She bends before her ivory crucifix, and gazes on her blessed mother’s face, where the sweet Florentine had tinged6 with light a countenance7
Too fair for worship, too divine for love!
And innocence8 has prayed for fresh support, and young devotion told her holy beads9. She rises with an eye of mellowed10 light, and her soft cheek is tinted11 with the flush that comes from prayer. Guard over her, ye angels! wheresoe’er and whatsoe’er ye are! For she shall be your meet companion in an after-day. Then love your gentle friend, this sinless child of clay!
The morning passed as mornings ever pass where twenty women, for the most part pretty, are met together. Some read, some drew, some worked, all talked. Some wandered in the library, and wondered why such great books were written. One sketched12 a favourite hero in the picture gallery, a Dacre, who had saved the State or Church, had fought at Cressy, or flourished at Windsor: another picked a flower out of the conservatory13, and painted its powdered petals14. Here, a purse, half-made, promised, when finished quite, to make some hero happy. Then there was chat about the latest fashions, caps and bonnets15, séduisantes, and sleeves. As the day grew’ old, some rode, some walked, some drove. A pony-chair was Lady Faulconcourt’s delight, whose arm was roundly turned and graced the whip; while, on the other hand, Lady St. Jerome rather loved to try the paces of an ambling16 nag17, because her figure was of the sublime18; and she looked not unlike an Amazonian queen, particularly when Lord Mildmay was her Theseus.
He was the most consummate19, polished gentleman that ever issued from the court of France. He did his friend Dacre the justice to suppose that he was a victim to his barbarous guests; but for the rest of the galloping20 crew, who rode and shot all day, and in the evening fell asleep just when they were wanted, he shrugged21 his shoulders, and he thanked his stars! In short, Lord Mildmay was the ladies’ man; and in their morning dearth22 of beaux, to adopt their unanimous expression, ‘quite a host!’
Then there was archery for those who could draw a bow or point an arrow; and we are yet to learn the sight that is more dangerous for your bachelor to witness, or the ceremony which more perfectly23 develops all that the sex would wish us to remark, than this ‘old English’ custom.
With all these resources, all was, of course, free and easy as the air. Your appearance was your own act. If you liked, you might have remained, like a monk24 or nun25, in your cell till dinner-time, but no later. Privacy and freedom are granted you in the morning, that you may not exhaust your powers of pleasing before night, and that you may reserve for those favoured hours all the new ideas that you have collected in the course of your morning adventures.
But where was he, the hero of our tale? Fencing? Craning? Hitting? Missing? Is he over, or is he under? Has he killed, or is he killed? for the last is but the chance of war, and pheasants have the pleasure of sometimes seeing as gay birds as themselves with plumage quite as shattered. But there is no danger of the noble countenance of the Duke of St. James bearing today any evidence of the exploits of himself or his companions. His Grace was in one of his sublime fits, and did not rise. Luigi consoled himself for the bore of this protracted26 attendance by diddling the page-inwaiting at dominos.
The Duke of St. James was in one of his sublime fits. He had commenced by thinking of May Dacre, and he ended by thinking of himself. He was under that delicious and dreamy excitement which we experience when the image of a lovely and beloved object begins to mix itself up with our own intense self-love. She was the heroine rather of an indefinite reverie than of definite romance. Instead of his own image alone playing about his fancy, her beautiful face and springing figure intruded27 their exquisite28 presence. He no longer mused29 merely on his own voice and wit: he called up her tones of thrilling power; he imagined her in all the triumph of her gay repartee30. In his mind’s eye, he clearly watched all the graces of her existence. She moved, she gazed, she smiled. Now he was alone, and walking with her in some rich wood, sequestered31, warm, solemn, dim, feeding on the music of her voice, and gazing with intenseness on the wakening passion of her devoted32 eye. Now they rode together, scudded33 over champaign, galloped34 down hills, scampered35 through valleys, all life, and gaiety, and vivacity36, and spirit. Now they were in courts and crowds; and he led her with pride to the proudest kings. He covered her with jewels; but the world thought her brighter than his gems37. Now they met in the most unexpected and improbable manner: now they parted with a tenderness which subdued38 their souls even more than rapture39. Now he saved her life: now she blessed his existence. Now his reverie was too vague and misty40 to define its subject. It was a stream of passion, joy, sweet voices, tender tones, exulting41 hopes, beaming faces, chaste42 embraces, immortal43 transports!
It was three o’clock, and for the twentieth time our hero made an effort to recall himself to the realities of life. How cold, how tame, how lifeless, how imperfect, how inconsecutive, did everything appear! This is the curse of reverie. But they who revel44 in its pleasures must bear its pains, and are content. Yet it wears out the brain, and unfits us for social life. They who indulge in it most are the slaves of solitude45. They wander in a wilderness46, and people it with their voices. They sit by the side of running waters, with an eye more glassy than the stream. The sight of a human being scares them more than a wild beast does a traveller; the conduct of life, when thrust upon their notice, seems only a tissue of adventures without point; and, compared with the creatures of their imagination, human nature seems to send forth only abortions47.
‘I must up,’ said the young Duke; ‘and this creature on whom I have lived for the last eight hours, who has, in herself, been to me the universe, this constant companion, this cherished friend, whose voice was passion and whose look was love, will meet me with all the formality of a young lady, all the coldness of a person who has never even thought of me since she saw me last. Damnable delusion48! To-morrow I will get up and hunt.’
He called Luigi, and a shower-bath assisted him in taking a more healthy view of affairs. Yet his faithful fancy recurred49 to her again. He must indulge it a little. He left off dressing50 and flung himself in a chair.
‘And yet,’ he continued, ‘when I think of it again, there surely can be no reason that this should not turn into a romance of real life. I perceived that she was a little piqued51 when we first met at Don-caster. Very natural! Very flattering! I should have been piqued. Certainly, I behaved decidedly ill. But how, in the name of Heaven, was I to know that she was the brightest little being that ever breathed! Well, I am here now! She has got her wish. And I think an evident alteration52 has already taken place. But she must not melt too quickly. She will not; she will do nothing but what is exquisitely53 proper. How I do love this child! I dote upon her very image. It is the very thing that I have always been wanting. The women call me inconstant. I have never been constant. But they will not listen to us without we feign54 feelings, and then they upbraid55 us for not being influenced by them. I have sighed, I have sought, I have wept, for what I now have found. What would she give to know what is passing in my mind! By Heavens! there is no blood in England that has a better chance of being a Duchess!’
点击收听单词发音
1 aurora | |
n.极光 | |
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2 plundering | |
掠夺,抢劫( plunder的现在分词 ) | |
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3 slumbers | |
睡眠,安眠( slumber的名词复数 ) | |
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4 forth | |
adv.向前;向外,往外 | |
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5 bower | |
n.凉亭,树荫下凉快之处;闺房;v.荫蔽 | |
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6 tinged | |
v.(使)发丁丁声( ting的过去式和过去分词 ) | |
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7 countenance | |
n.脸色,面容;面部表情;vt.支持,赞同 | |
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8 innocence | |
n.无罪;天真;无害 | |
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9 beads | |
n.(空心)小珠子( bead的名词复数 );水珠;珠子项链 | |
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10 mellowed | |
(使)成熟( mellow的过去式和过去分词 ); 使色彩更加柔和,使酒更加醇香 | |
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11 tinted | |
adj. 带色彩的 动词tint的过去式和过去分词 | |
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12 sketched | |
v.草拟(sketch的过去式与过去分词形式) | |
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13 conservatory | |
n.温室,音乐学院;adj.保存性的,有保存力的 | |
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14 petals | |
n.花瓣( petal的名词复数 ) | |
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15 bonnets | |
n.童帽( bonnet的名词复数 );(烟囱等的)覆盖物;(苏格兰男子的)无边呢帽;(女子戴的)任何一种帽子 | |
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16 ambling | |
v.(马)缓行( amble的现在分词 );从容地走,漫步 | |
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17 nag | |
v.(对…)不停地唠叨;n.爱唠叨的人 | |
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18 sublime | |
adj.崇高的,伟大的;极度的,不顾后果的 | |
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19 consummate | |
adj.完美的;v.成婚;使完美 [反]baffle | |
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20 galloping | |
adj. 飞驰的, 急性的 动词gallop的现在分词形式 | |
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21 shrugged | |
vt.耸肩(shrug的过去式与过去分词形式) | |
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22 dearth | |
n.缺乏,粮食不足,饥谨 | |
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23 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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24 monk | |
n.和尚,僧侣,修道士 | |
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25 nun | |
n.修女,尼姑 | |
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26 protracted | |
adj.拖延的;延长的v.拖延“protract”的过去式和过去分词 | |
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27 intruded | |
n.侵入的,推进的v.侵入,侵扰,打扰( intrude的过去式和过去分词 );把…强加于 | |
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28 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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29 mused | |
v.沉思,冥想( muse的过去式和过去分词 );沉思自语说(某事) | |
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30 repartee | |
n.机敏的应答 | |
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31 sequestered | |
adj.扣押的;隐退的;幽静的;偏僻的v.使隔绝,使隔离( sequester的过去式和过去分词 );扣押 | |
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32 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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33 scudded | |
v.(尤指船、舰或云彩)笔直、高速而平稳地移动( scud的过去式和过去分词 ) | |
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34 galloped | |
(使马)飞奔,奔驰( gallop的过去式和过去分词 ); 快速做[说]某事 | |
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35 scampered | |
v.蹦蹦跳跳地跑,惊惶奔跑( scamper的过去式和过去分词 ) | |
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36 vivacity | |
n.快活,活泼,精神充沛 | |
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37 gems | |
growth; economy; management; and customer satisfaction 增长 | |
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38 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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39 rapture | |
n.狂喜;全神贯注;着迷;v.使狂喜 | |
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40 misty | |
adj.雾蒙蒙的,有雾的 | |
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41 exulting | |
vi. 欢欣鼓舞,狂喜 | |
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42 chaste | |
adj.贞洁的;有道德的;善良的;简朴的 | |
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43 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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44 revel | |
vi.狂欢作乐,陶醉;n.作乐,狂欢 | |
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45 solitude | |
n. 孤独; 独居,荒僻之地,幽静的地方 | |
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46 wilderness | |
n.杳无人烟的一片陆地、水等,荒漠 | |
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47 abortions | |
n.小产( abortion的名词复数 );小产胎儿;(计划)等中止或夭折;败育 | |
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48 delusion | |
n.谬见,欺骗,幻觉,迷惑 | |
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49 recurred | |
再发生,复发( recur的过去式和过去分词 ); 治愈 | |
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50 dressing | |
n.(食物)调料;包扎伤口的用品,敷料 | |
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51 piqued | |
v.伤害…的自尊心( pique的过去式和过去分词 );激起(好奇心) | |
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52 alteration | |
n.变更,改变;蚀变 | |
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53 exquisitely | |
adv.精致地;强烈地;剧烈地;异常地 | |
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54 feign | |
vt.假装,佯作 | |
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55 upbraid | |
v.斥责,责骂,责备 | |
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