Lecture III. The Hero as Poet. Dante: Shakspeare.

Lecture III. The Hero as Poet. Dante: Shakspeare.
[May 12, 1840.]

The Hero as Divinity, the Hero as Prophet, are productions of old ages; not to be repeated in the new. They presuppose a certain rudeness of conception, which the progress of mere¹ scientific knowledge puts an end to. There needs to be, as it were, a world vacant, or almost vacant of scientific forms, if men in their loving wonder are to fancy their fellow-man either a god or one speaking with the voice of a god. Divinity and Prophet are past. We are now to see our Hero in the less ambitious, but also less questionable², character of Poet; a character which does not pass. The Poet is a heroic figure belonging to all ages; whom all ages possess, when once he is produced, whom the newest age as the oldest may produce; — and will produce, always when Nature pleases. Let Nature send a Hero-soul; in no age is it other than possible that he may be shaped into a Poet.

Hero, Prophet, Poet, — many different names, in different times, and places, do we give to Great Men; according to varieties we note in them, according to the sphere in which they have displayed themselves! We might give many more names, on this same principle. I will remark again, however, as a fact not unimportant to be understood, that the different sphere constitutes the grand origin of such distinction; that the Hero can be Poet, Prophet, King, Priest or what you will, according to the kind of world he finds himself born into. I confess, I have no notion of a truly great man that could not be all sorts of men. The Poet who could merely sit on a chair, and compose stanzas⁴, would never make a stanza⁵ worth much. He could not sing the Heroic warrior⁶, unless he himself were at least a Heroic warrior too. I fancy there is in him the Politician, the Thinker, Legislator, Philosopher; — in one or the other degree, he could have been, he is all these. So too I cannot understand how a Mirabeau, with that great glowing heart, with the fire that was in it, with the bursting tears that were in it, could not have written verses, tragedies, poems, and touched all hearts in that way, had his course of life and education led him thitherward. The grand fundamental character is that of Great Man; that the man be great. Napoleon has words in him which are like Austerlitz Battles. Louis Fourteenth’s Marshals are a kind of poetical⁸ men withal; the things Turenne says are full of sagacity and geniality¹¹, like sayings of Samuel Johnson. The great heart, the clear deep-seeing eye: there it lies; no man whatever, in what province soever, can prosper¹² at all without these. Petrarch and Boccaccio did diplomatic messages, it seems, quite well: one can easily believe it; they had done things a little harder than these! Burns, a gifted song-writer, might have made a still better Mirabeau. Shakspeare, — one knows not what he could not have made, in the supreme¹³ degree.

True, there are aptitudes¹⁴ of Nature too. Nature does not make all great men, more than all other men, in the self-same mould. Varieties of aptitude¹⁵ doubtless; but infinitely¹⁶ more of circumstance; and far oftenest it is the latter only that are looked to. But it is as with common men in the learning of trades. You take any man, as yet a vague capability¹⁷ of a man, who could be any kind of craftsman¹⁸; and make him into a smith, a carpenter, a mason: he is then and thenceforth that and nothing else. And if, as Addison complains, you sometimes see a street-porter, staggering under his load on spindle-shanks, and near at hand a tailor with the frame of a Samson handling a bit of cloth and small Whitechapel needle, — it cannot be considered that aptitude of Nature alone has been consulted here either! — The Great Man also, to what shall he be bound apprentice²⁰? Given your Hero, is he to become Conqueror²¹, King, Philosopher, Poet? It is an inexplicably²² complex controversial-calculation between the world and him! He will read the world and its laws; the world with its laws will be there to be read. What the world, on this matter, shall permit and bid is, as we said, the most important fact about the world. —

Poet and Prophet differ greatly in our loose modern notions of them. In some old languages, again, the titles are synonymous; Vates means both Prophet and Poet: and indeed at all times, Prophet and Poet, well understood, have much kindred of meaning. Fundamentally indeed they are still the same; in this most important respect especially, That they have penetrated²⁴ both of them into the sacred mystery of the Universe; what Goethe calls “the open secret.” “Which is the great secret?” asks one. — “The open secret,” — open to all, seen by almost none! That divine mystery, which lies everywhere in all Beings, “the Divine Idea of the World, that which lies at the bottom of Appearance,” as Fichte styles it; of which all Appearance, from the starry²⁵ sky to the grass of the field, but especially the Appearance of Man and his work, is but the vesture, the embodiment that renders it visible. This divine mystery is in all times and in all places; veritably is. In most times and places it is greatly overlooked; and the Universe, definable always in one or the other dialect, as the realized Thought of God, is considered a trivial, inert²⁶, commonplace matter, — as if, says the Satirist²⁷, it were a dead thing, which some upholsterer had put together! It could do no good, at present, to speak much about this; but it is a pity for every one of us if we do not know it, live ever in the knowledge of it. Really a most mournful pity; — a failure to live at all, if we live otherwise!

But now, I say, whoever may forget this divine mystery, the Vates, whether Prophet or Poet, has penetrated into it; is a man sent hither to make it more impressively known to us. That always is his message; he is to reveal that to us, — that sacred mystery which he more than others lives ever present with. While others forget it, he knows it; — I might say, he has been driven to know it; without consent asked of him, he finds himself living in it, bound to live in it. Once more, here is no Hearsay²⁸, but a direct Insight and Belief; this man too could not help being a sincere man! Whosoever may live in the shows of things, it is for him a necessity of nature to live in the very fact of things. A man once more, in earnest with the Universe, though all others were but toying with it. He is a Vates, first of all, in virtue²⁹ of being sincere. So far Poet and Prophet, participators in the “open secret,” are one.

With respect to their distinction again: The Vates Prophet, we might say, has seized that sacred mystery rather on the moral side, as Good and Evil, Duty and Prohibition³⁰; the Vates Poet on what the Germans call the aesthetic³¹ side, as Beautiful, and the like. The one we may call a revealer of what we are to do, the other of what we are to love. But indeed these two provinces run into one another, and cannot be disjoined. The Prophet too has his eye on what we are to love: how else shall he know what it is we are to do? The highest Voice ever heard on this earth said withal, “Consider the lilies of the field; they toil³² not, neither do they spin: yet Solomon in all his glory was not arrayed like one of these.” A glance, that, into the deepest deep of Beauty. “The lilies of the field,” — dressed finer than earthly princes, springing up there in the humble³³ furrow-field; a beautiful eye looking out on you, from the great inner Sea of Beauty! How could the rude Earth make these, if her Essence, rugged³⁴ as she looks and is, were not inwardly Beauty? In this point of view, too, a saying of Goethe’s, which has staggered several, may have meaning: “The Beautiful,” he intimates, “is higher than the Good; the Beautiful includes in it the Good.” The true Beautiful; which however, I have said somewhere, “differs from the false as Heaven does from Vauxhall!” So much for the distinction and identity of Poet and Prophet. —

In ancient and also in modern periods we find a few Poets who are accounted perfect; whom it were a kind of treason to find fault with. This is noteworthy; this is right: yet in strictness it is only an illusion. At bottom, clearly enough, there is no perfect Poet! A vein³⁵ of Poetry exists in the hearts of all men; no man is made altogether of Poetry. We are all poets when we read a poem well. The “imagination that shudders³⁶ at the Hell of Dante,” is not that the same faculty³⁷, weaker in degree, as Dante’s own? No one but Shakspeare can embody³⁸, out of Saxo Grammaticus, the story of Hamlet as Shakspeare did: but every one models some kind of story out of it; every one embodies³⁹ it better or worse. We need not spend time in defining. Where there is no specific difference, as between round and square, all definition must be more or less arbitrary. A man that has so much more of the poetic⁹ element developed in him as to have become noticeable, will be called Poet by his neighbors. World–Poets too, those whom we are to take for perfect Poets, are settled by critics in the same way. One who rises so far above the general level of Poets will, to such and such critics, seem a Universal Poet; as he ought to do. And yet it is, and must be, an arbitrary distinction. All Poets, all men, have some touches of the Universal; no man is wholly made of that. Most Poets are very soon forgotten: but not the noblest Shakspeare or Homer of them can be remembered forever; — a day comes when he too is not!

Nevertheless, you will say, there must be a difference between true Poetry and true Speech not poetical: what is the difference? On this point many things have been written, especially by late German Critics, some of which are not very intelligible⁴⁰ at first. They say, for example, that the Poet has an infinitude in him; communicates an Unendlichkeit, a certain character of “infinitude,” to whatsoever⁴¹ he delineates. This, though not very precise, yet on so vague a matter is worth remembering: if well meditated⁴², some meaning will gradually be found in it. For my own part, I find considerable meaning in the old vulgar distinction of Poetry being metrical, having music in it, being a Song. Truly, if pressed to give a definition, one might say this as soon as anything else: If your delineation⁴³ be authentically⁴⁴ musical, musical not in word only, but in heart and substance, in all the thoughts and utterances⁴⁵ of it, in the whole conception of it, then it will be poetical; if not, not. — Musical: how much lies in that! A musical thought is one spoken by a mind that has penetrated into the inmost heart of the thing; detected the inmost mystery of it, namely the melody that lies hidden in it; the inward harmony of coherence⁴⁸ which is its soul, whereby it exists, and has a right to be, here in this world. All inmost things, we may say, are melodious⁴⁹; naturally utter themselves in Song. The meaning of Song goes deep. Who is there that, in logical words, can express the effect music has on us? A kind of inarticulate unfathomable speech, which leads us to the edge of the Infinite, and lets us for moments gaze into that!

Nay⁵¹ all speech, even the commonest speech, has something of song in it: not a parish in the world but has its parish-accent; — the rhythm or tune⁵² to which the people there sing what they have to say! Accent is a kind of chanting; all men have accent of their own, — though they only notice that of others. Observe too how all passionate⁵³ language does of itself become musical, — with a finer music than the mere accent; the speech of a man even in zealous⁵⁴ anger becomes a chant, a song. All deep things are Song. It seems somehow the very central essence of us, Song; as if all the rest were but wrappages and hulls⁵⁵! The primal⁵⁶ element of us; of us, and of all things. The Greeks fabled⁵⁷ of Sphere–Harmonies: it was the feeling they had of the inner structure of Nature; that the soul of all her voices and utterances was perfect music. Poetry, therefore, we will call musical Thought. The Poet is he who thinks in that manner. At bottom, it turns still on power of intellect; it is a man’s sincerity⁵⁸ and depth of vision that makes him a Poet. See deep enough, and you see musically; the heart of Nature being everywhere music, if you can only reach it.

The Vates Poet, with his melodious Apocalypse of Nature, seems to hold a poor rank among us, in comparison with the Vates Prophet; his function, and our esteem⁵⁹ of him for his function, alike slight. The Hero taken as Divinity; the Hero taken as Prophet; then next the Hero taken only as Poet: does it not look as if our estimate of the Great Man, epoch⁶⁰ after epoch, were continually diminishing? We take him first for a god, then for one god-inspired; and now in the next stage of it, his most miraculous⁶¹ word gains from us only the recognition that he is a Poet, beautiful verse-maker, man of genius, or such like! — It looks so; but I persuade myself that intrinsically it is not so. If we consider well, it will perhaps appear that in man still there is the same altogether peculiar⁶² admiration⁶³ for the Heroic Gift, by what name soever called, that there at any time was.

I should say, if we do not now reckon a Great Man literally⁶⁴ divine, it is that our notions of God, of the supreme unattainable Fountain of Splendor⁶⁵, Wisdom and Heroism⁶⁶, are ever rising higher; not altogether that our reverence⁶⁷ for these qualities, as manifested in our like, is getting lower. This is worth taking thought of. Sceptical Dilettantism⁶⁸, the curse of these ages, a curse which will not last forever, does indeed in this the highest province of human things, as in all provinces, make sad work; and our reverence for great men, all crippled, blinded, paralytic⁶⁹ as it is, comes out in poor plight⁷⁰, hardly recognizable. Men worship the shows of great men; the most disbelieve that there is any reality of great men to worship. The dreariest⁷¹, fatalest faith; believing which, one would literally despair of human things. Nevertheless look, for example, at Napoleon! A Corsican lieutenant⁷² of artillery⁷³; that is the show of him: yet is he not obeyed, worshipped after his sort, as all the Tiaraed and Diademed⁷⁴ of the world put together could not be? High Duchesses, and ostlers of inns, gather round the Scottish rustic⁷⁵, Burns; — a strange feeling dwelling⁷⁶ in each that they never heard a man like this; that, on the whole, this is the man! In the secret heart of these people it still dimly reveals itself, though there is no accredited⁷⁷ way of uttering it at present, that this rustic, with his black brows and flashing sun-eyes, and strange words moving laughter and tears, is of a dignity far beyond all others, incommensurable with all others. Do not we feel it so? But now, were Dilettantism, Scepticism, Triviality, and all that sorrowful brood, cast out of us, — as, by God’s blessing⁷⁸, they shall one day be; were faith in the shows of things entirely⁷⁹ swept out, replaced by clear faith in the things, so that a man acted on the impulse of that only, and counted the other non-extant; what a new livelier feeling towards this Burns were it!

Nay here in these ages, such as they are, have we not two mere Poets, if not deified, yet we may say beatified? Shakspeare and Dante are Saints of Poetry; really, if we will think of it, canonized, so that it is impiety⁸⁰ to meddle⁸¹ with them. The unguided instinct of the world, working across all these perverse⁸² impediments, has arrived at such result. Dante and Shakspeare are a peculiar Two. They dwell apart, in a kind of royal solitude⁸³; none equal, none second to them: in the general feeling of the world, a certain transcendentalism, a glory as of complete perfection, invests these two. They are canonized, though no Pope or Cardinals⁸⁴ took hand in doing it! Such, in spite of every perverting⁸⁵ influence, in the most unheroic times, is still our indestructible reverence for heroism. — We will look a little at these Two, the Poet Dante and the Poet Shakspeare: what little it is permitted us to say here of the Hero as Poet will most fitly arrange itself in that fashion.

Many volumes have been written by way of commentary on Dante and his Book; yet, on the whole, with no great result. His Biography is, as it were, irrecoverably lost for us. An unimportant, wandering, sorrow-stricken man, not much note was taken of him while he lived; and the most of that has vanished, in the long space that now intervenes. It is five centuries since he ceased writing and living here. After all commentaries, the Book itself is mainly what we know of him. The Book; — and one might add that Portrait commonly attributed to Giotto, which, looking on it, you cannot help inclining to think genuine, whoever did it. To me it is a most touching⁸⁶ face; perhaps of all faces that I know, the most so. Lonely there, painted as on vacancy⁸⁷, with the simple laurel wound round it; the deathless sorrow and pain, the known victory which is also deathless; — significant of the whole history of Dante! I think it is the mournfulest face that ever was painted from reality; an altogether tragic⁸⁸, heart-affecting face. There is in it, as foundation of it, the softness, tenderness, gentle affection as of a child; but all this is as if congealed⁸⁹ into sharp contradiction, into abnegation, isolation⁹⁰, proud hopeless pain. A soft ethereal soul looking out so stern, implacable, grim-trenchant, as from imprisonment⁹¹ of thick-ribbed ice! Withal it is a silent pain too, a silent scornful one: the lip is curled in a kind of godlike disdain⁹² of the thing that is eating out his heart, — as if it were withal a mean insignificant⁹³ thing, as if he whom it had power to torture and strangle were greater than it. The face of one wholly in protest, and lifelong unsurrendering battle, against the world. Affection all converted into indignation: an implacable indignation; slow, equable, silent, like that of a god! The eye too, it looks out as in a kind of surprise, a kind of inquiry⁹⁴, Why the world was of such a sort? This is Dante: so he looks, this “voice of ten silent centuries,” and sings us “his mystic unfathomable song.”

The little that we know of Dante’s Life corresponds well enough with this Portrait and this Book. He was born at Florence, in the upper class of society, in the year 1265. His education was the best then going; much school-divinity, Aristotelean logic⁵⁰, some Latin classics, — no inconsiderable insight into certain provinces of things: and Dante, with his earnest intelligent nature, we need not doubt, learned better than most all that was learnable. He has a clear cultivated understanding, and of great subtlety⁹⁵; this best fruit of education he had contrived⁹⁶ to realize from these scholastics. He knows accurately⁹⁷ and well what lies close to him; but, in such a time, without printed books or free intercourse⁹⁸, he could not know well what was distant: the small clear light, most luminous⁹⁹ for what is near, breaks itself into singular chiaroscuro¹⁰⁰ striking on what is far off. This was Dante’s learning from the schools. In life, he had gone through the usual destinies; been twice out campaigning as a soldier for the Florentine State, been on embassy; had in his thirty-fifth year, by natural gradation of talent and service, become one of the Chief Magistrates¹⁰¹ of Florence. He had met in boyhood a certain Beatrice Portinari, a beautiful little girl of his own age and rank, and grown up thenceforth in partial sight of her, in some distant intercourse with her. All readers know his graceful¹⁰² affecting account of this; and then of their being parted; of her being wedded¹⁰³ to another, and of her death soon after. She makes a great figure in Dante’s Poem; seems to have made a great figure in his life. Of all beings it might seem as if she, held apart from him, far apart at last in the dim Eternity¹⁰⁴, were the only one he had ever with his whole strength of affection loved. She died: Dante himself was wedded; but it seems not happily, far from happily. I fancy, the rigorous earnest man, with his keen excitabilities, was not altogether easy to make happy.

We will not complain of Dante’s miseries¹⁰⁶: had all gone right with him as he wished it, he might have been Prior, Podesta, or whatsoever they call it, of Florence, well accepted among neighbors, — and the world had wanted one of the most notable words ever spoken or sung. Florence would have had another prosperous Lord Mayor; and the ten dumb centuries continued voiceless, and the ten other listening centuries (for there will be ten of them and more) had no Divina Commedia to hear! We will complain of nothing. A nobler destiny was appointed for this Dante; and he, struggling like a man led towards death and crucifixion, could not help fulfilling it. Give him the choice of his happiness! He knew not, more than we do, what was really happy, what was really miserable¹⁰⁷.

In Dante’s Priorship, the Guelf–Ghibelline, Bianchi–Neri, or some other confused disturbances¹⁰⁸ rose to such a height, that Dante, whose party had seemed the stronger, was with his friends cast unexpectedly forth¹⁹ into banishment¹⁰⁹; doomed¹¹¹ thenceforth to a life of woe¹¹² and wandering. His property was all confiscated¹¹³ and more; he had the fiercest feeling that it was entirely unjust, nefarious¹¹⁴ in the sight of God and man. He tried what was in him to get reinstated; tried even by warlike surprisal, with arms in his hand: but it would not do; bad only had become worse. There is a record, I believe, still extant in the Florence Archives, dooming¹¹⁵ this Dante, wheresoever caught, to be burnt alive. Burnt alive; so it stands, they say: a very curious civic¹¹⁶ document. Another curious document, some considerable number of years later, is a Letter of Dante’s to the Florentine Magistrates, written in answer to a milder proposal of theirs, that he should return on condition of apologizing and paying a fine. He answers, with fixed¹¹⁷ stern pride: “If I cannot return without calling myself guilty, I will never return, nunquam revertar.”

For Dante there was now no home in this world. He wandered from patron to patron, from place to place; proving, in his own bitter words, “How hard is the path, Come e duro calle.” The wretched are not cheerful company. Dante, poor and banished¹¹⁸, with his proud earnest nature, with his moody¹¹⁹ humors, was not a man to conciliate men. Petrarch reports of him that being at Can della Scala’s court, and blamed one day for his gloom and taciturnity, he answered in no courtier-like way. Della Scala stood among his courtiers, with mimes¹²⁰ and buffoons¹²¹ (nebulones ac histriones) making him heartily¹²² merry; when turning to Dante, he said: “Is it not strange, now, that this poor fool should make himself so entertaining; while you, a wise man, sit there day after day, and have nothing to amuse us with at all?” Dante answered bitterly: “No, not strange; your Highness is to recollect¹²³ the Proverb, Like to Like;" — given the amuser, the amusee must also be given! Such a man, with his proud silent ways, with his sarcasms¹²⁴ and sorrows, was not made to succeed at court. By degrees, it came to be evident to him that he had no longer any resting-place, or hope of benefit, in this earth. The earthly world had cast him forth, to wander, wander; no living heart to love him now; for his sore miseries there was no solace¹²⁵ here.

The deeper naturally would the Eternal World impress itself on him; that awful reality over which, after all, this Time-world, with its Florences and banishments, only flutters as an unreal shadow. Florence thou shalt never see: but Hell and Purgatory¹²⁶ and Heaven thou shalt surely see! What is Florence, Can della Scala, and the World and Life altogether? ETERNITY: thither⁷, of a truth, not elsewhither, art thou and all things bound! The great soul of Dante, homeless on earth, made its home more and more in that awful other world. Naturally his thoughts brooded on that, as on the one fact important for him. Bodied or bodiless, it is the one fact important for all men:— but to Dante, in that age, it was bodied in fixed certainty of scientific shape; he no more doubted of that Malebolge Pool, that it all lay there with its gloomy circles, with its alti guai, and that he himself should see it, than we doubt that we should see Constantinople if we went thither. Dante’s heart, long filled with this, brooding over it in speechless thought and awe¹²⁷, bursts forth at length into “mystic unfathomable song;” and this his Divine Comedy, the most remarkable¹²⁸ of all modern Books, is the result.

It must have been a great solacement to Dante, and was, as we can see, a proud thought for him at times, That he, here in exile, could do this work; that no Florence, nor no man or men, could hinder him from doing it, or even much help him in doing it. He knew too, partly, that it was great; the greatest a man could do. “If thou follow thy star, Se tu segui tua stella,” — so could the Hero, in his forsakenness¹²⁹, in his extreme need, still say to himself: “Follow thou thy star, thou shalt not fail of a glorious haven¹³⁰!” The labor¹³¹ of writing, we find, and indeed could know otherwise, was great and painful for him; he says, This Book, “which has made me lean for many years.” Ah yes, it was won, all of it, with pain and sore toil, — not in sport, but in grim earnest. His Book, as indeed most good Books are, has been written, in many senses, with his heart’s blood. It is his whole history, this Book. He died after finishing it; not yet very old, at the age of fifty-six; — broken-hearted rather, as is said. He lies buried in his death-city Ravenna: Hic claudor Dantes patriis extorris ab oris. The Florentines begged back his body, in a century after; the Ravenna people would not give it. “Here am I Dante laid, shut out from my native shores.”

I said, Dante’s Poem was a Song: it is Tieck who calls it “a mystic unfathomable Song;” and such is literally the character of it. Coleridge remarks very pertinently¹³² somewhere, that wherever you find a sentence musically worded, of true rhythm and melody in the words, there is something deep and good in the meaning too. For body and soul, word and idea, go strangely together here as everywhere. Song: we said before, it was the Heroic of Speech! All old Poems, Homer’s and the rest, are authentically Songs. I would say, in strictness, that all right Poems are; that whatsoever is not sung is properly no Poem, but a piece of Prose cramped¹³³ into jingling¹³⁴ lines, — to the great injury of the grammar, to the great grief of the reader, for most part! What we wants to get at is the thought the man had, if he had any: why should he twist it into jingle¹³⁵, if he could speak it out plainly? It is only when the heart of him is rapt into true passion of melody, and the very tones of him, according to Coleridge’s remark, become musical by the greatness, depth and music of his thoughts, that we can give him right to rhyme and sing; that we call him a Poet, and listen to him as the Heroic of Speakers, — whose speech is Song. Pretenders to this are many; and to an earnest reader, I doubt, it is for most part a very melancholy¹³⁶, not to say an insupportable business, that of reading rhyme! Rhyme that had no inward necessity to be rhymed; — it ought to have told us plainly, without any jingle, what it was aiming at. I would advise all men who can speak their thought, not to sing it; to understand that, in a serious time, among serious men, there is no vocation¹³⁷ in them for singing it. Precisely¹³⁸ as we love the true song, and are charmed by it as by something divine, so shall we hate the false song, and account it a mere wooden noise, a thing hollow, superfluous¹³⁹, altogether an insincere and offensive thing.

I give Dante my highest praise when I say of his Divine Comedy that it is, in all senses, genuinely a Song. In the very sound of it there is a canto¹⁴⁰ fermo; it proceeds as by a chant. The language, his simple terza rima, doubtless helped him in this. One reads along naturally with a sort of lilt. But I add, that it could not be otherwise; for the essence and material of the work are themselves rhythmic¹⁴¹. Its depth, and rapt passion and sincerity, makes it musical; — go deep enough, there is music everywhere. A true inward symmetry, what one calls an architectural harmony, reigns¹⁴² in it, proportionates it all: architectural; which also partakes of the character of music. The three kingdoms, Inferno¹⁴³, Purgatorio, Paradiso, look out on one another like compartments¹⁴⁵ of a great edifice¹⁴⁶; a great supernatural world-cathedral, piled up there, stern, solemn, awful; Dante’s World of Souls! It is, at bottom, the sincerest of all Poems; sincerity, here too, we find to be the measure of worth. It came deep out of the author’s heart of hearts; and it goes deep, and through long generations, into ours. The people of Verona, when they saw him on the streets, used to say, “Eccovi l’ uom ch’ e stato all’ Inferno, See, there is the man that was in Hell!” Ah yes, he had been in Hell; — in Hell enough, in long severe sorrow and struggle; as the like of him is pretty sure to have been. Commedias that come out divine are not accomplished¹⁴⁷ otherwise. Thought, true labor of any kind, highest virtue itself, is it not the daughter of Pain? Born as out of the black whirlwind; — true effort, in fact, as of a captive struggling to free himself: that is Thought. In all ways we are “to become perfect through suffering.” — But, as I say, no work known to me is so elaborated as this of Dante’s. It has all been as if molten, in the hottest furnace of his soul. It had made him “lean” for many years. Not the general whole only; every compartment¹⁴⁴ of it is worked out, with intense earnestness, into truth, into clear visuality. Each answers to the other; each fits in its place, like a marble stone accurately hewn and polished. It is the soul of Dante, and in this the soul of the middle ages, rendered forever rhythmically¹⁴⁸ visible there. No light task; a right intense one: but a task which is done.

Perhaps one would say, intensity¹⁴⁹, with the much that depends on it, is the prevailing¹⁵⁰ character of Dante’s genius. Dante does not come before us as a large catholic mind; rather as a narrow, and even sectarian mind: it is partly the fruit of his age and position, but partly too of his own nature. His greatness has, in all senses, concentred itself into fiery¹⁵¹ emphasis and depth. He is world-great not because he is worldwide, but because he is world-deep. Through all objects he pierces as it were down into the heart of Being. I know nothing so intense as Dante. Consider, for example, to begin with the outermost¹⁵² development of his intensity, consider how he paints. He has a great power of vision; seizes the very type of a thing; presents that and nothing more. You remember that first view he gets of the Hall of Dite: red pinnacle¹⁵³, red-hot cone¹⁵⁴ of iron glowing through the dim immensity of gloom; — so vivid, so distinct, visible at once and forever! It is as an emblem¹⁵⁵ of the whole genius of Dante. There is a brevity, an abrupt¹⁵⁶ precision in him: Tacitus is not briefer, more condensed; and then in Dante it seems a natural condensation¹⁵⁷, spontaneous to the man. One smiting¹⁵⁸ word; and then there is silence, nothing more said. His silence is more eloquent¹⁵⁹ than words. It is strange with what a sharp decisive grace he snatches the true likeness¹⁶⁰ of a matter: cuts into the matter as with a pen of fire. Plutus, the blustering¹⁶¹ giant, collapses¹⁶² at Virgil’s rebuke¹⁶³; it is “as the sails sink, the mast being suddenly broken.” Or that poor Brunetto Latini, with the cotto aspetto, “face baked,” parched¹⁶⁴ brown and lean; and the “fiery snow” that falls on them there, a “fiery snow without wind,” slow, deliberate, never-ending! Or the lids of those Tombs; square sarcophaguses, in that silent dim-burning Hall, each with its Soul in torment¹⁶⁵; the lids laid open there; they are to be shut at the Day of Judgment¹⁶⁶, through Eternity. And how Farinata rises; and how Cavalcante falls — at hearing of his Son, and the past tense “fue”! The very movements in Dante have something brief; swift, decisive, almost military. It is of the inmost essence of his genius this sort of painting. The fiery, swift Italian nature of the man, so silent, passionate, with its quick abrupt movements, its silent “pale rages,” speaks itself in these things.

For though this of painting is one of the outermost developments of a man, it comes like all else from the essential faculty of him; it is physiognomical of the whole man. Find a man whose words paint you a likeness, you have found a man worth something; mark his manner of doing it, as very characteristic of him. In the first place, he could not have discerned the object at all, or seen the vital type of it, unless he had, what we may call, sympathized with it, — had sympathy in him to bestow¹⁶⁷ on objects. He must have been sincere about it too; sincere and sympathetic: a man without worth cannot give you the likeness of any object; he dwells in vague outwardness, fallacy and trivial hearsay, about all objects. And indeed may we not say that intellect altogether expresses itself in this power of discerning what an object is? Whatsoever of faculty a man’s mind may have will come out here. Is it even of business, a matter to be done? The gifted man is he who sees the essential point, and leaves all the rest aside as surplusage: it is his faculty too, the man of business’s faculty, that he discern the true likeness, not the false superficial one, of the thing he has got to work in. And how much of morality is in the kind of insight we get of anything; “the eye seeing in all things what it brought with it the faculty of seeing”! To the mean eye all things are trivial, as certainly as to the jaundiced they are yellow. Raphael, the Painters tell us, is the best of all Portrait-painters withal. No most gifted eye can exhaust the significance of any object. In the commonest human face there lies more than Raphael will take away with him.

Dante’s painting is not graphic¹⁶⁸ only, brief, true, and of a vividness as of fire in dark night; taken on the wider scale, it is every way noble, and the outcome of a great soul. Francesca and her Lover, what qualities in that! A thing woven as out of rainbows, on a ground of eternal black. A small flute-voice of infinite wail¹⁶⁹ speaks there, into our very heart of hearts. A touch of womanhood in it too: della bella persona, che mi fu tolta; and how, even in the Pit of woe, it is a solace that he will never part from her! Saddest tragedy in these alti guai. And the racking winds, in that aer bruno, whirl them away again, to wail forever! — Strange to think: Dante was the friend of this poor Francesca’s father; Francesca herself may have sat upon the Poet’s knee, as a bright innocent little child. Infinite pity, yet also infinite rigor¹⁰⁵ of law: it is so Nature is made; it is so Dante discerned that she was made. What a paltry¹⁷⁰ notion is that of his Divine Comedy’s being a poor splenetic impotent terrestrial libel; putting those into Hell whom he could not be avenged¹⁷¹ upon on earth! I suppose if ever pity, tender as a mother’s, was in the heart of any man, it was in Dante’s. But a man who does not know rigor cannot pity either. His very pity will be cowardly, egoistic, — sentimentality, or little better. I know not in the world an affection equal to that of Dante. It is a tenderness, a trembling, longing³, pitying love: like the wail of AEolian harps¹⁷², soft, soft; like a child’s young heart; — and then that stern, sore-saddened heart! These longings¹⁷³ of his towards his Beatrice; their meeting together in the Paradiso; his gazing in her pure transfigured eyes, her that had been purified by death so long, separated from him so far:— one likens it to the song of angels; it is among the purest utterances of affection, perhaps the very purest, that ever came out of a human soul.

For the intense Dante is intense in all things; he has got into the essence of all. His intellectual insight as painter, on occasion too as reasoner, is but the result of all other sorts of intensity. Morally great, above all, we must call him; it is the beginning of all. His scorn, his grief are as transcendent as his love; — as indeed, what are they but the inverse¹⁷⁴ or converse¹⁷⁵ of his love? “A Dio spiacenti ed a’ nemici sui, Hateful to God and to the enemies of God:” lofty scorn, unappeasable silent reprobation¹⁷⁶ and aversion; “Non ragionam di lor, We will not speak of them, look only and pass.” Or think of this; “They have not the hope to die, Non han speranza di morte.” One day, it had risen sternly benign¹⁷⁷ on the scathed¹⁷⁸ heart of Dante, that he, wretched, never-resting, worn as he was, would full surely die; “that Destiny itself could not doom¹¹⁰ him not to die.” Such words are in this man. For rigor, earnestness and depth, he is not to be paralleled in the modern world; to seek his parallel we must go into the Hebrew Bible, and live with the antique Prophets there.

I do not agree with much modern criticism, in greatly preferring the Inferno to the two other parts of the Divine Commedia. Such preference belongs, I imagine, to our general Byronism of taste, and is like to be a transient feeling. The Purgatorio and Paradiso, especially the former, one would almost say, is even more excellent than it. It is a noble thing that Purgatorio, “Mountain of Purification;” an emblem of the noblest conception of that age. If sin is so fatal, and Hell is and must be so rigorous, awful, yet in Repentance¹⁷⁹ too is man purified; Repentance is the grand Christian¹⁸⁰ act. It is beautiful how Dante works it out. The tremolar dell’ onde, that “trembling” of the ocean-waves, under the first pure gleam of morning, dawning afar on the wandering Two, is as the type of an altered mood. Hope has now dawned; never-dying Hope, if in company still with heavy sorrow. The obscure sojourn¹⁸¹ of demons¹⁸² and reprobate¹⁸³ is underfoot; a soft breathing of penitence¹⁸⁴ mounts higher and higher, to the Throne of Mercy itself. “Pray for me,” the denizens¹⁸⁵ of that Mount of Pain all say to him. “Tell my Giovanna to pray for me,” my daughter Giovanna; “I think her mother loves me no more!” They toil painfully up by that winding¹⁸⁶ steep, “bent down like corbels of a building,” some of them, — crushed together so “for the sin of pride;” yet nevertheless in years, in ages and aeons, they shall have reached the top, which is heaven’s gate, and by Mercy shall have been admitted in. The joy too of all, when one has prevailed; the whole Mountain shakes with joy, and a psalm¹⁸⁷ of praise rises, when one soul has perfected repentance and got its sin and misery¹⁸⁸ left behind! I call all this a noble embodiment of a true noble thought.

But indeed the Three compartments mutually support one another, are indispensable to one another. The Paradiso, a kind of inarticulate music to me, is the redeeming¹⁹⁰ side of the Inferno; the Inferno without it were untrue. All three make up the true Unseen World, as figured in the Christianity of the Middle Ages; a thing forever memorable¹⁹¹, forever true in the essence of it, to all men. It was perhaps delineated in no human soul with such depth of veracity¹⁹² as in this of Dante’s; a man sent to sing it, to keep it long memorable. Very notable with what brief simplicity¹⁹³ he passes out of the every-day reality, into the Invisible one; and in the second or third stanza, we find ourselves in the World of Spirits; and dwell there, as among things palpable, indubitable! To Dante they were so; the real world, as it is called, and its facts, was but the threshold to an infinitely higher Fact of a World. At bottom, the one was as preternatural as the other. Has not each man a soul? He will not only be a spirit, but is one. To the earnest Dante it is all one visible Fact; he believes it, sees it; is the Poet of it in virtue of that. Sincerity, I say again, is the saving merit, now as always.

Dante’s Hell, Purgatory, Paradise, are a symbol withal, an emblematic¹⁹⁴ representation of his Belief about this Universe:— some Critic in a future age, like those Scandinavian ones the other day, who has ceased altogether to think as Dante did, may find this too all an “Allegory,” perhaps an idle Allegory! It is a sublime¹⁹⁵ embodiment, or sublimest¹⁹⁶, of the soul of Christianity. It expresses, as in huge world-wide architectural emblems¹⁹⁷, how the Christian Dante felt Good and Evil to be the two polar elements of this Creation, on which it all turns; that these two differ not by preferability of one to the other, but by incompatibility¹⁹⁸ absolute and infinite; that the one is excellent and high as light and Heaven, the other hideous¹⁹⁹, black as Gehenna and the Pit of Hell! Everlasting²⁰⁰ Justice, yet with Penitence, with everlasting Pity, — all Christianism, as Dante and the Middle Ages had it, is emblemed here. Emblemed: and yet, as I urged the other day, with what entire truth of purpose; how unconscious of any embleming! Hell, Purgatory, Paradise: these things were not fashioned as emblems; was there, in our Modern European Mind, any thought at all of their being emblems! Were they not indubitable awful facts; the whole heart of man taking them for practically true, all Nature everywhere confirming them? So is it always in these things. Men do not believe an Allegory. The future Critic, whatever his new thought may be, who considers this of Dante to have been all got up as an Allegory, will commit one sore mistake! — Paganism we recognized as a veracious²⁰² expression of the earnest awe-struck feeling of man towards the Universe; veracious, true once, and still not without worth for us. But mark here the difference of Paganism and Christianism; one great difference. Paganism emblemed chiefly the Operations of Nature; the destinies, efforts, combinations, vicissitudes²⁰³ of things and men in this world; Christianism emblemed the Law of Human Duty, the Moral Law of Man. One was for the sensuous²⁰⁴ nature: a rude helpless utterance⁴⁶ of the first Thought of men, — the chief recognized virtue, Courage, Superiority to Fear. The other was not for the sensuous nature, but for the moral. What a progress is here, if in that one respect only —!

And so in this Dante, as we said, had ten silent centuries, in a very strange way, found a voice. The Divina Commedia is of Dante’s writing; yet in truth it belongs to ten Christian centuries, only the finishing of it is Dante’s. So always. The craftsman there, the smith with that metal of his, with these tools, with these cunning methods, — how little of all he does is properly his work! All past inventive men work there with him; — as indeed with all of us, in all things. Dante is the spokesman of the Middle Ages; the Thought they lived by stands here, in everlasting music. These sublime ideas of his, terrible and beautiful, are the fruit of the Christian Meditation²⁰⁵ of all the good men who had gone before him. Precious they; but also is not he precious? Much, had not he spoken, would have been dumb; not dead, yet living voiceless.

On the whole, is it not an utterance, this mystic Song, at once of one of the greatest human souls, and of the highest thing that Europe had hitherto realized for itself? Christianism, as Dante sings it, is another than Paganism in the rude Norse mind; another than “Bastard Christianism” half-articulately spoken in the Arab Desert, seven hundred years before! — The noblest idea made real hitherto among men, is sung, and emblemed forth abidingly²⁰⁶, by one of the noblest men. In the one sense and in the other, are we not right glad to possess it? As I calculate, it may last yet for long thousands of years. For the thing that is uttered from the inmost parts of a man’s soul, differs altogether from what is uttered by the outer part. The outer is of the day, under the empire of mode; the outer passes away, in swift endless changes; the inmost is the same yesterday, to-day and forever. True souls, in all generations of the world, who look on this Dante, will find a brotherhood²⁰⁷ in him; the deep sincerity of his thoughts, his woes²⁰⁸ and hopes, will speak likewise to their sincerity; they will feel that this Dante too was a brother. Napoleon in Saint Helena is charmed with the genial¹⁰ veracity of old Homer. The oldest Hebrew Prophet, under a vesture the most diverse from ours, does yet, because he speaks from the heart of man, speak to all men’s hearts. It is the one sole secret of continuing long memorable. Dante, for depth of sincerity, is like an antique Prophet too; his words, like theirs, come from his very heart. One need not wonder if it were predicted that his Poem might be the most enduring thing our Europe has yet made; for nothing so endures as a truly spoken word. All cathedrals, pontificalities, brass²⁰⁹ and stone, and outer arrangement never so lasting²⁰¹, are brief in comparison to an unfathomable heart-song like this: one feels as if it might survive, still of importance to men, when these had all sunk into new irrecognizable combinations, and had ceased individually to be. Europe has made much; great cities, great empires, encyclopaedias²¹⁰, creeds²¹¹, bodies of opinion and practice: but it has made little of the class of Dante’s Thought. Homer yet is veritably present face to face with every open soul of us; and Greece, where is it? Desolate²¹² for thousands of years; away, vanished; a bewildered heap of stones and rubbish, the life and existence of it all gone. Like a dream; like the dust of King Agamemnon! Greece was; Greece, except in the words it spoke⁴⁷, is not.

The uses of this Dante? We will not say much about his “uses.” A human soul who has once got into that primal element of Song, and sung forth fitly somewhat therefrom, has worked in the depths of our existence; feeding through long times the life-roots of all excellent human things whatsoever, — in a way that “utilities” will not succeed well in calculating! We will not estimate the Sun by the quantity of gaslight it saves us; Dante shall be invaluable²¹³, or of no value. One remark I may make: the contrast in this respect between the Hero–Poet and the Hero–Prophet. In a hundred years, Mahomet, as we saw, had his Arabians at Grenada and at Delhi; Dante’s Italians seem to be yet very much where they were. Shall we say, then, Dante’s effect on the world was small in comparison? Not so: his arena²¹⁴ is far more restricted; but also it is far nobler, clearer; — perhaps not less but more important. Mahomet speaks to great masses of men, in the coarse dialect adapted to such; a dialect filled with inconsistencies, crudities, follies²¹⁵: on the great masses alone can he act, and there with good and with evil strangely blended. Dante speaks to the noble, the pure and great, in all times and places. Neither does he grow obsolete²¹⁶, as the other does. Dante burns as a pure star, fixed there in the firmament²¹⁷, at which the great and the high of all ages kindle²¹⁸ themselves: he is the possession of all the chosen of the world for uncounted time. Dante, one calculates, may long survive Mahomet. In this way the balance may be made straight again.

But, at any rate, it is not by what is called their effect on the world, by what we can judge of their effect there, that a man and his work are measured. Effect? Influence? Utility? Let a man do his work; the fruit of it is the care of Another than he. It will grow its own fruit; and whether embodied²¹⁹ in Caliph Thrones and Arabian Conquests, so that it “fills all Morning and Evening Newspapers,” and all Histories, which are a kind of distilled²²⁰ Newspapers; or not embodied so at all; — what matters that? That is not the real fruit of it! The Arabian Caliph, in so far only as he did something, was something. If the great Cause of Man, and Man’s work in God’s Earth, got no furtherance from the Arabian Caliph, then no matter how many scimetars he drew, how many gold piasters pocketed, and what uproar²²¹ and blaring he made in this world, — he was but a loud-sounding inanity²²² and futility²²³; at bottom, he was not at all. Let us honor the great empire of Silence, once more! The boundless²²⁴ treasury²²⁵ which we do not jingle in our pockets, or count up and present before men! It is perhaps, of all things, the usefulest for each of us to do, in these loud times. —

As Dante, the Italian man, was sent into our world to embody musically the Religion of the Middle Ages, the Religion of our Modern Europe, its Inner Life; so Shakspeare, we may say, embodies for us the Outer Life of our Europe as developed then, its chivalries, courtesies, humors, ambitions, what practical way of thinking, acting²²⁶, looking at the world, men then had. As in Homer we may still construe²²⁷ Old Greece; so in Shakspeare and Dante, after thousands of years, what our modern Europe was, in Faith and in Practice, will still be legible. Dante has given us the Faith or soul; Shakspeare, in a not less noble way, has given us the Practice or body. This latter also we were to have; a man was sent for it, the man Shakspeare. Just when that chivalry²²⁸ way of life had reached its last finish, and was on the point of breaking down into slow or swift dissolution, as we now see it everywhere, this other sovereign Poet, with his seeing eye, with his perennial²²⁹ singing voice, was sent to take note of it, to give long-enduring record of it. Two fit men: Dante, deep, fierce as the central fire of the world; Shakspeare, wide, placid²³⁰, far-seeing, as the Sun, the upper light of the world. Italy produced the one world-voice; we English had the honor of producing the other.

Curious enough how, as it were by mere accident, this man came to us. I think always, so great, quiet, complete and self-sufficing is this Shakspeare, had the Warwickshire Squire²³¹ not prosecuted²³² him for deer-stealing, we had perhaps never heard of him as a Poet! The woods and skies, the rustic Life of Man in Stratford there, had been enough for this man! But indeed that strange outbudding of our whole English Existence, which we call the Elizabethan Era, did not it too come as of its own accord? The “Tree Igdrasil” buds and withers²³³ by its own laws, — too deep for our scanning. Yet it does bud and wither²³⁴, and every bough²³⁵ and leaf of it is there, by fixed eternal laws; not a Sir Thomas Lucy but comes at the hour fit for him. Curious, I say, and not sufficiently²³⁶ considered: how everything does co-operate with all; not a leaf rotting on the highway but is indissoluble portion of solar and stellar systems; no thought, word or act of man but has sprung withal out of all men, and works sooner or later, recognizably or irrecognizable, on all men! It is all a Tree: circulation of sap and influences, mutual¹⁸⁹ communication of every minutest leaf with the lowest talon²³⁷ of a root, with every other greatest and minutest portion of the whole. The Tree Igdrasil, that has its roots down in the Kingdoms of Hela and Death, and whose boughs²³⁸ overspread the highest Heaven —!

In some sense it may be said that this glorious Elizabethan Era with its Shakspeare, as the outcome and flowerage of all which had preceded it, is itself attributable to the Catholicism of the Middle Ages. The Christian Faith, which was the theme of Dante’s Song, had produced this Practical Life which Shakspeare was to sing. For Religion then, as it now and always is, was the soul of Practice; the primary vital fact in men’s life. And remark here, as rather curious, that Middle–Age Catholicism was abolished, so far as Acts of Parliament could abolish it, before Shakspeare, the noblest product of it, made his appearance. He did make his appearance nevertheless. Nature at her own time, with Catholicism or what else might be necessary, sent him forth; taking small thought of Acts of Parliament. King Henrys, Queen Elizabeths go their way; and Nature too goes hers. Acts of Parliament, on the whole, are small, notwithstanding the noise they make. What Act of Parliament, debate at St. Stephen’s, on the hustings²³⁹ or elsewhere, was it that brought this Shakspeare into being? No dining at Freemason’s Tavern²⁴⁰, opening subscription-lists, selling of shares, and infinite other jangling and true or false endeavoring! This Elizabethan Era, and all its nobleness and blessedness, came without proclamation, preparation of ours. Priceless Shakspeare was the free gift of Nature; given altogether silently; — received altogether silently, as if it had been a thing of little account. And yet, very literally, it is a priceless thing. One should look at that side of matters too.

Of this Shakspeare of ours, perhaps the opinion one sometimes hears a little idolatrously expressed is, in fact, the right one; I think the best judgment not of this country only, but of Europe at large, is slowly pointing to the conclusion, that Shakspeare is the chief of all Poets hitherto; the greatest intellect who, in our recorded world, has left record of himself in the way of Literature. On the whole, I know not such a power of vision, such a faculty of thought, if we take all the characters of it, in any other man. Such a calmness of depth; placid joyous²⁴¹ strength; all things imaged in that great soul of his so true and clear, as in a tranquil²⁴² unfathomable sea! It has been said, that in the constructing of Shakspeare’s Dramas there is, apart from all other “faculties²⁴³” as they are called, an understanding manifested, equal to that in Bacon’s Novum Organum That is true; and it is not a truth that strikes every one. It would become more apparent if we tried, any of us for himself, how, out of Shakspeare’s dramatic materials, we could fashion such a result! The built house seems all so fit, — every way as it should be, as if it came there by its own law and the nature of things, — we forget the rude disorderly quarry²⁴⁴ it was shaped from. The very perfection of the house, as if Nature herself had made it, hides the builder’s merit. Perfect, more perfect than any other man, we may call Shakspeare in this: he discerns, knows as by instinct, what condition he works under, what his materials are, what his own force and its relation to them is. It is not a transitory glance of insight that will suffice; it is deliberate illumination of the whole matter; it is a calmly seeing eye; a great intellect, in short. How a man, of some wide thing that he has witnessed, will construct a narrative²⁴⁵, what kind of picture and delineation he will give of it, — is the best measure you could get of what intellect is in the man. Which circumstance is vital and shall stand prominent; which unessential, fit to be suppressed; where is the true beginning, the true sequence and ending? To find out this, you task the whole force of insight that is in the man. He must understand the thing; according to the depth of his understanding, will the fitness of his answer be. You will try him so. Does like join itself to like; does the spirit of method stir in that confusion, so that its embroilment²⁴⁶ becomes order? Can the man say, Fiat²⁴⁷ lux, Let there be light; and out of chaos²⁴⁸ make a world? Precisely as there is light in himself, will he accomplish this.

Or indeed we may say again, it is in what I called Portrait-painting, delineating of men and things, especially of men, that Shakspeare is great. All the greatness of the man comes out decisively here. It is unexampled, I think, that calm creative perspicacity²⁴⁹ of Shakspeare. The thing he looks at reveals not this or that face of it, but its inmost heart, and generic²⁵⁰ secret: it dissolves itself as in light before him, so that he discerns the perfect structure of it. Creative, we said: poetic creation, what is this too but seeing the thing sufficiently? The word that will describe the thing, follows of itself from such clear intense sight of the thing. And is not Shakspeare’s morality, his valor²⁵¹, candor²⁵², tolerance²⁵³, truthfulness²⁵⁴; his whole victorious²⁵⁵ strength and greatness, which can triumph over such obstructions²⁵⁶, visible there too? Great as the world. No twisted, poor convex-concave mirror, reflecting all objects with its own convexities and concavities; a perfectly²⁵⁷ level mirror; — that is to say withal, if we will understand it, a man justly related to all things and men, a good man. It is truly a lordly spectacle how this great soul takes in all kinds of men and objects, a Falstaff, an Othello, a Juliet, a Coriolanus; sets them all forth to us in their round completeness; loving, just, the equal brother of all. Novum Organum, and all the intellect you will find in Bacon, is of a quite secondary order; earthy, material, poor in comparison with this. Among modern men, one finds, in strictness, almost nothing of the same rank. Goethe alone, since the days of Shakspeare, reminds me of it. Of him too you say that he saw the object; you may say what he himself says of Shakspeare: “His characters are like watches with dial-plates of transparent²⁵⁸ crystal; they show you the hour like others, and the inward mechanism²⁵⁹ also is all visible.”

The seeing eye! It is this that discloses the inner harmony of things; what Nature meant, what musical idea Nature has wrapped up in these often rough embodiments. Something she did mean. To the seeing eye that something were discernible. Are they base, miserable things? You can laugh over them, you can weep over them; you can in some way or other genially²⁶⁰ relate yourself to them; — you can, at lowest, hold your peace about them, turn away your own and others’ face from them, till the hour come for practically exterminating²⁶¹ and extinguishing them! At bottom, it is the Poet’s first gift, as it is all men’s, that he have intellect enough. He will be a Poet if he have: a Poet in word; or failing that, perhaps still better, a Poet in act. Whether he write at all; and if so, whether in prose or in verse, will depend on accidents: who knows on what extremely trivial accidents, — perhaps on his having had a singing-master, on his being taught to sing in his boyhood! But the faculty which enables him to discern the inner heart of things, and the harmony that dwells there (for whatsoever exists has a harmony in the heart of it, or it would not hold together and exist), is not the result of habits or accidents, but the gift of Nature herself; the primary outfit²⁶² for a Heroic Man in what sort soever. To the Poet, as to every other, we say first of all, See. If you cannot do that, it is of no use to keep stringing rhymes together, jingling sensibilities against each other, and name yourself a Poet; there is no hope for you. If you can, there is, in prose or verse, in action or speculation²⁶³, all manner of hope. The crabbed²⁶⁴ old Schoolmaster used to ask, when they brought him a new pupil, “But are ye sure he’s not a dunce?” Why, really one might ask the same thing, in regard to every man proposed for whatsoever function; and consider it as the one inquiry needful: Are ye sure he’s not a dunce? There is, in this world, no other entirely fatal person.

For, in fact, I say the degree of vision that dwells in a man is a correct measure of the man. If called to define Shakspeare’s faculty, I should say superiority of Intellect, and think I had included all under that. What indeed are faculties? We talk of faculties as if they were distinct, things separable; as if a man had intellect, imagination, fancy, &c., as he has hands, feet and arms. That is a capital error. Then again, we hear of a man’s “intellectual nature,” and of his “moral nature,” as if these again were divisible, and existed apart. Necessities of language do perhaps prescribe such forms of utterance; we must speak, I am aware, in that way, if we are to speak at all. But words ought not to harden into things for us. It seems to me, our apprehension²⁶⁵ of this matter is, for most part, radically²⁶⁶ falsified thereby²⁶⁷. We ought to know withal, and to keep forever in mind, that these divisions are at bottom but names; that man’s spiritual nature, the vital Force which dwells in him, is essentially²⁶⁸ one and indivisible; that what we call imagination, fancy, understanding, and so forth, are but different figures of the same Power of Insight, all indissolubly connected with each other, physiognomically related; that if we knew one of them, we might know all of them. Morality itself, what we call the moral quality of a man, what is this but another side of the one vital Force whereby he is and works? All that a man does is physiognomical of him. You may see how a man would fight, by the way in which he sings; his courage, or want of courage, is visible in the word he utters, in the opinion he has formed, no less than in the stroke he strikes. He is one; and preaches the same Self abroad in all these ways.

Without hands a man might have feet, and could still walk: but, consider it, — without morality, intellect were impossible for him; a thoroughly²⁶⁹ immoral²⁷⁰ man could not know anything at all! To know a thing, what we can call knowing, a man must first love the thing, sympathize with it: that is, be virtuously²⁷¹ related to it. If he have not the justice to put down his own selfishness at every turn, the courage to stand by the dangerous-true at every turn, how shall he know? His virtues²⁷², all of them, will lie recorded in his knowledge. Nature, with her truth, remains²⁷³ to the bad, to the selfish and the pusillanimous²⁷⁴ forever a sealed book: what such can know of Nature is mean, superficial, small; for the uses of the day merely. — But does not the very Fox know something of Nature? Exactly so: it knows where the geese lodge²⁷⁵! The human Reynard, very frequent everywhere in the world, what more does he know but this and the like of this? Nay, it should be considered too, that if the Fox had not a certain vulpine morality, he could not even know where the geese were, or get at the geese! If he spent his time in splenetic atrabiliar reflections on his own misery, his ill usage by Nature, Fortune and other Foxes, and so forth; and had not courage, promptitude, practicality, and other suitable vulpine gifts and graces, he would catch no geese. We may say of the Fox too, that his morality and insight are of the same dimensions; different faces of the same internal unity²⁷⁶ of vulpine life! — These things are worth stating; for the contrary of them acts with manifold very baleful perversion²⁷⁷, in this time: what limitations, modifications²⁷⁸ they require, your own candor will supply.

If I say, therefore, that Shakspeare is the greatest of Intellects, I have said all concerning him. But there is more in Shakspeare’s intellect than we have yet seen. It is what I call an unconscious intellect; there is more virtue in it than he himself is aware of. Novalis beautifully remarks of him, that those Dramas of his are Products of Nature too, deep as Nature herself. I find a great truth in this saying. Shakspeare’s Art is not Artifice²⁷⁹; the noblest worth of it is not there by plan or precontrivance. It grows up from the deeps of Nature, through this noble sincere soul, who is a voice of Nature. The latest generations of men will find new meanings in Shakspeare, new elucidations of their own human being; “new harmonies with the infinite structure of the Universe; concurrences²⁸⁰ with later ideas, affinities²⁸¹ with the higher powers and senses of man.” This well deserves meditating²⁸². It is Nature’s highest reward to a true simple great soul, that he get thus to be a part of herself. Such a man’s works, whatsoever he with utmost conscious exertion²⁸³ and forethought shall accomplish, grow up withal unconsciously, from the unknown deeps in him; — as the oak-tree grows from the Earth’s bosom²⁸⁴, as the mountains and waters shape themselves; with a symmetry grounded on Nature’s own laws, conformable to all Truth whatsoever. How much in Shakspeare lies hid; his sorrows, his silent struggles known to himself; much that was not known at all, not speakable at all: like roots, like sap and forces working underground! Speech is great; but Silence is greater.

Withal the joyful²⁸⁵ tranquillity²⁸⁶ of this man is notable. I will not blame Dante for his misery: it is as battle without victory; but true battle, — the first, indispensable thing. Yet I call Shakspeare greater than Dante, in that he fought truly, and did conquer. Doubt it not, he had his own sorrows: those Sonnets²⁸⁷ of his will even testify expressly in what deep waters he had waded²⁸⁸, and swum struggling for his life; — as what man like him ever failed to have to do? It seems to me a heedless notion, our common one, that he sat like a bird on the bough; and sang forth, free and off-hand, never knowing the troubles of other men. Not so; with no man is it so. How could a man travel forward from rustic deer-poaching to such tragedy-writing, and not fall in with sorrows by the way? Or, still better, how could a man delineate a Hamlet, a Coriolanus, a Macbeth, so many suffering heroic hearts, if his own heroic heart had never suffered? — And now, in contrast with all this, observe his mirthfulness, his genuine overflowing²⁸⁹ love of laughter! You would say, in no point does he exaggerate but only in laughter. Fiery objurgations, words that pierce and burn, are to be found in Shakspeare; yet he is always in measure here; never what Johnson would remark as a specially²³ “good hater.” But his laughter seems to pour from him in floods; he heaps all manner of ridiculous nicknames on the butt²⁹⁰ he is bantering²⁹¹, tumbles and tosses him in all sorts of horse-play; you would say, with his whole heart laughs. And then, if not always the finest, it is always a genial laughter. Not at mere weakness, at misery or poverty; never. No man who can laugh, what we call laughing, will laugh at these things. It is some poor character only desiring to laugh, and have the credit of wit, that does so. Laughter means sympathy; good laughter is not “the crackling of thorns under the pot.” Even at stupidity and pretension²⁹² this Shakspeare does not laugh otherwise than genially. Dogberry and Verges²⁹³ tickle²⁹⁴ our very hearts; and we dismiss them covered with explosions of laughter: but we like the poor fellows only the better for our laughing; and hope they will get on well there, and continue Presidents of the City-watch. Such laughter, like sunshine on the deep sea, is very beautiful to me.

We have no room to speak of Shakspeare’s individual works; though perhaps there is much still waiting to be said on that head. Had we, for instance, all his plays reviewed as Hamlet, in Wilhelm Meister, is! A thing which might, one day, be done. August Wilhelm Schlegel has a remark on his Historical Plays, Henry Fifth and the others, which is worth remembering. He calls them a kind of National Epic²⁹⁵. Marlborough, you recollect, said, he knew no English History but what he had learned from Shakspeare. There are really, if we look to it, few as memorable Histories. The great salient points are admirably seized; all rounds itself off, into a kind of rhythmic coherence; it is, as Schlegel says, epic; — as indeed all delineation by a great thinker will be. There are right beautiful things in those Pieces, which indeed together form one beautiful thing. That battle of Agincourt strikes me as one of the most perfect things, in its sort, we anywhere have of Shakspeare’s. The description of the two hosts: the worn-out, jaded²⁹⁶ English; the dread²⁹⁷ hour, big with destiny, when the battle shall begin; and then that deathless valor: “Ye good yeomen, whose limbs were made in England!” There is a noble Patriotism²⁹⁸ in it, — far other than the “indifference²⁹⁹” you sometimes hear ascribed to Shakspeare. A true English heart breathes, calm and strong, through the whole business; not boisterous³⁰⁰, protrusive³⁰¹; all the better for that. There is a sound in it like the ring of steel. This man too had a right stroke in him, had it come to that!

But I will say, of Shakspeare’s works generally, that we have no full impress of him there; even as full as we have of many men. His works are so many windows, through which we see a glimpse of the world that was in him. All his works seem, comparatively speaking, cursory³⁰², imperfect, written under cramping³⁰³ circumstances; giving only here and there a note of the full utterance of the man. Passages there are that come upon you like splendor out of Heaven; bursts of radiance, illuminating³⁰⁴ the very heart of the thing: you say, “That is true, spoken once and forever; wheresoever and whensoever there is an open human soul, that will be recognized as true!” Such bursts, however, make us feel that the surrounding matter is not radiant; that it is, in part, temporary, conventional. Alas³⁰⁵, Shakspeare had to write for the Globe Playhouse: his great soul had to crush itself, as it could, into that and no other mould. It was with him, then, as it is with us all. No man works save under conditions. The sculptor³⁰⁶ cannot set his own free Thought before us; but his Thought as he could translate it into the stone that was given, with the tools that were given. Disjecta membra are all that we find of any Poet, or of any man.

Whoever looks intelligently at this Shakspeare may recognize that he too was a Prophet, in his way; of an insight analogous³⁰⁷ to the Prophetic, though he took it up in another strain. Nature seemed to this man also divine; unspeakable, deep as Tophet, high as Heaven; “We are such stuff as Dreams are made of!” That scroll³⁰⁸ in Westminster Abbey, which few read with understanding, is of the depth of any seer. But the man sang; did not preach, except musically. We called Dante the melodious Priest of Middle–Age Catholicism. May we not call Shakspeare the still more melodious Priest of a true Catholicism, the “Universal Church” of the Future and of all times? No narrow superstition³⁰⁹, harsh asceticism³¹⁰, intolerance, fanatical fierceness or perversion: a Revelation, so far as it goes, that such a thousand-fold hidden beauty and divineness dwells in all Nature; which let all men worship as they can! We may say without offence, that there rises a kind of universal Psalm out of this Shakspeare too; not unfit to make itself heard among the still more sacred Psalms³¹¹. Not in disharmony with these, if we understood them, but in harmony! — I cannot call this Shakspeare a “Sceptic,” as some do; his indifference to the creeds and theological quarrels of his time misleading them. No: neither unpatriotic, though he says little about his Patriotism; nor sceptic, though he says little about his Faith. Such “indifference” was the fruit of his greatness withal: his whole heart was in his own grand sphere of worship (we may call it such); these other controversies³¹², vitally important to other men, were not vital to him.

But call it worship, call it what you will, is it not a right glorious thing, and set of things, this that Shakspeare has brought us? For myself, I feel that there is actually a kind of sacredness in the fact of such a man being sent into this Earth. Is he not an eye to us all; a blessed heaven-sent Bringer of Light? — And, at bottom, was it not perhaps far better that this Shakspeare, every way an unconscious man, was conscious of no Heavenly message? He did not feel, like Mahomet, because he saw into those internal Splendors³¹³, that he specially was the “Prophet of God:” and was he not greater than Mahomet in that? Greater; and also, if we compute³¹⁴ strictly³¹⁵, as we did in Dante’s case, more successful. It was intrinsically an error that notion of Mahomet’s, of his supreme Prophethood; and has come down to us inextricably involved in error to this day; dragging along with it such a coil of fables³¹⁶, impurities³¹⁷, intolerances, as makes it a questionable step for me here and now to say, as I have done, that Mahomet was a true Speaker at all, and not rather an ambitious charlatan³¹⁸, perversity³¹⁹ and simulacrum; no Speaker, but a Babbler! Even in Arabia, as I compute, Mahomet will have exhausted³²⁰ himself and become obsolete, while this Shakspeare, this Dante may still be young; — while this Shakspeare may still pretend to be a Priest of Mankind, of Arabia as of other places, for unlimited³²¹ periods to come!

Compared with any speaker or singer one knows, even with Aeschylus or Homer, why should he not, for veracity and universality, last like them? He is sincere as they; reaches deep down like them, to the universal and perennial. But as for Mahomet, I think it had been better for him not to be so conscious! Alas, poor Mahomet; all that he was conscious of was a mere error; a futility and triviality, — as indeed such ever is. The truly great in him too was the unconscious: that he was a wild Arab lion of the desert, and did speak out with that great thunder-voice of his, not by words which he thought to be great, but by actions, by feelings, by a history which were great! His Koran has become a stupid piece of prolix³²² absurdity³²³; we do not believe, like him, that God wrote that! The Great Man here too, as always, is a Force of Nature. Whatsoever is truly great in him springs up from the inarticulate deeps.

Well: this is our poor Warwickshire Peasant, who rose to be Manager of a Playhouse, so that he could live without begging; whom the Earl of Southampton cast some kind glances on; whom Sir Thomas Lucy, many thanks to him, was for sending to the Treadmill³²⁴! We did not account him a god, like Odin, while he dwelt with us; — on which point there were much to be said. But I will say rather, or repeat: In spite of the sad state Hero-worship now lies in, consider what this Shakspeare has actually become among us. Which Englishman we ever made, in this land of ours, which million of Englishmen, would we not give up rather than the Stratford Peasant? There is no regiment³²⁵ of highest Dignitaries that we would sell him for. He is the grandest thing we have yet done. For our honor among foreign nations, as an ornament³²⁶ to our English Household, what item is there that we would not surrender rather than him? Consider now, if they asked us, Will you give up your Indian Empire or your Shakspeare, you English; never have had any Indian Empire, or never have had any Shakspeare? Really it were a grave question. Official persons would answer doubtless in official language; but we, for our part too, should not we be forced to answer: Indian Empire, or no Indian Empire; we cannot do without Shakspeare! Indian Empire will go, at any rate, some day; but this Shakspeare does not go, he lasts forever with us; we cannot give up our Shakspeare!

Nay, apart from spiritualities; and considering him merely as a real, marketable, tangibly³²⁷ useful possession. England, before long, this Island of ours, will hold but a small fraction of the English: in America, in New Holland, east and west to the very Antipodes, there will be a Saxondom covering great spaces of the Globe. And now, what is it that can keep all these together into virtually one Nation, so that they do not fall out and fight, but live at peace, in brotherlike intercourse, helping³²⁸ one another? This is justly regarded as the greatest practical problem, the thing all manner of sovereignties and governments are here to accomplish: what is it that will accomplish this? Acts of Parliament, administrative³²⁹ prime-ministers cannot. America is parted from us, so far as Parliament could part it. Call it not fantastic, for there is much reality in it: Here, I say, is an English King, whom no time or chance, Parliament or combination of Parliaments, can dethrone! This King Shakspeare, does not he shine, in crowned sovereignty, over us all, as the noblest, gentlest, yet strongest of rallying-signs; indestructible; really more valuable in that point of view than any other means or appliance whatsoever? We can fancy him as radiant aloft over all the Nations of Englishmen, a thousand years hence. From Paramatta, from New York, wheresoever, under what sort of Parish–Constable soever, English men and women are, they will say to one another: “Yes, this Shakspeare is ours; we produced him, we speak and think by him; we are of one blood and kind with him.” The most common-sense politician, too, if he pleases, may think of that.

Yes, truly, it is a great thing for a Nation that it get an articulate voice; that it produce a man who will speak forth melodiously³³⁰ what the heart of it means! Italy, for example, poor Italy lies dismembered, scattered³³¹ asunder³³², not appearing in any protocol³³³ or treaty as a unity at all; yet the noble Italy is actually one: Italy produced its Dante; Italy can speak! The Czar of all the Russias, he is strong with so many bayonets, Cossacks and cannons³³⁴; and does a great feat³³⁵ in keeping such a tract³³⁶ of Earth politically together; but he cannot yet speak. Something great in him, but it is a dumb greatness. He has had no voice of genius, to be heard of all men and times. He must learn to speak. He is a great dumb monster hitherto. His cannons and Cossacks will all have rusted³³⁷ into nonentity³³⁸, while that Dante’s voice is still audible. The Nation that has a Dante is bound together as no dumb Russia can be. — We must here end what we had to say of the Hero–Poet.

1 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

2 questionable   

adj.可疑的，有问题的

参考例句：

• There are still a few questionable points in the case.这个案件还有几个疑点。
• Your argument is based on a set of questionable assumptions.你的论证建立在一套有问题的假设上。

3 longing   

n.（for）渴望

参考例句：

• Hearing the tune again sent waves of longing through her.再次听到那首曲子使她胸中充满了渴望。
• His heart burned with longing for revenge.他心中燃烧着急欲复仇的怒火。

4 stanzas   

节，段( stanza的名词复数 )

参考例句：

• The poem has six stanzas. 这首诗有六小节。
• Stanzas are different from each other in one poem. 诗中节与节差异颇大。

5 stanza   

n.（诗）节，段

参考例句：

• We omitted to sing the second stanza.我们漏唱了第二节。
• One young reporter wrote a review with a stanza that contained some offensive content.一个年轻的记者就歌词中包含有攻击性内容的一节写了评论。

6 warrior   

n.勇士，武士，斗士

参考例句：

• The young man is a bold warrior.这个年轻人是个很英勇的武士。
• A true warrior values glory and honor above life.一个真正的勇士珍视荣誉胜过生命。

7 thither   

adv.向那里；adj.在那边的，对岸的

参考例句：

• He wandered hither and thither looking for a playmate.他逛来逛去找玩伴。
• He tramped hither and thither.他到处流浪。

8 poetical   

adj.似诗人的；诗一般的；韵文的；富有诗意的

参考例句：

• This is a poetical picture of the landscape. 这是一幅富有诗意的风景画。 来自《简明英汉词典》
• John is making a periphrastic study in a worn-out poetical fashion. 约翰正在对陈腐的诗风做迂回冗长的研究。 来自辞典例句

9 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

10 genial   

adj.亲切的，和蔼的，愉快的，脾气好的

参考例句：

• Orlando is a genial man.奥兰多是一位和蔼可亲的人。
• He was a warm-hearted friend and genial host.他是个热心的朋友，也是友善待客的主人。

11 geniality   

n.和蔼，诚恳；愉快

参考例句：

• They said he is a pitiless,cold-blooded fellow,with no geniality in him.他们说他是个毫无怜悯心、一点也不和蔼的冷血动物。
• Not a shade was there of anything save geniality and kindness.他的眼神里只显出愉快与和气，看不出一丝邪意。

12 prosper   

v.成功，兴隆，昌盛；使成功，使昌隆，繁荣

参考例句：

• With her at the wheel,the company began to prosper.有了她当主管，公司开始兴旺起来。
• It is my earnest wish that this company will continue to prosper.我真诚希望这家公司会继续兴旺发达。

13 supreme   

adj.极度的，最重要的；至高的，最高的

参考例句：

• It was the supreme moment in his life.那是他一生中最重要的时刻。
• He handed up the indictment to the supreme court.他把起诉书送交最高法院。

14 aptitudes   

（学习方面的）才能，资质，天资( aptitude的名词复数 )

参考例句：

• They all require special aptitudes combined with special training. 他们都应具有专门技能，并受过专门训练。
• Do program development with passion. has aptitudes for learning. research. innovation. 热爱程序开发工作。具有学习。钻研。创新的精神。

15 aptitude   

n.(学习方面的)才能，资质，天资

参考例句：

• That student has an aptitude for mathematics.那个学生有数学方面的天赋。
• As a child,he showed an aptitude for the piano.在孩提时代，他显露出对于钢琴的天赋。

16 infinitely   

adv.无限地，无穷地

参考例句：

• There is an infinitely bright future ahead of us.我们有无限光明的前途。
• The universe is infinitely large.宇宙是无限大的。

17 capability   

n.能力；才能；(pl)可发展的能力或特性等

参考例句：

• She has the capability to become a very fine actress.她有潜力成为杰出演员。
• Organizing a whole department is beyond his capability.组织整个部门是他能力以外的事。

18 craftsman   

n.技工，精于一门工艺的匠人

参考例句：

• A cabinet maker must be a master craftsman.家具木工必须是技艺高超的手艺人。
• The craftsman is working up the mass of clay into a toy figure.艺人把一团泥捏成玩具形状。

19 forth   

adv.向前；向外，往外

参考例句：

• The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
• He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。

20 apprentice   

n.学徒，徒弟

参考例句：

• My son is an apprentice in a furniture maker's workshop.我的儿子在一家家具厂做学徒。
• The apprentice is not yet out of his time.这徒工还没有出徒。

21 conqueror   

n.征服者，胜利者

参考例句：

• We shall never yield to a conqueror.我们永远不会向征服者低头。
• They abandoned the city to the conqueror.他们把那个城市丢弃给征服者。

22 inexplicably   

adv.无法说明地，难以理解地，令人难以理解的是

参考例句：

• Inexplicably, Mary said she loved John. 真是不可思议，玛丽说她爱约翰。 来自《简明英汉词典》
• Inexplicably, she never turned up. 令人不解的是，她从未露面。 来自辞典例句

23 specially   

adv.特定地；特殊地；明确地

参考例句：

• They are specially packaged so that they stack easily.它们经过特别包装以便于堆放。
• The machine was designed specially for demolishing old buildings.这种机器是专为拆毁旧楼房而设计的。

24 penetrated   

adj. 击穿的，鞭辟入里的 动词penetrate的过去式和过去分词形式

参考例句：

• The knife had penetrated his chest. 刀子刺入了他的胸膛。
• They penetrated into territory where no man had ever gone before. 他们已进入先前没人去过的地区。

25 starry   

adj.星光照耀的, 闪亮的

参考例句：

• He looked at the starry heavens.他瞧着布满星星的天空。
• I like the starry winter sky.我喜欢这满天星斗的冬夜。

26 inert   

adj.无活动能力的，惰性的；迟钝的

参考例句：

• Inert gas studies are providing valuable information about other planets,too.对惰性气体的研究，也提供了有关其它行星的有价值的资料。
• Elemental nitrogen is a very unreactive and inert material.元素氮是一个十分不活跃的惰性物质。

27 satirist   

n.讽刺诗作者，讽刺家，爱挖苦别人的人

参考例句：

• Voltaire was a famous French satirist.伏尔泰是法国一位著名的讽刺作家。
• Perhaps the first to chronicle this dream was the Greek satirist Lucian.也许第一个记述这一梦想的要算是希腊的讽刺作家露西安了。

28 hearsay   

n.谣传，风闻

参考例句：

• They started to piece the story together from hearsay.他们开始根据传闻把事情的经过一点点拼湊起来。
• You are only supposing this on hearsay.You have no proof.你只是根据传闻想像而已，并没有证据。

29 virtue   

n.德行，美德；贞操；优点；功效，效力

参考例句：

• He was considered to be a paragon of virtue.他被认为是品德尽善尽美的典范。
• You need to decorate your mind with virtue.你应该用德行美化心灵。

30 prohibition   

n.禁止；禁令，禁律

参考例句：

• The prohibition against drunken driving will save many lives.禁止酒后开车将会减少许多死亡事故。
• They voted in favour of the prohibition of smoking in public areas.他们投票赞成禁止在公共场所吸烟。

31 aesthetic   

adj.美学的，审美的，有美感

参考例句：

• My aesthetic standards are quite different from his.我的审美标准与他的大不相同。
• The professor advanced a new aesthetic theory.那位教授提出了新的美学理论。

32 toil   

vi.辛劳工作，艰难地行动；n.苦工，难事

参考例句：

• The wealth comes from the toil of the masses.财富来自大众的辛勤劳动。
• Every single grain is the result of toil.每一粒粮食都来之不易。

33 humble   

adj.谦卑的，恭顺的；地位低下的；v.降低，贬低

参考例句：

• In my humble opinion,he will win the election.依我拙见，他将在选举中获胜。
• Defeat and failure make people humble.挫折与失败会使人谦卑。

34 rugged   

adj.高低不平的，粗糙的，粗壮的，强健的

参考例句：

• Football players must be rugged.足球运动员必须健壮。
• The Rocky Mountains have rugged mountains and roads.落基山脉有崇山峻岭和崎岖不平的道路。

35 vein   

n.血管，静脉；叶脉，纹理；情绪；vt.使成脉络

参考例句：

• The girl is not in the vein for singing today.那女孩今天没有心情唱歌。
• The doctor injects glucose into the patient's vein.医生把葡萄糖注射入病人的静脉。

36 shudders   

n.颤动，打颤，战栗( shudder的名词复数 )v.战栗( shudder的第三人称单数 )；发抖；（机器、车辆等）突然震动；颤动

参考例句：

• It gives me the shudders. （（口语））它使我战栗。 来自辞典例句
• The ghastly sight gave him the shudders. 那恐怖的景象使他感到恐惧。 来自辞典例句

37 faculty   

n.才能；学院，系；(学院或系的)全体教学人员

参考例句：

• He has a great faculty for learning foreign languages.他有学习外语的天赋。
• He has the faculty of saying the right thing at the right time.他有在恰当的时候说恰当的话的才智。

38 embody   

vt.具体表达，使具体化；包含，收录

参考例句：

• The latest locomotives embody many new features. 这些最新的机车具有许多新的特色。
• Hemingway's characters plainly embody his own values and view of life.海明威笔下的角色明确反映出他自己的价值观与人生观。

39 embodies   

v.表现( embody的第三人称单数 )；象征；包括；包含

参考例句：

• The new treaty embodies the aspirations of most nonaligned countries. 新条约体现了大多数不结盟国家的愿望。 来自《简明英汉词典》
• This document embodies the concern of the government for the deformity. 这个文件体现了政府对残疾人的关怀。 来自《现代汉英综合大词典》

40 intelligible   

adj.可理解的，明白易懂的，清楚的

参考例句：

• This report would be intelligible only to an expert in computing.只有计算机运算专家才能看懂这份报告。
• His argument was barely intelligible.他的论点不易理解。

41 whatsoever   

adv.（用于否定句中以加强语气）任何；pron.无论什么

参考例句：

• There's no reason whatsoever to turn down this suggestion.没有任何理由拒绝这个建议。
• All things whatsoever ye would that men should do to you,do ye even so to them.你想别人对你怎样，你就怎样对人。

42 meditated   

深思，沉思，冥想( meditate的过去式和过去分词 )； 内心策划，考虑

参考例句：

• He meditated for two days before giving his answer. 他在作出答复之前考虑了两天。
• She meditated for 2 days before giving her answer. 她考虑了两天才答复。

43 delineation   

n.记述；描写

参考例句：

• Biography must to some extent delineate characters.传记必须在一定程度上描绘人物。
• Delineation of channels is the first step of geologic evaluation.勾划河道的轮廓是地质解译的第一步。

44 authentically   

ad.sincerely真诚地

参考例句：

• Gina: And we should give him something 2 authentically Taiwanese. 吉娜：而且我们应该送他有纯正台湾味的东西。
• A loser is one who fails to correspond authentically. 失败者则指那些未能做到诚实可靠的人。

45 utterances   

n.发声( utterance的名词复数 )；说话方式；语调；言论

参考例句：

• John Maynard Keynes used somewhat gnomic utterances in his General Theory. 约翰·梅纳德·凯恩斯在其《通论》中用了许多精辟言辞。 来自辞典例句
• Elsewhere, particularly in his more public utterances, Hawthorne speaks very differently. 在别的地方，特别是在比较公开的谈话里，霍桑讲的话则完全不同。 来自辞典例句

46 utterance   

n.用言语表达，话语，言语

参考例句：

• This utterance of his was greeted with bursts of uproarious laughter.他的讲话引起阵阵哄然大笑。
• My voice cleaves to my throat,and sob chokes my utterance.我的噪子哽咽，泣不成声。

47 spoke   

n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说

参考例句：

• They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
• The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。

48 coherence   

n.紧凑；连贯；一致性

参考例句：

• There was no coherence between the first and the second half of the film.这部电影的前半部和后半部没有连贯性。
• Environmental education is intended to give these topics more coherence.环境教育的目的是使这些课题更加息息相关。

49 melodious   

adj.旋律美妙的，调子优美的，音乐性的

参考例句：

• She spoke in a quietly melodious voice.她说话轻声细语，嗓音甜美。
• Everybody was attracted by her melodious voice.大家都被她悦耳的声音吸引住了。

50 logic   

n.逻辑(学)；逻辑性

参考例句：

• What sort of logic is that?这是什么逻辑？
• I don't follow the logic of your argument.我不明白你的论点逻辑性何在。

51 nay   

adv.不；n.反对票，投反对票者

参考例句：

• He was grateful for and proud of his son's remarkable,nay,unique performance.他为儿子出色的，不，应该是独一无二的表演心怀感激和骄傲。
• Long essays,nay,whole books have been written on this.许多长篇大论的文章，不，应该说是整部整部的书都是关于这件事的。

52 tune   

n.调子；和谐，协调；v.调音，调节，调整

参考例句：

• He'd written a tune,and played it to us on the piano.他写了一段曲子，并在钢琴上弹给我们听。
• The boy beat out a tune on a tin can.那男孩在易拉罐上敲出一首曲子。

53 passionate   

adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的

参考例句：

• He is said to be the most passionate man.据说他是最有激情的人。
• He is very passionate about the project.他对那个项目非常热心。

54 zealous   

adj.狂热的，热心的

参考例句：

• She made zealous efforts to clean up the classroom.她非常热心地努力清扫教室。
• She is a zealous supporter of our cause.她是我们事业的热心支持者。

55 hulls   

船体( hull的名词复数 )； 船身； 外壳； 豆荚

参考例句：

• Hulls may be removed by aspiration on screens. 脱下的种皮，可由筛子上的气吸装置吸除。
• When their object is attained they fall off like empty hulls from the kernel. 当他们的目的达到以后，他们便凋谢零落，就象脱却果实的空壳一样。

56 primal   

adj.原始的；最重要的

参考例句：

• Jealousy is a primal emotion.嫉妒是最原始的情感。
• Money was a primal necessity to them.对于他们，钱是主要的需要。

57 fabled   

adj.寓言中的，虚构的

参考例句：

• For the first week he never actually saw the fabled Jack. 第一周他实际上从没见到传说中的杰克。
• Aphrodite, the Greek goddness of love, is fabled to have been born of the foam of the sea. 希腊爱神阿美罗狄蒂据说是诞生于海浪泡沫之中。 来自《现代汉英综合大词典》

58 sincerity   

n.真诚，诚意；真实

参考例句：

• His sincerity added much more authority to the story.他的真诚更增加了故事的说服力。
• He tried hard to satisfy me of his sincerity.他竭力让我了解他的诚意。

59 esteem   

n.尊敬，尊重；vt.尊重，敬重；把…看作

参考例句：

• I did not esteem him to be worthy of trust.我认为他不值得信赖。
• The veteran worker ranks high in public love and esteem.那位老工人深受大伙的爱戴。

60 epoch   

n.(新)时代；历元

参考例句：

• The epoch of revolution creates great figures.革命时代造就伟大的人物。
• We're at the end of the historical epoch,and at the dawn of another.我们正处在一个历史时代的末期，另一个历史时代的开端。

61 miraculous   

adj.像奇迹一样的，不可思议的

参考例句：

• The wounded man made a miraculous recovery.伤员奇迹般地痊愈了。
• They won a miraculous victory over much stronger enemy.他们战胜了远比自己强大的敌人，赢得了非凡的胜利。

62 peculiar   

adj.古怪的，异常的；特殊的，特有的

参考例句：

• He walks in a peculiar fashion.他走路的样子很奇特。
• He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。

63 admiration   

n.钦佩，赞美，羡慕

参考例句：

• He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
• We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。

64 literally   

adv.照字面意义，逐字地；确实

参考例句：

• He translated the passage literally.他逐字逐句地翻译这段文字。
• Sometimes she would not sit down till she was literally faint.有时候，她不走到真正要昏厥了，决不肯坐下来。

65 splendor   

n.光彩；壮丽，华丽；显赫，辉煌

参考例句：

• Never in his life had he gazed on such splendor.他生平从没有见过如此辉煌壮丽的场面。
• All the splendor in the world is not worth a good friend.人世间所有的荣华富贵不如一个好朋友。

66 heroism   

n.大无畏精神，英勇

参考例句：

• He received a medal for his heroism.他由于英勇而获得一枚奖章。
• Stories of his heroism resounded through the country.他的英雄故事传遍全国。

67 reverence   

n.敬畏，尊敬，尊严；Reverence:对某些基督教神职人员的尊称；v.尊敬，敬畏，崇敬

参考例句：

• He was a bishop who was held in reverence by all.他是一位被大家都尊敬的主教。
• We reverence tradition but will not be fettered by it.我们尊重传统，但不被传统所束缚。

68 dilettantism   

n.业余的艺术爱好，浅涉文艺，浅薄涉猎

参考例句：

• Their exchange of views usually remained within the limits of a pensive dilettantism. 但是他们彼此的思想交流通常只局限在对于艺术趣味的一般性思考上。 来自辞典例句

69 paralytic   

adj. 瘫痪的 n. 瘫痪病人

参考例句：

• She was completely paralytic last night.她昨天晚上喝得酩酊大醉。
• She rose and hobbled to me on her paralytic legs and kissed me.她站起来，拖着她那麻痹的双腿一瘸一拐地走到我身边，吻了吻我。

70 plight   

n.困境，境况，誓约，艰难；vt.宣誓，保证，约定

参考例句：

• The leader was much concerned over the plight of the refugees.那位领袖对难民的困境很担忧。
• She was in a most helpless plight.她真不知如何是好。

71 dreariest   

使人闷闷不乐或沮丧的( dreary的最高级 )； 阴沉的； 令人厌烦的； 单调的

参考例句：

• It was the dreariest job I had ever done. 那是我所做过的最沉闷的工作。

72 lieutenant   

n.陆军中尉，海军上尉；代理官员，副职官员

参考例句：

• He was promoted to be a lieutenant in the army.他被提升为陆军中尉。
• He prevailed on the lieutenant to send in a short note.他说动那个副官，递上了一张简短的便条进去。

73 artillery   

n.(军)火炮，大炮；炮兵(部队)

参考例句：

• This is a heavy artillery piece.这是一门重炮。
• The artillery has more firepower than the infantry.炮兵火力比步兵大。

74 diademed   

参考例句：

75 rustic   

adj.乡村的，有乡村特色的；n.乡下人，乡巴佬

参考例句：

• It was nearly seven months of leisurely rustic living before Michael felt real boredom.这种悠闲的乡村生活过了差不多七个月之后,迈克尔开始感到烦闷。
• We hoped the fresh air and rustic atmosphere would help him adjust.我们希望新鲜的空气和乡村的氛围能帮他调整自己。

76 dwelling   

n.住宅，住所，寓所

参考例句：

• Those two men are dwelling with us.那两个人跟我们住在一起。
• He occupies a three-story dwelling place on the Park Street.他在派克街上有一幢3层楼的寓所。

77 accredited   

adj.可接受的；可信任的；公认的；质量合格的v.相信( accredit的过去式和过去分词 )；委托；委任；把…归结于

参考例句：

• The discovery of distillation is usually accredited to the Arabs of the 11th century. 通常认为，蒸馏法是阿拉伯人在11世纪发明的。
• Only accredited journalists were allowed entry. 只有正式认可的记者才获准入内。

78 blessing   

n.祈神赐福；祷告；祝福，祝愿

参考例句：

• The blessing was said in Hebrew.祷告用了希伯来语。
• A double blessing has descended upon the house.双喜临门。

79 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

80 impiety   

n.不敬；不孝

参考例句：

• His last act must be a deed of impiety. 他最后的行为就是这一种不孝。
• His remarks show impiety to religion.他的话表现出对宗教的不敬。

81 meddle   

v.干预，干涉，插手

参考例句：

• I hope he doesn't try to meddle in my affairs.我希望他不来干预我的事情。
• Do not meddle in things that do not concern you.别参与和自己无关的事。

82 perverse   

adj.刚愎的；坚持错误的，行为反常的

参考例句：

• It would be perverse to stop this healthy trend.阻止这种健康发展的趋势是没有道理的。
• She gets a perverse satisfaction from making other people embarrassed.她有一种不正常的心态，以使别人难堪来取乐。

83 solitude   

n. 孤独; 独居,荒僻之地,幽静的地方

参考例句：

• People need a chance to reflect on spiritual matters in solitude. 人们需要独处的机会来反思精神上的事情。
• They searched for a place where they could live in solitude. 他们寻找一个可以过隐居生活的地方。

84 cardinals   

红衣主教( cardinal的名词复数 )； 红衣凤头鸟（见于北美，雄鸟为鲜红色）； 基数

参考例句：

• cardinals in scarlet robes 身披红袍的枢机主教
• A conclave of cardinals was held to elect the new Pope. 红衣主教团举行了秘密会议来选举新教皇。

85 perverting   

v.滥用( pervert的现在分词 )；腐蚀；败坏；使堕落

参考例句：

• We must never tolerate any taking bribes and perverting justice. 我们决不能姑息贪赃枉法的行为！ 来自互联网
• District Councillor was jailed for three months for vote-planting and perverting the course of justice. 区议员因选举种票及妨碍司法公正被判监三个月。 来自互联网

86 touching   

adj.动人的，使人感伤的

参考例句：

• It was a touching sight.这是一幅动人的景象。
• His letter was touching.他的信很感人。

87 vacancy   

n.（旅馆的）空位，空房，（职务的）空缺

参考例句：

• Her going on maternity leave will create a temporary vacancy.她休产假时将会有一个临时空缺。
• The vacancy of her expression made me doubt if she was listening.她茫然的神情让我怀疑她是否在听。

88 tragic   

adj.悲剧的，悲剧性的，悲惨的

参考例句：

• The effect of the pollution on the beaches is absolutely tragic.污染海滩后果可悲。
• Charles was a man doomed to tragic issues.查理是个注定不得善终的人。

89 congealed   

v.使凝结，冻结( congeal的过去式和过去分词 )；（指血）凝结

参考例句：

• The cold remains of supper had congealed on the plate. 晚餐剩下的冷饭菜已经凝结在盘子上了。
• The oil at last is congealed into a white fat. 那油最终凝结成了一种白色的油脂。 来自《简明英汉词典》

90 isolation   

n.隔离，孤立，分解，分离

参考例句：

• The millionaire lived in complete isolation from the outside world.这位富翁过着与世隔绝的生活。
• He retired and lived in relative isolation.他退休后，生活比较孤寂。

91 imprisonment   

n.关押，监禁，坐牢

参考例句：

• His sentence was commuted from death to life imprisonment.他的判决由死刑减为无期徒刑。
• He was sentenced to one year's imprisonment for committing bigamy.他因为犯重婚罪被判入狱一年。

92 disdain   

n.鄙视，轻视；v.轻视，鄙视，不屑

参考例句：

• Some people disdain labour.有些人轻视劳动。
• A great man should disdain flatterers.伟大的人物应鄙视献媚者。

93 insignificant   

adj.无关紧要的，可忽略的，无意义的

参考例句：

• In winter the effect was found to be insignificant.在冬季，这种作用是不明显的。
• This problem was insignificant compared to others she faced.这一问题与她面临的其他问题比较起来算不得什么。

94 inquiry   

n.打听，询问，调查，查问

参考例句：

• Many parents have been pressing for an inquiry into the problem.许多家长迫切要求调查这个问题。
• The field of inquiry has narrowed down to five persons.调查的范围已经缩小到只剩5个人了。

95 subtlety   

n.微妙，敏锐，精巧；微妙之处，细微的区别

参考例句：

• He has shown enormous strength,great intelligence and great subtlety.他表现出充沛的精力、极大的智慧和高度的灵活性。
• The subtlety of his remarks was unnoticed by most of his audience.大多数听众都没有觉察到他讲话的微妙之处。

96 contrived   

adj.不自然的，做作的；虚构的

参考例句：

• There was nothing contrived or calculated about what he said.他说的话里没有任何蓄意捏造的成分。
• The plot seems contrived.情节看起来不真实。

97 accurately   

adv.准确地，精确地

参考例句：

• It is hard to hit the ball accurately.准确地击中球很难。
• Now scientists can forecast the weather accurately.现在科学家们能准确地预报天气。

98 intercourse   

n.性交；交流，交往，交际

参考例句：

• The magazine becomes a cultural medium of intercourse between the two peoples.该杂志成为两民族间文化交流的媒介。
• There was close intercourse between them.他们过往很密。

99 luminous   

adj.发光的，发亮的；光明的；明白易懂的；有启发的

参考例句：

• There are luminous knobs on all the doors in my house.我家所有门上都安有夜光把手。
• Most clocks and watches in this shop are in luminous paint.这家商店出售的大多数钟表都涂了发光漆。

100 chiaroscuro   

n.明暗对照法

参考例句：

• Caravaggio is famous for his use of chiaroscuro.卡拉瓦乔以其对明暗对照法的巧妙运用而出名。
• Master combines elements of traditional chinese painting with western perspectiv,chiaroscuro,and color schemes.大师将中国传统的绘画技法与西方的透视法、明暗对照法和颜色组合融为一体。

101 magistrates   

地方法官，治安官( magistrate的名词复数 )

参考例句：

• to come up before the magistrates 在地方法院出庭
• He was summoned to appear before the magistrates. 他被传唤在地方法院出庭。

102 graceful   

adj.优美的，优雅的；得体的

参考例句：

• His movements on the parallel bars were very graceful.他的双杠动作可帅了!
• The ballet dancer is so graceful.芭蕾舞演员的姿态是如此的优美。

103 wedded   

adj.正式结婚的；渴望…的，执著于…的v.嫁，娶，（与…）结婚( wed的过去式和过去分词 )

参考例句：

• She's wedded to her job. 她专心致志于工作。
• I was invited over by the newly wedded couple for a meal. 我被那对新婚夫妇请去吃饭。 来自《简明英汉词典》

104 eternity   

n.不朽，来世；永恒，无穷

参考例句：

• The dull play seemed to last an eternity.这场乏味的剧似乎演个没完没了。
• Finally,Ying Tai and Shan Bo could be together for all of eternity.英台和山伯终能双宿双飞，永世相随。

105 rigor   

n.严酷，严格，严厉

参考例句：

• Their analysis lacks rigor.他们的分析缺乏严谨性。||The crime will be treated with the full rigor of the law.这一罪行会严格依法审理。

106 miseries   

n.痛苦( misery的名词复数 )；痛苦的事；穷困；常发牢骚的人

参考例句：

• They forgot all their fears and all their miseries in an instant. 他们马上忘记了一切恐惧和痛苦。 来自《现代汉英综合大词典》
• I'm suffering the miseries of unemployment. 我正为失业而痛苦。 来自《简明英汉词典》

107 miserable   

adj.悲惨的，痛苦的；可怜的，糟糕的

参考例句：

• It was miserable of you to make fun of him.你取笑他，这是可耻的。
• Her past life was miserable.她过去的生活很苦。

108 disturbances   

n.骚乱( disturbance的名词复数 )；打扰；困扰；障碍

参考例句：

• The government has set up a commission of inquiry into the disturbances at the prison. 政府成立了一个委员会来调查监狱骚乱事件。
• Extra police were called in to quell the disturbances. 已调集了增援警力来平定骚乱。

109 banishment   

n.放逐，驱逐

参考例句：

• Qu Yuan suffered banishment as the victim of a court intrigue. 屈原成为朝廷中钩心斗角的牺牲品，因而遭到放逐。 来自《现代汉英综合大词典》
• He was sent into banishment. 他被流放。 来自辞典例句

110 doom   

n.厄运，劫数；v.注定，命定

参考例句：

• The report on our economic situation is full of doom and gloom.这份关于我们经济状况的报告充满了令人绝望和沮丧的调子。
• The dictator met his doom after ten years of rule.独裁者统治了十年终于完蛋了。

111 doomed   

命定的

参考例句：

• The court doomed the accused to a long term of imprisonment. 法庭判处被告长期监禁。
• A country ruled by an iron hand is doomed to suffer. 被铁腕人物统治的国家定会遭受不幸的。

112 woe   

n.悲哀，苦痛，不幸，困难；int.用来表达悲伤或惊慌

参考例句：

• Our two peoples are brothers sharing weal and woe.我们两国人民是患难与共的兄弟。
• A man is well or woe as he thinks himself so.自认祸是祸，自认福是福。

113 confiscated   

没收，充公( confiscate的过去式和过去分词 )

参考例句：

• Their land was confiscated after the war. 他们的土地在战后被没收。
• The customs officer confiscated the smuggled goods. 海关官员没收了走私品。

114 nefarious   

adj.恶毒的，极坏的

参考例句：

• My father believes you all have a nefarious purpose here.我父亲认为你们都有邪恶的目的。
• He was universally feared because of his many nefarious deeds.因为他干了许多罪恶的勾当，所以人人都惧怕他。

115 dooming   

v.注定( doom的现在分词 )；判定；使…的失败（或灭亡、毁灭、坏结局）成为必然；宣判

参考例句：

• Of course, it may all go horribly wrong in the end, dooming Obamacare altogether. 当然，他们的方案也可能都会背离初衷，从而注定将宣判奥巴马的医改计划死刑。 来自互联网

116 civic   

adj.城市的，都市的，市民的，公民的

参考例句：

• I feel it is my civic duty to vote.我认为投票选举是我作为公民的义务。
• The civic leaders helped to forward the project.市政府领导者协助促进工程的进展。

117 fixed   

adj.固定的，不变的，准备好的；(计算机)固定的

参考例句：

• Have you two fixed on a date for the wedding yet?你们俩选定婚期了吗？
• Once the aim is fixed,we should not change it arbitrarily.目标一旦确定，我们就不应该随意改变。

118 banished   

v.放逐，驱逐( banish的过去式和过去分词 )

参考例句：

• He was banished to Australia, where he died five years later. 他被流放到澳大利亚，五年后在那里去世。
• He was banished to an uninhabited island for a year. 他被放逐到一个无人居住的荒岛一年。 来自《简明英汉词典》

119 moody   

adj.心情不稳的，易怒的，喜怒无常的

参考例句：

• He relapsed into a moody silence.他又重新陷于忧郁的沉默中。
• I'd never marry that girl.She's so moody.我决不会和那女孩结婚的。她太易怒了。

120 mimes   

n.指手画脚( mime的名词复数 )；做手势；哑剧；哑剧演员v.指手画脚地表演，用哑剧的形式表演( mime的第三人称单数 )

参考例句：

• Hanks so scrupulously, heroically mimes the wasting wought by the disease. 汉克斯咬紧牙关，一丝不苟地模仿艾滋病造成的虚弱。 来自互联网
• On an airplane, fellow passengers mimicked her every movement -- like mimes on a street. 在飞机上，有乘客模拟她的每个动作—就像街头模拟表演。 来自互联网

121 buffoons   

n.愚蠢的人( buffoon的名词复数 )；傻瓜；逗乐小丑；滑稽的人

参考例句：

122 heartily   

adv.衷心地，诚恳地，十分，很

参考例句：

• He ate heartily and went out to look for his horse.他痛快地吃了一顿，就出去找他的马。
• The host seized my hand and shook it heartily.主人抓住我的手，热情地和我握手。

123 recollect   

v.回忆，想起，记起，忆起，记得

参考例句：

• He tried to recollect things and drown himself in them.他极力回想过去的事情而沉浸于回忆之中。
• She could not recollect being there.她回想不起曾经到过那儿。

124 sarcasms   

n.讥讽，讽刺，挖苦( sarcasm的名词复数 )

参考例句：

• Bertha frowned, finding it difficult to repress the sarcasms that rose to her lips. 伯莎皱起眉头，她觉得要把溜到嘴边的挖苦话咽下去是件难事。 来自辞典例句
• But as a general rule Bertha checked the sarcasms that constantly rose to her tongue. 然而总的说来，伯莎堵住不断涌到她嘴边的冷嘲热讽。 来自辞典例句

125 solace   

n.安慰；v.使快乐；vt.安慰(物)，缓和

参考例句：

• They sought solace in religion from the harshness of their everyday lives.他们日常生活很艰难，就在宗教中寻求安慰。
• His acting career took a nosedive and he turned to drink for solace.演艺事业突然一落千丈，他便借酒浇愁。

126 purgatory   

n.炼狱；苦难；adj.净化的，清洗的

参考例句：

• Every step of the last three miles was purgatory.最后3英里时每一步都像是受罪。
• Marriage,with peace,is this world's paradise;with strife,this world's purgatory.和谐的婚姻是尘世的乐园，不和谐的婚姻则是人生的炼狱。

127 awe   

n.敬畏，惊惧；vt.使敬畏，使惊惧

参考例句：

• The sight filled us with awe.这景色使我们大为惊叹。
• The approaching tornado struck awe in our hearts.正在逼近的龙卷风使我们惊恐万分。

128 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

129 forsakenness   

抛弃

参考例句：

• When we misuse native language, we are in fact trying to reduce its element of foreignness. 当我们误用时，我们事实上是在试图减少它的外来成分。

130 haven   

n.安全的地方，避难所，庇护所

参考例句：

• It's a real haven at the end of a busy working day.忙碌了一整天后，这真是一个安乐窝。
• The school library is a little haven of peace and quiet.学校的图书馆是一个和平且安静的小避风港。

131 labor   

n.劳动，努力，工作，劳工；分娩；vi.劳动，努力，苦干；vt.详细分析；麻烦

参考例句：

• We are never late in satisfying him for his labor.我们从不延误付给他劳动报酬。
• He was completely spent after two weeks of hard labor.艰苦劳动两周后，他已经疲惫不堪了。

132 pertinently   

适切地

参考例句：

• It is one thing to speak much and another to speak pertinently. 说得多是一回事，讲得中肯又是一回事。
• Pertinently pointed out the government, enterprises and industry association shall adopt measures. 有针对性地指出政府、企业和行业协会应采取的措施。

133 cramped   

a.狭窄的

参考例句：

• The house was terribly small and cramped, but the agent described it as a bijou residence. 房子十分狭小拥挤，但经纪人却把它说成是小巧别致的住宅。
• working in cramped conditions 在拥挤的环境里工作

134 jingling   

叮当声

参考例句：

• A carriage went jingling by with some reclining figure in it. 一辆马车叮当驶过，车上斜倚着一个人。 来自英汉文学 - 嘉莉妹妹
• Melanie did not seem to know, or care, that life was riding by with jingling spurs. 媚兰好像并不知道，或者不关心，生活正马刺丁当地一路驶过去了呢。

135 jingle   

n.叮当声，韵律简单的诗句；v.使叮当作响，叮当响，押韵

参考例句：

• The key fell on the ground with a jingle.钥匙叮当落地。
• The knives and forks set up their regular jingle.刀叉发出常有的叮当声。

136 melancholy   

n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的

参考例句：

• All at once he fell into a state of profound melancholy.他立即陷入无尽的忧思之中。
• He felt melancholy after he failed the exam.这次考试没通过，他感到很郁闷。

137 vocation   

n.职业，行业

参考例句：

• She struggled for years to find her true vocation.她多年来苦苦寻找真正适合自己的职业。
• She felt it was her vocation to minister to the sick.她觉得照料病人是她的天职。

138 precisely   

adv.恰好，正好，精确地，细致地

参考例句：

• It's precisely that sort of slick sales-talk that I mistrust.我不相信的正是那种油腔滑调的推销宣传。
• The man adjusted very precisely.那个人调得很准。

139 superfluous   

adj.过多的，过剩的，多余的

参考例句：

• She fined away superfluous matter in the design. 她删去了这图案中多余的东西。
• That request seemed superfluous when I wrote it.我这样写的时候觉得这个请求似乎是多此一举。

140 canto   

n.长篇诗的章

参考例句：

• It's the fourth canto of Byron's "Childe Harold".这是拜伦长诗《恰尔德·哈罗尔德游记》的第四章。
• The Fifth Canto of the Srimad Bhagavatam tells of innumerable universes.《圣典博伽瓦谭》第五篇讲述了有无数宇宙存在。

141 rhythmic   

adj.有节奏的，有韵律的

参考例句：

• Her breathing became more rhythmic.她的呼吸变得更有规律了。
• Good breathing is slow,rhythmic and deep.健康的呼吸方式缓慢深沉而有节奏。

142 reigns   

n.君主的统治( reign的名词复数 )；君主统治时期；任期；当政期

参考例句：

• In these valleys night reigns. 夜色笼罩着那些山谷。 来自《现代汉英综合大词典》
• The Queen of Britain reigns, but she does not rule or govern. 英国女王是国家元首，但不治国事。 来自辞典例句

143 inferno   

n.火海；地狱般的场所

参考例句：

• Rescue workers fought to get to victims inside the inferno.救援人员奋力营救大火中的受害者。
• The burning building became an inferno.燃烧着的大楼成了地狱般的地方。

144 compartment   

n.卧车包房，隔间；分隔的空间

参考例句：

• We were glad to have the whole compartment to ourselves.真高兴，整个客车隔间由我们独享。
• The batteries are safely enclosed in a watertight compartment.电池被安全地置于一个防水的隔间里。

145 compartments   

n.间隔( compartment的名词复数 )；（列车车厢的）隔间；（家具或设备等的）分隔间；隔层

参考例句：

• Your pencil box has several compartments. 你的铅笔盒有好几个格。 来自《简明英汉词典》
• The first-class compartments are in front. 头等车室在前头。 来自《简明英汉词典》

146 edifice   

n.宏伟的建筑物(如宫殿，教室)

参考例句：

• The American consulate was a magnificent edifice in the centre of Bordeaux.美国领事馆是位于波尔多市中心的一座宏伟的大厦。
• There is a huge Victorian edifice in the area.该地区有一幢维多利亚式的庞大建筑物。

147 accomplished   

adj.有才艺的；有造诣的；达到了的

参考例句：

• Thanks to your help,we accomplished the task ahead of schedule.亏得你们帮忙,我们才提前完成了任务。
• Removal of excess heat is accomplished by means of a radiator.通过散热器完成多余热量的排出。

148 rhythmically   

adv.有节奏地

参考例句：

• A pigeon strutted along the roof, cooing rhythmically. 一只鸽子沿着屋顶大摇大摆地走，有节奏地咕咕叫。 来自《简明英汉词典》
• Exposures of rhythmically banded protore are common in the workings. 在工作面中常见有韵律条带“原矿石”。 来自辞典例句

149 intensity   

n.强烈，剧烈；强度；烈度

参考例句：

• I didn't realize the intensity of people's feelings on this issue.我没有意识到这一问题能引起群情激奋。
• The strike is growing in intensity.罢工日益加剧。

150 prevailing   

adj.盛行的；占优势的；主要的

参考例句：

• She wears a fashionable hair style prevailing in the city.她的发型是这个城市流行的款式。
• This reflects attitudes and values prevailing in society.这反映了社会上盛行的态度和价值观。

151 fiery   

adj.燃烧着的，火红的；暴躁的；激烈的

参考例句：

• She has fiery red hair.她有一头火红的头发。
• His fiery speech agitated the crowd.他热情洋溢的讲话激动了群众。

152 outermost   

adj.最外面的，远离中心的

参考例句：

• He fired and hit the outermost ring of the target.他开枪射中了靶子的最外一环。
• The outermost electron is shielded from the nucleus.原子核对最外层电子的作用受到屏蔽。

153 pinnacle   

n.尖塔，尖顶，山峰；(喻)顶峰

参考例句：

• Now he is at the very pinnacle of his career.现在他正值事业中的顶峰时期。
• It represents the pinnacle of intellectual capability.它代表了智能的顶峰。

154 cone   

n.圆锥体，圆锥形东西，球果

参考例句：

• Saw-dust piled up in a great cone.锯屑堆积如山。
• The police have sectioned off part of the road with traffic cone.警察用锥形路标把部分路面分隔开来。

155 emblem   

n.象征，标志；徽章

参考例句：

• Her shirt has the company emblem on it.她的衬衫印有公司的标记。
• The eagle was an emblem of strength and courage.鹰是力量和勇气的象征。

156 abrupt   

adj.突然的，意外的；唐突的，鲁莽的

参考例句：

• The river takes an abrupt bend to the west.这河突然向西转弯。
• His abrupt reply hurt our feelings.他粗鲁的回答伤了我们的感情。

157 condensation   

n.压缩，浓缩；凝结的水珠

参考例句：

• A cloud is a condensation of water vapour in the atmosphere.云是由大气中的水蒸气凝结成的。
• He used his sleeve to wipe the condensation off the glass.他用袖子擦掉玻璃上凝结的水珠。

158 smiting   

v.猛打，重击，打击( smite的现在分词 )

参考例句：

• He set to smiting and overthrowing. 他马上就动手殴打和破坏。 来自辞典例句

159 eloquent   

adj.雄辩的，口才流利的；明白显示出的

参考例句：

• He was so eloquent that he cut down the finest orator.他能言善辩，胜过最好的演说家。
• These ruins are an eloquent reminder of the horrors of war.这些废墟形象地提醒人们不要忘记战争的恐怖。

160 likeness   

n.相像，相似（之处）

参考例句：

• I think the painter has produced a very true likeness.我认为这位画家画得非常逼真。
• She treasured the painted likeness of her son.她珍藏她儿子的画像。

161 blustering   

adj.狂风大作的，狂暴的v.外强中干的威吓( bluster的现在分词 )；咆哮；（风）呼啸；狂吹

参考例句：

• It was five and a half o'clock now, and a raw, blustering morning. 这时才五点半，正是寒气逼人，狂风咆哮的早晨。 来自辞典例句
• So sink the shadows of night, blustering, rainy, and all paths grow dark. 夜色深沉，风狂雨骤；到处途暗路黑。 来自辞典例句

162 collapses   

折叠( collapse的第三人称单数 )； 倒塌； 崩溃； （尤指工作劳累后）坐下

参考例句：

• This bridge table collapses. 这张桥牌桌子能折叠。
• Once Russia collapses, the last chance to stop Hitler will be gone. 一旦俄国垮台，抑止希特勒的最后机会就没有了。

163 rebuke   

v.指责，非难，斥责 [反]praise

参考例句：

• He had to put up with a smart rebuke from the teacher.他不得不忍受老师的严厉指责。
• Even one minute's lateness would earn a stern rebuke.哪怕迟到一分钟也将受到严厉的斥责。

164 parched   

adj.焦干的；极渴的；v.（使）焦干

参考例句：

• Hot winds parched the crops.热风使庄稼干透了。
• The land in this region is rather dry and parched.这片土地十分干燥。

165 torment   

n.折磨；令人痛苦的东西(人)；vt.折磨；纠缠

参考例句：

• He has never suffered the torment of rejection.他从未经受过遭人拒绝的痛苦。
• Now nothing aggravates me more than when people torment each other.没有什么东西比人们的互相折磨更使我愤怒。

166 judgment   

n.审判；判断力，识别力，看法，意见

参考例句：

• The chairman flatters himself on his judgment of people.主席自认为他审视人比别人高明。
• He's a man of excellent judgment.他眼力过人。

167 bestow   

v.把…赠与，把…授予；花费

参考例句：

• He wished to bestow great honors upon the hero.他希望将那些伟大的荣誉授予这位英雄。
• What great inspiration wiII you bestow on me?你有什么伟大的灵感能馈赠给我？

168 graphic   

adj.生动的，形象的，绘画的，文字的，图表的

参考例句：

• The book gave a graphic description of the war.这本书生动地描述了战争的情况。
• Distinguish important text items in lists with graphic icons.用图标来区分重要的文本项。

169 wail   

vt./vi.大声哀号，恸哭；呼啸，尖啸

参考例句：

• Somewhere in the audience an old woman's voice began plaintive wail.观众席里，一位老太太伤心地哭起来。
• One of the small children began to wail with terror.小孩中的一个吓得大哭起来。

170 paltry   

adj.无价值的，微不足道的

参考例句：

• The parents had little interest in paltry domestic concerns.那些家长对家里鸡毛蒜皮的小事没什么兴趣。
• I'm getting angry;and if you don't command that paltry spirit of yours.我要生气了，如果你不能振作你那点元气。

171 avenged   

v.为…复仇，报…之仇( avenge的过去式和过去分词 )；为…报复

参考例句：

• She avenged her mother's death upon the Nazi soldiers. 她惩处了纳粹士兵以报杀母之仇。 来自《简明英汉词典》
• The Indians avenged the burning of their village on〔upon〕 the settlers. 印第安人因为村庄被焚毁向拓居者们进行报复。 来自《简明英汉词典》

172 harps   

abbr.harpsichord 拨弦古钢琴n.竖琴( harp的名词复数 )

参考例句：

• She continually harps on lack of money. 她总唠叨说缺钱。 来自《简明英汉词典》
• He could turn on the harps of the blessed. 他能召来天使的竖琴为他奏乐。 来自辞典例句

173 longings   

渴望，盼望( longing的名词复数 )

参考例句：

• Ah, those foolish days of noble longings and of noble strivings! 啊，那些充满高贵憧憬和高尚奋斗的傻乎乎的时光！
• I paint you and fashion you ever with my love longings. 我永远用爱恋的渴想来描画你。

174 inverse   

adj.相反的，倒转的，反转的；n.相反之物；v.倒转

参考例句：

• Evil is the inverse of good.恶是善的反面。
• When the direct approach failed he tried the inverse.当直接方法失败时，他尝试相反的做法。

175 converse   

vi.谈话，谈天，闲聊；adv.相反的，相反

参考例句：

• He can converse in three languages.他可以用3种语言谈话。
• I wanted to appear friendly and approachable but I think I gave the converse impression.我想显得友好、平易近人些,却发觉给人的印象恰恰相反。

176 reprobation   

n.斥责

参考例句：

• Nearly everyone had something to say in reprobation of the views suggested by Owen. 几乎每个人都说几句话来表示反对欧文的见解。 来自辞典例句

177 benign   

adj.善良的，慈祥的；良性的，无危险的

参考例句：

• The benign weather brought North America a bumper crop.温和的气候给北美带来大丰收。
• Martha is a benign old lady.玛莎是个仁慈的老妇人。

178 scathed   

v.伤害，损害（尤指使之枯萎）( scathe的过去式和过去分词 )

参考例句：

• He scathed his opponent's honor with rumors. 他用谣言破坏对手的名誉。 来自互联网

179 repentance   

n.懊悔

参考例句：

• He shows no repentance for what he has done.他对他的所作所为一点也不懊悔。
• Christ is inviting sinners to repentance.基督正在敦请有罪的人悔悟。

180 Christian   

adj.基督教徒的；n.基督教徒

参考例句：

• They always addressed each other by their Christian name.他们总是以教名互相称呼。
• His mother is a sincere Christian.他母亲是个虔诚的基督教徒。

181 sojourn   

v./n.旅居，寄居；逗留

参考例句：

• It would be cruel to begrudge your sojourn among flowers and fields.如果嫉妒你逗留在鲜花与田野之间，那将是太不近人情的。
• I am already feeling better for my sojourn here.我在此逗留期间，觉得体力日渐恢复。

182 demons   

n.恶人( demon的名词复数 )；恶魔；精力过人的人；邪念

参考例句：

• demons torturing the sinners in Hell 地狱里折磨罪人的魔鬼
• He is plagued by demons which go back to his traumatic childhood. 他为心魔所困扰，那可追溯至他饱受创伤的童年。 来自《简明英汉词典》

183 reprobate   

n.无赖汉；堕落的人

参考例句：

• After the fall,god begins to do the work of differentiation between his elect and the reprobate.人堕落之后，上帝开始分辨选民与被遗弃的人。
• He disowned his reprobate son.他声明与堕落的儿子脱离关系。

184 penitence   

n.忏悔，赎罪；悔过

参考例句：

• The thief expressed penitence for all his past actions. 那盗贼对他犯过的一切罪恶表示忏悔。 来自《现代汉英综合大词典》
• Of penitence, there has been none! 可是悔过呢，还一点没有！ 来自英汉文学 - 红字

185 denizens   

n.居民，住户( denizen的名词复数 )

参考例句：

• polar bears, denizens of the frozen north 北极熊，在冰天雪地的北方生活的动物
• At length these denizens of the swamps disappeared in their turn. 到了后来，连这些沼泽国的居民们也不见了。 来自辞典例句

186 winding   

n.绕，缠，绕组，线圈

参考例句：

• A winding lane led down towards the river.一条弯弯曲曲的小路通向河边。
• The winding trail caused us to lose our orientation.迂回曲折的小道使我们迷失了方向。

187 psalm   

n.赞美诗，圣诗

参考例句：

• The clergyman began droning the psalm.牧师开始以单调而低沈的语调吟诵赞美诗。
• The minister droned out the psalm.牧师喃喃地念赞美诗。

188 misery   

n.痛苦，苦恼，苦难；悲惨的境遇，贫苦

参考例句：

• Business depression usually causes misery among the working class.商业不景气常使工薪阶层受苦。
• He has rescued me from the mire of misery.他把我从苦海里救了出来。

189 mutual   

adj.相互的，彼此的；共同的，共有的

参考例句：

• We must pull together for mutual interest.我们必须为相互的利益而通力合作。
• Mutual interests tied us together.相互的利害关系把我们联系在一起。

190 redeeming   

补偿的，弥补的

参考例句：

• I found him thoroughly unpleasant, with no redeeming qualities whatsoever. 我觉得他一点也不讨人喜欢，没有任何可取之处。
• The sole redeeming feature of this job is the salary. 这份工作唯其薪水尚可弥补一切之不足。

191 memorable   

adj.值得回忆的，难忘的，特别的，显著的

参考例句：

• This was indeed the most memorable day of my life.这的确是我一生中最值得怀念的日子。
• The veteran soldier has fought many memorable battles.这个老兵参加过许多难忘的战斗。

192 veracity   

n.诚实

参考例句：

• I can testify to this man's veracity and good character.我可以作证，此人诚实可靠品德良好。
• There is no reason to doubt the veracity of the evidence.没有理由怀疑证据的真实性。

193 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

194 emblematic   

adj.象征的，可当标志的；象征性

参考例句：

• The violence is emblematic of what is happening in our inner cities. 这种暴力行为正标示了我们市中心贫民区的状况。
• Whiteness is emblematic of purity. 白色是纯洁的象征。 来自辞典例句

195 sublime   

adj.崇高的，伟大的；极度的，不顾后果的

参考例句：

• We should take some time to enjoy the sublime beauty of nature.我们应该花些时间去欣赏大自然的壮丽景象。
• Olympic games play as an important arena to exhibit the sublime idea.奥运会，就是展示此崇高理念的重要舞台。

196 sublimest   

伟大的( sublime的最高级 )； 令人赞叹的； 极端的； 不顾后果的

参考例句：

• Goes out the Chinese nation magnificent sight sublimest square matrix! 走出中华民族最壮观最壮美的方阵！

197 emblems   

n.象征，标记( emblem的名词复数 )

参考例句：

• His emblems are the spear and the burning torch. 他佩带的徽记是长矛和燃烧着的火炬。 来自辞典例句
• Crystal prize, Crystal gift, Crystal trophy, Champion cup, Emblems. 水晶奖牌、水晶礼品、水晶纪念品、奖杯、金属奖牌。 来自互联网

198 incompatibility   

n.不兼容

参考例句：

• One cause may be an Rh incompatibility causing kernicterus in the newborn. 一个原因可能是Rh因子不相配引起新生儿的脑核性黄疸。
• Sexual incompatibility is wide-spread in the apple. 性的不亲合性在苹果中很普遍。

199 hideous   

adj.丑陋的，可憎的，可怕的，恐怖的

参考例句：

• The whole experience had been like some hideous nightmare.整个经历就像一场可怕的噩梦。
• They're not like dogs,they're hideous brutes.它们不像狗，是丑陋的畜牲。

200 everlasting   

adj.永恒的，持久的，无止境的

参考例句：

• These tyres are advertised as being everlasting.广告上说轮胎持久耐用。
• He believes in everlasting life after death.他相信死后有不朽的生命。

201 lasting   

adj.永久的，永恒的；vbl.持续，维持

参考例句：

• The lasting war debased the value of the dollar.持久的战争使美元贬值。
• We hope for a lasting settlement of all these troubles.我们希望这些纠纷能获得永久的解决。

202 veracious   

adj.诚实可靠的

参考例句：

• Miss Stackpole was a strictly veracious reporter.斯坦克波尔小姐是一丝不苟、实事求是的记者。
• We need to make a veracious evaluation.我们需要事先作出准确的估计。

203 vicissitudes   

n.变迁，世事变化；变迁兴衰( vicissitude的名词复数 )；盛衰兴废

参考例句：

• He experienced several great social vicissitudes in his life. 他一生中经历了几次大的社会变迁。 来自《简明英汉词典》
• A man used to vicissitudes is not easily dejected. 饱经沧桑，不易沮丧。 来自《简明英汉词典》

204 sensuous   

adj.激发美感的；感官的，感觉上的

参考例句：

• Don't get the idea that value of music is commensurate with its sensuous appeal.不要以为音乐的价值与其美的感染力相等。
• The flowers that wreathed his parlor stifled him with their sensuous perfume.包围著客厅的花以其刺激人的香味使他窒息。

205 meditation   

n.熟虑，（尤指宗教的）默想，沉思，（pl.）冥想录

参考例句：

• This peaceful garden lends itself to meditation.这个恬静的花园适于冥想。
• I'm sorry to interrupt your meditation.很抱歉，我打断了你的沉思。

206 abidingly   

adv. 永久地，不变地

参考例句：

• So huge China every the world, advocate economy must be abidingly principle! 如此宠大的中国，乃至全世界，提倡节约绝对是硬道理！
• He returns, however want to get lovely woman for wife, go over lifetime abidingly. 他回来，只是想娶心爱的女人为妻，安安分分地过一辈子。

207 brotherhood   

n.兄弟般的关系，手中情谊

参考例句：

• They broke up the brotherhood.他们断绝了兄弟关系。
• They live and work together in complete equality and brotherhood.他们完全平等和兄弟般地在一起生活和工作。

208 woes   

困境( woe的名词复数 )； 悲伤； 我好苦哇； 某人就要倒霉

参考例句：

• Thanks for listening to my woes. 谢谢您听我诉说不幸的遭遇。
• She has cried the blues about its financial woes. 对于经济的困难她叫苦不迭。

209 brass   

n.黄铜；黄铜器，铜管乐器

参考例句：

• Many of the workers play in the factory's brass band.许多工人都在工厂铜管乐队中演奏。
• Brass is formed by the fusion of copper and zinc.黄铜是通过铜和锌的熔合而成的。

210 encyclopaedias   

n.百科全书，大全( encyclopaedia的名词复数 )

参考例句：

• IT IS normally hard to get excited about encyclopaedias. 一般情况下，人们很难对一本百科全书而感到兴奋。 来自互联网
• He went from door door, selling encyclopaedias. 他逐门逐户去推销百科全书。 来自互联网

211 creeds   

（尤指宗教）信条，教条( creed的名词复数 )

参考例句：

• people of all races, colours and creeds 各种种族、肤色和宗教信仰的人
• Catholics are agnostic to the Protestant creeds. 天主教徒对于新教教义来说，是不可知论者。

212 desolate   

adj.荒凉的，荒芜的；孤独的，凄凉的；v.使荒芜，使孤寂

参考例句：

• The city was burned into a desolate waste.那座城市被烧成一片废墟。
• We all felt absolutely desolate when she left.她走后，我们都觉得万分孤寂。

213 invaluable   

adj.无价的，非常宝贵的，极为贵重的

参考例句：

• A computer would have been invaluable for this job.一台计算机对这个工作的作用会是无法估计的。
• This information was invaluable to him.这个消息对他来说是非常宝贵的。

214 arena   

n.竞技场，运动场所；竞争场所，舞台

参考例句：

• She entered the political arena at the age of 25. 她25岁进入政界。
• He had not an adequate arena for the exercise of his talents.他没有充分发挥其才能的场所。

215 follies   

罪恶，时事讽刺剧； 愚蠢，蠢笨，愚蠢的行为、思想或做法( folly的名词复数 )

参考例句：

• He has given up youthful follies. 他不再做年轻人的荒唐事了。
• The writings of Swift mocked the follies of his age. 斯威夫特的作品嘲弄了他那个时代的愚人。

216 obsolete   

adj.已废弃的，过时的

参考例句：

• These goods are obsolete and will not fetch much on the market.这些货品过时了，在市场上卖不了高价。
• They tried to hammer obsolete ideas into the young people's heads.他们竭力把陈旧思想灌输给青年。

217 firmament   

n.苍穹；最高层

参考例句：

• There are no stars in the firmament.天空没有一颗星星。
• He was rich,and a rising star in the political firmament.他十分富有，并且是政治高层一颗冉冉升起的新星。

218 kindle   

v.点燃，着火

参考例句：

• This wood is too wet to kindle.这木柴太湿点不着。
• A small spark was enough to kindle Lily's imagination.一星光花足以点燃莉丽的全部想象力。

219 embodied   

v.表现( embody的过去式和过去分词 )；象征；包括；包含

参考例句：

• a politician who embodied the hopes of black youth 代表黑人青年希望的政治家
• The heroic deeds of him embodied the glorious tradition of the troops. 他的英雄事迹体现了军队的光荣传统。 来自《简明英汉词典》

220 distilled   

adj.由蒸馏得来的v.蒸馏( distil的过去式和过去分词 )；从…提取精华

参考例句：

• The televised interview was distilled from 16 hours of film. 那次电视采访是从16个小时的影片中选出的精华。 来自《简明英汉词典》
• Gasoline is distilled from crude oil. 汽油是从原油中提炼出来的。 来自《简明英汉词典》

221 uproar   

n.骚动，喧嚣，鼎沸

参考例句：

• She could hear the uproar in the room.她能听见房间里的吵闹声。
• His remarks threw the audience into an uproar.他的讲话使听众沸腾起来。

222 inanity   

n.无意义，无聊

参考例句：

• Their statement was a downright inanity.他们的声明是彻头彻尾的废话。
• I laugh all alone at my complete inanity.十分无聊时，我就独自大笑。

223 futility   

n.无用

参考例句：

• She could see the utter futility of trying to protest. 她明白抗议是完全无用的。
• The sheer futility of it all exasperates her. 它毫无用处，这让她很生气。

224 boundless   

adj.无限的；无边无际的；巨大的

参考例句：

• The boundless woods were sleeping in the deep repose of nature.无边无际的森林在大自然静寂的怀抱中酣睡着。
• His gratitude and devotion to the Party was boundless.他对党无限感激、无限忠诚。

225 treasury   

n.宝库；国库，金库；文库

参考例句：

• The Treasury was opposed in principle to the proposals.财政部原则上反对这些提案。
• This book is a treasury of useful information.这本书是有价值的信息宝库。

226 acting   

n.演戏，行为，假装；adj.代理的，临时的，演出用的

参考例句：

• Ignore her,she's just acting.别理她，她只是假装的。
• During the seventies,her acting career was in eclipse.在七十年代，她的表演生涯黯然失色。

227 construe   

v.翻译，解释

参考例句：

• He had tried to construe a passage from Homer.他曾尝试注释荷马著作的一段文字。
• You can construe what he said in a number of different ways.他的话可以有好几种解释。

228 chivalry   

n.骑士气概，侠义；（男人）对女人彬彬有礼，献殷勤

参考例句：

• The Middle Ages were also the great age of chivalry.中世纪也是骑士制度盛行的时代。
• He looked up at them with great chivalry.他非常有礼貌地抬头瞧她们。

229 perennial   

adj.终年的；长久的

参考例句：

• I wonder at her perennial youthfulness.我对她青春常驻感到惊讶。
• There's a perennial shortage of teachers with science qualifications.有理科教学资格的老师一直都很短缺。

230 placid   

adj.安静的，平和的

参考例句：

• He had been leading a placid life for the past eight years.八年来他一直过着平静的生活。
• You should be in a placid mood and have a heart-to- heart talk with her.你应该心平气和的好好和她谈谈心。

231 squire   

n.护卫, 侍从, 乡绅

参考例句：

• I told him the squire was the most liberal of men.我告诉他乡绅是世界上最宽宏大量的人。
• The squire was hard at work at Bristol.乡绅在布里斯托尔热衷于他的工作。

232 prosecuted   

a.被起诉的

参考例句：

• The editors are being prosecuted for obscenity. 编辑因刊载污秽文字而被起诉。
• The company was prosecuted for breaching the Health and Safety Act. 这家公司被控违反《卫生安全条例》。

233 withers   

马肩隆

参考例句：

• The girl's pitiful history would wring one's withers. 这女孩子的经历令人心碎。
• "I will be there to show you," and so Mr. Withers withdrew. “我会等在那里，领你去看房间的，"威瑟斯先生这样说着，退了出去。 来自英汉文学 - 嘉莉妹妹

234 wither   

vt.使凋谢，使衰退，(用眼神气势等)使畏缩；vi.枯萎，衰退，消亡

参考例句：

• She grows as a flower does-she will wither without sun.她象鲜花一样成长--没有太阳就会凋谢。
• In autumn the leaves wither and fall off the trees.秋天，树叶枯萎并从树上落下来。

235 bough   

n.大树枝，主枝

参考例句：

• I rested my fishing rod against a pine bough.我把钓鱼竿靠在一棵松树的大树枝上。
• Every bough was swinging in the wind.每条树枝都在风里摇摆。

236 sufficiently   

adv.足够地，充分地

参考例句：

• It turned out he had not insured the house sufficiently.原来他没有给房屋投足保险。
• The new policy was sufficiently elastic to accommodate both views.新政策充分灵活地适用两种观点。

237 talon   

n.爪；（如爪般的）手指；爪状物

参考例句：

• Can you get a little tighter with the talon?你能不能把摄像探头固定住不动？
• This kind of spice is made of eagle's talon and has a unique flavor.这种香料味道独特，是用鹰爪作原料制成的。

238 boughs   

大树枝( bough的名词复数 )

参考例句：

• The green boughs glittered with all their pearls of dew. 绿枝上闪烁着露珠的光彩。
• A breeze sighed in the higher boughs. 微风在高高的树枝上叹息着。

239 hustings   

n.竞选活动

参考例句：

• With only days to go before elections in Pakistan,candidates are battling it out at the hustings.离巴基斯坦大选只有几天的时间了，各候选人正在竞选活动上一决胜负。
• Most politicians will be at the hustings in the coming week.大多数政治家将在下周展开竞选活动。

240 tavern   

n.小旅馆，客栈；小酒店

参考例句：

• There is a tavern at the corner of the street.街道的拐角处有一家酒馆。
• Philip always went to the tavern,with a sense of pleasure.菲利浦总是心情愉快地来到这家酒菜馆。

241 joyous   

adj.充满快乐的；令人高兴的

参考例句：

• The lively dance heightened the joyous atmosphere of the scene.轻快的舞蹈给这场戏渲染了欢乐气氛。
• They conveyed the joyous news to us soon.他们把这一佳音很快地传递给我们。

242 tranquil   

adj. 安静的, 宁静的, 稳定的, 不变的

参考例句：

• The boy disturbed the tranquil surface of the pond with a stick. 那男孩用棍子打破了平静的池面。
• The tranquil beauty of the village scenery is unique. 这乡村景色的宁静是绝无仅有的。

243 faculties   

n.能力( faculty的名词复数 )；全体教职员；技巧；院

参考例句：

• Although he's ninety, his mental faculties remain unimpaired. 他虽年届九旬，但头脑仍然清晰。
• All your faculties have come into play in your work. 在你的工作中，你的全部才能已起到了作用。 来自《简明英汉词典》

244 quarry   

n.采石场；v.采石；费力地找

参考例句：

• Michelangelo obtained his marble from a quarry.米开朗基罗从采石场获得他的大理石。
• This mountain was the site for a quarry.这座山曾经有一个采石场。

245 narrative   

n.叙述，故事；adj.叙事的，故事体的

参考例句：

• He was a writer of great narrative power.他是一位颇有记述能力的作家。
• Neither author was very strong on narrative.两个作者都不是很善于讲故事。

246 embroilment   

n.搅乱，纠纷

参考例句：

• Their embroilment is to our advantage. 他们闹，对我们有利。 来自互联网

247 fiat   

n.命令，法令，批准；vt.批准，颁布

参考例句：

• The opening of a market stall is governed by municipal fiat.开设市场摊位受市政法令管制。
• He has tried to impose solutions to the country's problems by fiat.他试图下令强行解决该国的问题。

248 chaos   

n.混乱，无秩序

参考例句：

• After the failure of electricity supply the city was in chaos.停电后，城市一片混乱。
• The typhoon left chaos behind it.台风后一片混乱。

249 perspicacity   

n. 敏锐, 聪明, 洞察力

参考例句：

• Perspicacity includes selective code, selective comparing and selective combining. 洞察力包括选择性编码、选择性比较、选择性联合。
• He may own the perspicacity and persistence to catch and keep the most valuable thing. 他可能拥有洞察力和坚忍力，可以抓住和保有人生中最宝贵的东西。

250 generic   

adj.一般的，普通的，共有的

参考例句：

• I usually buy generic clothes instead of name brands.我通常买普通的衣服，不买名牌。
• The generic woman appears to have an extraordinary faculty for swallowing the individual.一般妇女在婚后似乎有特别突出的抑制个性的能力。

251 valor   

n.勇气，英勇

参考例句：

• Fortitude is distinct from valor.坚韧不拔有别于勇猛。
• Frequently banality is the better parts of valor.老生常谈往往比大胆打破常规更为人称道。

252 candor   

n.坦白，率真

参考例句：

• He covered a wide range of topics with unusual candor.他极其坦率地谈了许多问题。
• He and his wife had avoided candor,and they had drained their marriage.他们夫妻间不坦率，已使婚姻奄奄一息。

253 tolerance   

n.宽容；容忍，忍受；耐药力；公差

参考例句：

• Tolerance is one of his strengths.宽容是他的一个优点。
• Human beings have limited tolerance of noise.人类对噪音的忍耐力有限。

254 truthfulness   

n. 符合实际

参考例句：

• Among her many virtues are loyalty, courage, and truthfulness. 她有许多的美德，如忠诚、勇敢和诚实。
• I fired a hundred questions concerning the truthfulness of his statement. 我对他发言的真实性提出一连串质问。

255 victorious   

adj.胜利的，得胜的

参考例句：

• We are certain to be victorious.我们定会胜利。
• The victorious army returned in triumph.获胜的部队凯旋而归。

256 obstructions   

n.障碍物( obstruction的名词复数 )；阻碍物；阻碍；阻挠

参考例句：

• The absence of obstructions is of course an idealization. 没有障碍物的情况当然是一种理想化的情况。 来自辞典例句
• These obstructions could take some weeks to clear from these canals. 这些障碍物可能要花几周时间才能从运河中清除掉。 来自辞典例句

257 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

258 transparent   

adj.明显的，无疑的；透明的

参考例句：

• The water is so transparent that we can see the fishes swimming.水清澈透明，可以看到鱼儿游来游去。
• The window glass is transparent.窗玻璃是透明的。

259 mechanism   

n.机械装置；机构，结构

参考例句：

• The bones and muscles are parts of the mechanism of the body.骨骼和肌肉是人体的组成部件。
• The mechanism of the machine is very complicated.这台机器的结构是非常复杂的。

260 genially   

adv.亲切地，和蔼地；快活地

参考例句：

• The white church peeps out genially from behind the huts scattered on the river bank. 一座白色教堂从散布在岸上的那些小木房后面殷勤地探出头来。 来自《简明英汉词典》
• "Well, It'seems strange to see you way up here,'said Mr. Kenny genially. “咳，真没想到会在这么远的地方见到你，"肯尼先生亲切地说。 来自英汉文学 - 嘉莉妹妹

261 exterminating   

v.消灭，根绝( exterminate的现在分词 )

参考例句：

• Man is exterminating too many species for zoos to be much help. 人类正在导致过多物种灭绝，动物园也无济于事。 来自辞典例句
• Germany is exterminating the Jews of Europe. 德国正在灭绝欧洲犹太人。 来自辞典例句

262 outfit   

n.（为特殊用途的）全套装备，全套服装

参考例句：

• Jenney bought a new outfit for her daughter's wedding.珍妮为参加女儿的婚礼买了一套新装。
• His father bought a ski outfit for him on his birthday.他父亲在他生日那天给他买了一套滑雪用具。

263 speculation   

n.思索，沉思；猜测；投机

参考例句：

• Her mind is occupied with speculation.她的头脑忙于思考。
• There is widespread speculation that he is going to resign.人们普遍推测他要辞职。

264 crabbed   

adj.脾气坏的；易怒的；（指字迹）难辨认的；（字迹等）难辨认的v.捕蟹( crab的过去式和过去分词 )

参考例句：

• His mature composi tions are generally considered the more cerebral and crabbed. 他成熟的作品一般被认为是触动理智的和难于理解的。 来自《现代英汉综合大词典》
• He met a crabbed, cantankerous director. 他碰上了一位坏脾气、爱争吵的主管。 来自辞典例句

265 apprehension   

n.理解，领悟；逮捕，拘捕；忧虑

参考例句：

• There were still areas of doubt and her apprehension grew.有些地方仍然存疑，于是她越来越担心。
• She is a girl of weak apprehension.她是一个理解力很差的女孩。

266 radically   

ad.根本地，本质地

参考例句：

• I think we may have to rethink our policies fairly radically. 我认为我们可能要对我们的政策进行根本的反思。
• The health service must be radically reformed. 公共医疗卫生服务必须进行彻底改革。

267 thereby   

adv.因此，从而

参考例句：

• I have never been to that city,,ereby I don't know much about it.我从未去过那座城市，因此对它不怎么熟悉。
• He became a British citizen,thereby gaining the right to vote.他成了英国公民，因而得到了投票权。

268 essentially   

adv.本质上，实质上，基本上

参考例句：

• Really great men are essentially modest.真正的伟人大都很谦虚。
• She is an essentially selfish person.她本质上是个自私自利的人。

269 thoroughly   

adv.完全地，彻底地，十足地

参考例句：

• The soil must be thoroughly turned over before planting.一定要先把土地深翻一遍再下种。
• The soldiers have been thoroughly instructed in the care of their weapons.士兵们都系统地接受过保护武器的训练。

270 immoral   

adj.不道德的，淫荡的，荒淫的，有伤风化的

参考例句：

• She was questioned about his immoral conduct toward her.她被询问过有关他对她的不道德行为的情况。
• It is my belief that nuclear weapons are immoral.我相信使核武器是不邪恶的。

271 virtuously   

合乎道德地，善良地

参考例句：

• Pro31:29 Many daughters have done virtuously, but thou excellest them all. 箴31:29说，才德的女子很多，惟独你超过一切。

272 virtues   

美德( virtue的名词复数 )； 德行； 优点； 长处

参考例句：

• Doctors often extol the virtues of eating less fat. 医生常常宣扬少吃脂肪的好处。
• She delivered a homily on the virtues of family life. 她进行了一场家庭生活美德方面的说教。

273 remains   

n.剩余物，残留物；遗体，遗迹

参考例句：

• He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
• The remains of the meal were fed to the dog.残羹剩饭喂狗了。

274 pusillanimous   

adj.懦弱的，胆怯的

参考例句：

• The authorities have been too pusillanimous in merely condemning the violence.当局对暴行只是进行了谴责，真是太胆小怕事了。
• The pusillanimous man would not defend his own family.软弱无力的人不会保卫他自己的家。

275 lodge   

v.临时住宿，寄宿，寄存，容纳；n.传达室，小旅馆

参考例句：

• Is there anywhere that I can lodge in the village tonight?村里有我今晚过夜的地方吗？
• I shall lodge at the inn for two nights.我要在这家小店住两个晚上。

276 unity   

n.团结，联合，统一；和睦，协调

参考例句：

• When we speak of unity,we do not mean unprincipled peace.所谓团结，并非一团和气。
• We must strengthen our unity in the face of powerful enemies.大敌当前，我们必须加强团结。

277 perversion   

n.曲解；堕落；反常

参考例句：

• In its most general sense,corruption means the perversion or abandonment.就其最一般的意义上说，舞弊就是堕落，就是背离准则。
• Her account was a perversion of the truth.她所讲的歪曲了事实。

278 modifications   

n.缓和( modification的名词复数 )；限制；更改；改变

参考例句：

• The engine was pulled apart for modifications and then reassembled. 发动机被拆开改型，然后再组装起来。 来自《简明英汉词典》
• The original plan had undergone fairly extensive modifications. 原计划已经作了相当大的修改。 来自《简明英汉词典》

279 artifice   

n.妙计，高明的手段；狡诈，诡计

参考例句：

• The use of mirrors in a room is an artifice to make the room look larger.利用镜子装饰房间是使房间显得大一点的巧妙办法。
• He displayed a great deal of artifice in decorating his new house.他在布置新房子中表现出富有的技巧。

280 concurrences   

n.同意，一致( concurrence的名词复数 )；同时发生或出现

参考例句：

281 affinities   

n.密切关系( affinity的名词复数 )；亲近；（生性）喜爱；类同

参考例句：

• Cubism had affinities with the new European interest in Jazz. 主体派和欧洲新近的爵士音乐热有密切关系。 来自辞典例句
• The different isozymes bind calcium ions with different affinities. 不同的同功酶以不同的亲和力与钙离子相结合。 来自辞典例句

282 meditating   

a.沉思的，冥想的

参考例句：

• They were meditating revenge. 他们在谋划进行报复。
• The congressman is meditating a reply to his critics. 这位国会议员正在考虑给他的批评者一个答复。

283 exertion   

n.尽力，努力

参考例句：

• We were sweating profusely from the exertion of moving the furniture.我们搬动家具大费气力，累得大汗淋漓。
• She was hot and breathless from the exertion of cycling uphill.由于用力骑车爬坡，她浑身发热。

284 bosom   

n.胸，胸部；胸怀；内心；adj.亲密的

参考例句：

• She drew a little book from her bosom.她从怀里取出一本小册子。
• A dark jealousy stirred in his bosom.他内心生出一阵恶毒的嫉妒。

285 joyful   

adj.欢乐的，令人欢欣的

参考例句：

• She was joyful of her good result of the scientific experiments.她为自己的科学实验取得好成果而高兴。
• They were singing and dancing to celebrate this joyful occasion.他们唱着、跳着庆祝这令人欢乐的时刻。

286 tranquillity   

n. 平静, 安静

参考例句：

• The phenomenon was so striking and disturbing that his philosophical tranquillity vanished. 这个令人惶惑不安的现象，扰乱了他的旷达宁静的心境。
• My value for domestic tranquillity should much exceed theirs. 我应该远比他们重视家庭的平静生活。

287 sonnets   

n.十四行诗( sonnet的名词复数 )

参考例句：

• Keats' reputation as a great poet rests largely upon the odes and the later sonnets. 作为一个伟大的诗人，济慈的声誉大部分建立在他写的长诗和后期的十四行诗上。 来自《简明英汉词典》
• He referred to the manuscript circulation of the sonnets. 他谈到了十四行诗手稿的流行情况。 来自辞典例句

288 waded   

（从水、泥等）蹚，走过，跋( wade的过去式和过去分词 )

参考例句：

• She tucked up her skirt and waded into the river. 她撩起裙子蹚水走进河里。
• He waded into the water to push the boat out. 他蹚进水里把船推出来。

289 overflowing   

n. 溢出物,溢流 adj. 充沛的，充满的 动词overflow的现在分词形式

参考例句：

• The stands were overflowing with farm and sideline products. 集市上农副产品非常丰富。
• The milk is overflowing. 牛奶溢出来了。

290 butt   

n.笑柄；烟蒂；枪托；臀部；v.用头撞或顶

参考例句：

• The water butt catches the overflow from this pipe.大水桶盛接管子里流出的东西。
• He was the butt of their jokes.他是他们的笑柄。

291 bantering   

adj.嘲弄的v.开玩笑，说笑，逗乐( banter的现在分词 )；（善意地）取笑，逗弄

参考例句：

• There was a friendly, bantering tone in his voice. 他的声音里流露着友好诙谐的语调。
• The students enjoyed their teacher's bantering them about their mistakes. 同学们对老师用风趣的方式讲解他们的错误很感兴趣。 来自《现代英汉综合大词典》

292 pretension   

n.要求；自命，自称；自负

参考例句：

• I make no pretension to skill as an artist,but I enjoy painting.我并不自命有画家的技巧，但我喜欢绘画。
• His action is a satire on his boastful pretension.他的行动是对他自我卖弄的一个讽刺。

293 verges   

边，边缘，界线( verge的名词复数 )

参考例句：

• The small stream verges to the north. 这条小河向北延伸。
• The results ob-tained agree well with those given by Verges using random Bethe lattice model. 所得结果与Verges用非晶的Bethe晶格模型的计算结果相符。

294 tickle   

v.搔痒，胳肢；使高兴；发痒；n.搔痒，发痒

参考例句：

• Wilson was feeling restless. There was a tickle in his throat.威尔逊只觉得心神不定。嗓子眼里有些发痒。
• I am tickle pink at the news.听到这消息我高兴得要命。

295 epic   

n.史诗，叙事诗；adj.史诗般的，壮丽的

参考例句：

• I gave up my epic and wrote this little tale instead.我放弃了写叙事诗，而写了这个小故事。
• They held a banquet of epic proportions.他们举行了盛大的宴会。

296 jaded   

adj.精疲力竭的；厌倦的；（因过饱或过多而）腻烦的；迟钝的

参考例句：

• I felt terribly jaded after working all weekend. 整个周末工作之后我感到疲惫不堪。
• Here is a dish that will revive jaded palates. 这道菜简直可以恢复迟钝的味觉。 来自《简明英汉词典》

297 dread   

vt.担忧，忧虑；惧怕，不敢；n.担忧，畏惧

参考例句：

• We all dread to think what will happen if the company closes.我们都不敢去想一旦公司关门我们该怎么办。
• Her heart was relieved of its blankest dread.她极度恐惧的心理消除了。

298 patriotism   

n.爱国精神，爱国心，爱国主义

参考例句：

• His new book is a demonstration of his patriotism.他写的新书是他的爱国精神的证明。
• They obtained money under the false pretenses of patriotism.他们以虚伪的爱国主义为借口获得金钱。

299 indifference   

n.不感兴趣，不关心，冷淡，不在乎

参考例句：

• I was disappointed by his indifference more than somewhat.他的漠不关心使我很失望。
• He feigned indifference to criticism of his work.他假装毫不在意别人批评他的作品。

300 boisterous   

adj.喧闹的，欢闹的

参考例句：

• I don't condescend to boisterous displays of it.我并不屈就于它热热闹闹的外表。
• The children tended to gather together quietly for a while before they broke into boisterous play.孩子们经常是先静静地聚集在一起，不一会就开始吵吵嚷嚷戏耍开了。

301 protrusive   

adj.伸出的，突出的

参考例句：

• Objective: How distant the condyle moved to protrusive and its function importance for incisors occlusion. 目的：推导切牙合功能时，髁状突向前下方运行的距离及生理意义。 来自互联网
• A relatively slow developing trend was shown, however, good protrusive kinds of TCM aerosols not seldom. 中药气雾剂技术呈现缓慢发展的状况，但不乏个别表现突出的品种。 来自互联网

302 cursory   

adj.粗略的；草率的；匆促的

参考例句：

• He signed with only a cursory glance at the report.他只草草看了一眼报告就签了名。
• The only industry mentioned is agriculture and it is discussed in a cursory sentence.实业方面只谈到农业,而且只是匆匆带了一句。

303 cramping   

图像压缩

参考例句：

• The bleeding may keep my left hand from cramping. 淌血会叫我的左手不抽筋。
• This loss of sodium can cause dehydration and cramping. 钠流失会造成脱水和抽筋。

304 illuminating   

a.富于启发性的，有助阐明的

参考例句：

• We didn't find the examples he used particularly illuminating. 我们觉得他采用的那些例证启发性不是特别大。
• I found his talk most illuminating. 我觉得他的话很有启发性。

305 alas   

int.唉(表示悲伤、忧愁、恐惧等)

参考例句：

• Alas!The window is broken!哎呀！窗子破了！
• Alas,the truth is less romantic.然而，真理很少带有浪漫色彩。

306 sculptor   

n.雕刻家，雕刻家

参考例句：

• A sculptor forms her material.雕塑家把材料塑造成雕塑品。
• The sculptor rounded the clay into a sphere.那位雕塑家把黏土做成了一个球状。

307 analogous   

adj.相似的；类似的

参考例句：

• The two situations are roughly analogous.两种情況大致相似。
• The company is in a position closely analogous to that of its main rival.该公司与主要竞争对手的处境极为相似。

308 scroll   

n.卷轴，纸卷；(石刻上的)漩涡

参考例句：

• As I opened the scroll,a panorama of the Yellow River unfolded.我打开卷轴时，黄河的景象展现在眼前。
• He was presented with a scroll commemorating his achievements.他被授予一幅卷轴，以表彰其所做出的成就。

309 superstition   

n.迷信，迷信行为

参考例句：

• It's a common superstition that black cats are unlucky.认为黑猫不吉祥是一种很普遍的迷信。
• Superstition results from ignorance.迷信产生于无知。

310 asceticism   

n.禁欲主义

参考例句：

• I am not speaking here about asceticism or abstinence.我说的并不是苦行主义或禁欲主义。
• Chaucer affirmed man's rights to pursue earthly happiness and epposed asceticism.乔叟强调人权，尤其是追求今生今世幸福快乐的权力，反对神权与禁欲主义。

311 psalms   

n.赞美诗( psalm的名词复数 )；圣诗；圣歌；(中的)

参考例句：

• the Book of Psalms 《〈圣经〉诗篇》
• A verse from Psalms knifed into Pug's mind: "put not your trust in princes." 《诗篇》里有一句话闪过帕格的脑海：“不要相信王侯。” 来自辞典例句

312 controversies   

争论

参考例句：

• We offer no comment on these controversies here. 对于这些争议，我们在这里不作任何评论。 来自英汉非文学 - 历史
• The controversies surrounding population growth are unlikely to subside soon. 围绕着人口增长问题的争论看来不会很快平息。 来自辞典例句

313 splendors   

n.华丽( splendor的名词复数 )；壮丽；光辉；显赫

参考例句：

• The sun rose presently and sent its unobstructed splendors over the land. 没多大工夫，太阳就出来了，毫无阻碍，把它的光华异彩散布在大地之上。 来自辞典例句
• Her mortal frame could not endure the splendors of the immortal radiance. 她那世人的肉身禁不住炽热的神光。 来自辞典例句

314 compute   

v./n.计算，估计

参考例句：

• I compute my losses at 500 dollars.我估计我的损失有五百元。
• The losses caused by the floods were beyond compute.洪水造成的损失难以估量。

315 strictly   

adv.严厉地，严格地；严密地

参考例句：

• His doctor is dieting him strictly.他的医生严格规定他的饮食。
• The guests were seated strictly in order of precedence.客人严格按照地位高低就座。

316 fables   

n.寓言( fable的名词复数 )；神话，传说

参考例句：

• Some of Aesop's Fables are satires. 《伊索寓言》中有一些是讽刺作品。 来自《现代英汉综合大词典》
• Little Mexican boys also breathe the American fables. 墨西哥族的小孩子对美国神话也都耳濡目染。 来自辞典例句

317 impurities   

不纯( impurity的名词复数 )； 不洁； 淫秽； 杂质

参考例句：

• A filter will remove most impurities found in water. 过滤器会滤掉水中的大部分杂质。
• Oil is refined to remove naturally occurring impurities. 油经过提炼去除天然存在的杂质。

318 charlatan   

n.骗子；江湖医生；假内行

参考例句：

• The charlatan boasted that he could charm off any disease.这个江湖骗子吹牛说他能用符咒治好各种疾病。
• He was sure that he was dealing with a charlatan.他真以为自己遇上了江湖骗子。

319 perversity   

n.任性；刚愎自用

参考例句：

• She's marrying him out of sheer perversity.她嫁给他纯粹是任性。
• The best of us have a spice of perversity in us.在我们最出色的人身上都有任性的一面。

320 exhausted   

adj.极其疲惫的，精疲力尽的

参考例句：

• It was a long haul home and we arrived exhausted.搬运回家的这段路程特别长，到家时我们已筋疲力尽。
• Jenny was exhausted by the hustle of city life.珍妮被城市生活的忙乱弄得筋疲力尽。

321 unlimited   

adj.无限的，不受控制的，无条件的

参考例句：

• They flew over the unlimited reaches of the Arctic.他们飞过了茫茫无边的北极上空。
• There is no safety in unlimited technological hubris.在技术方面自以为是会很危险。

322 prolix   

adj.罗嗦的；冗长的

参考例句：

• Too much speaking makes it a little prolix.说那么多，有些罗嗦了。
• Her style is tediously prolix.她的文章冗长而乏味。

323 absurdity   

n.荒谬，愚蠢；谬论

参考例句：

• The proposal borders upon the absurdity.这提议近乎荒谬。
• The absurdity of the situation made everyone laugh.情况的荒谬可笑使每个人都笑了。

324 treadmill   

n.踏车；单调的工作

参考例句：

• The treadmill has a heart rate monitor.跑步机上有个脉搏监视器。
• Drugs remove man from the treadmill of routine.药物可以使人摆脱日常单调的工作带来的疲劳。

325 regiment   

n.团，多数，管理；v.组织，编成团，统制

参考例句：

• As he hated army life,he decide to desert his regiment.因为他嫌恶军队生活，所以他决心背弃自己所在的那个团。
• They reformed a division into a regiment.他们将一个师整编成为一个团。

326 ornament   

v.装饰，美化；n.装饰，装饰物

参考例句：

• The flowers were put on the table for ornament.花放在桌子上做装饰用。
• She wears a crystal ornament on her chest.她的前胸戴了一个水晶饰品。

327 tangibly   

adv.可触摸的，可触知地，明白地

参考例句：

• Suddenly the problem of future loomed tangibly for me. 突然，前途的问题明确地出现在我眼前。 来自辞典例句
• Virtue is tangibly rewarded. 善行得到具体的报答。 来自互联网

328 helping   

n.食物的一份&adj.帮助人的，辅助的

参考例句：

• The poor children regularly pony up for a second helping of my hamburger. 那些可怜的孩子们总是要求我把我的汉堡包再给他们一份。
• By doing this, they may at times be helping to restore competition. 这样一来, 他在某些时候,有助于竞争的加强。

329 administrative   

adj.行政的，管理的

参考例句：

• The administrative burden must be lifted from local government.必须解除地方政府的行政负担。
• He regarded all these administrative details as beneath his notice.他认为行政管理上的这些琐事都不值一顾。

330 melodiously   

参考例句：

331 scattered   

adj.分散的，稀疏的；散步的；疏疏落落的

参考例句：

• Gathering up his scattered papers,he pushed them into his case.他把散乱的文件收拾起来，塞进文件夹里。

332 asunder   

adj.分离的，化为碎片

参考例句：

• The curtains had been drawn asunder.窗帘被拉向两边。
• Your conscience,conviction,integrity,and loyalties were torn asunder.你的良心、信念、正直和忠诚都被扯得粉碎了。

333 protocol   

n.议定书，草约，会谈记录，外交礼节

参考例句：

• We must observe the correct protocol.我们必须遵守应有的礼仪。
• The statesmen signed a protocol.那些政治家签了议定书。

334 cannons   

n.加农炮，大炮，火炮( cannon的名词复数 )

参考例句：

• Cannons bombarded enemy lines. 大炮轰击了敌军阵地。 来自《简明英汉词典》
• One company had been furnished with six cannons. 某连队装备了六门大炮。 来自《简明英汉词典》

335 feat   

n.功绩；武艺，技艺；adj.灵巧的，漂亮的，合适的

参考例句：

• Man's first landing on the moon was a feat of great daring.人类首次登月是一个勇敢的壮举。
• He received a medal for his heroic feat.他因其英雄业绩而获得一枚勋章。

336 tract   

n.传单，小册子，大片(土地或森林)

参考例句：

• He owns a large tract of forest.他拥有一大片森林。
• He wrote a tract on this subject.他曾对此写了一篇短文。

337 rusted   

v.（使）生锈( rust的过去式和过去分词 )

参考例句：

• I can't get these screws out; they've rusted in. 我无法取出这些螺丝，它们都锈住了。 来自《现代汉英综合大词典》
• My bike has rusted and needs oil. 我的自行车生锈了，需要上油。 来自《简明英汉词典》

338 nonentity   

n.无足轻重的人

参考例句：

• She was written off then as a political nonentity.她当时被认定是成不了气候的政坛小人物。
• How could such a nonentity become chairman of the company? 这样的庸才怎么能当公司的董事长？