帆船( schooner的名词复数 ) | |
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moored
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| adj. 系泊的 动词moor的过去式和过去分词形式 | |
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quay
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| n.码头,靠岸处 | |
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urbane
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| adj.温文尔雅的,懂礼的 | |
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scarlet
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| n.深红色,绯红色,红衣;adj.绯红色的 | |
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flaunt
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| vt.夸耀,夸饰 | |
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throngs
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| n.人群( throng的名词复数 )v.成群,挤满( throng的第三人称单数 ) | |
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wharf
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| n.码头,停泊处 | |
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debonair
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| adj.殷勤的,快乐的 | |
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bustle
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| v.喧扰地忙乱,匆忙,奔忙;n.忙碌;喧闹 | |
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Chapter XLIV
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Chapter XLVI
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