His life was private in the strongest sense of the term. His contributions to literature were all anonymous13, book-reviews chiefly, or letters and paragraphs in the New York Nation on musical or literary topics. Good as was their quality, and witty14 as was their form — his only independent volume was an almost incredibly witty little book of charades15 in verse — they were too slight in bulk for commemoration; and it was only as a musical composer that he touched on any really public function. With so many of his compositions sounding in your ears, it would be out of place, even were I qualified16, to attempt to characterize Mr. Boott’s musical genius. Let it speak for itself. I prefer to speak of the man and friend whom we knew and whom so many of us loved so dearly.
One of the usual classifications of men is into those of expansive and those of conservative temper. The word conservative commonly suggests a dose of religious and political prejudice, and a fondness for traditional opinions. Mr. Boott was a liberal in politics and theology; and all his opinions were self-made, and as often as not at variance17 with every tradition. Yet in a wider sense he was profoundly conservative.
He respected bounds of ordinance18, and emphasized the fact of limits. He knew well his own limits. The knowledge of them was in fact one of the things he lived by. To judge of abstract philosophy, of sculpture and painting, of certain lines of literary art, he admitted, was not of his competency. But within the sphere where he thought he had a right to judge, he parted his likes from his dislikes and preserved his preferences with a pathetic steadfastness19. He was faithful in age to the lights that lit his youth, and obeyed at eve the voice obeyed at prime, with a consistency20 most unusual. Elsewhere the opinions of others might perplex him, but he laughed and let them live. Within his own appropriated sphere he was too scrupulous21 a lover of the truth not to essay to correct them, when he thought them erroneous. A certain appearance comes in here of a self-contradictory character, for Mr. Boott was primarily modest and sensitive, and all his interests and preoccupations were with life’s refinements22 and delicacies23. Yet one’s mind always pictured him as a rugged24 sort of person, opposing successful resistance to all influences that might seek to change his habits either of feeling or of action. His admirable health, his sober life, his regular walk twice a day, whatever might be the weather, his invariable evenness of mood and opinion, so that, when you once knew his range, he never disappointed you — all this was at variance with popular notions of the artistic25 temperament26. He was indeed, a man of reason, no romancer, sentimentalist or dreamer, in spite of the fact that his main interests were with the muses28. He was exact and accurate; affectionate, indeed, and sociable29, but neither gregarious30 nor demonstrative; and such words as “honest,” “sturdy,” “faithful,” are the adjectives first to rise when one thinks of him. A friend said to me soon after his death: “I seem still to see Mr. Boott, with his two feet planted on the ground, and his cane31 in front of him, making of himself a sort of tripod of honesty and veracity32.”
Old age changes men in different ways. Some it softens33; some it hardens; some it degenerates34; some it alters. Our old friend Boott was identical in spiritual essence all his life, and the effect of his growing old was not to alter, but only to make the same man mellower35, more tolerant, more lovable. Sadder he was, I think, for his life had grown pretty lonely; but he was a stoic36 and he never complained either of losses or of years, and that contagious37 laugh of his at any and every pretext38 for laughter rang as free and true upon his deathbed as at any previous time of his existence.
Born in 1813, he had lived through three generations, and seen enormous social and public changes. When a carpenter has a surface to measure, he slides his rule along it, and over all its peculiarities39. I sometimes think of Boott as such a standard rule against which the changing fashions of humanity of the last century might come to measurement. A character as healthy and definite as his, of whatsoever40 type it be, need only remain entirely41 true to itself for a sufficient number of years, while the outer conditions change, to grow into something like a common measure. Compared with its repose42 and permanent fitness to continue, the changes of the generations seem ephemeral and accidental. It remains43 the standard, the rule, the term of comparison. Mr. Boott’s younger friends must often have felt in his presence how much more vitally near they were than they had supposed to the old Boston long before the war, to the older Harvard, to the older Rome and Florence. To grow old after his manner is of itself to grow important.
I said that Mr. Boott was not demonstrative or sentimental27. Tender-hearted he was and faithful as few men are, in friendship. He made new friends, and dear ones, in the very last years of his life, and it is good to think of him as having had that consolation44. The will in which he surprised so many persons by remembering them —“one of the only purely beautiful wills I have ever read,” said a lawyer — showed how much he cared at heart for many of us to whom he had rarely made express professions of affection.
Good-by, then, old friend. We shall nevermore meet the upright figure, the blue eye, the hearty45 laugh, upon these Cambridge streets. But in that wider world of being of which this little Cambridge world of ours forms so infinitesimal a part, we may be sure that all our spirits and their missions here will continue in some way to be represented, and that ancient human loves will never lose their own.
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1 insufficient | |
adj.(for,of)不足的,不够的 | |
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2 purely | |
adv.纯粹地,完全地 | |
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3 monotonous | |
adj.单调的,一成不变的,使人厌倦的 | |
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4 discourse | |
n.论文,演说;谈话;话语;vi.讲述,著述 | |
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5 supplementary | |
adj.补充的,附加的 | |
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6 transpires | |
(事实,秘密等)被人知道( transpire的第三人称单数 ); 泄露; 显露; 发生 | |
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7 Forsaken | |
adj. 被遗忘的, 被抛弃的 动词forsake的过去分词 | |
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8 chapel | |
n.小教堂,殡仪馆 | |
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9 commemorated | |
v.纪念,庆祝( commemorate的过去式和过去分词 ) | |
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10 craving | |
n.渴望,热望 | |
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11 craves | |
渴望,热望( crave的第三人称单数 ); 恳求,请求 | |
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12 daydreams | |
n.白日梦( daydream的名词复数 )v.想入非非,空想( daydream的第三人称单数 ) | |
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13 anonymous | |
adj.无名的;匿名的;无特色的 | |
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14 witty | |
adj.机智的,风趣的 | |
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15 charades | |
n.伪装( charade的名词复数 );猜字游戏 | |
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16 qualified | |
adj.合格的,有资格的,胜任的,有限制的 | |
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17 variance | |
n.矛盾,不同 | |
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18 ordinance | |
n.法令;条令;条例 | |
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19 steadfastness | |
n.坚定,稳当 | |
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20 consistency | |
n.一贯性,前后一致,稳定性;(液体的)浓度 | |
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21 scrupulous | |
adj.审慎的,小心翼翼的,完全的,纯粹的 | |
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22 refinements | |
n.(生活)风雅;精炼( refinement的名词复数 );改良品;细微的改良;优雅或高贵的动作 | |
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23 delicacies | |
n.棘手( delicacy的名词复数 );精致;精美的食物;周到 | |
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24 rugged | |
adj.高低不平的,粗糙的,粗壮的,强健的 | |
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25 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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26 temperament | |
n.气质,性格,性情 | |
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27 sentimental | |
adj.多愁善感的,感伤的 | |
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28 muses | |
v.沉思,冥想( muse的第三人称单数 );沉思自语说(某事) | |
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29 sociable | |
adj.好交际的,友好的,合群的 | |
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30 gregarious | |
adj.群居的,喜好群居的 | |
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31 cane | |
n.手杖,细长的茎,藤条;v.以杖击,以藤编制的 | |
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32 veracity | |
n.诚实 | |
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33 softens | |
(使)变软( soften的第三人称单数 ); 缓解打击; 缓和; 安慰 | |
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34 degenerates | |
衰退,堕落,退化( degenerate的第三人称单数 ) | |
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35 mellower | |
成熟的( mellow的比较级 ); (水果)熟透的; (颜色或声音)柔和的; 高兴的 | |
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36 stoic | |
n.坚忍克己之人,禁欲主义者 | |
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37 contagious | |
adj.传染性的,有感染力的 | |
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38 pretext | |
n.借口,托词 | |
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39 peculiarities | |
n. 特质, 特性, 怪癖, 古怪 | |
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40 whatsoever | |
adv.(用于否定句中以加强语气)任何;pron.无论什么 | |
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41 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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42 repose | |
v.(使)休息;n.安息 | |
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43 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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44 consolation | |
n.安慰,慰问 | |
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45 hearty | |
adj.热情友好的;衷心的;尽情的,纵情的 | |
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