Eden Bower was, at twenty, very much the same person that we all know her to be at forty, except that she knew a great deal less. But one thing she knew: that she was to be Eden Bower. She was like some one standing4 before a great show window full of beautiful and costly5 things, deciding which she will order. She understands that they will not all be delivered immediately, but one by one they will arrive at her door. She already knew some of the many things that were to happen to her; for instance, that the Chicago millionaire who was going to take her abroad with his sister as chaperone, would eventually press his claim in quite another manner. He was the most circumspect6 of bachelors, afraid of everything obvious, even of women who were too flagrantly handsome. He was a nervous collector of pictures and furniture, a nervous patron of music, and a nervous host; very cautious about his health, and about any course of conduct that might make him ridiculous. But she knew that he would at last throw all his precautions to the winds.
People like Eden Bower are inexplicable7. Her father sold farming machinery8 in Huntington, Illinois, and she had grown up with no acquaintances or experiences outside of that prairie town. Yet from her earliest childhood she had not one conviction or opinion in common with the people about her, — the only people she knew. Before she was out of short dresses she had made up her mind that she was going to be an actress, that she would live far away in great cities, that she would be much admired by men and would have everything she wanted. When she was thirteen, and was already singing and reciting for church entertainments, she read in some illustrated9 magazine a long article about the late Czar of Russia, then just come to the throne or about to come to it. After that, lying in the hammock on the front porch on summer evenings, or sitting through a long sermon in the family pew, she amused herself by trying to make up her mind whether she would or would not be the Czar’s mistress when she played in his Capital. Now Edna had met this fascinating word only in the novels of Ouida, — her hard-worked little mother kept a long row of them in the upstairs storeroom, behind the linen10 chest. In Huntington, women who bore that relation to men were called by a very different name, and their lot was not an enviable one; of all the shabby and poor, they were the shabbiest. But then, Edna had never lived in Huntington, not even before she began to find books like “Sapho” and “Mademoiselle de Maupin,” secretly sold in paper covers throughout Illinois. It was as if she had come into Huntington, into the Bowers11 family, on one of the trains that puffed12 over the marshes13 behind their back fence all day long, and was waiting for another train to take her out.
As she grew older and handsomer, she had many beaux, but these small-town boys didn’t interest her. If a lad kissed her when he brought her home from a dance, she was indulgent and she rather liked it. But if he pressed her further, she slipped away from him, laughing. After she began to sing in Chicago, she was consistently discreet14. She stayed as a guest in rich people’s houses, and she knew that she was being watched like a rabbit in a laboratory. Covered up in bed, with the lights out, she thought her own thoughts, and laughed.
This summer in New York was her first taste of freedom. The Chicago capitalist, after all his arrangements were made for sailing, had been compelled to go to Mexico to look after oil interests. His sister knew an excellent singing master in New York. Why should not a discreet, well-balanced girl like Miss Bower spend the summer there, studying quietly? The capitalist suggested that his sister might enjoy a summer on Long Island; he would rent the Griffith’s place for her, with all the servants, and Eden could stay there. But his sister met this proposal with a cold stare. So it fell out, that between selfishness and greed, Eden got a summer all her own, — which really did a great deal toward making her an artist and whatever else she was afterward15 to become. She had time to look about, to watch without being watched; to select diamonds in one window and furs in another, to select shoulders and moustaches in the big hotels where she went to lunch. She had the easy freedom of obscurity and the consciousness of power. She enjoyed both. She was in no hurry.
While Eden Bower watched the pigeons, Don Hedger sat on the other side of the bolted doors, looking into a pool of dark turpentine, at his idle brushes, wondering why a woman could do this to him. He, too, was sure of his future and knew that he was a chosen man. He could not know, of course, that he was merely the first to fall under a fascination16 which was to be disastrous17 to a few men and pleasantly stimulating18 to many thousands. Each of these two young people sensed the future, but not completely. Don Hedger knew that nothing much would ever happen to him. Eden Bower understood that to her a great deal would happen. But she did not guess that her neighbour would have more tempestuous19 adventures sitting in his dark studio than she would find in all the capitals of Europe, or in all the latitude20 of conduct she was prepared to permit herself.
点击收听单词发音
1 bower | |
n.凉亭,树荫下凉快之处;闺房;v.荫蔽 | |
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2 scraps | |
油渣 | |
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3 eyebrows | |
眉毛( eyebrow的名词复数 ) | |
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4 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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5 costly | |
adj.昂贵的,价值高的,豪华的 | |
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6 circumspect | |
adj.慎重的,谨慎的 | |
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7 inexplicable | |
adj.无法解释的,难理解的 | |
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8 machinery | |
n.(总称)机械,机器;机构 | |
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9 illustrated | |
adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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10 linen | |
n.亚麻布,亚麻线,亚麻制品;adj.亚麻布制的,亚麻的 | |
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11 bowers | |
n.(女子的)卧室( bower的名词复数 );船首锚;阴凉处;鞠躬的人 | |
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12 puffed | |
adj.疏松的v.使喷出( puff的过去式和过去分词 );喷着汽(或烟)移动;吹嘘;吹捧 | |
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13 marshes | |
n.沼泽,湿地( marsh的名词复数 ) | |
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14 discreet | |
adj.(言行)谨慎的;慎重的;有判断力的 | |
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15 afterward | |
adv.后来;以后 | |
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16 fascination | |
n.令人着迷的事物,魅力,迷恋 | |
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17 disastrous | |
adj.灾难性的,造成灾害的;极坏的,很糟的 | |
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18 stimulating | |
adj.有启发性的,能激发人思考的 | |
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19 tempestuous | |
adj.狂暴的 | |
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20 latitude | |
n.纬度,行动或言论的自由(范围),(pl.)地区 | |
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