Introduction.

After the publication of his “Table Talk” and other poems in March, 1782, William Cowper, in his quiet retirement¹ at Olney, under Mrs. Unwin’s care, found a new friend in Lady Austen. She was a baronet’s widow who had a sister married to a clergyman near Olney, with whom Cowper was slightly acquainted. In the summer of 1781, when his first volume was being printed, Cowper met Lady Austen and her sister in the street at Olney, and persuaded Mrs. Unwin to invite them to tea. Their coming was the beginning of a cordial friendship. Lady Austen, without being less earnest, had a liveliness that satisfied Cowper’s sense of fun to an extent that stirred at last some jealousy² in Mrs. Unwin. “She had lived much in France,” Cowper said, “was very sensible, and had infinite vivacity³.”

The Vicar of Olney was in difficulties, with his affairs in the hands of trustees. The duties of his office were entirely⁴ discharged by a curate, and the vicarage was to let. Lady Austen, in 1782, rented it, to be near her new friends. There was only a wall between the garden of the house occupied by Cowper and Mrs. Unwin and the vicarage garden. A door was made in the wall, and there was a close companionship of three. When Lady Austen did not spend her evenings with Mrs. Unwin and Cowper, Mrs. Unwin and Cowper spent their evenings with Lady Austen. They read, talked, Lady Austen played and sang, and they all called one another by their Christian⁵ names, William, Mary (Mrs. Unwin), and Anna (Lady Austen). In a poetical⁶ epistle to Lady Austen, written in December, 1781, Cowper closes a reference to the strength of their friendship with the evidence it gave,—

“That Solomon has wisely spoken,—

‘A threefold cord is not soon broken.’”

One evening in the summer of 1782, when Cowper was low-spirited, Lady Austen told him in lively fashion the story upon which he founded the ballad⁷ of “John Gilpin.” Its original hero is said to have been a Mr. Bayer, who had a draper’s shop in London, at the corner of Cheapside. Cowper was so much tickled⁸ by it, that he lay awake part of the night rhyming and laughing, and by the next evening the ballad was complete. It was sent to Mrs. Unwin’s son, who sent it to the Public Advertiser, where for the next two or three years it lay buried in the “Poets’ Corner,” and attracted no particular attention.

In the summer of 1783, when one of the three friends had been reading blank verse aloud to the other two, Lady Austen, from her seat upon the sofa, urged upon Cowper, as she had urged before, that blank verse was to be preferred to the rhymed couplets in which his first book had been written, and that he should write a poem in blank verse. “I will,” he said, “if you will give me a subject.” “Oh,” she answered, “you can write upon anything. Write on this sofa.” He playfully accepted that as “the task” set him, and began his poem called “The Task,” which was finished in the summer of the next year, 1784. But before “The Task” was finished, Mrs. Unwin’s jealousy obliged Cowper to give up his new friend—whom he had made a point of calling upon every morning at eleven—and prevent her return to summer quarters in the vicarage.

Two miles from Olney was Weston Underwood with a park, to which its owner gave Cowper the use of a key. In 1782 a younger brother, John Throckmorton, came with his wife to live at Weston, and continued Cowper’s privilege. The Throckmortons were Roman Catholics, but in May, 1784, Mr. Unwin was tempted⁹ by an invitation to see a balloon ascent¹⁰ from their park. Their kindness as hosts won upon Cowper; they sought and had his more intimate friendship, till in his correspondence he playfully abused the first syllable¹¹ of their name and called them Mr. and Mrs. Frog.

Cowper’s “Task” went to its publisher and printing was begun, when suddenly “John Gilpin,” after a long sleep in the Public Advertiser, rode triumphant¹² through the town. A favourite actor of the day was giving recitations at Freemason’s Hall. A man of letters, Richard Sharp, who had read and liked “John Gilpin,” pointed¹³ out to the actor how well it would suit his purpose. The actor was John Henderson, whose Hamlet, Shylock, Richard III., and Falstaff were the most popular of his day. He died suddenly in 1785, at the age of thirty-eight, and it was thus in the last year of his life that his power of recitation drew “John Gilpin” from obscurity and made it the nine days’ wonder of the town. Pictures of John Gilpin abounded¹⁴ in all forms. He figured on pocket-handkerchiefs. When the publisher asked for a few more pages to his volume of “The Task,” Cowper gave him as makeweights an “Epistle to Joseph Hill,” his “Tirocinium,” and, a little doubtfully, “John Gilpin.” So the book was published in June, 1785; was sought by many because it was by the author of “John Gilpin,” and at once won recognition. The preceding volume had not made Cowper famous. “The Task” at once gave him his place among the poets.

Cowper’s “Task” is to this day, except Wordsworth’s “Excursion,” the best purely¹⁵ didactic poem in the English language. The “Sofa” stands only as a point of departure:—it suits a gouty limb; but as the poet is not gouty, he is up and off. He is off for a walk with Mrs. Unwin in the country about Olney. He dwells on the rural sights and rural sounds, taking first the inanimate sounds, then the animate¹⁶. In muddy winter weather he walks alone, finds a solitary¹⁷ cottage, and draws from it comment upon the false sentiment of solitude¹⁸. He describes the walk to the park at Weston Underwood, the prospect¹⁹ from the hilltop, touches upon his privilege in having a key of the gate, describes the avenues of trees, the wilderness²⁰, the grove²¹, and the sound of the thresher’s flail²² then suggests to him that all live by energy, best ease is after toil²³. He compares the luxury of art with wholesomeness²⁴ of Nature free to all, that brings health to the sick, joy to the returned seafarer. Spleen vexes²⁵ votaries²⁶ of artificial life. True gaiety is for the innocent. So thought flows on, and touches in its course the vital questions of a troubled time. “The Task” appeared four years before the outbreak of the French Revolution, and is in many passages not less significant of rising storms than the “Excursion” is significant of what came with the breaking of the clouds.

H. M.

1 retirement   

n.退休，退职

参考例句：

• She wanted to enjoy her retirement without being beset by financial worries.她想享受退休生活而不必为金钱担忧。
• I have to put everything away for my retirement.我必须把一切都积蓄起来以便退休后用。

2 jealousy   

n.妒忌，嫉妒，猜忌

参考例句：

• Some women have a disposition to jealousy.有些女人生性爱妒忌。
• I can't support your jealousy any longer.我再也无法忍受你的嫉妒了。

3 vivacity   

n.快活，活泼，精神充沛

参考例句：

• Her charm resides in her vivacity.她的魅力存在于她的活泼。
• He was charmed by her vivacity and high spirits.她的活泼与兴高采烈的情绪把他迷住了。

4 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

5 Christian   

adj.基督教徒的；n.基督教徒

参考例句：

• They always addressed each other by their Christian name.他们总是以教名互相称呼。
• His mother is a sincere Christian.他母亲是个虔诚的基督教徒。

6 poetical   

adj.似诗人的；诗一般的；韵文的；富有诗意的

参考例句：

• This is a poetical picture of the landscape. 这是一幅富有诗意的风景画。 来自《简明英汉词典》
• John is making a periphrastic study in a worn-out poetical fashion. 约翰正在对陈腐的诗风做迂回冗长的研究。 来自辞典例句

7 ballad   

n.歌谣，民谣，流行爱情歌曲

参考例句：

• This poem has the distinctive flavour of a ballad.这首诗有民歌风味。
• This is a romantic ballad that is pure corn.这是一首极为伤感的浪漫小曲。

8 tickled   

（使）发痒( tickle的过去式和过去分词 )； （使）愉快，逗乐

参考例句：

• We were tickled pink to see our friends on television. 在电视中看到我们的一些朋友，我们高兴极了。
• I tickled the baby's feet and made her laugh. 我胳肢孩子的脚，使她发笑。

9 tempted   

v.怂恿（某人）干不正当的事；冒…的险（tempt的过去分词）

参考例句：

• I was sorely tempted to complain, but I didn't. 我极想发牢骚，但还是没开口。
• I was tempted by the dessert menu. 甜食菜单馋得我垂涎欲滴。

10 ascent   

n.(声望或地位)提高；上升，升高；登高

参考例句：

• His rapid ascent in the social scale was surprising.他的社会地位提高之迅速令人吃惊。
• Burke pushed the button and the elevator began its slow ascent.伯克按动电钮，电梯开始缓慢上升。

11 syllable   

n.音节；vt.分音节

参考例句：

• You put too much emphasis on the last syllable.你把最后一个音节读得太重。
• The stress on the last syllable is light.最后一个音节是轻音节。

12 triumphant   

adj.胜利的，成功的；狂欢的，喜悦的

参考例句：

• The army made a triumphant entry into the enemy's capital.部队胜利地进入了敌方首都。
• There was a positively triumphant note in her voice.她的声音里带有一种极为得意的语气。

13 pointed   

adj.尖的，直截了当的

参考例句：

• He gave me a very sharp pointed pencil.他给我一支削得非常尖的铅笔。
• She wished to show Mrs.John Dashwood by this pointed invitation to her brother.她想通过对达茨伍德夫人提出直截了当的邀请向她的哥哥表示出来。

14 abounded   

v.大量存在，充满，富于( abound的过去式和过去分词 )

参考例句：

• Get-rich-quick schemes abounded, and many people lost their savings. “生财之道”遍地皆是，然而许多人一生积攒下来的钱转眼之间付之东流。 来自英汉非文学 - 政府文件
• Shoppers thronged the sidewalks. Olivedrab and navy-blue uniforms abounded. 人行道上逛商店的人摩肩接踵，身着草绿色和海军蓝军装的军人比比皆是。 来自辞典例句

15 purely   

adv.纯粹地，完全地

参考例句：

• I helped him purely and simply out of friendship.我帮他纯粹是出于友情。
• This disproves the theory that children are purely imitative.这证明认为儿童只会单纯地模仿的理论是站不住脚的。

16 animate   

v.赋于生命，鼓励；adj.有生命的，有生气的

参考例句：

• We are animate beings,living creatures.我们是有生命的存在，有生命的动物。
• The girls watched,little teasing smiles animating their faces.女孩们注视着，脸上挂着调皮的微笑，显得愈加活泼。

17 solitary   

adj.孤独的，独立的，荒凉的；n.隐士

参考例句：

• I am rather fond of a solitary stroll in the country.我颇喜欢在乡间独自徜徉。
• The castle rises in solitary splendour on the fringe of the desert.这座城堡巍然耸立在沙漠的边际，显得十分壮美。

18 solitude   

n. 孤独; 独居,荒僻之地,幽静的地方

参考例句：

• People need a chance to reflect on spiritual matters in solitude. 人们需要独处的机会来反思精神上的事情。
• They searched for a place where they could live in solitude. 他们寻找一个可以过隐居生活的地方。

19 prospect   

n.前景，前途；景色，视野

参考例句：

• This state of things holds out a cheerful prospect.事态呈现出可喜的前景。
• The prospect became more evident.前景变得更加明朗了。

20 wilderness   

n.杳无人烟的一片陆地、水等，荒漠

参考例句：

• She drove the herd of cattle through the wilderness.她赶着牛群穿过荒野。
• Education in the wilderness is not a matter of monetary means.荒凉地区的教育不是钱财问题。

21 grove   

n.林子，小树林，园林

参考例句：

• On top of the hill was a grove of tall trees.山顶上一片高大的树林。
• The scent of lemons filled the grove.柠檬香味充满了小树林。

22 flail   

v.用连枷打；击打；n.连枷（脱粒用的工具）

参考例句：

• No fence against flail.飞来横祸不胜防。
• His arms were flailing in all directions.他的手臂胡乱挥舞着。

23 toil   

vi.辛劳工作，艰难地行动；n.苦工，难事

参考例句：

• The wealth comes from the toil of the masses.财富来自大众的辛勤劳动。
• Every single grain is the result of toil.每一粒粮食都来之不易。

24 wholesomeness   

卫生性

参考例句：

25 vexes   

v.使烦恼( vex的第三人称单数 )；使苦恼；使生气；详细讨论

参考例句：

• Her continuous chatter vexes me. 她的喋喋不休使我烦透了。 来自《简明英汉词典》
• His continuous chatter vexes me. 他唠叨不休，真烦死我了。 来自《现代英汉综合大词典》

26 votaries   

n.信徒( votary的名词复数 )；追随者；（天主教）修士；修女

参考例句：